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(S)excitingly entertaining

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MUMBAI: Kyaa Super Kool Hai Hum is a sex comedy: all the gags and innuendoes in the film are about sex. A generation back, it would have been termed vulgar but it is considered quite acceptable by moviegoers now. The film makes no pretence of a story of any kind and depends mainly on its dialogue and suggestive actions.

Tusshar Kapoor and Riteish Deshmukh are buddies and roommates in Mumbai. While Tusshar dreams of becoming a film star, Riteish is a DJ and aspires to cut his own disc someday. Tusshar meets his love, Neha Sharma, who has the habit of travelling ticketless in a city bus even as her car follows. On one such adventure of hers, when asked to show her ticket by the checker, Tusshar stands by her. For Tusshar love has already happened but Neha Sharma is put off by his continuous calls and stalking. For the convenience of the script, Riteish happens to fall for Neha Sharma‘s best friend, Sara Jane Dias.

Riteish owns a pug named Suckru, which is his main source of income. The pug is lent out for mating and the monies thus earned keep the duo going. All that Riteish has to do is play some fast music which arouses his dog into a sexual frenzy. The jokes are mainly plays on words, like Tusshar is Adi and his answer to Devdas is him, Adi-Das. He is being screen-tested by Rohit Shetty (guest role) for his next film, Chinghum. Neha Sharma‘s favourite TV show is ‘Bade Achhe Lagte Hai‘ and references to other film titles in a funny way. Tusshar also models for a teleshopping firm and sells remedies for constipation and whitening creams. To Tusshar‘s boast that he has one thing that girls don‘t, the girl‘s reply to him is, ‘they do, it vibrates and is battery operated‘. That is the flavour of this film.

Finally, when Sharma agrees to meet Tusshar, he puts a diamond ring on her finger; no matter that it is their first date. Sharma has had enough of him and, with her friend Dias, heads for Goa. It is time for some picturesque visuals and also to introduce two more funny men: Anupam Kher who is Dias‘ father, and Chunky Pandey, a municipality dog catcher turned conman Baba 3G. Anupam Kher is Baba 3G‘s disciple. The Baba relieves him of his riches on regular bases. He has palmed off a bitch, a pug again, to Anupam Kher convincing him she is his mother from last birth.

It so happens that the ring Tusshar presented to Sharma was made from a diamond worth five lakh that Ritiesh had lovingly put on Suckru‘s collar. The ring has to be retrieved from Sharma; excuse enough for the boys also to land up in Goa. More craziness of the corny kind follows. The girls have decided to pretend to be a couple to help Sharma keep Tusshar off. Chasing Dias, Riteish ends up in a gay club whose owner, Howard Rosemeyer, gets the hots for him instantly.

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Anupam Kher‘s hobby is to collect film memorabilia of a peculiar kind. He has the tiny blouse Vidya Balan supposedly wore in The Dirty Picture, the soap Ramu Kaka used in Sholay, the sperm bottles used in Vicky Donour and so on! In fact, anything to do with sex and the film makes sure it is used as a part of its gags: there is sex talk, gay sex, lesbian sex, doggy style sex and what have you!

Kyaa Super Kool Hai Hum may not have much of a story but the script has been smartly put together for all the sex gags to be incorporated some of which again are well worked out. Music does not have much scope in the scheme of things here but the film has a couple of passable numbers. Direction is good and in control of what is at hand. This is not really a performance film since dialogue does the entertaining. What is left to actors is mostly buffoonery and Tusshar Kapoor, Riteish Deshmukh and Anupam Kher all do well with some contribution from Chunky Pandey and others. Of the girls, Sara Jane Dias is more expressive while Neha Sharma is okay.

Kya Super Kool Hai Hum may be crude but it does the job of entertaining and having opened to good response, it should sail safe with its investment at the end of week one.

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Boney Kapoor acquires remake rights of Tamil political satire Thalaivar Thambi Thalaimaiyil

Strong word-of-mouth turns Pongal satire into remake pick

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MUMBAI: A Pongal release, a village satire and a theatre visit in Coimbatore have turned into Boney Kapoor’s latest acquisition. The producer has secured the remake rights to the Tamil political satire Thalaivar Thambi Thalaimaiyil (TTT), a film that has been enjoying a strong theatrical run powered by word-of-mouth and praise for its sharp, rooted writing.

Set in a rural milieu, the story follows a panchayat leader thrown into disarray when a wedding and a funeral land on the same day. What unfolds is a swirl of satire and humour that skewers local politics, power games, bruised egos and family tensions, all anchored in the textures of everyday village life.

Kapoor first encountered the film earlier this year while in Coimbatore for the Celebrity Cricket League. With time to spare, he caught a screening at a local theatre. That viewing proved decisive. According to sources, the narrative style, performances and the film’s balance of political commentary and comedy caught his attention.

Interest quickly turned into intent. Kapoor reached out to the producers soon after to explore a remake. Talks gathered pace over the following weeks and came to a head last Friday at the film’s success party in Chennai, where Kapoor joined the celebrations and continued negotiations with the makers.

By the end of the evening, the deal was sealed, with Kapoor formally acquiring the remake rights.

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For an industry constantly mining regional cinema for the next crossover story, the move is telling. A small-town satire with local flavour has found a national backer. And if Kapoor’s instincts hold, a tale born in one village may soon echo far beyond it.

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Fans take centre stage as Zee Cine awards turns the spotlight around

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MUMBAI: When the applause gets louder than the dialogue, you know the fans have taken over. That was the unmistakable mood as Zee formally announced the Zee Cine Awards 2026, flipping the script to celebrate not just cinema’s stars, but the people who cheer them on the loudest.

The 24th edition of the awards marks a fresh chapter in Zee’s long-standing relationship with Hindi cinema, anchored in its fan-first philosophy, Fantertainment. This year’s theme, ‘Yeh Pal Hai Fans Ka’, reinforces a simple idea: cinema’s most powerful moments are shaped as much by audiences as by actors on screen. Presented by Maruti Suzuki, the awards aim to turn fandom into the main event.

The announcement, held in Mumbai, was anything but a routine press conference. Bollywood stars Akshay Kumar, Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa, Aparshakti Khurana, composer Mithoon and singer Palak Muchhal joined fans to kick off the celebrations, turning the launch into a high-voltage, participative spectacle.

Staying true to the theme, fans didn’t just watch the announcement, they drove it. Akshay Kumar took the lead, pulling fellow stars on stage and energising the room, before the unveiling of a live LED Fan Meter. Powered purely by audience cheers, the rising meter culminated in the reveal of the Zee Cine Awards 2026 ground event date, announced in unison with fans, blurring the line between performer and spectator.

The momentum continued as Tamannaah Bhatia, Jacqueline Fernandez, Sonam Bajwa and Aparshakti Khurana recreated iconic hook steps, joined by Mithoon and Palak Muchhal for music-led interactions. Games, spontaneous performances and playful banter kept the focus firmly on shared moments, underscoring the evolving bond between cinema and its audience.

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Beyond the launch, the awards will roll out as a multi-platform journey across television, digital, print and fan-led experiences. The aim is sustained engagement from the first announcement to awards night cementing fandom as a cultural force rather than a footnote.

Commenting on the milestone edition Zee head of advertisement revenue, broadcast & digital Laxmi Shetty said the 24th Zee Cine Awards continue to draw strength from the network’s omni-channel ecosystem, reflecting how audiences consume content today across TV, digital and social platforms. She noted that long-standing brand associations, including Maruti Suzuki’s three-year partnership and support from brands such as Hell Energy, underline the platform’s scale, trust and cultural relevance.

As Zee Cine Awards 2026 gathers pace, one thing is clear: this year, the loudest cheers won’t just echo in the auditorium, they’ll shape the show itself.

 

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Prime Video to stream Don’t Be Shy, produced by Alia Bhatt

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MUMBAI: Prime Video has found its next feel-good original, and it comes with a healthy dose of heart, humour and youthful chaos. The streaming platform has announced Don’t Be Shy, a coming-of-age romantic comedy produced by Alia Bhatt and Shaheen Bhatt under their banner, Eternal Sunshine Productions.

Written and directed by Sreeti Mukerji, the film follows Shyamili ‘Shy’ Das, a 20-year-old who believes her life is neatly mapped out until it suddenly is not. What follows is a relatable tumble through friendship, love and the awkward art of growing up, when plans unravel and certainty gives way to self-discovery.

The project is co-produced by Grishma Shah and Vikesh Bhutani, with music composed by Ram Sampath, adding to the film’s promise of warmth and energy. Prime Video describes the story as light-hearted yet emotionally grounded, with a strong female-led narrative at its core.

Prime Video India director and head of originals Nikhil Madhok, said the platform was delighted to collaborate with Eternal Sunshine on a story that blends sincerity with humour. He noted that the film’s fresh writing, earnest characters and infectious music make it an easy, engaging watch for audiences well beyond its young adult setting.

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For Alia Bhatt, Don’t Be Shy reflects the kind of storytelling Eternal Sunshine set out to champion. She said the film stood out for its honesty, its coming-of-age perspective and Mukerji’s passion, which she felt was deeply woven into the narrative. Bhatt also praised Prime Video for supporting distinctive voices and bold creative choices.

With its breezy tone and familiar emotional beats, Don’t Be Shy aims to charm viewers whether they are rom-com regulars or simply in the mood for a warm, unpretentious story about life refusing to stick to the plan.

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