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#Throwback2020: New channels on the airwaves

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MUMBAI: Consumers’ viewing habits are changing, and it’s landed a clear impact on the overall broadcast sector. Despite the challenges posed by the Covid2019 pandemic and other setbacks, broadcasters are seeing virtue in launching new channels. Even during the lockdown, people turned to television to keep themselves engaged and entertained, with BARC reporting a 43 per cent increase in India's TV viewership during this period, compared to the pre-Covid2019 figures.

The rise in TV consumption signifies viewers’ appetite for content – and clearly, the time is ripe to green-flag new channels catering to different tastes and smaller sub-segments across geographies. Let’s have a look at all the new channels that arrived on the idiot box in 2020.

ZeeL

ZeeL’s first lifestyle channel Zee Zest started airing 1 October 2020. The channel presents content that is a perfect encapsulation of food, travel, lifestyle, home improvement, wellness, culture, and DIY. Zee Zest brings some original shows like 100% South Indian, India’s 50 Best Dishes, Ghar Sa YummySwaad Familywala, Food Veda, and Meetha toh Banta Hai. Also in the pipeline are popular global shows making their debut in India, such as Anthony Bourdain Parts Unknown Season 5, Jaime: Keep Cooking & Carry On, Far Flung with Gary Mehigan, MasterChef Australia – Season 9, MasterChef USA Junior Season 5, and more programmes across various genres.

 

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The broadcaster forayed into the regional music space with the launch of its Marathi music channel – Zee Vajwa. It will offer 3,000+ playlists, and also have a non-fiction show in the comedy genre, a category first. The network has already captured 57 per cent viewership share in Maharashtra with Zee Marathi, Zee Yuva and Zee Talkies.

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ZeeL chief consumer officer Prathyusha Agarwal said, “With Zee Vajwa, we identified a need gap in the lifestyle genre to serve a holistic entertainment experience to the focused Sec A target audience. These viewers seek experiences from around the world but from the comfort of their own homes. That’s where Zee Zest seamlessly comes in, with diverse lifestyle content themes such as wellness, travel, lifestyle, food, home improvement, and culture.”

Another offering, Zee Thirai was launched on 19 January 2020. The channel offers the latest blockbuster Kollywood movies and premieres.

Agarwal stated that all of Zeel’s new launches not only established themselves strongly in their respective markets but also aided market growth. Zee Punjabi captured a third of the viewership pie in the first four weeks of its debut, and consumption of Punjabi language content grew by 23 per cent compared to the one per cent growth in total TV viewership in Punjab/Chandigarh. Even during the lockdown, Zee Punjabi capitalised on the surge in demand for content as viewership grew by nearly 60 per cent (BARC data: weeks 12-15). The network’s new movie channels – Zee Biskope, Zee Picchar and Zee Thirai – captured a significant share in the movie genre, which rose by 28-29 per cent in a growing TV pie. (BARC data: weeks 12-15).

Enterr10 Television Network

The network expanded its footprint in south India with Dangal Kannada, close on the heels of its Bhojpuri offering, Enterr10 Rangeela.

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Dangal Kannada underlines the network’s aggressive expansion into the growing regional broadcast entertainment space. Armed with dubbed versions of shows such as Ramayan, Mere Sai, Phir Laut Aayi Naagin, Tenali Rama, etc, the channel started airing from 30 September. Kannada film and TV actress Hariprriya is the brand ambassador for the channel and plays an integral part in its marketing campaigns.

After Bhojpuri Cinema, Enterr10 Rangeela is the network’s second offering for Bhojpuri audiences. The channel has launched a strong mix of fiction and non-fiction content ranging across series and reality shows, awards, and blockbuster films and world television premieres. Ramayan (Bhojpuri) is the channel’s launch pad serial.

 

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Star India

Star Vijay, owned by Disney-Star, came out with Tamil music channel Vijay Music. Priced at Re 1 per month, Vijay Music hopes to compete with other channels in the segment such as Raj Television Network’s Raj Musix, Sun Network’s Sun Music, Jaya TV Network’s Jaya MAX.

 

 

Star India has also postponed the launch of three new channels, Star Movies Select, Star Sports 3 HD, and Disney Channel HD. It is also rebranding Movies OK as Star Gold 2. It has not provided a new date of release.  

The broadcaster has decided to add Star Movies Select to cater the audiences in standard definition (SD) category as a premiere movies channel, in addition to Star Movies Select HD (high definition).

To give larger-than-life experience to customers, the broadcaster will offer Star Sports 3 HD at a price of Rs 5 per month, in addition to existing Star Sports 3 in the SD category. Meanwhile, it plans to launch a second HD kids’ channel, Disney Channel HD, that will cost around Rs 10 per month.

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With the revamping of Movies OK to Star Gold 2, the broadcaster will end the ‘OK’ branding. Previously, it had renamed the Life OK channel to Star Bharat. Star Gold 2’s SD version will cost Rs 2 per month, while for its HD variant customers will need to shell out Rs 5 per month.

DD Free Dish 

The state broadcaster run free-to-air DTH platform DD Free Dish added three new channels – ANB News, Aryan TV National, and News India 24×7 hese channels won the bid during the forty seventh e-auctions held on 26 August. They are allotted slots for the period between 1 September 2020 to 31 March 2021.

All three channels have a presence on other DTH platforms and fall under the news category – ANB News is a Punjab-based Hindi news channel, Aryan TV National caters primarily to Bihar, and News India 24×7 is a Hindi news channel focused on Rajasthan.

Tata Sky

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In a move to further strengthen its regional slate, the DTH operator launched Tata Sky Malayalam Cinema, for which it joined forces with leading Malayali GEC Asianet.

Tata Sky Malayalam Cinema offers an uninterrupted movie-viewing experience to film enthusiasts, across the content spectrum – action, romance, drama, and comedy on television. The service will showcase the biggest blockbusters of Mollywood with exclusive movie premieres before television. The channel is now available to all subscribers on #1805 (SD) at a minimal cost of Rs 1.5 per day. With this, Tata Sky has regional cinema offerings in all four major south Indian languages – Tata Sky Telugu Cinema, Tata Sky Tamil Cinema, Tata Sky Kannada Cinema, and now Tata Sky Malayalam Cinema.

In10 Media Network

The network recently ventured into the kids’ entertainment space on Children’s Day with a new premium Hindi channel, Gubbare — Masti Ke Phuwarre. The current programming includes a mix of Indian animation such as Appu – The Yogic Elephant, Love U Ganesha, Chhota Hatim and Seven Monsters, and has introduced Billa Jasoos, Marcus Khiladi, My Bhoot Friends, Leo and Tig, The Dabangg Girls, Atchoo to Indian audiences on the channel. Apart from cartoon shows, animated movies are telecast on weekends. Gubbare, a pay channel, is available on all major DTH and cable operators across India.

In10 Media Network MD Aditya Pittie shared that the network is focused on building scalable businesses and strategically expanding its footprint in the industry. He added, “In our country, television continues to be a primary viewing platform for kids’ entertainment among most households.”

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Prior to this, the IN10 Media Network launched its first regional movie channel – Filamchi – Filman Ka Laalchi, a 24×7 linear broadcast channel for Bhojpuri cinema fans across the country. With an extensive collection of over 250 Bhojpuri blockbusters, the channel is available on DD FreeDish and will soon be accessible across all major cable operators and platforms.

Shemaroo Entertainment Media Network

On 1 May 2020, Shemaroo Entertainment Media Network launched Hindi GEC Shemaroo TV. CEO Hiren Gada mentioned that the network is always keen to experiment and set milestones in the media and entertainment space. With this industry-first initiative allowing viewers to tune into Shemaroo TV live on Facebook, Gada hopes to reach out to a new and wider set of audience and offer content that they would like to watch and enjoy in their free time.

 

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Other channels that debuted in 2020 include Fun TV, Blue (Naaptol), Satya Movies, Surya Cinema, BDM Bhojpuri, Surya Bhojpuri, 9X Jalwa, Maha Punjabi, C7 and Lord Budhha TV.

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Awards

Hamdard honours changemakers at Abdul Hameed awards

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NEW DELHI: Hamdard Laboratories gathered a cross-section of India’s achievers in New Delhi on Friday, handing out the Hakeem Abdul Hameed Excellence Awards to figures who have left their mark across healthcare, education, sport, public service and the arts.

The ceremony, attended by minister of state for defence Sanjay Seth and senior officials from the ministry of Ayush, celebrated individuals whose work blends professional success with a sense of public purpose. It was as much a roll call of achievement as it was a reminder that influence is not measured only in profits or podiums, but in people reached and lives improved.

Among the headline awardees was Alakh Pandey, founder and chief executive of PhysicsWallah, recognised for turning affordable digital learning into a mass movement. On the sporting front, Arjuna Awardee and kabaddi player Sakshi Puniya was honoured for her contribution to the game and for pushing women’s participation onto bigger stages.

The cultural spotlight fell on veteran lyricist and poet Santosh Anand, whose songs have echoed across generations of Hindi cinema. At 97, Anand accepted the honour with characteristic humility, reflecting on a life shaped by perseverance and hope.

Healthcare honours spanned both modern and traditional systems. Manoj N. Nesari was recognised for strengthening Ayurveda’s place in national and global health frameworks. Padma shri Mohammed Abdul Waheed was honoured for his research-backed work in Unani medicine, while padma shri Mohsin Wali received recognition for his long-standing contribution to patient-centred care.

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Education and social development also featured prominently. Padma shri Zahir Ishaq Kazi was honoured for decades of work in education, while former Meghalaya superintendent of Police T. C. Chacko was recognised for public service. Goonj founder Anshu Gupta received an award for his dignity-centred rural development initiatives, and the Hunar Shakti Foundation was honoured for empowering women and young girls through skill development.

The Lifetime Achievement Award went to former IAS officer Shailaja Chandra for her long career in public healthcare and governance, particularly in the traditional systems under Ayush.

Speaking at the event, Hamdard chairman Abdul Majeed said the awards were a tribute to those who combine excellence with empathy. “These awardees reflect Hakeem Sahib’s belief that healthcare, education and public service must ultimately serve humanity,” he said.

Minister Seth struck a forward-looking note, saying India’s young population gives the country a unique opportunity to become a global destination for learning, health and wellness by 2047.

The ceremony also featured the trailer launch of Unani Ki Kahaani, an upcoming documentary starring actor Jim Sarbh, set to premiere on Discovery on 11 February.

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Instituted in memory of Unani scholar and educationist Hakeem Abdul Hameed, the awards have grown into a national platform that celebrates those building a more inclusive and resilient India. For one evening at least, the spotlight was not just on success, but on service with substance.

 

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Why the best campaigns today start with insights, not ideas

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MUMBAI: For decades, creative storytelling has been the cornerstone of brand communication. The “big idea” amplified through catchy jingles, striking visuals, and memorable hooks was once the gold standard for relevance and recall. Creativity defined presence, and the loudest, boldest campaigns often won attention.

But the marketing landscape today looks very different.

Audiences are more exposed, more discerning, and far less patient. They are inundated with messages across platforms, formats, and creators, often encountering hundreds of brand touchpoints in a single day. In this environment, creativity alone especially when untethered from real consumer truths is no longer enough to move behaviour. Great ideas are abundant. Meaningful impact is not.

This is where insights matter.

The difference may seem subtle, but it is fundamental. An idea represents what a brand wants to say. An insight reflects what the audience is already thinking, feeling, or experiencing. The most effective campaigns emerge not from cleverness alone, but from the intersection of these two forces.

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From creativity to relevance

As the marketing ecosystem becomes increasingly saturated, consumers are growing immune to inflated claims and surface-level storytelling. Even beautifully crafted campaigns can fail if they are disconnected from lived realities. The gap between a brand’s internal enthusiasm and the audience’s actual sentiment can be the difference between attention and indifference.

Insights help bridge this gap. They force brands to pause, listen, and observe to understand emotions, behaviours, cultural contexts, and contradictions. Instead of trying to be remembered through louder branding, insight-led campaigns allow audiences to see their own experiences reflected back at them. When a campaign articulates a problem that feels personal, relevance is created. Trust follows.

Insight is interpretation, not information

It’s important to distinguish between data and insight. Data tells us what is happening. Insight explains why it is happening. While data is measurable and structured, insights are interpretive and dynamic, shaped by real-time sentiment and human behaviour.

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Modern consumers are full of contradictions. They demand authenticity while remaining deeply aspirational. They want brands to take a stand but expect nuance, not instruction. They seek transparency, yet are drawn to curated narratives. These tensions are not obstacles, they are opportunities. When understood correctly, they can shape communication that feels timely, credible, and human.

Some of the most effective campaigns today are born not in isolated brainstorm rooms, but through listening to audiences, creators, editors, online communities, and cultural signals. Insights often exist in blurred patterns, but once identified, they can redefine how a brand connects.

A recent campaign we executed for Domino’s illustrates this shift clearly. The brief wasn’t to make a pizza look bigger or louder. Instead, it was rooted in a simple behavioural truth: in Tier 2 and Tier 3 markets, sharing food is an emotional act tied to family, celebration, and value perception. The “Big Big 6-in-1 Pizza” became a canvas for this insight. The campaign leaned into regional voices and real sharing moments, allowing people to show how they experienced the product rather than being told why they should buy it. Influencers and celebrities amplified genuine usage, not scripted endorsements. The impact from engagement to footfall to sales came not from a clever idea, but from understanding how people relate to food in their everyday lives.

Shifting the starting point

Today’s consumer landscape demands a shift in perspective from “What should the brand say?” to “What does the audience need to hear right now?” This marks a move away from inward-led marketing toward communication shaped by behaviour, emotion, and cultural relevance.

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Brands leading today are keen observers. They notice when perfection stops resonating. They sense when luxury shifts from aspiration to excess. They recognise when influencer content begins to feel repetitive and trust erodes.

Virality, too, is often misunderstood. It is not a strategy to chase, but an outcome. Campaigns rooted in insight do not aim to go viral; they aim to resonate. When content reflects something familiar, a shared truth, emotion, or tension, it travels organically because people see themselves in it.

Ideas attract attention. Insights build connection.

The evolving role of PR

For PR professionals, this shift has redefined success. Coverage volume alone no longer tells the full story. The more meaningful questions today are: Did the communication influence behaviour? Did it align with cultural conversations? Did it address a real consumer pain point?

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Insight-first thinking allows these questions to be answered at the planning stage, rather than corrected midway through execution.

In a world where formats and platforms will continue to evolve, what remains constant is the power of authentic communication. The strongest campaigns today do not begin with a brainstorm, but with observation, interpretation, and empathy. That is not just better marketing, it is more responsible, resilient, and meaningful brand-building.

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Brands

Ahmad Muneeb elevated to VP – HR centre of excellence at Zepto

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MUMBAI: Zepto has elevated Ahmad Muneeb to vice president – HR centre of excellence, placing him at the helm of the company’s total rewards, executive compensation and organisational effectiveness as the quick-commerce firm powers through a high-growth phase.

The move follows his stint as senior director of the HR COE, where he played a central role in preparing the company for IPO readiness while scaling its people analytics capabilities. During this period, Muneeb helped align complex performance management structures with more streamlined and scalable employee experience frameworks.

In his new role, he will steer the design of total rewards strategies, executive compensation planning and organisational design, while also overseeing performance management, employee experience initiatives and people analytics programmes.

Before joining Zepto, Muneeb spent nearly three years at Meesho, where he held multiple rewards and HR business partner roles. Earlier in his career, he worked as a senior rewards consultant at Mercer, advising high-tech clients on compensation benchmarking, pay structures and talent-focused reward frameworks.

He began his hr journey at Cognizant, where he supported compensation programmes for nearly two lakh employees across India and worked on m&a compensation alignment and skill-based pay initiatives. Prior to moving into HR, Muneeb started his career as a software engineer at Netcracker, bringing a technical grounding to his people strategy work.

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With a mix of consulting rigour, start-up agility and enterprise-scale experience, Muneeb’s elevation signals Zepto’s continued focus on building robust people systems as it races towards its next phase of growth.

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