Kids

animation Xpress Team

Published

19 years ago

February 24, 2007

NEW DELHI: The second core committee meeting of the Telecomm 2007, held on Friday, has narrowed down the theme of this year‘s Summit and Exhibition (November1-3, Mumbai) as either “Role of telecom and IT: changing lifestyles”, or “Role of telecom and IT as economic multiplier.”

The theme, either way, would be consumer-centric. This is a broad consensus that emerged at the meeting, which also decided on having eight conference sessions.

These would be E-governance (including education, health, etc.); two sessions on the more complex issues of New Generation Network and WiMax; another two sessions on the emerging technology of IPTV / mobile TV, with emphasis on content provider; spectrum and infrastructure sharing; need for a new telecom policy initiative; and investment opportunities and challenges in the sectors.

The meeting, chaired by former BSNL CMD Prithipal Singh, has sent the recommendations to the chairperson, who will finalise the issues and the main theme.

Most of the speakers followed the initial argument of Satya Narayan Gupta, chief regulatory advisor (SAARC region) of BT Global Services, who said that the theme has been more or less settled by the government, with the I&B minister‘s slogans of 2007: Year of Broadband and Trai‘s slogan of 2007: Year of the Consumer.

What emerged at the Core Committee meeting, in which indiantelevision.com was also an invitee, is a fair merger of the two slogans, as is reflected in the theme as well as the special attention, in the form double sessions, for the topics of NGN and WiMax and two for IPTV and mobile TV.

There was considerable discussion on the lack of enough data and services not reaching the people in the languages they understand. In fact, one speaker pointed out that the Edusat, created at a cost of Rs 1,000 crore, is yet to achieve its basic targets.

Indra Mohan, president of India-tech, an industry association for international techno-economic cooperation, said that there was need for technology that can bridge the two Indias: urban and rural.

In fact, Sanjeev Kumar Seth, Deputy Director General (Commercial), BSNL, bluntly asserted that all the talk about teledensity of 11 in India is a distorted image, and especially in rural India, it will not be more than 2.

NK Mohapatra of Midas Communication Technologies Pvt Ltd said there is a failure in adequate data generation, and held that in the absence of a proper data delivery system, telecom would become a bottleneck.

Mohaopatra also raised the important point of why financing agencies are not investing in telecom infrastructure business. He said that these institutions have shown a remarkable reluctance in investing, because they must have realised that the returns are much too low.

Mohapatra raised the issue of ferreting out what ails investment, and this was supported by many industry leaders attending the meeting, leading to the decision on a full session on challenges and opportunities in investment in the sector.

Prithipal Singh pointed out also to the vast expansion of the telecom sector, and yet, stressed that there were too many problems in customers getting adequate service. “The mobile service quality in the second phase of the mobile sector growth is not at all what the first phase had given,” he said.

The organisers also announced the rates for sponsorship in four categories: Diamond (Rs seven lakh); platinum (Rs 4.5 lakh); gold (Rs 3‘5 lakh) and silver (three lakh).

The organisers have asked the participants to give written notes on specific topics under the issues for discussion at the conference, and also suggest names of the experts who would head the various discussions.

Kids

Om Nom bites into India as Warner Bros. Discovery picks up the series

Published

1 month ago

January 20, 2026

indiantelevision.com Team

MUMBAI: The little green hero is making a big leap east. Zeptolab has struck a major distribution deal with Warner Bros. Discovery, bringing its hit animated series Om Nom Stories to audiences across the Indian subcontinent.

Under the agreement, Warner Bros. Discovery has acquired the series for exclusive Pay TV broadcast and non-exclusive digital streaming in India, Pakistan, Bangladesh, Bhutan, Nepal and Sri Lanka. The move marks a significant expansion for Zeptolab as it pushes one of its most successful original IPs into one of the world’s fastest-growing entertainment markets.

As part of the deal, all 26 seasons of Om Nom Stories will be rolled out across Cartoon Network, Pogo, Discovery Kids and Discovery+, offering both linear and digital access to the franchise’s slapstick humour and expressive, dialogue-free storytelling.

“We’re incredibly excited to partner with Warner Bros. Discovery to bring Om Nom Stories to the Indian subcontinent,” said Zeptolab executive producer Manaf Hassan, noting that the broadcaster’s reach and legacy make it a strong fit for the series’ growing global fanbase.

Warner Bros. Discovery, meanwhile, sees the acquisition as a natural addition to its children’s portfolio. Warner Bros. Discovery head of factual entertainment, lifestyle and kids for South Asia Sai Abishek, said the series aligns with the network’s focus on cheerful, imaginative and universally appealing content for families across the region.

The timing adds an extra layer of significance. The expansion coincides with Om Nom’s 15th anniversary, underlining the franchise’s staying power and its evolution from a mobile game character into a global animation brand. With this latest bite at the Indian subcontinent, Om Nom’s adventures look set to find a whole new generation of fans.

Kids

Colour outside the lines Chhota Bheem sketches a new play with Faber Castell

Published

2 months ago

January 9, 2026

indiantelevision.com Team

MUMBAI: If childhood memories had a colour palette, Chhota Bheem would likely be right in the middle of it and now, quite literally, in children’s pencil boxes too. Green Gold Animation has announced a landmark licensing partnership with Faber-Castell India, marking the global stationery major’s first-ever licensed character collaboration. The association brings Chhota Bheem to a specially curated range of student art and creative products, blending everyday learning tools with one of India’s most recognisable homegrown characters.

The move is a notable expansion of Chhota Bheem’s footprint beyond screens, reinforcing the character’s status as a multi-generational IP that has steadily grown from a television favourite into a cultural constant. For Green Gold Animation, the partnership signals a sharpened focus on extending its intellectual property into daily touchpoints, where entertainment meets education and habit.

In its first phase, the collaboration will roll out Chhota Bheem-themed products across key student art categories, including watercolour cakes, wax crayons, poster colours, sketch pens, oil pastels and creative bundling kits. The range is aimed squarely at school-going children, tapping into Bheem’s strong emotional connect while encouraging imagination, creativity and hands-on expression.

Green Gold Animation founder and CEO Rajiv Chilaka noted that Chhota Bheem’s journey has long moved beyond episodic storytelling. He said the partnership reflects a deliberate attempt to embed the character into moments of learning and creativity, while building a more purpose-led licensing ecosystem around Indian IP through collaboration with a globally established brand.

From Faber-Castell India’s perspective, the tie-up marks a strategic first. Faber-Castell India director marketing Sonali Shah said the collaboration opens a new chapter by pairing the brand’s long-standing reputation for quality and safety with a character that already commands trust and affection among Indian children. The aim, she added, is to make creativity more engaging and relatable without diluting product standards.

The launch will be backed by a 360-degree promotional push, spanning digital campaigns, social media storytelling, creative usage content and on-ground retail activations across select markets. Both companies have confirmed that this is only the starting point, with additional Chhota Bheem-themed products across new categories planned in the months ahead.

Headquartered in Hyderabad, Green Gold Animation continues to scale its ambition of building globally competitive Indian IPs, with Chhota Bheem leading the charge. This latest collaboration suggests that the brand’s next phase of growth may be less about what children watch and more about what they create.

Kids

Sony tightens grip on Peanuts with $457 million stake buy

Published

2 months ago

December 22, 2025

indiantelevision.com Team

JAPAN: Sony has doubled down on the power of legacy brands, snapping up a majority stake in the Peanuts intellectual property in a late-year deal valued at about $457 million.

Sony Pictures Entertainment and Sony Music Entertainment Japan have acquired the roughly 41 per cent holding in Peanuts Holdings LLC previously owned by Canadian children’s entertainment company WildBrain. The move lifts Sony’s ownership to 80 per cent, with the Schulz family retaining the remaining 20 per cent.

The deal brings one of pop culture’s most durable franchises, home to Charlie Brown, Snoopy and the rest of the Peanuts gang, firmly under the Sony umbrella. The characters were created by Charles M Schulz, whose daily comic strip ran for half a century before ending in 2000.

Sony had already been a long-time partner in the business. The latest transaction consolidates control and sharpens the group’s hand as it looks to keep the characters front and centre across film, television, music and consumer products.

President and group ceo of Sony Music Entertainment Japan, Shunsuke Muramatsu, said the additional stake would allow Sony to further elevate the Peanuts brand by drawing on the group’s global reach and creative expertise, while preserving the legacy of Schulz and his family.

President and ceo of Sony Pictures, Ravi Ahuja, said the combined ownership gives Sony the ability to protect and shape the future of the characters for new generations, expanding their relevance without diluting their charm.

Peanuts long ago escaped the confines of the comic strip, cementing its place in popular culture through perennial television specials such as A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown. More recently, WildBrain kept the franchise active with animated series including Snoopy in Space and The Snoopy Show.

Now, with Sony firmly in control, the message is unmistakable. In an industry obsessed with the next big thing, nostalgia still sells and Sony is betting big on a doghouse that refuses to age.