Kids
‘No child’s play’ for Disney in India
MUMBAI: Kid‘s television behemoth Disney is approaching its second anniversary in India on 17 December and with this, the channel is signing off 2006 with a lot of aggression. In the last two years Disney Channel and Toon Disney have contributed to competition in the kid‘s television landscape in India, thus provoking the pioneers Cartoon Network and its sibling Pogo to spruce up their offerings. In this respect, the most strategic move made by Disney this year was its acquisition of kids GEC channel Hungama TV. UTV recently bid farewell to what it calls its ‘little baby‘ and in that same breadth Disney opened its doors to the channel and took control. This consolidation will mark the beginning of a new era for Disney, but will inevitably kindle fierce competition in this space.
Walt Disney Television International (India) executive director production and programming Nachiket Pantvaidya affirms that this landmark will only lay the foundation and provide a spring board for the company‘s future plans in India. However, he declined to divulge on the positioning and integration of the new addition into the Disney portfolio. While Disney was bold enough to select India as the first market in the TV business outside the US to introduce original local production with Vicky Aur Vetaal, the next home grown entity is likely to be announced next month. | |
Pantvaidya expects that the next year will convert kid‘s viewership habits from a ratio of 23:77 kids‘ channels versus GEC/sports to a 60:40 ratio of the same. He added that Disney currently cornered the bulk of market share as individually Disney Channel held 18.9 per cent, Southern star Toon Disney 8 per cent and new comer Hungama TV 22 – 23 per cent (Market:HSM, Period:average for November 2006). As reported earlier, the two Turner players plan to enter the local movie production space as well as put in place a theme park experience next year with Planet Pogo and Cartoon Network Townsville. At the same time rumours are rife in the industry of a new player from the BBC plethora, while Nick is also showing potential of bringing some action to the fore. Commenting on the capability for growth of the category Pantvaidya says that the revenue monetization of the market should be in proportion to its viewership. “Currently, it is highly under monetized from an ad sales point of view. The question is, will the ad pie expand?” Additionally, Pantvaidya outlines an emerging trend among kids television viewing which is inviting a large number of older girls (10 – 14 year old) as opposed to a previously a male dominated scenario that was attracted to action and cartoon based themes. In eyeing the ‘tween‘ category, he sees the biggest challenge in 2007, as being “to create programming that will resonate culturally with older kids (10-14).” Presently, the channel has lined up a slew of festive programming with the TV premiere of The Incredibles on Christmas Eve on Disney Channel at 11 am (with a repeat at 7 pm). While on 25 December, Micky‘s Once upon a Christmas will air at 12 noon and a special episode of Mickey Mouse Club House: Mickey Saves Santa in the preschool segment on Disney Channel. |
Kids
Om Nom bites into India as Warner Bros. Discovery picks up the series
MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.
Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.
As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.
“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase.
Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.
The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.
Kids
Colour outside the lines Chhota Bheem sketches a new play with Faber Castell
MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.
The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.
In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.
Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.
From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.
The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.
Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.
Kids
Sony tightens grip on Peanuts with $457 million stake buy
JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.
Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.
The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.
Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.
President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.
President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.
Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.
Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.
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