Kids
Nick Jr. debuts original mini pilots on wireless carriers
MUMBAI: Nick Jr. has launched three original mini pilots across multiple platforms with the first window kicking off on wireless carriers starting 6 June.
The mini pilots, originated from Nick Jr.‘s Institute of Applied Play, premiered on wireless carriers marking the network‘s first-ever launch of original short-form content on a wireless platform.
Nick Jr. will continue the multi-platform roll-out of the mini pilots — Pass the Pinha, Jinny Starfly and All Aboard — on Nick Jr. Video, Nick Jr.‘s broadband video service available on Nickjr.com and on-air on Nick Jr. television. Each of the mini pilots range in length from one to three minutes.
The Institute of Applied Play is Nick Jr.‘s creative lab, where the network partners with new talent including illustrators and writers on a variety of projects. The Institute explores a fantastic array of production techniques to produce innovative interstitials for multiple platforms. On an average, Nick Jr. produces over 15 shorts per year.
“The Institute of Applied Play is Nick Jr.‘s playground for meeting new creators and artists. We‘re excited to showcase their handiwork across all of these platforms,” said Nickelodeon Preschool Television executive creative director Brown Johnson.
The multi-platform schedule for the launch of the three mini pilots is as follows:
“It‘s not magic — it‘s science!” In the live-action and animated short Jinny Starfly, produced, written and directed by Syr-Ivan Bennett, two kids patiently wait for a caterpillar to turn into a butterfly. But their patience begins to wane. Is it make-believe? Nick Jr.‘s animated science expert Jinny Starfly flies in to show them how the caterpillar changes and that it‘s not magic — it‘s science!
In the animated short Pass the Pinha, created and directed by Elanna Allen, Bing the musical bird and her siblings find a Brazilian fruit called a pinha which makes a super samba Brazilian sound when shaken. But little Bing rocks out so much that she drops the pinha, which shatters. They sadly gather around the broken fruit, until Bing nibbles on a piece and sings her conga sound. The others join in, munching and dancing to their samba song.
In the animated short All Aboard, created by Nancy Wolff, a billy goat and a raccoon turn a boring morning in to a choo-choo train game. They discover that all you need are some friends and imagination to turn a seemingly boring day into an exciting ride.
The shorts that come out of The Institute of Applied Play have a history of being used as back-door pilots. Nick Jr.‘s original hit series The Wonder Pets! which premiered in March 2006 started out as a series of interstitials called Linny the Guinea Pig. Ni Hao, Kai-lan an upcoming new animated series slated to premiere in fall 2007 began as a series of shorts called Downward Doghouse. Additionally, Nick Jr.‘s short-form series Mighty Bug 5, started out as an interstitial called The Grumpy Bug. All these are available on Nickjr.com.
Kids
Om Nom bites into India as Warner Bros. Discovery picks up the series
MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.
Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.
As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.
“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase.
Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.
The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.
Kids
Colour outside the lines Chhota Bheem sketches a new play with Faber Castell
MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.
The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.
In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.
Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.
From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.
The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.
Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.
Kids
Sony tightens grip on Peanuts with $457 million stake buy
JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.
Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.
The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.
Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.
President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.
President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.
Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.
Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.
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