Executive Dossier
‘We will continue to rule the airwaves…’ : Peter Mukerjea – Star India CEO
One could be excused for wondering if the head honcho of India’s largest media house and largest-by-far broadcast company isn’t getting bored of the sameness of it all. For Star India CEO Peter Mukerjea, it’s four years and counting, leading a company that has enjoyed overwhelming dominance in its space.
But there’s no sitting on the laurels either for Mukerjea or his team as Rupert Murdoch’s suave pointman in India readies to lead Star on its next big leap forward.
Mukerjea holds forth on all this and much more in a tete-a-tete with indiantelevision.com’s Anjan Mitra.
|
How do you view the situation today vis-?-vis the company? |
||
|
Would you elaborate on the some of the new initiatives? Wireless, for example? |
||
|
||
|
What exactly is being done in India in this regard? I am also not saying that we’d be able to tap all the 27 million C&S homes. Even if we manage to tap around 10 million of these homes initially in a year’s time and get people hooked on to contests and other services where they would have to use their cell phones to send SMSs, there is revenue to be made. Initially, this revenue may not be big, but over a period of time as we bring about some further innovations in the marketing, there is sizeable money to be made. In a small way, all this has begun as we popularise our four-digit (universal access) number, 7827, on the Star channels and also on Radio City. |
||
|
If the company is looking at exploiting this segment, have you struck up some business agreements with telecom companies? And we are not only looking at just contests where answers are to be SMS-ed to 7827, but a host of services. There can be people’s horoscopes available on SMS, weather reports and news too. For example, you want to know about today’s exchange rates, all you have to do is send a SMS to 7827 asking for it. We may tie up with some business newspaper or a financial organisation to provide the relevant details. |
||
|
||
|
Is Star India talking to some newspaper organisations to provide news and other such information? |
||
|
What if it doesn’t work out like in the case of investments made in several Net companies at the height of the dotcom boom? |
||
|
Okay, let’s talk about the core business of broadcasting. What exactly is happening on that front? |
||
|
Let’s take news and current affairs for example. Star News not only lags behind the market leader, but has also fallen behind NDTV India. Is Star happy with the situation? |
||
|
||
|
Do you feel that media laws would be liberalised further for Star’s liking? |
||
|
But are you happy with Star News as a laggard? But what I am concerned about more is the escalation in the running costs of a news channel, in general. Something would have to be done to arrest the spiralling costs. |
||
|
How do you see such costs being arrested and kept within limits? In such a scenario, news channels need to cut costs and, I am sure that in the case of listed companies like TV Today and others (like NDTV and CNBC-TV18) there would be pressures from investors to do so. A good way to cut costs is to reduce exposure on infrastructure and wage bills. News channels in India need to share infrastructure, need to form a pool so that costs come down. Why cannot all the news channels form a company with equal amount of holding? Infrastruture could be shared, which would reduce a large portion of the costs of running a news channel. |
||
|
Have any moves been formally made in this direction? |
||
|
We learn that Star is planning to launch a channel in the news genre, which would not be hard core news? If you take Headlines Today as an example, it’s a step in that direction. It’s not really hardcore news as you see on Aaj Tak or CNN or BBC. It has a lot of variety for softer news items, though, I think, they haven’t yet got it right. But over a period of time, the news genre would get segmented into speciality and general news with various variants. Are we bringing out another news channel on those lines? I cannot comment with any amount of finality on that. Still, as addressability gets introduced in India, these things would happen. |
||
|
||
|
Now, that you have brought about the issue of addressability, when do you think it would finally get implemented as it had faced opposition from the industry itself? |
||
|
What has been the thinking behind launching new products in the entertainment genre? Take, Star Utsav’s case, for instance. It’s a channel that has cost Star India something around just a million dollars to put together, including the transponder cost. But, on the other hand, it offers an opportunity. Even if I don’t sell airtime on prime time, which again can be redefined, at Rs125,000/10 seconds, I stand to rake in money. Let’s say, our ad sales guy goes and sells a ten seconder for just Rs 50,000, or maybe even less, we’d start making profits towards the end of the first year. And all this without even touching the afternoon or the early evening band. |
||
|
What would be the format for the channel that is going to debut in October? So, how do we attract the auto companies and the likes of them? We have to come up with programming that would be watched by an audience whose profile would attract the car companies too. Though the language would be Hindi on Star One, it’d be zippy. It’ll have sitcoms, talk shows, holiday getaways, gizmo talk, etc. But it’s not a lifestyle channel. If I have to give you a global example, it’d have programmes on the lines of a Jay Leno Show, for instance. If Star Plus is giving the company the base (advertisers and audience), through Star One, we would like to tap the upper middle segment. |
||
|
What is the revenue that Star is expected to roll in by the time the financial year ends on 30 June? |
||
|
Have you all the clearances for the DTH project in place? |
||
|
When is Star making forays into the South Indian market? |
||
|
Where do you see Star India five years from now? |
Executive Dossier
Game on, fame on as Good Game hunts India’s first global gaming star
MUMBAI: Game faces on, pressure high India’s gaming ambitions are levelling up. Good Game, billed as the world’s first as-live global gaming reality show, has officially launched in India with a bold mission: to crown the country’s first Global Gaming Superstar.
Blending esports with mainstream entertainment, the show brings together competitive gaming, creativity and on-camera performance in a format that tests more than just joystick skills. Contestants will be judged on gameplay, screen presence and their ability to perform under pressure, reflecting how gaming has evolved from pastime to profession and pop culture currency.
Fronting the show are three high-profile ambassadors: actor and entrepreneur Samantha Ruth Prabhu, Indian cricket star Rishabh Pant, and gaming creator Ujjwal Chaurasia. The winner will take home Rs 1 crore ($100,000) among the largest prize pools for any Indian reality show along with the chance to represent India on a global stage.
Backed by a planned annual investment of up to Rs 100 crore, Good Game is also courting brand partners, promising a minimum reach of 500 million among India’s core youth audience. The creators position the show as a bridge between entertainment and interactive culture, offering long-format content, community engagement and commercial scale.
Auditions are now open to Indian citizens aged 18 and above, inviting amateur and professional gamers, creators and performers alike. Shortlisted candidates will be called for in-person auditions in Mumbai on 14 and 15 February, and in Delhi on 28 February and 1 March 2026.
With big money, big names and even bigger ambition, Good Game signals a shift in how India views gaming not just as play, but as performance, profession and prime-time spectacle.
Digital
SpotDraft hires new CMO and CFO to fuel global push for its AI contract platform
INDIA: SpotDraft has strengthened its senior ranks as it gears up for faster global expansion, naming Alon Waks as chief marketing officer and Amit Sharma as chief financial officer. The appointments follow the firm’s $54 million Series B round earlier this year and mark a push to scale across the Americas, EMEA and India.
The AI-powered contract-lifecycle-management platform has posted 100 per cent year-on-year growth in customer acquisition, counting Apollo.io, IPSY, Mixpanel, Oyster and Panasonic among its global clients. The firm processes more than one million contracts annually, with volumes up 173 per cent and nearly 50,000 monthly active users.
Waks, a veteran of Kustomer, Bizzabo, CreatorIQ, LivePerson and ZoomInfo, will steer global marketing and category positioning as legal teams adopt AI-driven tools. Sharma, who has led finance across scaling tech firms since 2016, will guide financial strategy, investor relations and market expansion.
Both hires aim to sharpen SpotDraft’s bid for a larger slice of the fast-growing legal-tech market, expected to exceed $63 billion by 2032. Co-founder and chief executive Shashank Bijapur said the company is focused on scaling go-to-market operations in the Americas, deepening leadership in EMEA, and accelerating AI capabilities for general counsels and legal-operations leaders.
Clients report shorter deal cycles and better alignment between legal and business teams. “What used to take weeks now happens in days,” said Abnormal Security senior legal operations manager Susan Koenig. DeepL head of legal operations André Barrow, said SpotDraft has helped reframe legal “from a cost centre to a generator of revenue”.
Executive Dossier
Outdoor Ads Get Smarter as LOC8 Shifts OOH from Visibility to Attention
MUMBAI: Out-of-home ads were once the wallflowers of marketing seen by everyone, noticed by few. But in an age where attention has become the world’s most fought-over currency, even billboards are getting a brain upgrade. Enter LOC8, OSMO’s AI-powered attention engine, quietly reshaping the old OOH playbook by measuring not just who could have looked at an ad, but who actually did. The shift is subtle but seismic: impressions are out, impact is in and data, not gut instinct, is calling the shots.
In a landscape where marketers question every rupee spent outdoors, LOC8 is turning lampposts, flyovers and traffic islands into precision-mapped attention laboratories. By crunching dwell time, visibility zones, perceptual size and real-world obstructions, the platform is dragging OOH into a future where creativity meets computer vision and where the best ideas aren’t just eye-catching, but eye-measured. From automotive facelifts to FMCG novelty and real estate trust-building, the message is clear, outdoor has stopped shouting and started listening. Indian Television Dot Com explores more about it in an Interview interview with OSMO co-founder Nipun Arora.
On how OSMO is shifting outdoor advertising from a visibility-led medium to an attention-led one through LOC8.
Traditional OOH has long been measured by visibility and impressions i.e how many people could see an ad. OSMO, through its proprietary AI platform LOC8, is shifting that narrative more towards likelihood of being noticed. Using computer vision and machine learning, LOC8 analyzes real-world video data to measure visibility zones, obstructions, dwell time and perceptual size; bringing precision to how attention is quantified outdoors. It moves the focus from mere impressions to quality of impressions, making OOH a data-verified, attention-led medium comparable to digital in accountability.
On how marketers can use LOC8’s dwell-time, visibility and perception insights to craft more effective, emotionally resonant OOH campaigns.
LOC8 helps brands understand how people truly experience outdoor media how long they look, from what distance, and under what conditions. By quantifying dwell time, visibility duration, and perceptual size; marketers can plan campaigns that align with real human viewing behavior. This empowers creative and strategy teams to design emotionally resonant storytelling where messaging, visual hierarchy and placement are optimized for how people actually notice and process OOH creatives.
About what LOC8 has revealed through campaigns like Renault Triber and Namaste India on how categories such as auto, FMCG and real estate use attention metrics to drive outcomes.
Each category uses attention data differently but all share one common goal: to convert outdoor visibility into measurable engagement.
• Automotive | Renault Triber
For the new Renault Triber facelift, bold creative met data-led planning through LOC8. By analyzing on-ground video data, LOC8 measured real audience attention across placements factoring in visibility zones, obstructions, traffic speed and perceptual size. This enabled Renault to identify corridors that delivered maximum reach, saliency and engagement, optimizing media efficiency and ROI.
• FMCG | Namaste India
In OOH, innovation is the hook and assets are the bait. But bait often hides the hook. With Loc8’s attention metrics, we ensured the bait wasn’t a hurdle, rather it became the perfect stage for innovation to deliver its full impact! The insight proved that creative novelty, when validated by attention data, drives deeper engagement and measurable brand lift.
• Real Estate
For luxury and real estate campaigns targeting HNI/UHNI audiences, attention patterns differ especially between front and rear passengers, who are often the core audience segment for premium sites. LOC8’s ability to distinguish rear vs. front visibility plays a critical role here. It helps identify sites that offer longer viewing windows and stronger perceptual dominance from the rear seat where decision-makers are most likely seated making it a key differentiator for premium and trust-led categories. Together, these insights prove that auto optimizes for impact, FMCG for recall, and real estate for trust visibility showing how attention metrics adapt to category goals while ensuring measurable outcomes.
On how attention analytics will shape the future of brand storytelling and media planning as OOH becomes more digitised and data-driven.
As outdoor digitizes, attention analytics will inform not just where to advertise but how stories are told in public spaces. This evolution transforms OOH from a static broadcast channel into a dynamic attention ecosystem, where creativity is optimized through evidence-based insight.
On how LOC8’s data-led framework helps marketers quantify OOH impact and make outdoor a more accountable, ROI-driven medium.
LOC8 bridges the gap between intuition and evidence. By quantifying metrics like visibility duration, attention opportunity index, and visual saliency rank, it allows brands to benchmark site performance and justify investment. This data-led approach brings transparency, comparability and ROI measurement to a medium historically driven by perception.
On how OSMO ensures AI and computer vision enhance creativity rather than reduce it to numbers.
OSMO believes that technology should enhance creativity, not overshadow it. LOC8’s attention models reveal what naturally draws the human eye helping creative teams refine design cues, contrast, and visual hierarchy for greater impact. By merging art and science, LOC8 empowers creativity with intelligence.
About the creative best practices and design cues LOC8 has uncovered regarding what truly captures consumer attention outdoors.
LOC8’s visual cognition analysis has surfaced clear patterns across campaigns:
• High contrast and minimal messaging outperform cluttered designs.
• Motion cues draw significantly longer dwell times.
• The first two seconds are critical, creatives must establish focus instantly.
• Contextual alignment between the creative and its environment increases attention by over 30%.
These learnings offer a scientific foundation for creative effectiveness helping brands design OOH that’s visually magnetic and emotionally memorable.
On how attention metrics will integrate into omnichannel planning where OOH, digital and social work together for unified brand impact.
Attention can become the unifying KPI across OOH, digital and social to creates seamless storytelling continuity, where outdoor triggers digital engagement. The future of omnichannel planning lies in attention-led integration ensuring that campaigns don’t just reach audiences everywhere but truly capture and hold their focus.
-
e-commerce1 month agoSwiggy Instamart’s GOV surges 103 per cent year on year to Rs 7,938 crore
-
iWorld1 year agoKuku TV transforms India’s OTT space with vertical microdrama boom
-
News Headline2 months agoFrom selfies to big bucks, India’s influencer economy explodes in 2025
-
News Headline1 year agoTRAI puts a ‘stop’ to unsolicited calls and messages
-
MAM2 years agoOpenAI joins C2PA steering committee
-
Comedy2 years agoTaarak Mehta Ka Ooltah Chashmah celebrates 4,000 episodes
-
News Headline2 years agoOdisha to host Ultimate Kho Kho Season 2 from December 24
-
News Headline1 year agoAbhishek Bachchan joins as co-owner of European T20 Premier League






