Kids
Disneyland Resort debuts first-ever video podcast
MUMBAI: Following the precedent of its popular monthly audio podcasts, the Disneyland Resort in Southern California has now introduced a new monthly series of video podcasts that will bring all the magic and fun of “The Happiest Place on Earth” to fans around the world via their desktop computer or video iPod.
As one of the first organisations to successfully venture into audio podcasting (launching its first podcast in May 2005), Disneyland Resort has now debuted the first episode of its all-new Disneyland Resort Video Podcast series.
In the video episode, available now on the internet, viewers will witness the official world premiere of the new Disney film Pirates of the Caribbean: Dead Man‘s Chest and the re-opening of the classic attraction Pirates of the Caribbean, which has recently been enhanced. All the excitement of getting ready for this amazing event is captured in this mini-documentary.
Viewers will walk the red carpet with the film‘s stars Johnny Depp, Keira Knightley and Orlando Bloom, plus meet many of the die-hard Pirates fans. It‘s a fast-paced look (six minutes, four seconds) behind-the-magic at one of the memorable nights in Disneyland history.
Like the Official Disneyland Resort Audio Podcast, the new video podcast is a free monthly internet-based show accessible to a global audience via a “Disneyland” search on the iTunes Podcast Directory. Listeners can also subscribe to both podcast versions (audio and video) through the iTunes Podcast Directory to receive new episodes automatically each month.
The monthly video podcast takes viewers behind-the-scenes of what‘s new and exciting at the resort plus showcases stories from the resort‘s 50-year legacy of creating magical moments for guests from around the world. Similar to its initial entry into audio podcasting, the Disneyland Resort enters the emerging world of video podcasting in its infancy — there are currently only 150 free video podcasts available on the iTunes Podcast Directory but interest in, and use of, the medium is rapidly increasing.
Additionally, the newest episode of the Official Disneyland Resort Audio Podcast is now available online and takes listeners to all the excitement of the world premiere of Pirates of the Caribbean: Dead Man‘s Chest, which had its official bow at Disneyland on 24 June. Recorded live on the world‘s longest red-carpet (2,000 feet from the beginning of Main Street, USA to the riverfront in New Orleans Square) this podcast (38 minutes, 50 seconds) features an array of segments, including:
- Interviews on the red carpet with Pirates film producer Jerry Bruckheimer, actor Bill Nighy (Davy Jones in Pirates of the Caribbean:Dead Man‘s Chest) and Disney CEO Bob Iger.
- Actor Johnny Depp encounters the newly added Captain Jack Sparrow for the first time inside the recently enhanced Pirates of the Caribbean attraction.
- Walt Disney himself in a very rare clip from a 1965 press conference at WED Enterprises (now Walt Disney Imagineering) where he describes his vision for Pirates of the Caribbean, the use of models in the creation of the attraction and his description of Imagineering.
- A new interview with Jason Surrell, Disney Imagineer and author of the book Pirates of the Caribbean: From the Magic Kingdom to the Movies.
- An encounter with one of the fans of the Official Disneyland Resort Podcast.
- A meeting with two diehard Pirates fans who traveled all the way from Atlanta, Georgia, and Mobile, Alabama, to visit Disneyland and participate in the premiere.
- Meet a Disneyland Cast Member who was so enthralled with the film Pirates of the Caribbean: The Curse of the Black Pearl that she has become a bona fide Pirate historian.
- A five-year old Pirate fan gives the newly enhanced attraction a “Thumbs-Up!”
- Premiere recap and attraction overview from author and Disney historian Tim O‘Day.
Achieving a rating of four-and-a half stars out of a possible perfect five on the iTunes Podcast Directory, the Official Disneyland Resort Audio Podcast continues to be a hit with listeners. Each episode features an engaging mix of original programming recorded live throughout the resort including locations in Disneyland, Disney‘s California Adventure Park, the Downtown Disney District and the resort‘s three hotels — Disney‘s Grand Californian Hotel, Disneyland Hotel and Disney‘s Paradise Pier Hotel — creating a “you are there” audio experience.
Kids
Om Nom bites into India as Warner Bros. Discovery picks up the series
MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.
Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.
As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.
“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase.
Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.
The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.
Kids
Colour outside the lines Chhota Bheem sketches a new play with Faber Castell
MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.
The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.
In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.
Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.
From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.
The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.
Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.
Kids
Sony tightens grip on Peanuts with $457 million stake buy
JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.
Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.
The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.
Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.
President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.
President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.
Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.
Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.
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