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Television woos Marathi Manus

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SABTNL vice chairman and managing director Markand Adhikari assures us that his long-in-the-pipeline channel ‘Mi Marathi’ will finally be making its appearance in February 2007.

With just two players in the GEC market – Zee Marathi and ETV Marathi – and one public broadcaster – DD Sahyadri – struggling to keep up with the onslaught of private players, the time is just right for more players to enter the niche Marathi regional market.

It’s an open field and almost every television network has set sights on it. Like one industry gentleman mentions, “We’ve looked and looked until our eyes have watered.”
That’s one of the more cautious players checking the scene. But what catches our interest is the launch of two new channels on the anvil. Zee News Limited is about to launch Chouvees Tas (25 January is the date that is doing the rounds), a 24 hour news channel in Marathi while Adhikari brothers Mi Marathi should launch soon too.

Other players who are evaluating the market include TV18 and Star, although both networks declined to make any specific comment, insisting that the regional market is an unexplored territory, whether in Maharashtra or the other regional segment fast gaining interest – the south.

BACKGROUND

This is not the first time that channels have wooed the Marathi Manus. The first wave of Marathi channels saw DD Sahyadri, Zee Marathi, ETV Marathi, Tara Marathi and Prabhat fighting for eyeballs. DD Sahyadri was launched in 1998 and was followed by Zee Marathi in 1999. ETV Marathi, Tara and Prabhat were launched in the period between 2001-02.

While the Rathikant Basu led Tara Marathi and Prabhat channels have long since shut shop, Zee Marathi and ETV have not only managed to hold on but have since established themselves, pushing DD Sahyadri to the third position.

DD Sahyadri tried to resurrect itself in 2003 and even raced ahead of the two private players for a brief period. But recent figures suggest another role reversal.

THE NUMBERS GAME

Take into account the figures for last the three months (Oct-Dec 2006), in the CS + 4 Yrs by Tam. ETV Marathi is leading the channel share in Maharashtra by a narrow margin ahead of Zee Marathi, while DD Sahyadri is lagging behind with just 11 per cent share.

In Mumbai, however, Zee Marathi pipped ETV Marathi to the post with a 50 per cent share.

Two weeks into the new year (with CAS having been implemented in south Mumbai and Tam introducing its new, expanded peoplemeter panel), the data throws up a few surprises. And this time Zee Marathi is seen beating ETV Marathi by a high margin. In fact, it competes with Star Plus in the Hindi GEC and emerges a winner.

Channels GRP
ZEE Marathi 351
Star Plus 319
ETV Marathi 258

Channel GRP in GEC
Market:All India
TG: CS 15+Yrs
Source: TAM Peoplemeter

Zee Marathi business head Nitin Vaidya is elated as he brings out the week two results. “Zee Marathi has surpassed Star Plus in the overall channel market share. Both Mumbai and all Maharastra categories show a significant lead for Zee Marathi,” says Vaidya. The data he details is clearly reflective of the channel’s hold over its Marathi speaking audiences; whether during prime time viewing or the afternoon band with a predominance of women oriented programming.

“I’m not bothered about the Kyunki’s and Kahaani’s of the world. My competition is not restricted to the Marathi market. I want to compete at equal par with all other entertainment channels. For instance; Sa Re Ga Ma Pa hosted by Pallavi Joshi on Zee Marathi is as popular as the one on our Hindi network,” reiterates Vaidya. In fact, the channel is so confident about its show that the time slot of 10 pm coincides with Star Plus’ popular K-sagas. Despite this, the channel claims to have wide viewership amongst its Marathi viewers. While one of the reasons for Star’s slump could be attributed to Tam having increased its peoplemeter sample size to more cities and updating the number of C&S homes, the interest in Marathi market by established networks is an indicator of its mass appeal.

The numbers also show that Marathi channels, once considered a slow moving market, are undergoing a paradigm shift. The competition is no longer restricted within the niche Marathi channel market but has spilt over to all GECs. According to industry sources, the Marathi market growth rate in 2003 was a modest 8 per cent. Compare that to the 13 to 14 per cent growth rate touted today and we get an idea of why other channels are waiting to jump into the fray.

The general bonhomie over the Marathi market growth is also shared by other industry watchers. Vaidya estimates that the size of the Marathi regional market is Rs1 billion and will be about Rs1.2 billion by year end.

CONTENT IS KING

Zee Marathi has clearly ridden the success wave on the back of its programming. Zee Marathi spruced up its programming act last year with the introduction of many new shows. Currently, 11 of the top 15 shows on Marathi regional channels is by Zee Marathi. Zee Telefilms head network sales Joy Chakraborthy believes that the Zee Marathi success was due to its shift from a ‘cost centric’ to a ‘content and marketing centric’ strategy.

Doordarshan director Satish Sonkar, who has recently replaced an unceremoniously transferred Mukesh Sharma, is confident about DD Sahyadri. “Our terrestrial reach cannot be duplicated by the private channels. Hence the CAS situation does not bother us too much.”

DD Sahyadri:Losing the numbers game?
Source:www.ddindia.com

Sonkar is also gearing up to revive the sagging fortunes of Doordarshan. “Plans are on to launch a new breakfast show in the time slot between 7 to 8 in the morning moulded on the popular Subah Savere format. The emphasis throughout our programming content will be on infotainment.” The channel also wants to experiment with ‘parallel programming’; although current infrastructure does not permit it do so. Sonkar is also eager to do away with repeats on the channel and replace them with documentaries or feature shows “showcasing cultural aspects of Marathi culture like the history of Lavani”.

Award events like Zee Gaurav Puraskar on Zee Marathi to be held on 3 February will see over 10,000 people in attendace. Sahyadri’s Hirkani Puraskar also claims a loyal viewership every year.

Adhikari’s ‘Mi Marathi’ is likely to give the general entertainment channels a run for its collective money with its ‘bank of 3,000 programmes’. “With a tagline of Aaplya Maansanchi Aapli Vahini (our channel for our own people) and the experience of producing the most popular shows on Doordarshan we will certainly do well,” maintains Adhikari.

AD REVENUE

On a rough estimate, Zee Marathi takes in ad revenues to the tune of Rs 400 million to Rs 450 million while ETV Marathi would be in a similar range. DD Sahyadri claims to have already raked in Rs 300 million, the target set for 2006-2007.

Sahyadri also switched from a sponsored to commissioned model starting Oct ’06 to eliminate the middle man. While this is on an experimental basis right now across its regional kendras, the Sahyadri channel has started this on 3-4 of its programmes and aims to extend it to all its programming by the end of this fiscal. The channel is confident that this policy called SFS (self financing scheme) will bring in the much needed ad revenue.

But Marathi channels will have to woo the advertisers more intently. Most of the biggies in terms of advertising in Marathi channels are the FMCG companies like HLL, Reckitt, J&J, Marico, Wipro and they continue to dominate the top advertisers list over the last three years. Most of the new entrants are also from the same category with players like ITC & L’Oreal.

GOOD ‘NEWS’

The general news market will see the addition of a new player as Zee News’ Chouvees Tas. Zee News Limited CEO Harish Doraiswamy says, ‘Unless someone else pips us to the post, we are all set to become the first 24-hour Marathi news channel. There is certainly an equity in the Marathi news market since what is now available to a Marathi viewer is only hour on hour news at Zee Marathi, ETV Marathi and DD Sahyadri.’ The channel, which will be launched in a phased manner, is slated to cover all Maharashtra and will enter the market as a free-to-air channel.

Does the rural- urban divide amongst Marathi viewers still exist and will this be a critical factor for Marathi channels? Doraiswamy says, “The content on the news channel will have to be tweaked to suit different categories of Marathi viewership. But by and large, the aspirations of the Marathi people are similar across geographical boundaries. In India, we may call a Latur or Sangli a small city, but judging by the population size these would be large cities had they been in the States. Going by the argument, we don’t see a disparity in our viewership. We will have agri-based programming or news specific to the community. The genres of programming will however be consistent throughout.”

ETV Marathi focus on news
Source:www.etv.com

ETV Marathi first saw the potential of well packaged news and has three news bulletins – ETV Marathi news, Maharashtra Maaza and Aapli Mumbai. The channel also has an issue based talk show Vrutt Vaidh. Sahyadri also has a news bulletin in the evening called Batmya. Zee Marathi’s Zee News Marathi is now airing at regular intervals during the day along with hour-on-hour headlines, which will also be withdrawn in the run up to its 24 hour news channel.

Clearly, the latest battle lines amongst these channels will be drawn around news since most of these channels agree that they can never match the programming budgets of some of the bigger channels. Roping in the Marathi viewer through events, awards shows, interactive game shows can be seen across the channels already.

GRAPPLING WITH CAS

Starcom India’s Girish Upadhyay brings in the media planner’s perspective when he says, “If we just see the one week data we have post CAS implementation one sees regional channel shares increasing by 20-25 per cent whereas some of the big mass channels have reduced in terms of share, but still these are early days.”

He further states, “The general understanding is that niche & local regional channels do well in a CAS environment, since in such an environment people take channels which they are passionate about. But there won’t be space for too many channels to survive because a consumer ultimately has to shed money for every extra channel he takes.

“This could give rise to two scenarios: The first entrant in the market would have an upper hand, since viewers have a habit of sticking to whatever they start watching first.

“Consumers will also be tempted to buy a bouquet which has a mix of everything-news, movies, mass, regional. So these smaller news channels will do well if they become part of a good well-rounded bouquet of channels.”

WAY AHEAD

What is clear is that the ad revenue pie of the news market, with the entry of these players, is not going to increase much; in fact it will fragment the market further. Also, the big players are entering into news not because of revenue but more because they want to create an impact. Under the Cas regime, the network that offers the most variety in its bouquet is likely to win. That is precisely why one sees some of the news channels nowadays getting into the entertainment channel space which could be an added source of revenue.

So is there room for more regional news channels? The language preference by the masses could just tip the scale in its favour. It is similar to newspaper readership across markets where vernacular is preferred over English/Hindi publications. The fact remains that in Mumbai, many of the Marathi households buy two newspapers – an English daily and a Marathi newspaper.

Upadhyay does a comparative on the Bengali news market, which has Star and Zee amongst its players. “If we had to take the West Bengal a figure in terms of news, Star Ananda is currently ruling with a share in the range of 3 per cent while Zee’s Choubees Ghanta is in the range of 1.5 per cent, followed by the other all India players.”

Although it would be tough to judge the Marathi market on the same basis, regional channels do have an upper edge purely due to language and cultural preferences.

This could very well mark the second wave of Marathi regional channels and news will be the genre to watch out for.

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Brand house Bigg Boss Marathi Season 6 turns the spotlight on sponsors

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MUMBAI: When the house fills up, so does the brand roster. Bigg Boss Marathi Season 6 has signed on nine leading sponsors, underlining the franchise’s pull as one of Maharashtra’s most influential entertainment properties across television and digital. The latest season once again positions the show as a magnet for brands looking to blend scale with cultural relevance in a market that rewards regional nuance.

The sponsor lineup is spread across multiple tiers. Danube Properties and Santoor Soap come on board as co-powered partners, while MYK Laticrete, Pitambari, P. N. Gadgil & Sons, Gemini Cooking Oil and Cotton King have joined as special partners. Society Tea and Tunwal E-Motors complete the lineup as associate sponsor.

For returning sponsors, the appeal lies in the show’s ability to deliver repeatable impact. Danube Properties, which previously partnered Bigg Boss 19, said the Marathi edition allows it to deepen engagement with regional audiences built on aspiration and trust. Santoor Soap echoed that view, pointing to strong recall and engagement from past integrations and highlighting the show’s value in reinforcing its progressive woman narrative within culturally rooted storytelling.

Other brands see the show as a platform that goes beyond visibility. MYK Laticrete described the association as a way to build trust through sustained presence, while Pitambari said the partnership coincides with the launch push for its Dishwash Gel, leveraging the show’s reach into everyday households. Jewellery major P. N. Gadgil & Sons returns for a second consecutive season, citing the programme’s cultural stature and the added appeal of host Riteish Deshmukh.

From kitchen staples to clothing and EVs, the diversity of categories reflects the show’s broad audience base. Gemini Cooking Oil called the partnership a natural alignment between two No.1 brands in Maharashtra, while Cotton King sees the association as a springboard to build recall and relevance. Society Tea continues its long-standing relationship with the franchise, and Tunwal E-Motors is using the platform to push its message of affordable electric mobility to mass audiences.

With Season 6 assembling a crowded sponsor house, Bigg Boss Marathi once again demonstrates why regional entertainment has become prime real estate for marketers. In a cluttered media landscape, the show’s mix of scale, loyalty and cultural currency continues to make it one of the safest bets on the brand board.

Danube Group founder & chairman Rizwan Sajan said, “After the overwhelming response to our association with Bigg Boss 19, we are delighted to extend our partnership to Bigg Boss Marathi. At Danube Properties, we believe in meeting our audience where they are, and this collaboration allows us to connect more deeply with regional audiences who share our values of aspiration, trust, and progress. This partnership reinforces our commitment to building meaningful relationships across cultures and communities.”

Wipro Santoor (Wipro Consumer Care) CMO Prasanna Rai said, “Santoor’s growth to become the largest soap brand in India, has been driven by deep consumer connections. High-impact regional programs like Bigg Boss Marathi allow us to build these bonds authentically with culturally rooted audiences in ways that broader national properties miss. Our integration last year delivered strong engagement and exceptional recall. We are excited to partner with Bigg Boss Marathi once again, continuing to weave Santoor’s progressive woman narrative into the show’s storytelling and further strengthening our presence in every Marathi household.”

MYK Laticrete president of sales & marketing Amarbir Palta said, “Bigg Boss Marathi offers a deeply regional and culturally rooted audience. Our partnership with this show goes beyond visibility, it’s about connecting with culture and building trust through sustained visibility. This association reinforces one clear promise: Any tile, any surface, MYK LATICRETE delivers unmatched excellence in tile adhesives.”

Pitambari Products Pvt. Ltd. DGM Priya Prabhudesai said, “We are proud to be associated with Bigg Boss Marathi, a platform that truly connects with millions of Indian homes. Through this association, we are launching Pitambari Dishwash Gel with the aim of reaching every household. With its unmatched reach and strong entertainment value, this collaboration allows us to engage with consumers in a fresh and impactful way.”

P. N. Gadgil & Sons Limited CFO & COO Aditya Modak said, “We are proud to associate with Bigg Boss Marathi Season 6 for the second consecutive year. The show commands a distinct cultural stature with a loyal following, and the presence of Riteish Deshmukh as host has further elevated its appeal and scale. This partnership enables us to engage meaningfully with a new generation of discerning audiences while reinforcing our legacy of trust across Maharashtra.”

Cargill Foods India senior director for GTM Retail Shailesh Khurana said, “Gemini has always been the first choice of Maharashtra’s kitchens. Partnering with Bigg Boss Marathi, the state’s most loved show, is a natural fit when two No.1 brands come together, it creates a winning story for millions of households.”

Cotton King Pvt. Ltd. managing director Koushik Marathe said, “Cotton King is proud to associate with Bigg Boss Marathi for the first time. The show offers a powerful platform to connect with millions of viewers and strengthen brand recall. We’re excited to drive visibility, relevance, and deeper consumer affinity through this partnership.”

Society Tea senior marketing manager Chandrashekhar Bhosle said, “Our association with Bigg Boss Marathi has been a strong and rewarding journey. With the show’s growing scale and engagement, we are confident Season 6 will deliver an even bigger impact for Society Tea.”

Tunwal E-Motors chairman and managing director Jhumarmal Tunwal said, “Tunwal E Motors Limited has always been committed to making sustainable and affordable electric mobility accessible to the masses. This association reflects our vision of driving Bharat towards a cleaner, smarter future by bringing reliable EV solutions closer to consumers across the country.”

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Celebrating World Hindi Day: Guess which country besides India officially speaks Hindi?

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MUMBAI: Every January 10, millions of Hindi speakers pause to celebrate a language that is far older than its official tags and far wider in reach than its South Asian origins might suggest. World Hindi Day honours the cultural legacy and expanding global presence of Hindi, a language that connects people across continents and generations.

The idea for World Hindi Day was born more than four decades ago at the first World Hindi Conference, held on January 10, 1975, in Nagpur, Maharashtra, with delegates from around 30 countries gathering to promote Hindi beyond India’s borders. Two decades later, in 2006, the Indian government formalised the observance, giving the language its own annual moment on the global calendar.

A language without borders
Hindi’s reach today is remarkable. Spoken by hundreds of millions, it ranks among the most spoken languages globally, trailing only behind Mandarin Chinese and English in sheer number of speakers. Estimates suggest that roughly 600 million people use Hindi in some form, whether as a first or additional language.

While India remains the heartland of Hindi, its influence stretches far beyond. Fiji stands out as a singular testament to the language’s overseas journey: in 1997, Hindi was enshrined as one of the island nation’s official languages, recognising the linguistic heritage of its Indo-Fijian community, whose ancestors carried Hindi dialects with them more than a century ago.

Across South Asia and beyond, Hindi resonates in everyday life. In Nepal, it is widely understood and spoken, especially in border regions; in countries such as Mauritius, Trinidad and Tobago, Suriname and Guyana, it lives on through generations of diaspora communities, where Indian traditions remain woven into the cultural fabric. In the United States, the UK and Singapore, Hindi classrooms and community hubs reflect a growing appetite among younger generations to engage with the language of their forebears.

Roots in history, wings in culture
Back home, Hindi’s story predates modern nationhood. As a descendant of Sanskrit and a mosaic of dialects such as Awadhi, Bhojpuri and Khariboli, the language evolved and spread over centuries, absorbing influences and adapting to local cultures. Its script, Devanagari, is recognised for its phonetic clarity and literary heritage.

In India, Hindi was adopted as an official language under Article 343 of the Constitution in 1950, written in Devanagari, and today it serves as a major medium of communication, administration and education across much of northern and central India.

World Hindi Day celebrates these roots and the vast cultural landscape built upon them. It is marked by seminars, workshops, poetry recitals, youth contests and academic exchanges not only in India but in embassies, universities and cultural centres worldwide. The aim is simple but ambitious, to honour Hindi’s heritage while encouraging its use as a vehicle of global communication and intercultural dialogue.

A language in the digital age
Hindi’s rise has not been confined to temples, lecture halls and diasporic festivals. In the digital age, Hindi content has exploded across the internet, from social media to video platforms, blogs to online publications. Hindi is now one of the most visible languages on the web, with millions of users creating and consuming content daily.

This digital presence reinforces Hindi’s living nature, it is not a museum piece but a language that continues to grow and adapt. Whether in informal chat, academic discourse, cinema, television or social media, Hindi remains vibrant, expressive and deeply connected to the lives of its speakers.

More than words
World Hindi Day is not merely an ode to vocabulary or grammar. It is a celebration of identity, memory and community. For many, Hindi is a bridge between past and present, home and diaspora, tradition and innovation.

Across classrooms in India and cultural forums abroad, the message is the same: Hindi is not just a language of heritage, it is a dynamic force in contemporary culture and global conversation.

Hindi in popular culture and entertainment
Hindi’s influence extends far beyond classrooms and diaspora communities; it thrives in everyday entertainment and global pop culture. Daily soaps on Indian television have played a major role in spreading the language, not just in India but across the world. Many popular serials are dubbed into local languages or subtitled to reach international audiences, airing in countries such as Nepal, Mauritius, the UAE, the UK, the USA, and parts of Africa and Southeast Asia. Diaspora communities often tune in to these shows to stay connected with Indian culture, while local audiences are drawn to the stories, music, and traditions portrayed. These soaps bring Hindi into homes daily, reinforcing vocabulary, idioms, and cultural references, while shaping social conversations and entertainment habits. From family dramas to mythological epics, Hindi television has become a vibrant vehicle for both cultural preservation and global reach.

The language has also captured the attention of global celebrities and influencers. Stars like Nick Jonas have been spotted jamming to Hindi tracks, while other international musicians and social media personalities incorporate Hindi music into performances and content. This crossover into mainstream global entertainment highlights Hindi’s appeal as a vibrant, expressive language that resonates across cultures, making it not just a language of heritage, but a dynamic force in contemporary global culture.

On January 10 each year, as events unfold from Nagpur to Nairobi, from Suva to San Francisco, that force is recognised and celebrated. Hindi’s journey from village speech to global stage continues, nuanced, powerful and unmistakably human.

In nations such as Mauritius, Hindi enjoys cultural significance and is commonly spoken, but it is not listed as a constitutional language. Similarly, in Nepal, Hindi is widely understood and used, yet Nepali remains the official language. In Suriname, the Indian-origin community predominantly speaks Sarnami Hindustani, a variant of Hindi. Other countries, including Guyana, Trinidad and Tobago, South Africa, the UAE, the USA and the UK, also have sizable Hindi-speaking populations, and in some cases, Hindi is recognized in limited contexts, such as court proceedings in Abu Dhabi, but it does not hold national official status.

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Doorway to drama as Bigg Boss Marathi 6 returns with fate on the line

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MUMBAI: When doors creak open in the Bigg Boss house, chaos usually follows and this season, destiny itself is up for negotiation. One of Marathi television’s most formidable reality franchises, Bigg Boss Marathi, is back with Season 6, promising sharper twists, louder drama and a house designed to play mind games of its own. The new season premieres with a grand launch on January 11 at 8 pm on Colors Marathi and streams simultaneously on JioHotstar, with daily episodes to follow every night at the same time.

This year’s theme “Doors will open, destinies will change” is not just a tagline but the backbone of the format. Spread across 13,000 sq ft, the redesigned house features multiple doors, each concealing challenges, shocks or turning points capable of altering the game overnight. More than 16 contestants will live under the constant gaze of 100 plus cameras during an intense 100-day journey marked by alliances, betrayals, friendships, feuds and high-stakes eliminations.

Anchoring the chaos once again is Riteish Deshmukh, who returns as host after striking a chord last season with his candid, no-nonsense and distinctly Maharashtrian style. Balancing humour with hard truths, Deshmukh is expected to reprise his role as confidant, critic and conscience of the house. “No one knows which door will change whose destiny,” he said, hinting at a season packed with unpredictability, emotion and drama.

Behind the scenes, the format continues to be produced by Banijay Asia and EndemolShine India, with creators promising tighter gameplay and deeper integration of the theme into tasks and nominations. According to the producers, every door in the house is a potential game-changer, reinforcing the idea that survival this season will hinge as much on instinct as on strategy.

From a business perspective, the show remains a magnet for advertisers. Season 6 is co-powered by Danube Properties and Santoor, with a robust roster of special and associate partners spanning FMCG, jewellery, home improvement and apparel underlining the franchise’s continued pull with both viewers and brands.

As contestants from diverse backgrounds step into the house, weekly nominations driven by housemate choices and audience votes will determine who stays and who walks out. Only one will survive till the finale to claim the Bigg Boss Marathi Season 6 crown.

With bigger doors, bolder moves and fate woven into the floor plan itself, Bigg Boss Marathi returns to do what it does best turn everyday disagreements into prime-time obsession, one destiny at a time.
 

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