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BBC’s ‘Children in Need’ appeal raises over ?20 mn

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MUMBAI: UK pubcaster the BBC has announced that its charioty initiative for kids, BBC Children in Need, has raised ?20,991,216, beating all previous records and taking the total since the telethon began to over half a billion pounds.



The pubcaster says that since 1980, the BBC One appeal show has provided a feast of Friday night entertainment and this year was no exception with stars from the world of pop, stage and screen taking to the stage to raise money for disadvantaged children and young people in the UK.



Terry Wogan, Tess Daly and Fearne Cotton presented the seven-hour entertainment marathon, live from London‘s Television Centre, as the corporation‘s biggest broadcast event linked BBC centres and celebrated the efforts of fundraisers all over the country.



On the night, viewers enjoyed live entertainment from BBC studios in Belfast, Cardiff and Glasgow, as well as broadcasts from a diverse range of venues around England, and there was additional coverage on BBC TV, radio and online in the build-up to appeal night.



McFly opened the proceedings on BBC One with their official Children in Need single and were followed by top musical stars including Take That, Girls Aloud, Boyzone, Sugababes and Alesha Dixon.



Other highlights included the BBC Newsreaders‘ unique take on Abba‘s Mamma Mia; the East End met the West End as stars of Albert Square performed popular show tunes, while Coronation Street discovered How To Look Good Naked with Gok Wan.



Stars of The Bill rocked the studio with a tribute to The Blues Brothers; Richard Hammond took Gene Hunt‘s beloved car for a spin when Top Gear met Ashes To Ashes; and children took over the kitchen in Masterchef.



The audience was also treated to a sneak preview of this year‘s Doctor Who Christmas special and Tess triumphed over Terry in Strictly Come Dance.



Radio 2 listeners helped raise ?2 million, with one anonymous caller bidding ?100,000 in the Auction Of Things Money Can‘t Buy for a guitar master class with Mark Knopfler, while The One Show‘s Pennies For Pudsey campaign and the Celebrity Scissorhands on BBC Three, helped drive the total even higher.




From cake sales in the office, to talent contests at school, a sponsored litter pick-up, sleepovers in haunted houses, to a 24-hour cycle marathon involving two Paralympians, a huge community of supporters has responded to the “Do Something Different” fundraising theme.



BBC Children in Need CEO David Ramsden says, “I am completely overwhelmed by the way the country has come together in support of BBC Children in Need, demonstrating such generosity in these tough times, and I‘d like to say a massive thank you to everyone involved.



“We can now focus our attention on finding more great projects that can change young lives for the better.”



BBC Children in Need‘s mission is to positively change the lives of disadvantaged children and young people in the UK.



BBC Children in Need awards grants to organisations working with children aged 18 and under who have mental, physical or sensory disabilities; behavioural or psychological disorders; are living in poverty or situations of deprivation; or suffering through distress, abuse or neglect.



The charity is supported by a number of corporate partners including Asda, Boots, Costco, Royal Mail, Greggs, Regenersis, NatWest and the BBC‘s operational partner BT.

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Kids

Om Nom bites into India as Warner Bros. Discovery picks up the series

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MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.

Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.

As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.

“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase. 

Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.

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The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.

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Colour outside the lines Chhota Bheem sketches a new play with Faber Castell

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MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.

The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.

In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.

Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.

From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.

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The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.

Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.

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Sony tightens grip on Peanuts with $457 million stake buy

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JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.

Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.

The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.

Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.

President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.

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President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.

Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.

Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.

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