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Colors to showcase darkest stories through ‘Code Red’

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MUMBAI: After a year of successful non-fiction properties in 2014, Colors is back with some more action in 2015.

 

Taking the premise of showcasing meaningful entertainment and shows that are a reflection of our society, the channel is all set to launch a new show titled Code Red, which is a beacon of hope addressing issues of human frailty. It will depict the inner conflict a human being goes through when faced with a crisis of conscience.

 
Each week, six episodes featuring stories based on various human frailties, will be presented through three prominent themes under the brand umbrella of Code Red.

 

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1) ‘Umeed’ – focusing on stories who are on the verge of ending their lives.

2) ‘Awaaz’ – focusing on violence against women and children.

3) ‘Chakravyuh’ – focusing on various forms of entrapment – physical and psychological.

 

Each theme will be brought to life by a different production house and the stories will be presented by Sakshi Tanwar who will embody the inner voice and be the voice of reason. The episodes will be produced by FremantleMedia India, Sun Shine Rise Productions and Optimystix India.

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Actors Manish Chaudhari, in the role of an NGO representative, and Yash Sinha, as a crime reporter, will take the viewers through various instances where circumstances and conditions pushed a person to the wall. The series will attempt, not only to showcase these stories but to make people believe that there is hope, only if they choose to break the silence.

 

Colors CEO Raj Nayak believes that it’s not just a show but a movement to get people to believe that hope can be found, even in the darkest of times, if only one reaches out and breaks the silence. “At Colors, we have always emphasised on creating shows that are meaningful and which can bring about some kind of a conceivable change in the society. With Code Red, we are going a step further by showcasing stories of human frailties and urging people to break their silence on issues that are disturbing them and the people around them. In order to drive home this message, it gives me immense pleasure to announce that we have a prominent face from the world of TV – Sakshi Tanwar – who I believe has the right blend of empathy and sensitivity that is required for a show such as Code Red. I hope we are able to make a positive difference to peoples’ lives through this humble effort of ours,” Nayak said.

 

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Colors programming head Manisha Sharma added, “This is a genre on television that needs to be explored a lot more where stories inspired by real instances are mounted to create a show relatable to audiences. As human beings we all face dilemmas in life while choosing between right and wrong. Code Red is a show that explores these dilemmas and gives voice to the conscience of the people facing them. It’s a journey through their mind and their decisions and how their choices affect their lives. I hope our audiences find the show and these stories riveting.”

 

The show will air from 19 January every Monday to Saturday at 10.30 pm.

 

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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