GECs
Sony set to explore the media world with new show – ‘Reporters’
MUMBAI: Breaking News! A common phrase that is flashed almost on all screens everyday – from news channels to websites. Now Sony Entertainment Television (SET) has picked it up as a ‘concept’ for its new entertainment show.
While internationally, the backdrop of journalism has been seen in shows like The Newsroom starring Jeff Daniels, Dirt and The West Wings, amongst others; in India the concept was untapped until now.
The Hindi general entertainment channel (GEC) from Multi Screen Media’s stable is all set to explore the world of media with its new show – Reporters. A love story that will make breaking news is set to hit the television screens from 13 April at 9 pm. The channel has roped in Frooti as the presenting sponsor for the show.
Produced by Rose Audio Visuals’ Srishti Arya, it will reveal the challenging world of news in a contemporary way. Set against a backdrop of a media house, it follows the journey of seasoned and respected journalist Kabir Sharma (Rajeev Khandelwal) and a budding reporter Ananya Kashyap (Kritika Kamra). The show is a story of these two strong and conflicting individuals, who are destined to be together.
SET SVP and marketing head Gaurav Seth believes that today the country’s perceptions, opinions and decisions are shaped by the world of television news and it is this world, which forms the setting of the channel’s new show.
According to Seth, there are two kinds of stories that work on television – love stories inside the house and outside. One such show that had a love story setting in a fashion house was Jassi Jaisi Koi Nahi.
“A show’s backdrop and context needs to change after sometime as it tends to lose the novelty factor. It is important for us to keep evolving the medium, stories, characters and that’s where this new show comes in,” he said.
Behind the scenes
From visiting news channels to having in-depth conversations with journalists from the news medium, the actors have done it all. The actors met veteran journalist Rajdeep Sardesai to know how a newsroom functions.
Moreover, the production house also did research in the matter in terms of how news is created, what the first point of connection to the last point of delivery and the process followed amongst other things.
The production house did its R&D by seeking help from a senior journalist and made sure that the procedures that were being followed were on the right track.
“The journalist we worked with said that many a times a news channel’s agenda and point of view may differ from that of its journalist. We have to be able to identify with the crisis of the character. Unless we don’t feel the need to take a side or stand, we are not going engage with the character. It is fascinating to see how news is created,” explains Arya.
Seth further points that people, who are from the news medium, will relate to it. “This is factual and not made up just for the sake of it. However, at the same time you have to take creative liberties because at the end of the day, it is a story,” he said.
Agreeing on the same, Arya asserts, “I would not say it is 100 per cent authentic because then it might not necessarily be engaging. We have tried to stay with the systems that a news channel follow.”
The channel has canned five episodes till now and the show is designed for a finite run with 120 episodes. Seth feels that one has to tell the story in a limited time period that is available. “You can’t just keep on extending the show. If a story holds for 2000 episodes, by all means we can go for it but if it is conceptualised for a 100 episode pattern and then if you move it to 300, you will end up stretching the story,” he opined.
Having started his career as a journalist with the newspaper called Mahanagar, SET chief creative director Ajay Bhalwankar has lived this life closely. “I believe that there are lots of interesting stories to tell. Today individual reporters are known, unlike during my time. When I began my career as a reporter, a press conference would see maximum eight to ten journalists with notepads. There was not a single camera present. Today, there are more cameras, so times have evolved and so has the profession. However, not many people know what happens inside and we thought that will create a great amount of curiosity for people.”
Marketing buzz
This time round, the channel has decided to push its marketing efforts on the digital medium to get the maximum bang for its buck.
The first promo of Reporters grabbed one million views in less than a week. The channel ensured that the promo was interesting enough to create a splash. “It has been absolutely remarkable that people have noticed it. It’s been trending on Twitter regularly and we have managed to build a lot of anticipation for the show,” Seth said.
Additionally, the channel has created a LinkedIn account for Khandelwal, where he is going to invite people to interview for jobs inside his network.
GECs
Aparna Ramachandran joins Zee as EVP and head of network digital
MUMBAI: Zee Entertainment Enterprises Limited has appointed Aparna Ramachandran as EVP and head of network digital, signalling a sharper focus on strengthening its digital and streaming ecosystem.
Ramachandran joins Zee from Balaji Telefilms, where she served as head of digital originals, leading content strategy and production for the company’s digital platforms. She announced the move on LinkedIn, marking a new chapter in her career spanning more than 15 years across media, entertainment and technology.
Her professional journey includes senior roles at Viacom18 Media, Viu, FremantleMedia, Miditech, BigSynergy, BBC Worldwide, CNBC-TV18 and Bloomberg UTV. She began her career in 2005 as a software engineer at Infosys before transitioning into media and digital content leadership.
With experience across streaming media, broadcast television, content development, digital strategy, project management and video production, Ramachandran is expected to play a key role in shaping Zee’s network-wide digital growth and content innovation.
GECs
Zee TV launches on Samsung TV Plus with live German subtitles
London: Zee Entertainment has launched its flagship Zee TV as a live FAST channel on Samsung TV Plus across Germany, Austria and Switzerland, marking a first for South Asian television in Europe with round-the-clock live German subtitles.
The move takes Zee TV beyond its core diaspora audience and into the German-speaking mainstream, offering dramas, reality shows and family entertainment without subscriptions or language barriers. For FAST platforms, it sets a new benchmark in accessibility and scale.
Amit Goenka, president, international and digital businesses at Zee Entertainment, said the launch marked a turning point in the company’s global strategy.
“Zee TV Germany is a flagship launch and a defining moment in our journey to make entertainment truly borderless. By going live on Samsung TV Plus with 24/7 German subtitles, we are breaking language barriers and setting a new international benchmark for FAST streaming,” he said, adding that the partnership reflects Zee’s ambition to lead the FAST revolution through innovation and technology.
The rollout builds on the strong regional presence of Zee One and Zee5, both of which have cultivated loyal audiences across the DACH markets. The live FAST model now closes long-standing access gaps, particularly for younger diaspora viewers and first-time German-speaking audiences.
Samsung TV Plus said the partnership deepens its content portfolio in the region. Benedict Frey, country lead DACH and Benelux at Samsung TV Plus, said the addition strengthens its South Asian offering while widening appeal.
“Launching flagship Zee TV on Samsung TV Plus brings even more premium South Asian entertainment to our customers. Making this content available with live German subtitles is a meaningful step in serving diverse audiences and enriching the viewing experience,” he said.
Samsung TV Plus is Samsung’s free ad-supported streaming service, offering hundreds of live channels and on-demand titles across Samsung TVs, Galaxy devices and smart monitors.
Zee already commands a strong digital following across Germany, Austria and Switzerland, with social platforms engaging hundreds of thousands of viewers. The live FAST launch is expected to amplify reach and drive appointment viewing at scale.
Zee TV is now available exclusively on Samsung TV Plus in Germany on channel 4210. With this launch, Zee TV Germany becomes the group’s ninth channel in Europe.
The signal is clear: FAST has gone mainstream—and Zee has arrived early, translated and ready to scale.
GECs
Sri Adhikari Brothers officially rebrands itself as Aqylon Nexus
MUMBAI: Sri Adhikari Brothers Television Network has formally adopted a new corporate identity, rechristening itself Aqylon Nexus Limited after receiving clearance from the ministry of corporate affairs.
The company has informed the Bombay Stock Exchange that the MCA has approved the change of name, with effect from January 23, 2026. The update was disclosed in compliance with Regulation 30 of the Securities and Exchange Board of India’s Listing Obligations and Disclosure Requirements Regulations, 2015.
Confirming the approval, the company said the ministry had cleared the transition from Sri Adhikari Brothers Television Network Limited to Aqylon Nexus Limited following the necessary regulatory process.
Aqylon Nexus said it has begun the formal exercise of replacing the old name across statutory filings and regulatory records. The broadcaster added that it is coordinating with relevant authorities and departments to complete the transition.
Under Section 12 of the Companies Act, 2013, the MCA has directed the company to continue displaying its former name alongside the new one for a period of two years.
Founded in 1994 and based in Mumbai, the company has been a long-standing presence in India’s television and content ecosystem. The rebrand reflects a repositioning effort as the media and entertainment sector undergoes rapid consolidation and structural change.
The legacy name remains on paper—for now. The business, however, is clearly turning the page.
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