Tag: Zohra Sehgal

  • Zohra Sehgal – the artiste with an infectious smile, is no more

    Zohra Sehgal – the artiste with an infectious smile, is no more

    NEW DELHI: Veteran actress Zohra Sehgal – who was known for her charming smile and keen sense of timing – passed away in the capital on 10 July at 4:00 pm.

     

    Zohra, who had turned 102 on 27 April this year, felt uneasiness after dinner on 9 July night and was rushed to Max Hospital in south Delhi. Her family confirmed that she had a cardiac arrest in the afternoon.  

     

    She is survived by her son Pavan and her daughter (eminent danseuse Kiran Sehgal), and four grandchildren.

     

    Born in 1912, she started her career as a dancer in choreographer Uday Shankar’s troupe. From 1935 to 1943, she was a leading dancer with the troupe and performed across the world including the United States and Japan.

     

    As an actress, Zohra appeared in varied roles that showed her range as an artiste. She had last appeared in the 2007 film ‘Saawariya’. 

     

    She has appeared in just over 50 films and television series starting with K A Abbas’ debut film Dharti ke Lal in 1946.

     

    Some of her better remembered films are Bhaji on the Beach (1992), The Mystic Masseur (2001), Bend It Like Beckham (2002), Dil Se (1998) and Cheeni Kum (2007); Hum Dil De Chuke sanam (1999), Veer Zara (2004),  and the TV series, The Jewel in the Crown (1984), Tandoori Nights (1985–87), Amma and Family (1996).

     

    At the age of 90, she got the lead character around whom the story revolved in 2002 film Chalo Ishq Ladaaye, where she had stunt sequences, emotional scenes, etc. Considered the doyenne of Indian theatre, she acted with Indian People’s Theatre Association and Prithviraj Kapoor’s Prithvi Theatre for 14 years.

     

    Zohra received the Padma Shri in 1998, Padma Vibhushan (2010), the Kalidas Samman in 2001, and in 2004, the Sangeet Natak Akademi’s highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement.

     

    Born as Sahibzadi Zohra Begum Mumtaz-ullah Khan into a traditional Muslim family in Saharanpur in Uttar Pradesh, to Mumtazullah Khan and Natiqua Begum, belonging to Rampur, Uttar Pradesh, she was the third of seven. She was a tomboy fond of climbing trees and playing games. Zohra lost vision in her left eye as she contracted glaucoma at the age of one year. She was referred to a hospital in Birmingham where she was treated.

     

    She lost her mother while still young. According to her mother’s wishes, she and her sister were sent to Queen Mary College in Lahore (then part of undivided India). Her maternal uncle Sahebzada Saeeduzzafar Khan who was based in Edinburgh arranged for her to apprentice under a British actor. In Europe, her aunt Dicta took her to try in the Mary Wigman’s ballet school in Dresden, Germany, but she had not ever danced. She got admission and became the first Indian to study at the institution. She stayed in Dresden for the next three years studying modern dance, while living in the house of Countess Liebenstein. She happened to watch the Shiv-Parvati ballet by Uday Shankar who was touring Europe and this marked a turning point. He promised her a job on return to India.

     

    But even before she came back, she received a telegram from Uday Shankar asking her to accompany on a tour to Japan. On 8 August 1935, she joined his troupe and danced across Japan, Egypt, Europe and the US, as a leading lady, along with French dancer Simkie. When Uday Shankar moved back to India in 1940, she became a teacher at the Uday Shankar India Cultural Centre at Almora.

     

    It was here that she met her future husband Kameshwar Sehgal, a young scientist, painter and dancer from Indore, eight years her junior. They married on 14 August 1942 and had two children, Kiran and Pavan. For a while the couple worked in Uday’s dance institute at Almora. Both became accomplished dancers and choreographers. Kameshwar composed a noted ballet for human puppets and choreographed the ballet Lotus Dance. When it shut down later, they migrated to Lahore and set up their own Zohresh Dance Institute.

     

    Because of the growing communal tension preceding the Partition of India, they returned to Mumbai where her sister Uzra was already working with Prithvi Theatres. She joined Prithvi Theatre in 1945 as an actress with a monthly salary of Rs 400, and toured every city across India with the group for the next 14 years.

     

    She also joined IPTA and acted in several plays, and made her film debut in IPTA’s first film production, directed by Khwaja Ahmad Abbas, Dharti Ke Lal in 1946; she followed it up with another IPTA-supported film, Chetan Anand’s Neecha Nagar which became India’s first film to go to Cannes and won the Palme d’Or at the Cannes Film Festival.

     

    She also did the choreography for several Hindi films, including Guru Dutt’s Baazi (1951) and the dream sequence song in Raj Kapoor’s film Awaara.Kameshwar, on the other hand, became art director in Hindi films and later tried his hand at film direction.

     

    After her husband’s death in 1959, Zohra first moved to Delhi and became director of the newly founded Natya Academy. She then moved to London on a drama scholarship in 1962.Her first role for British television was in a BBC adaptation of a Kipling story, The Rescue of Pluffles, in 1964. She also anchored 26 episodes of BBC TV series, Padosi (Neighbours; 1976–77).

     

    In London, Zohra got her first break in the films and was signed by Merchant Ivory Productions. She appeared in The Courtesans of Bombay directed by James Ivory in 1982. This paved way for an important role as Lady Chatterjee in the television adaptation The Jewel in the Crown (ITV, 1984). She then acted in several other films and TV series before returning to India.

     

    She returned to India in the mid-1990s and lived for a few months in Burdwan. At that time she acted in several films, plays and TV series since. She first performed poetry at a memorial to Uday Shankar organised by his brother, Ravi Shankar in 1983, and soon took it in big way; she started getting invited to perform poetry at various occasions. She even traveled to Pakistan to recite verses for “An Evening with Zohra”. Her impromptu performances of Punjabi and Urdu became a norm. After stage performances she was often requested by the audience to recite Hafeez Jullundhri’s famous nazm, Abhi To Main Jawan Hoon.

     

    In 1993, a critically acclaimed play, Ek Thi Nani, was staged in Lahore for the first time, featuring Zohra and her sister Uzra Butt now staying in Pakistan. The English version, A Granny for All Seasons, was held at UCLA in 2001. In 2008, at the United Nations Population Fund (UNPF)-Laadli Media Awards in New Delhi, she was named Laadli of the century.

     

    In 2014, she became the longest-living actor to have appeared on Doctor Who, as well as the first centenarian associated with the show. The second is Olaf Pooley, who celebrated his 100th birthday on 13 March 2014. 

  • Sharmila Tagore to get lifetime award, Zohra Sehgal to get Minar-e-Delhi at first DIFF

    Sharmila Tagore to get lifetime award, Zohra Sehgal to get Minar-e-Delhi at first DIFF

    NEW DELHI: Veteran thespian Sharmila Tagore is to receive the lifetime achievement award while centurion Zohra Sehgal will be awarded the Minar-e-Dilli award at the first Delhi International Film Festival later this month.

    A total of 174 films from 32 countries including at least 20 per cent from the SAARC countries will be screened at the Festival to be held from 21 to 27 December. It will be inaugurated by Delhi Chief Minister Sheila Dikshit at Sirifort Auditorium but the screenings will be held in the three auditoria of the NDMC Convention Centre.

    Tagore unveiled the Golden Minar and the Silver Minar awards of the Festival at a press meet organised by the Social Circle which is organising the festival for which around 700 entries were received. Delhi Tourism is also collaborating in the Festival.

    She also released the DVD of a song, ‘Yeh Dilli Hai’, written by Rani Malik and sung by Ravinder Singh who was present.

    Tagore said passion was an important ingredient for starting any new venture and she had found this in ample measure among the organisers. She particularly appreciated the focus on south Asia.

    DIFF Founder President and senior journalist Ram Kishore Parcha said the festival had been timed to coincide with 100 years of Indian cinema and a century of Delhi as the capital of India.

    Parcha said there had been a vacuum of an international film festival since the International Film Festival of India was shifted to Goa, and there was also a need to have a filmmaking hub in north India. This festival would fulfill all these needs. He said in reply to a question that DIFF had been registered as a brand for ten years.

    Festival Secretary Suresh K Goswami (a senior filmmaker himself) introduced various sections of the Festival and said there will be as many as 16 films from Pakistan with ‘Lamha’ from that country being the closing film. The Polish film ‘80 Million’ by Waldemar Krzystek is the opening film.

    The World Cinema section will showcase films like “Daughters of Hill” by Patrizia landi, “The Artist” by Michel Hazanavicius, “Jeremiah” by Eran Paz, “Love Bird” by Susan Collins, “The Sunshine” in The Corner by Sun Hao Young, “Mar” by Caner Erzincan and many more. India’s Zia-Us-Salaam is on the International Jury.

    Parcha said while international Film festivals were being held in many cities like Mumbai, Goa, Kolkata, and Thiruvananthapuram, there was none in Delhi.

    Parcha announced that a film library of DVDs of classics was being established at the Indian Media and Communication Centre in Gautam Nagar in south Delhi.

    A script writing workshop by Tigmanshu Dhulia and a Mohammed Rafi evening on the singer’s birth anniversary later this month will form part of the Festival.

    The legendary Malayalam Filmmaker and Dada Saheb Phalke awardee Adoor Gopalakrishnan is Chairman of the Advisory Board of the Festival. The Board consists of Anurag Kashyap, Tigmanshu Dhulia, Sandeep Marwah, Shriram Raghavan, Uma Da Cunha, Shiney Ahuja, Yashpal Sharma, Shonali Bose, Sushma Parcha and Bela Negi from India, Alain Jallladeau, Phillip Jalladeau from France, Jamal Shah, Satish Anand from Pakistan, Sajedur Rehman Firoze from Bangladesh, Reza Degati from Iran, Andrej Karawakoski Avner Faingulernt, Erez Pery, Lina Murad from Syria, and Kai Syng Tan from London. About 80 Actors from India and overseas are also connected with this festival.

    The best amongst selected films will be honoured with the Golden Minar and Silver Minar awards respectively. The festival in its first edition will not only honour the films, filmmakers, artists and writers, but will also honour outstanding persons who have excelled in their contribution towards the welfare of society and the people with Minare Dilli award.

    Classic Films from Overseas and India are included as special sections along with Delhi Scope section in the festival. Retrospective, Tributes and Homage sections will include films of Dev Anand, Balraj Sahni and other legendary filmmakers and actors. This section will also include films of Adoor Gopalakrishnan and the distinguished actor Soumitra Chatterjee from Bengal.

    A special section called NRI Cinema has been included in the festival. Under this section at least 15 films by Non Resident Indians living in different parts of the world will be show cased. In this section films like “A Gran Plan” by Sangeeta Nambiyar of Singapore, “Oas” by Shiv Tiwari of New York, “The Happy Pulse” by Jay Bajaj of Canada, “Children of God” by Foukia Akhtar of United Arab Emirates will be showcased and the best film will be awarded the Golden Minar. There will be a special emphasis on women filmmakers in this section.

    In addition to the Non Resident Indian Films, a section dedicated to the NRI writers has also been specially included in the festival in which a poetry collection book shall be launched as well. The book is edited by none other than the well-known senior journalist, Poetess and writer, Anita Kapoor from California. The best poem in this collection will be honoured with the Silver Minar.

    Three seminars and some workshops shall be organized during the festival. The Festival has a dedicated section for the artwork from all over the world, the theme of which is the Cinema and Delhi. The art work will have a special exhibition during the festival and the best artwork will be honoured with the Silver Minar Award.

    The organisations that have partnered with the festival are Broadway International Film Festival, Los Angeles, South Cinema South Film Festival, and JMT from Israel, Slade school of fine arts, London, Film factory china, Turkish Film Industry, Cinetech Nationale Mexico, Brazil films, Media Box Bangladesh, Hunarkada from Pakistan, Film Boutique from Germany, Second largest Nantes film festival of France and French cultural centre.

  • Jaypee Group’s special IIFA awards for Ramesh Sippy and Zohra Segal

    Jaypee Group’s special IIFA awards for Ramesh Sippy and Zohra Segal

    MUMBAI: The International Indian Film Academy (IIFA) has announced special award winners of the Jaypee Group IIFA Awards 2012.

    The award for outstanding contribution to Indian Cinema will be presented to Ramesh Sippy while Zohra Segal will receive the award for contribution to 100 years of Indian Cinema.

    Ramesh Sippy made his debut in the Indian Films at the tender age of 9 playing Achala Sachdev’s son in Shahenshah. He is best known for directing Sholay and is a highly respected veteran in the Indian film industry today.

    Exclaimed Sippy, “The International Indian Film Academy is a massive pioneering effort to expand the reach of Indian cinema, taking it beyond Indian shores. To be recognized on an international platform is an honour.”

    Actress and centenarian, Zohra Segal is an acclaimed dancer and actress who has been recipient of the Padma Vibhusan. She has seen a prolific career in theatre, film and dance. Sehgal will receive the ‘Contribution to 100 years of Indian Cinema’ award for her large body of work and the impact she has had on the industry in Singapore.

    Said Wizcraft International Entertainment director Sabbas Joseph, “For IIFA, nothing gives us more pleasure than to honour these incredible individuals who have dedicated their life to the progress of Indian cinema and the passion with which they entertain people across the globe. It is through their work that the Indian film industry has grown and we are honoured to be able to recognise their efforts.”

    The Videocon IIFA Weekend will be held Singapore from 7 to 9 June.