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‘Channels will stop chasing TRPs if we had a proper subscription revenue model:’ Vikram Chandra

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In an industry where people change jobs every few years in order to quickly climb the ranks, his association spanning more than two decades with Dr Prannoy Roy’s NDTV Group speaks volumes about his commitment and stability. One of India’s leading journalists, he now helms NDTV Group as executive director and CEO. He is also the executive chairperson of the company’s online venture – NDTV Convergence.

 

What’s more, even with the increasing managerial responsibilities, he manages to find time to anchor shows like Gadget Guru and The Big Fight and therein reflects his love for the Fourth Estate. He also flirted with the pen when he wrote his first fiction thriller titled The Srinagar Conspiracy in the year 2000. He is none other than Vikram Chandra.

 

With many a feathers in his cap, Chandra is now well poised to take NDTV to newer heights with the expansion in the digital space. Tapping new avenues, NDTV now has its fingers dipped in multiple segments like wedding, fashion, auto, gadgets et al… and all under Chandra’s stewardship.

 

In a chat with Indiantelevision.com’s Megha Parmar, Chandra sheds light on his journey, NDTV’s businesses ventures, cable TV digitisation, social media and the road ahead for the company.

 

Read on for excerpts:

 

NDTV is now expanding its digital footprint with gadgets, auto and retail. What drives you towards digital despite being a traditional broadcaster?

 

This has been one of NDTV’s key strategies from a long time. Going digital is a key part of NDTV from several years. Way back in 1999 and 2000s, we started to believe that Internet is going to be a dominant part of our lives. While TV is still a core part of our DNA and plays an important role in everything that we do, we then wanted to expand into digital from a long time.

 

Today, people can consume the same NDTV news though different streams. You can watch it on your TV, phone and the NDTV app. There are different ways to get the content that we are enabling for people. Going forward, we took a decision that there were individual niche areas where we want to make a major impact. That is what we are building on from the past couple of years; be it food, auto, wedding, retail and there are other things also coming into place.

 

How much does digital contribute towards the company’s revenue?

 

Digital’s contribution to the company’s revenues has been growing. It used to be around three – four per cent sometime back, but today because digital revenues are growing at a faster rate, digital accounts 20 – 22 per cent of NDTV’s revenue. The number is growing rapidly.

 

What was the idea behind NDTV entering the online wedding market?

 

Everything that we are doing in these areas has a very specific planned execution strategy. We thought it is a good proposition to be in and we got into it. We followed the same thing with Gadgets360 and the other portals. In weddings, we have found the same niche that we think is going to be very attractive. 

 

Are revenues from television on the decline?

 

The revenue from TV has grown over the years and will continue to grow. It’s just that the revenues from digital are growing at a faster rate almost at 15 per cent a year from a long period of time. While the share of digital revenue is increasing, it’s not that the TV revenues are declining.

 

How long before revenue from digital will surpass that from television?

 

We’re a long way from there. There is a lot of action going on TV also and we are also expecting regulatory changes to happen soon. If everything goes fine, the revenues from TV will also grow at a faster rate. There is no competition between the two. As long as the both are growing and are doing well, that is what we want.

 

What are your plans with Gadgets360 and Auto? Do you see enough monetisation opportunities?

 

Gadgets360 is by now a very dominant property. It is not just the number one gadget site in the country, it’s four or five times far than the number two in the entire world and has gained a very massive position. With Gadgets360, we tend to hold a position of considerable dominance in the space. If the people want to buy a gadget and want to know about anything related to it be it news or reviews, they have to refer to some or the other NDTV’s properties. It gives us a good position to build a strong community around the gadget loving and gadget dying population. We have now started to do some select launches of individual products that we think are interesting on the website. Many e-commerce transactions have also started to happen on Gadgets360 and the initial response has been quite astonishing. The first two three phones that we tried to sell were sold out in a month’s time, which surprised us. So now we are planning to do more such things, which will surprise us in many other ways.

 

Auto is an area where we have built a powerful franchise over a long period of time. We have a good combination of content like carandbike.com and technology package combined with good engineering. This will help the auto portal also scale up both from the content side and from the transactions point of view.

 

Do you see enough monetisation opportunities in Gadgets360 and Auto?

 

Gadgets360 is doing well for us and has stayed ahead of our expectations. The monetisation is coming in. Once you have strong communication in various communities, it’s not just an attractive proposition from the revenue point of view but also from advertising. From an advertiser’s perspective, where else would you want to put your money than on a leading portal in that space? If you have a leading tech, auto or food content portal, that’s where you will want to put your money. Auto is also emerging successfully.

 

What kind of investment is being pumped in for these new ventures?

 

Well these have raised funds already. Food is the recent one, which has raised funds to the tune of $12 million roughly. Each of these have been visualised as an individual entity and they have a life of their own. Each of them have been done in a very entrepreneurial manner like start-ups. We don’t have the group dynamics playing; it’s all done by individual entrepreneurial team. They have raised their own money including some of the top investors.

 

Can you share your overall plans for NDTV Convergence? It’s already the leader in its space but now there have been others joining in too.

 

There will always be competition and that’s good. We are not scared of the competition. The more the activity and action in the field, the more it will help in growing the market. Today, only a small fraction of our population has access to the internet but the number of people who are going to use the service five years down the line is huge. It’s a vast untapped market. If more people come in, it will just expand the market. So far, with competition, it has not changed our position, market share or even the traffic that we get. We are in a comfortable position.

 

In the age of clutter, competition & multiple start-ups mushrooming in the country, how does NDTV plan to have an edge over the others in the new areas that it has ventured into? 

 

There are things that we do and focus on. So far we have managed the competition right. If you look at the page views or the traffic, it’s clear that there are a couple of clear leaders and while a few competitors are at some distance behind. We know how to manage the space.

 

How do you see digitisation changing the game in India for broadcasters in terms of content, revenues, etc?

 

Digitisation was always anticipated to be a game changer but to some extent we are disappointed. What is causing disappointment in the market is that the business models have not changed after digitisation.

 

Digitisation was supposed to transform the business models for broadcasters where distribution revenues start to become a very major contributor, where subscription money starts to flow and also lower the reliance on advertising. That was the logic that digitisation was supposed to drive.

 

There was also a strong economic business rational for this that in analog systems you only had 40 slots for 200 channels but now you have no capacity constraints. What we really would want to see in 2016 is concerting actions to be taken especially by the government and the regulators to try and persuade people that the model needs to change and formulate what the correct model should be.

 

There is an effect on the content model as well. If subscription revenues were robust, then it sets up a business model where quality channels will have money to invest in quality content and a channel’s revenue will be based on subscription and not around chasing the advertising. Then what will be the need of content if one is chasing advertising? It’s not only chasing advertising; the channels are chasing TRPs, which is to some extent evident in the news space. They are clearly following tabloid type of news content, creating sensationalism and other things that are basically designed to get more TRPs. If you had a proper model wherein channels could make money from subscription, then people will not want to chase the TRP game. They will do good quality content and would gain some money from subscription.

 

How much importance do you give social media? Do social media insights play a vital role in penning down your strategy?

 

Social media is a very powerful tool and helps people connect with each other. There are obviously issues around and you should not think that social media is everything, which sometimes you pretend to do. Social media sometimes acts as a platform for the loudest voices but with a disproportionate scare. For a journalist too, it’s one of the first bases where you might get breaking news and information about what’s happening around you. But you do need to be careful about how you use social media and how you engage with social media. You should not believe on everything that goes around.

 

Having said that, I don’t think social media plays any key role in driving our strategy back at NDTV.

 

The credibility of a news story is now defined by a trending hashtag. If your story leads to a trending tag, it’s a successful story, otherwise it’s not. Is it a fair proposition?

 

I don’t agree to that. It’s good to have your story trending but you can do a very successful strong and powerful story, which does not necessarily need to trend. It should not be the only metric. As a journalist, I think that it’s not necessary that something that drives more clarity or will trend means that it’s the only form of journalism you can do. You can still do very powerful journalism in various areas, which may not drive TRPs or trend on Twitter.

 

Do trending #tags like presstitutes bother you?

 

I think on social media a lot of the language and discourses have become disappointing. The language used, at times, is inappropriate. There are some people using abusive language. I think this is dangerous as at times you will find accusations, which aren’t true. People are straightforward and mature and also are definitely using social media for the right purpose but there is a possibility that they sometimes might pick up something, which is incorrect or not accurate and is a total fabrication. Someone will put something on social media and then it will be re-tweeted repeatedly and will be passed around, which is not true and will cause damage. 

 

Social media has helped us in democratically using the voice of the people. Anyone can access it and express their views on anything, which should be rolled forward. But everything has a sad part attached to it and here the issue is about how we control the worst impulses of a few people putting something, which is invalid or not factual. We have to find a solution to how we can control such things from taking place on social media.

 

Suppose a journalist is doing a hard hitting story like on child smuggling or malnutrition or about what is going in the Vidarbha region; these are not negative stories but are strong powerful development stories and may lead to some transformation happening in one place or other.

 

We often hear people commenting on why we don’t publish positive stories or development stories. The answer is, these stories are done but are not the kind of social stories that will either make TRPs or be trending on Twitter. You do a great story on solar power and publish it; it will not work that much. But the story should be done. We should find ways to tweak the model that those stories are done on and are broadcast without anyone worrying about TRPs or trends.

 

How important are ratings in the larger scheme of things?

 

Ratings are a currency. TRPs will always reward a certain type of content over another type of content. That is one another intrinsic problem with the rating system. Now we are seeing new methods of measurement also coming out with a much larger monitoring system and a larger sample of people, which is interesting. At some point, I am sure BARC India and others will start monitoring digital data as many consume news not only from television but also from live streams.

 

For a long time, NDTV has not been trying to sell on the basis of TRPs alone. I think the sales team has done a great job. Many of the powerful and important brands are keen to be a part of NDTV now.

 

Is digital gradually taking over TV when it comes to news? What should TV players be doing to keep the audience intact?

 

I don’t think it is going to be an either or situation… just as television and print have co-existed from such a long time. It’s not that after the invention of TV the newspapers shut down. Digital is another facet of it.

 

We at NDTV are content providers and will provide content to  consumers in whichever format we can. It will be on TV, desktops, mobiles, etc. Wherever the consumer is consuming content, we will be there in that space. We are visible in most of the areas. So I think TV and digital will go together.

 

From Doon School to journalism to Chief Executive Officer, how would you define your journey so far?

 

Well, it’s been an interesting journey. I have worn so many hats so far. I have always enjoyed my years as a journalist and I still enjoy my anchoring. I get a lot of satisfaction especially from things like the special projects that I do and the big campaigns in which I play an active role as an anchor.

 

Other than Gadget Guru and The Big Fight, I don’t get to do so much journalistically, which taps some area of regret within me. 

 

What role has Dr Prannoy Roy played in your career?

 

He has been a guide and a mentor in more ways than one. I went to TV because I saw Prannoy anchoring a show. That’s when I decided to make a career in the same field. He has been a role model for me and many of us. I wouldn’t have been a journalist if it wouldn’t have been for him.

 

What can we expect from NDTV in the coming year?

 

We are hoping for another change in the TV business model in 2016. On TV, we will continue to target growth and profitability. We will focus on our three basic aspects of TV, i.e. digital content, TV  and e-commerce business. Each have their own targets and matrices against which we will be evaluating them. We will go to the bottom line and get the profitability up as much possible.

 

In digital content, we will try to consolidate our leadership position. On the e-commerce side, this is a crucial and critical year of all our new ventures that we are launching and we are hoping that the success that they have seen in the initial stage will turn into strong marketing business model.

Executive Dossier

Game on, fame on as Good Game hunts India’s first global gaming star

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MUMBAI: Game faces on, pressure high India’s gaming ambitions are levelling up. Good Game, billed as the world’s first as-live global gaming reality show, has officially launched in India with a bold mission: to crown the country’s first Global Gaming Superstar.

Blending esports with mainstream entertainment, the show brings together competitive gaming, creativity and on-camera performance in a format that tests more than just joystick skills. Contestants will be judged on gameplay, screen presence and their ability to perform under pressure, reflecting how gaming has evolved from pastime to profession and pop culture currency.

Fronting the show are three high-profile ambassadors: actor and entrepreneur Samantha Ruth Prabhu, Indian cricket star Rishabh Pant, and gaming creator Ujjwal Chaurasia. The winner will take home Rs 1 crore ($100,000) among the largest prize pools for any Indian reality show along with the chance to represent India on a global stage.

Backed by a planned annual investment of up to Rs 100 crore, Good Game is also courting brand partners, promising a minimum reach of 500 million among India’s core youth audience. The creators position the show as a bridge between entertainment and interactive culture, offering long-format content, community engagement and commercial scale.

Auditions are now open to Indian citizens aged 18 and above, inviting amateur and professional gamers, creators and performers alike. Shortlisted candidates will be called for in-person auditions in Mumbai on 14 and 15 February, and in Delhi on 28 February and 1 March 2026.

With big money, big names and even bigger ambition, Good Game signals a shift in how India views gaming not just as play, but as performance, profession and prime-time spectacle.

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Digital

SpotDraft hires new CMO and CFO to fuel global push for its AI contract platform

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INDIA: SpotDraft has strengthened its senior ranks as it gears up for faster global expansion, naming Alon Waks as chief marketing officer and Amit Sharma as chief financial officer. The appointments follow the firm’s $54 million Series B round earlier this year and mark a push to scale across the Americas, EMEA and India.

The AI-powered contract-lifecycle-management platform has posted 100 per cent year-on-year growth in customer acquisition, counting Apollo.io, IPSY, Mixpanel, Oyster and Panasonic among its global clients. The firm processes more than one million contracts annually, with volumes up 173 per cent and nearly 50,000 monthly active users.

Waks, a veteran of Kustomer, Bizzabo, CreatorIQ, LivePerson and ZoomInfo, will steer global marketing and category positioning as legal teams adopt AI-driven tools. Sharma, who has led finance across scaling tech firms since 2016, will guide financial strategy, investor relations and market expansion.

Both hires aim to sharpen SpotDraft’s bid for a larger slice of the fast-growing legal-tech market, expected to exceed $63 billion by 2032. Co-founder and chief executive Shashank Bijapur said the company is focused on scaling go-to-market operations in the Americas, deepening leadership in EMEA, and accelerating AI capabilities for general counsels and legal-operations leaders.

Clients report shorter deal cycles and better alignment between legal and business teams. “What used to take weeks now happens in days,” said Abnormal Security senior legal operations manager Susan Koenig. DeepL head of legal operations André Barrow, said SpotDraft has helped reframe legal “from a cost centre to a generator of revenue”.

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Executive Dossier

Outdoor Ads Get Smarter as LOC8 Shifts OOH from Visibility to Attention

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MUMBAI: Out-of-home ads were once the wallflowers of marketing seen by everyone, noticed by few. But in an age where attention has become the world’s most fought-over currency, even billboards are getting a brain upgrade. Enter LOC8, OSMO’s AI-powered attention engine, quietly reshaping the old OOH playbook by measuring not just who could have looked at an ad, but who actually did. The shift is subtle but seismic: impressions are out, impact is in and data, not gut instinct, is calling the shots.

In a landscape where marketers question every rupee spent outdoors, LOC8 is turning lampposts, flyovers and traffic islands into precision-mapped attention laboratories. By crunching dwell time, visibility zones, perceptual size and real-world obstructions, the platform is dragging OOH into a future where creativity meets computer vision and where the best ideas aren’t just eye-catching, but eye-measured. From automotive facelifts to FMCG novelty and real estate trust-building, the message is clear, outdoor has stopped shouting and started listening. Indian Television Dot Com explores more about it in an Interview interview with OSMO co-founder Nipun Arora.

On how OSMO is shifting outdoor advertising from a visibility-led medium to an attention-led one through LOC8. 

Traditional OOH has long been measured by visibility and impressions i.e how many people could see an ad. OSMO, through its proprietary AI platform LOC8, is shifting that narrative more towards likelihood of being noticed. Using computer vision and machine learning, LOC8 analyzes real-world video data to measure visibility zones, obstructions, dwell time and perceptual size; bringing precision to how attention is quantified outdoors. It moves the focus from mere impressions to quality of impressions, making OOH a data-verified, attention-led medium comparable to digital in accountability. 

On how marketers can use LOC8’s dwell-time, visibility and perception insights to craft more effective, emotionally resonant OOH campaigns. 

LOC8 helps brands understand how people truly experience outdoor media how long they look, from what distance, and under what conditions. By quantifying dwell time, visibility duration, and perceptual size; marketers can plan campaigns that align with real human viewing behavior. This empowers creative and strategy teams to design emotionally resonant storytelling where messaging, visual hierarchy and placement are optimized for how people actually notice and process OOH creatives. 

About what LOC8 has revealed through campaigns like Renault Triber and Namaste India on how categories such as auto, FMCG and real estate use attention metrics to drive outcomes. 

Each category uses attention data differently but all share one common goal: to convert outdoor visibility into measurable engagement. 

• Automotive | Renault Triber

For the new Renault Triber facelift, bold creative met data-led planning through LOC8. By analyzing on-ground video data, LOC8 measured real audience attention across placements factoring in visibility zones, obstructions, traffic speed and perceptual size. This enabled Renault to identify corridors that delivered maximum reach, saliency and engagement, optimizing media efficiency and ROI.  

• FMCG | Namaste India

In OOH, innovation is the hook and assets are the bait. But bait often hides the hook. With Loc8’s attention metrics, we ensured the bait wasn’t a hurdle, rather it became the perfect stage for innovation to deliver its full impact! The insight proved that creative novelty, when validated by attention data, drives deeper engagement and measurable brand lift. 

• Real Estate

For luxury and real estate campaigns targeting HNI/UHNI audiences, attention patterns differ especially between front and rear passengers, who are often the core audience segment for premium sites. LOC8’s ability to distinguish rear vs. front visibility plays a critical role here. It helps identify sites that offer longer viewing windows and stronger perceptual dominance from the rear seat where decision-makers are most likely seated making it a key differentiator for premium and trust-led categories. Together, these insights prove that auto optimizes for impact, FMCG for recall, and real estate for trust visibility showing how attention metrics adapt to category goals while ensuring measurable outcomes.

On how attention analytics will shape the future of brand storytelling and media planning as OOH becomes more digitised and data-driven.  

 As outdoor digitizes, attention analytics will inform not just where to advertise but how stories are told in public spaces. This evolution transforms OOH from a static broadcast channel into a dynamic attention ecosystem, where creativity is optimized through evidence-based insight.

On how LOC8’s data-led framework helps marketers quantify OOH impact and make outdoor a more accountable, ROI-driven medium. 

LOC8 bridges the gap between intuition and evidence. By quantifying metrics like visibility duration, attention opportunity index, and visual saliency rank, it allows brands to benchmark site performance and justify investment. This data-led approach brings transparency, comparability and ROI measurement to a medium historically driven by perception. 

On how OSMO ensures AI and computer vision enhance creativity rather than reduce it to numbers.

OSMO believes that technology should enhance creativity, not overshadow it. LOC8’s attention models reveal what naturally draws the human eye helping creative teams refine design cues, contrast, and visual hierarchy for greater impact. By merging art and science, LOC8 empowers creativity with intelligence. 

About the creative best practices and design cues LOC8 has uncovered regarding what truly captures consumer attention outdoors. 

LOC8’s visual cognition analysis has surfaced clear patterns across campaigns:

• High contrast and minimal messaging outperform cluttered designs.

• Motion cues draw significantly longer dwell times.

• The first two seconds are critical, creatives must establish focus instantly.

• Contextual alignment between the creative and its environment increases attention by over 30%.

These learnings offer a scientific foundation for creative effectiveness helping brands design OOH that’s visually magnetic and emotionally memorable. 

On how attention metrics will integrate into omnichannel planning where OOH, digital and social work together for unified brand impact. 

Attention can become the unifying KPI across OOH, digital and social to creates seamless storytelling continuity, where outdoor triggers digital engagement. The future of omnichannel planning lies in attention-led integration ensuring that campaigns don’t just reach audiences everywhere but truly capture and hold their focus.
 

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