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Zee Q, Discovery Kids to get competitor

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MUMBAI: One more edutainment channel – Da Vinci Learning – is prepping to hit Indian shores next year.

Come late Q2 or Q3 next year, the children’s entertainment space will see a new player – Da Vinci Learning.

Launched world-wide on 15 September, 2007 by its parent media company Da Vinci Media GmbH – the edutainment channel – is aired across 29 territories in 15 different languages.

It takes time to reap results and we will do whatever it takes to reach out to a large number of people, says Mohit Anand

So what brings it to Indian shores? “The Indian television industry is dynamic and growing, and our philosophy has been to spread knowledge,” replies Da Vinci Learning country manager Mohit Anand, adding that the channel believes today’s children are far more curious and plans to cash in on this quality.

With at least two other ‘edutainment’ channels – Zee Q and Discovery Kids – launched just last year, won’t it be an up-hill task for Da Vinci Learning?  Anand shrugs off the implication saying: “We believe in learning in a fun way and not many channels do so in the kids’ genre. We are an edutainment channel and today, there aren’t any products which use the TV medium to enhance kids’ desire to learn. And this is what will distinguish us from the rest.”

With its content a mix of animated and non-animated, not ruling out a documentary-style, everything will be done in a manner so as to attract kids. The channel will target not only children in the age group of 6-14 but also parents since it’s a family-based one.

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With most channels today having regional counterparts or feeds to reach out to the maximum number of viewers, will Da Vinci Learning follow suit?

“When you study Newton’s Law, do you do it in a regional language or in English?” counters Anand and adds, “Information about the kind of subjects we are talking about, even in vernacular mediums, is primarily in English. Having said that, we are definitely evaluating the need to have regional languages – something we’ve found in the course of our research as well.”

While Da Vinci Learning will premiere in English and Hindi next year, Anand is quick to point out: “We will not shy away from launching in a regional language if the need arises because we want to reach out to as many people as possible.”

 

Otherwise an ad-free channel running on the Pay-TV model, in India however, the channel will incorporate ads.

Reasons Anand: “The channels have to depend a lot on ad sales for revenue, but with digitisation, the subscription revenues are heading in the right way. Over the years, we will see less dependence on ad revenue. Also, the kids channels might be the third-largest viewed (almost 11 per cent) category but has a way smaller share in the whole ad pie. Hence, with kids becoming key influencers and the channel being uniquely different, there will be advertisers who will want to associate with us.”

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Though the subscription rate hasn’t been decided yet, Anand says: “It will be within the dynamics of the market,” quickly adding, “We still have to decide though whether we will start with a certain subscription charge or decide to go free for a certain period to let viewers know what the channel is all about.”

To be available on digital platforms, the channel is already in talks with various DTH players.

Meanwhile, a city-based media planner isn’t too hopeful that Da Vinci Learning will be able to get a lot of viewers if it comes with a subscription rate attached. “It will be able to gather interest in metros and tier II cities at best but overall, it will find it difficult to garner viewers. However, it is good that such a channel is entering the market,” he says.

Marketing-wise, the channel plans to concentrate on activations as it believes it will be able to capture families in malls, museums and zoos. There will be on-air promotions, print and OOH as well. “Around 90 days prior to the launch, we will start with all the buzz and hype about the channel,” says Anand, adding they are still in talks with creative and media agencies.

Asked about investment, Anand says apart from the minimum network requirement of Rs 5 crore, which is mandatory for a broadcast license, the channel will do whatever it takes to be successful as it is here to stay. “It takes time to reap results and we will do whatever it takes to reach out to a large number of people,” says Anand.

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Travelxp HD lands in France on Bouygues Telecom

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MUMBAI: Travelxp, the global travel and lifestyle network, has made its French debut on Bouygues Telecom. The channel is now available in high definition on channel 132, reaching all subscribers across the country.

The launch brings a dedicated French feed packed with thousands of hours of premium travel content. From stunning destinations and cultural journeys to culinary adventures and immersive storytelling, Travelxp HD promises a cinematic experience that sparks wanderlust from the comfort of home.

“This is an exciting milestone for Travelxp,” said Europe managing director Sumant Bahl. “Our French feed allows viewers to explore the world with high-quality programming tailored for them.”

Bouygues Telecom marketing director Marc Laurier added, “Travelxp enriches our offering with unique moments of escape, international flavours, and global cultures. It’s an invitation to travel without leaving home.”

With this launch, Travelxp strengthens its European presence, continuing to deliver content that is both locally relevant and globally inspiring.
 

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National Geographic turns 138, doubles down on science, wildlife and documentary filmmaking

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MUMBAI: National Geographic has marked its 138th anniversary with a campaign that treats storytelling not as nostalgia but as strategy, using its legacy to reinforce relevance in an attention-fragmented media market.

Branded Stories that spark wonder, the anniversary initiative reflects on the explorers, images and breakthroughs that have defined National Geographic for more than a century, while positioning the iconic yellow border as shorthand for credibility, curiosity and research-led storytelling. The campaign draws on the brand’s long history of pioneering visual journalism, from early field expeditions to first-of-their-kind natural-colour aerial and underwater photography, and experimental formats such as hologram magazine covers.

The anniversary framing leans heavily on purpose. National Geographic has consistently fused exploration with science, conservation and cultural documentation, elevating figures such as Jane Goodall, Jimmy Chin and James Cameron, and turning complex subjects into mainstream, long-form narratives. That editorial muscle, the brand argues, remains its differentiator.

In India, where National Geographic has cultivated a loyal following, the campaign places particular emphasis on stories rooted in the subcontinent’s biodiversity, heritage and science, distributed across television, print and digital platforms. According to Alok Jain of JioStar, the milestone reflects the trust the brand has built globally and its ability to evolve how stories are told without diluting their core values of truth and visual excellence.

The anniversary is being marked throughout January with a curated programming slate spanning wildlife, science, adventure, investigation and documentary filmmaking. Titles include Cheetahs up close with Bertie Gregory, India from above, David Blaine: do not attempt, Trafficked with Mariana van Zeller and Ocean with David Attenborough. The special programming block, titled 138 years of wonder, airs on weekdays at 8 pm on the National Geographic Channel.

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Will Smith goes ‘Pole to Pole’ in National Geographic’s bold new series

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MUMBAI: National Geographic will premiere Pole to Pole with Will Smith in India on 16 January, marking one of the network’s most ambitious global productions to date.

The seven-part series follows Will Smith across all seven continents, from Antarctica’s icefields to the Amazon rainforest, the Himalayas, Africa’s deserts, the Pacific islands and the Arctic. Airing Fridays at 9.30 pm, the show charts a 100-day journey that tests Smith’s physical and mental endurance at the planet’s extremes.

Smith skis towards the South Pole, dives beneath Arctic ice, scales mountains and ventures deep into the Amazon in search of venomous spiders and the giant green anaconda. Along the way, he is joined by scientists, explorers and indigenous communities, blending exploration with environmental science and cultural insight.

Five years in the making, the series pairs cinematic storytelling with scientific discovery, from ice-core research in Antarctica to venom extraction that could aid medical breakthroughs. Encounters with communities such as the Waorani of the Amazon and the San people of the Kalahari underline the human knowledge needed to face a fragile future.

Smith said the expedition pushed him beyond anything he had attempted before, describing it as a journey not just across the world’s edges but into the lives of extraordinary people. National Geographic EVP of content Tom McDonald said the series reflects the network’s mission to combine spectacle with meaning and a deeper understanding of the planet.

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In India, the series will be broadcast on National Geographic Channel, distributed by JioStar, the joint venture between Reliance and The Walt Disney Company.

 

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