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Sony – playing it ‘real’ smart

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Great gambler! If there is one head honcho in the broadcast business on whom that title sits well, it is without doubt the broad-girthed chief executive of Sony Entertainment Television India Ltd Kunal Dasgupta.

His gamble on the ICC cricket rights is already the stuff of lore. Cut to the 2005 though, and it‘s been more about smart plays. Take Ten Sports, which on 1 April came onto the SET-Discovery One Alliance distribution platform. Early on, Dasgupta wasn‘t certain whether he would be able to cut a deal with Ten. Sure, he was making progress, but Subhash Chandra‘s Zee Telefilms was also in serious contention to strike an alliance with the sports channel that had in its armoury the prized property of the India-Pakistan live cricket programming.

Pressure was building up on Dasgupta in January after he lost premier English movie channel HBO, which was pushing Sony‘s bouquet among English audiences and the southern language markets. Worse, Zee-Turner had snapped up HBO while Star India had struck a distribution deal with Walt Disney late last year.

“Serious negotiations with Sony and Zee had spilled over to February,” says a source familiar with the deal. ESPN Star Sports had by then dropped out of the talks, as Ten Sports continued to pursue negotiations for an alliance after terminating the distribution contract with Modi Entertainment Network on 10 August 2004.

Still, Dasgupta wasn‘t willing to sweeten his offer. He knew Ten Sports had decided to hook on to a distribution platform rather than fight the battle as a standalone channel. And he had more than a fair chance of winning in the end.

Dasgupta‘s calculations were right. On 22 March he made the announcement, with a chuckle on his face: The One Alliance (joint venture distribution company between Sony and Discovery Communications) would distribute Ten Sports from 1 April, making the combine of channels such as SET, Max, Discovery, AXN, Animal Planet, NDTV 24×7, NDTV India, MTV, Nik, Animax, Discovery Travel & Living and Sab TV a formidable distribution bouquet.

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Just a week before the Sony-Ten announcement, SET announced that it had agreed to pay $13 million (Rs 570 million) to gobble up Sab TV, a niche humour-centric channel with a skew towards male audiences. Dasgupta‘s intention: to do battle on a broad front. While Sony TV would pitch high profile format shows like Indian Idol and Fame Gurukul to gnaw away at market leader Star Plus‘ audience base, Sab TV would get in new male audiences to the network while Ten Sports would add size and muscle to the distribution bouquet.

Next up is the launch of an English movie channel this year. Says Dasgupta, “What‘s missing is an English movie channel. The moment I find time later this year, we will create one using MGM and other libraries within the Sony fold.” That would complete Dasgupta‘s ammunition this fiscal.

“Sony has grown by leaps and bounds. But the need of the hour is to be nimble footed and adapt to the changing landscape,” Dasgupta is believed to have told SET India‘s employees who were gathered for four days at Budapest to rejoice 10 years of the company‘s existence.

No wonder the mood was jubilant for a CEO who had already spent nine years leading Sony in India. The network‘s ad revenues had grown 30 per cent for 2004-05. Though subscription income had stayed almost flat, the company was in a position to see fast growth this fiscal.

Question: Where will Sony put its big efforts this fiscal?

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Answer: Distribution, Sony TV, Max and Sab TV; in that order.

DISTRIBUTION THE KEY

Having cobbled together a string of powerful channels, SET Discovery has set itself an aggressive target. Though senior executives in the company were not willing to speak, Indiantelevision.com has learnt that a 40 per cent spike in revenues to Rs 4 billion for 2005-06 is the target.

Now for the hard part: Cable operators will resist paying out more to broadcasters in an environment where space for accommodating more channels on networks is choked. “It is a tough terrain out there. But we will achieve our targets,” says SET Discovery president Anuj Gandhi.

Optimism comes from two areas. First, the addition of Ten Sports will mean the One Alliance bouquet will have formidable cricket content till well into 2007, providing leverage to accelerate subscription revenues. Sony‘s problem was that it didn‘t have a strong cricketing property as a build up to the ICC World Cup in 2007, barring the Champions Trophy. Ten Sports will help Sony ride on a chain of events right up to the ICC World Cup. The crowning jewel in that line-up: the Indo-Pakistan series next year.

Admits Gandhi: “With Ten Sports and Max dovetailed, we will get our required push.”

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Which is why roping in Ten Sports was such a crucial link to Sony‘s growth plans. Says a senior executive, “Of course, the core channels SET, Max, Discovery and AXN would have been less impacted. But if Ten Sports would have gone to Zee, then the fringe channels would have been seriously affected.”

Sony‘s calculation rests on a second factor: the price of the new bouquet at Rs 44 a month per subscriber would have brought in additional income. “We have the strongest second bouquet, powered by Ten Sports. Sab TV also has appeal, particularly in the northern belt,” says Gandhi.

Cable operators are in no mood to let Sony run away with what they call the “loot” without resisting. The battle is just getting started. Multi system operator (MSO) Hathway Cable & Datacom, for instance, has not signed up with Sony, saying it is not in any position to increase payouts to broadcasters as subscribers are not willing to pay more.

SET Discovery‘s strategy is to stagger the pressure on cable operators over the next year. With the network having India cricket almost every quarter, that plan may fit in well. “We are not going to do a somersault. We will get our increases for the year gradually, culminating in the Indo-Pak series,” says Gandhi.

That calculation can get upset if pubcaster Doordarshan gets the rights to share live telecast with Ten Sports. This is the reason why Ten Sports could not drive its pay subscriber base from the Indo-Pakistan cricket series; neither could SET Discovery push up its numbers on the Champions Trophy last year.

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SET-Discovery is not just banking on cricket to up its revenues. The company will use Indian Idol for on ground promotions extensively this year. The marketing spend will also go up 20 per cent. “We have done such events traditionally with Max. We will use SET this time,” says Gandhi.

If everything goes right, SET Discovery has the potential of marching ahead of Star India‘s subscription revenues.

 

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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