Connect with us

Applications

BroadcastAsia2006 to focus on the digital journey

Published

on













MUMBAI: BroadcastAsia2006, organised by Singapore Exhibition Services (SES), is on its way to another run at the Singapore Expo from 19 to 23 June 2006.

 

Titled “Digital: The Journey Forward,” the new theme embodies BroadcastAsia‘s positioning to embrace the digital revolution and constantly ‘go forward‘ by staying relevant to the industry, while its subtitle, “The 11th International Digital Multimedia and Entertainment Technology Exhibition and & Conference,” has also been updated to reflect the show‘s progress.


“With the entire integrated workflow process addressed at BroadcastAsia, every technological solution in the entire value chain can be seen on the show floor,” said Singapore Exhibition Services project director Jackson Yeoh.

 

To date, top names in the industry that have signed up include Tandberg Television, Harris Corporation, Snell & Wilcox, Co-ship, Nokia, Panasonic, Thomson, Scopus Network Technologies, DVB – Digital Video Broadcasting, Barco, Quantel, Qualcomm and Conax. SES expects more industry players to come on board, what with the positive outlook in the global entertainment and multimedia industry.


This year‘s show will include a strong presence by exhibitors featuring the latest in internet protocol television (IPTV), broadcasting to handhelds, video on demand, personal video recording, digital audio broadcasting (DAB), computer graphics and animation, conditional access control, and high-definition (HD) technology.


Held as part of BroadcastAsia2006, ComGraphics&Animation 2006 will feature the latest hardware, software and services designed especially for the computer graphics and animation industry, film and motion picture industry, as well as for major broadcasters in Asia and beyond.


In addition, the ComGraph Digital Art & Animation competition, organised by SigGraph Singapore Chapter will be held once again in conjunction with the CGA Exhibition to give recognition to creators of exceptional works of digital art and animation.


An awards ceremony and winners announcement will be held on the first day of the show, and winning works for the Computer Animation categories, as well as outstanding works from award-winning animators will be screened during all four days of the exhibition. To date, a total of 280 entries have been received from both local and overseas competitors. There will also be a Digital Art Showcase where all the digital art entries will be displayed.


With the convergence of technologies (ICT, Telco and Media), the media landscape worldwide is experiencing significant changes. New ways of consuming media through the use of technologies – IPTV, Interactive TV, VOD, podcasting and such, are now available to the industry and consumers. These new trends will be discussed in the New Media Conference, jointly presented by Singapore Media Academy (a MediaCorp company) and SES.


Also held concurrently is the RadioAsia2006 conference, an annual conference that presents in-depth perspectives from industry leaders as well as public service and community broadcasters in order to gauge the future evolution of the medium in a context marked by the explosion of digital technologies and convergence. This year, RadioAsia2006 will commemorate 100 years of Radio, with a special session that looks at the triumphs and tribulations of radio over the last 100 years.


Highlights includes a half-day of workshops conducted by two of the most reputed radio training institutions in the world including the Deutsche Welle – Akademie / Radio Training Centre from Germany and the Radio Netherlands Training Centre. It will be followed by a three-day conference where leading radio experts will be delivering papers and presentations.


Nine group pavilions from countries such as China, France, Germany, Italy, Korea, Spain, Singapore, the UK and the USA are also expected at the show.


The Italians are returning to BroadcastAsia in a big way. Having participated in the show in 2001 and 2004, the size of the Italian pavilion at BroadcastAsia2006 has increased by over 80 per cent, while Korea and France have also increased their booth space by more than 100 per cent this year.


Complementing the BroadcastAsia2006 exhibition will be a series of enriching and in-depth conference presentations and demonstrations, panel discussions and master classes.


The BroadcastAsia2006 International Conference will take place from the 19 to 22 June and will present a range of topics that extend across the key issues facing the broadcasting industry today.


“The comprehensiveness and relevance of this year‘s conference lineup has also taken the event to new heights. With high caliber speakers with extensive knowledge and experience, delegates will gain an invaluable amount of knowledge and insight when they attend the conference, and it should therefore not be missed,” added Yeoh.


The lineup of conference tracks include:



  • High Definition (covering HDTV technology)
  • IPTV
  • Broadcasting to Handhelds
  • Digital Audio Broadcasting
  • Interactive TV session
  • Asian D-Cinema Summit (with a keynote address by 20th Century Fox)
  • Capacity Building of Broadcast Sector
  • Production (covering production issues and technology updates)
  • Content Delivery
  • Protecting Broadcast Content
  • Satellite Interference Issues in the Broadcast Industry
  • Testing and Measurement
  • Two industry dialogues: Developments of contents in / for Asian markets and content and outsourcing.

Highlights at this year‘s International Conference include a keynote sessions by industry leaders, including keynote speaker The Interactive Channel Co. Ltd, Hong Kong chairman Robert Chua.


Chua will be delivering his presentation at the Interactive TV session, and is co-presented by SES, with the Association of the French interactive television developers, publishers and service providers (AFDESI) and the Asia-Pacific Institute for Broadcasting Development (AIBD).


Other industry speakers include: Orca Interactive, Israel vice president marketing and business development Yosi Glick; GDC, Singapore CEO Dr. Chong Man-Name; MediaCorp Technologies Pte Ltd, Singapore CEO Mock Pak Lum; Pioneer Corporation, Japan senior managing director Osamu Yamada; Australian Communications and Media Authority, Australia manager allocations administration Greg Cupitt and Qualcomm MediaFLO Technologies, USA vice president of engineering and market development Rob Chandok.


BroadcastAsia International Conference director Martin Salter said, “I am very excited with the line-up of topics that address the hot issues facing the fast changing dynamics of the electronic media industry, from the large screen experience of D-Cinema, through the opportunities of IPTV, and to the new challenges of content creation and delivery to mobile devices. Yet current issues like the digital transition are not ignored. Presentations will be delivered by eminent speakers from a broad international base. These key sessions are augmented by specialised sessions from renowned organizations from around the world.”


Held concurrently with BroadcastAsia are a series of seminars and conferences specifically designed to provide insight into new business opportunities and digital technology that are the drivers of the transformation of how we live, entertain and interact.


The Animation and Visual Effects Seminar is a showcase of the latest projects from the worlds leading production companies and education providers. Specifically, this seminar is intended for all digital artists, producers and management involved in the entertainment industry to learn from the world‘s best.


Delegates can rub shoulders with the makers of The Chronicles of Narnia: The Lion, The Witch and The Wardrobe and King Kong as animation experts from Academy Award winning studios Weta (known for their work on Lord of the Rings) and Rhythm and Hues (Babe, The Cat in the Hat, Garfield) descend upon the Singapore Expo to share technical advice and knowledge with participants.


Highlights include Rhythm and Hues technical supervisor Bill Westenhofer at will be addressing the seminar on how technologies and techniques have evolved in computer graphics and special effects. Westenhofer is the visual supervisor leading the Rhythm and Hues team on The Chronicles of Narnia. His other credits include Stuart Little, Men in Black 2 and Elf.


Also speaking is Shawn Dunn from New Zealand based animation studio, Weta. Dunn‘s was the animation technical supervisor on King Kong. He has also worked on Hollywood blockbuster, I, Robot, starring Will Smith. Dunn will be providing a global update on the animation industry at the seminar.


Delegates at the Asian D-Cinema Summit can expect to be updated on regional and technological developments from industry leaders such as MediaCorp Technologies CEO Mok Pak Lum and GDC Singapore CEO Dr. Chong – Man Nang.


This year‘s International Conference also promises to be even more interactive. Aside from the usual presentations, more discussions and panel sessions have been planned. Two industry dialogues have been lined up, with a focus on content development and delivery.


Said Yeoh, “It is our desire to provide delegates with the maximum amount of opportunity for ideas exchange, learning, and networking. The conference aims to do just that – increase the level of information sharing, encourage more interaction, and provide them with insights that can be applied in their own areas of work, long after the conference ends.”


BroadcastAsia 2006 is held in conjunction with CommunicAsia2006 and EnterpriseIT2006.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Applications

Moltbook, the AI-only social network, sparks hype, doubt and fear

Published

on

CALIFORNIA: Moltbook, a Reddit-style social platform built exclusively for artificial intelligence agents, has emerged as the latest obsession in Silicon Valley, drawing intense attention for its explosive growth and surreal bot-driven interactions.

The platform hosts more than 100 communities where AI agents post, argue and joke about topics ranging from governance theory to esoteric “crayfish debugging” concepts. Within days of launch, Moltbook recorded tens of thousands of posts, nearly 200,000 comments and more than 1 million human visitors observing the activity.

Yet the numbers and the autonomy are under scrutiny, as per media reports. A security researcher has suggested as many as 500,000 accounts may trace back to a single address, raising doubts about Moltbook’s membership claims. Many posts could also be the result of humans instructing their AI tools to publish content, rather than bots acting independently.

The platform runs on agentic AI, powered by an open-source tool called OpenClaw, formerly known as Moltbot. Unlike chatbots such as ChatGPT or Gemini, these agents are designed to perform tasks on users’ devices, from sending messages to managing calendars, with minimal human input. Once authorised, they can interact freely on Moltbook.

Some tech figures have hailed the platform as a glimpse of a post-human internet. Head of crypto custody firm BitGo Bill Lees, called it evidence that “we’re in the singularity”.

Advertisement

Academics are less convinced. Petar Radanliev, an AI and cybersecurity expert at the University of Oxford, said the idea of agents acting independently was “misleading”, describing Moltbook instead as automated coordination within human-set constraints. Columbia Business School assistant professor David Holtz, dismissed the spectacle as “thousands of bots yelling into the void and repeating themselves”.

Beyond hype, security worries loom large. ESET global cybersecurity advisor Jake Moore, warned that granting AI agents access to emails, private messages and files risks prioritising efficiency over privacy. Andrew Rogoyski of the University of Surrey said high-level system access could lead to serious damage, from erased data to compromised company accounts.

Even OpenClaw’s founder Peter Steinberger, has felt the darker side of attention, with scammers hijacking his old social media handles after the platform’s rebrand.

For now, Moltbook remains a strange digital zoo: part experiment, part spectacle, where AI agents banter about philosophy, productivity and, occasionally, their fondness for their human operators.

Advertisement
Continue Reading

Applications

Apple appoints Avtar Ram Singh as head of international marketing

Published

on

CALIFORNIA: Apple has handed a bigger global brief to a long-time insider. Avtar Ram Singh has taken over as head of international marketing for the App Store, Apple Arcade and the Apple Games app, deepening his remit across one of the company’s fastest-growing businesses.

“I’m happy to share that I’m starting a new position as head of international marketing, App Store, Apple Arcade and Games App at Apple,” Singh said while announcing the move.

The promotion crowns nearly seven years at Apple, where Singh has led services marketing across Southeast Asia and India and previously served as head of marketing for Southeast Asia content and services, business lead for Apple Podcasts in the region and interim marketing lead for the App Store internationally.

His new portfolio spans three pillars of Apple’s services push. The App Store, which Apple positions as a safe and trusted discovery platform, now attracts more than 850 million average weekly users globally. Since 2008, developers have earned over $550 billion on the platform.

Apple Arcade, the company’s gaming subscription service, offers unlimited access to a catalogue ranging from brain teasers to big-name franchises. The recent addition of Sid Meier’s Civilization VII Arcade Edition brings a AAA PC title to iPhone, iPad and Mac from 5 February.

Advertisement

Then there is the Apple Games app, unveiled at WWDC as a unified destination for games from the App Store and Arcade. It aggregates titles in one place, surfaces personalised recommendations, tracks events and achievements, and lets users compete with friends or connect controllers for a console-like experience.

Singh arrives with a hybrid background in strategy, data and creativity. His career spans digital and social media marketing, business intelligence, content, editorial and analytics across culturally diverse markets. He has worked on brands including P&G, Accor, Audi, UBS, Nikon, Samsung, Sony, Pizza Hut, HBO and Singapore Airlines-linked businesses such as Scoot.

Before Apple, Singh led strategy at Falcon Agency, focusing on performance marketing and ROI-driven digital frameworks. He earlier ran the social practice at Publicis Singapore, where he oversaw operations, business development and regional social strategy for multinational clients. His career also includes roles at Ogilvy-linked Circus Social, Rocket Internet ventures Lazada and Zalora, and research firm IDC in Bangkok, where he analysed technology markets and won early awards for collaboration and client retention.

At Apple, he has been close to several service launches and expansions, including Apple Fitness+ in Singapore, Apple Creator Studio, global podcast subscriptions and new App Store marketing tools.

The timing is notable. Apple’s services business has posted record years, and gaming is becoming a sharper battleground as platforms chase engagement and recurring revenue. Singh’s brief sits at the intersection of content, community and commerce.

Advertisement

In a market where attention is scarce and loyalty scarcer, Apple is betting that sharper storytelling and smarter marketing can keep users inside its ecosystem. Singh now holds the megaphone. The real test will be how loudly the world listens.

Continue Reading

Applications

Cloud nine in the capital Bharathcloud plugs Delhi into its AI plans

Published

on

MUMBAI: Bharathcloud is bringing its cloud closer to power. The Hyderabad-based sovereign AI cloud services provider has opened its Delhi office, marking its formal entry into North India and setting the stage for its next phase of growth.

The expansion comes as India’s digital transformation fuels rising demand for AI-ready cloud infrastructure, driven by wider adoption of artificial intelligence, machine learning, the Internet of Things and data-heavy applications. With the new office, Bharathcloud plans to onboard more than 100 employees in 2026, strengthening its workforce to support customers across government, enterprises, MSMEs and social sectors.

The Delhi presence is expected to sharpen the company’s engagement with organisations seeking secure, scalable and cost-efficient cloud platforms that comply with India’s data sovereignty requirements. It also positions Bharathcloud closer to policy, public sector and enterprise decision-makers in the region.

Founded in Hyderabad, Bharathcloud offers AI-ready cloud infrastructure including Kubernetes-as-a-Service, zero-trust security architecture and multi-level data protection frameworks. Its platform supports AI and ML workloads, blockchain application migration from hyperscalers and distributed data management, with an emphasis on reliability, low latency and operational continuity.

“With the Delhi expansion, we are positioning Bharathcloud to engage more closely with AI-driven enterprises and technology hubs in North India,” said Bharathcloud co-founder Rahul Takallapally. He added that the move would help nurture local cloud and AI talent while accelerating the adoption of secure and resilient AI infrastructure across sectors.

Advertisement

The company currently operates in Hyderabad, Bengaluru, Mumbai, Kolkata, Lucknow and Chennai, employing over 200 people and serving more than 1,500 clients across manufacturing, healthcare, financial services, IT and media. Aligned with national initiatives such as Digital India and Make in India, Bharathcloud continues to focus on building indigenous AI-cloud infrastructure to support data localisation and the country’s growing appetite for next-generation digital solutions.

With its Delhi office now live, the company is signalling a clear intent: to make sovereign, AI-ready cloud infrastructure not just an alternative, but a mainstream choice for India’s north as well as its tech capitals.

Continue Reading
Advertisement CNN News18
Advertisement whatsapp
Advertisement ALL 3 Media
Advertisement Year Enders

Trending

Copyright © 2026 Indian Television Dot Com PVT LTD

This will close in 10 seconds

×