Tag: Zeel

  • With d2h merger, Essel Group will have world’s largest subs base

    With d2h merger, Essel Group will have world’s largest subs base

    BENGALURU: The Essel group is one of the largest media and entertainment industry players in India. Its flagship company is Zee Entertainment Enterprises Limited (Zeel) that has a weightage of 45 per cent on the National Stock Exchange’s Nifty Media Index.

    Its group company, Dish TV Limited (Dish) is also is the largest DTH player in the country in terms of number of subscribers. Along with DTH services, the group also has one of the largest cable operators or multi-system operators (MSO) in Siti Networks Limited or Siti (the erstwhile Siti Cable Network Limited). Amongst the major MSOs in India, Siti is the only one that has added 1.5 million (15 lakh) subscribers over the past few quarters, while its peers have had stagnating subscriber numbers.

    On combining the number of subscribers, the two carriage industry players are already a force to reckon with – a fact that the Essel Group recognised, and will leverage. In an industry first, the two formed a content negotiating joint venture (JV) called Comnet. Both Dish and Siti are equal partners in the JV that came into existence on 1 July, 2015. As part of the JV, both companies said that they would hold joint discussions with broadcasters post which separate direct contracts between the broadcaster and distribution platform will be signed. Further, the JV’s intent is to bring together the industry on contentious taxation issues like the hike in entertainment tax in Delhi.

    Let us look at what we have on the table — Siti had 12.2 million (1.22 crore) subscribers — of which 8.4 million (84 lakh) were digital as per its Q1-17 report, and Dish has reported a subscriber base of 15.1 million (1.51 crore) – totalling 27.3 million(2.73 crore). Now the merger with Videocon d2h will bring in another 12.5 million (1.25 crore) subscribers into the Essel fold for a grand total of 39.8 million (3.98 crore), hence about 2 million (20 lakh) more than the 37.8 million (3.78 crore) subscribers reported for DIRECTV.

    Zeel’s channels have been regularly making it to the top five or 10 in the Broadcast Audience Research Council (BARC) ratings across various genres, be they Hindi general entertainment (GEC), regional channels, movies, English entertainment, etc. Another group company, Zee Media Corporation Limited (ZMCL), offers general news and business news across its television channels.

    The fact that a number of the top rated channels are Essel group companies as well as a huge slice of the Indian television subscription market is indeed huge leverage – bear in mind that the group will probably control more than 25 percent of the carriage industry in the country. And what with the sunset date for DAS phase IV nearing with no let-up in sight from the government, subscription numbers will only grow.

    With this merger, synergies of the two match perfectly. Dish is more of a value player with offerings for all markets including rural, while Videocon d2h is a premium player.

  • ‘Chawal’ to channel: Zee’s 24 years of a memorable roller-coaster ride

    ‘Chawal’ to channel: Zee’s 24 years of a memorable roller-coaster ride

    It was a hot and humid Delhi afternoon sometime in the very early 1990s. A few journalists, mostly clueless about electronic media as we know it today, were milling around in a room in a central Delhi five-star hotel waiting for a press conference to begin. The host was a hitherto unknown company called Essel. When the conference began, one of the gentlemen, sporting former PM Indira Gandhi-style white streak in his hairs, announced that his company would start India’s first Indian-owned satellite TV channel. The other gent present on the occasion was Rajat Sharma, who was till then known as a print media journalist of some repute. The confusing series of question-answer that followed highlighted that few (including yours truly) had any idea of cable and satellite TV (CNN coverage of the first Iraq War was a trailer for Indians and later Star TV’s Santa Barbara and Bold & The Beautiful were like manna from the sky) and fewer understood fully the gravity of what Subhash Chandra was telling the Delhi scribes.

    The rest, as they say, was history. Over 24 years, this journey has not only created India’s first home grown electronic media company, but inspired many others to venture out, as Star Trek’s Captain Kirk & Co would say, where no man or entrepreneur has gone ever before.

    Zee Telefilms or Zee Television or Zee Entertainment Enterprises Ltd — as Zee group has been known in corporate circles from time to time — is itself a testament of the changing ethos of the company and the evolving Indian media landscape. But never has there been a time when the group — now housed over several floors in a swanky building in Mumbai’s Lower Parel area — been not associated with Chandra. To borrow a clichéd political line of the 1970s, it could be said that Zee is Subhash Chandra and Subhash Chandra is Zee.

    From those early days — Zee News started late 1990s used to function out of a four-bedroom residential flat in Delhi’s South Extension and the main office on Mumbai’s Annie Besant Road comprised a series of thatched mostly non-AC rooms — it has a been a long journey not only in terms of time, but also business and expansion.

    One of last annual reports (if we go back in time) on Zee’s corporate website pertains to 1998-99 financial year. Message from Chairman Chandra read: “For Zee Telefilms, 1998-99 was yet another year of exceptional accomplishment and growth. Having made its debut in 1992 as a software production company and marketing concessionaire, Zee has come a long way with its recognition as an emerging company of the year. The 35.8 percent total return our Company produced on the capital employed is of utmost importance to us. We’re not content with that…”  

    In 2016, addressing the investors and public at large in the 2015-16 annual report, the vision is gets contemporaneous as Chandra says: “ZEEL is proactively reorganising its operations focusing on newer delivery formats and ramping up its digital business in line with the changing dynamics of the operating environment. Multiple initiatives are being undertaken. Just as consistency has been a hallmark of our journey, so has change!”

    Change? Yes, of course. And why not? From a humble beginning, Zee now straddles the world, growing its business portfolio along with global presence and revenues. With a strong presence in over 171 countries and a total viewership of 1 billion plus people around the globe, when Zee claims it’s a worldwide media brand, it isn’t off the mark.

    Sample some facts. With a networth of Rs 62,315 million, Zee closed the 2015-16 financial year ending March 2016 with a total income of Rs. 58, 515 million and EBITDA of Rs 15, 095 million wherein global advertising revenue was Rs. 34, 297 million and subscription income was Rs. 20,579 million. Add to these vital stats the fact that the group offers content in multiple Indian and foreign languages and various formats with more than 2,22,703 hours of television content and rights to more than 3,818 movie titles from premiere studios featuring Indian film stars, making it one of the largest Hindi film libraries in the world. All this content is aired via 38 international and 33 domestic channels.

    If Essel group, Zee’s parent, made money from trading in commodities in the early parts of its 90-year existence (having begun in a small town in Haryana state), in the 1980s it upgraded itself to export chawal (rice) to the erstwhile USSR, apart from other more urban-centric business activities. This evolution and flirting with little-known businesses has been a hallmark of Zee’s progress too.

    public://SC-Modi.jpg

    Very few would remember that Chandra’s Essel Group wanted to be the first private sector Indian satellite operator having realised that synergies in entertainment, broadcast and delivery business could have its advantages (as also disadvantages). Though the satellite dream is still to fructify as Agrani started and folded quietly in the 1990s, it helped initiate Chandra’s elder son and present MD of Zee Entertainment, Punit Goenka, into the business.

    Though Zee had a blow-hot-blow-cold relationship with Rupert Murdoch’s 21st Century Fox (in the 1990s it was News Corp) and it’s Indian subsidiary Star TV, the three joint ventures that Zee had with Murdoch’s company in those early days, including a 50:50 shareholding in MSO Siti Cable, helped Chandra and his band of colleagues to firm their footsteps in the broadcast world in India first and then globally.

    The joint ventures with Star, which was bought over by Murdoch mid-1990s from Hong Kong-based Chinese businessman Li Ka-Shing, also helped Zee raise himself to broadcast and entertainment’s international levels where negotiations are cut-throat and not an inch is given to even business partners.

    A description of a Chandra-Murdoch meeting in New York is telling. An expat, then working with Chandra for the Agrani project, glowingly says that despite Murdoch’s reputation of being a ruthless businessman, the comparatively younger and inexperienced Indian businessman (Chandra) discussed business with the Star TV boss on an equal footing over drinks— as a CEO would talk shop with another CEO. India, probably, is one of those rare instances where even the mighty Murdoch got bought out by his Indian partner in joint ventures.

    Just when the 1990s was preparing to bid goodbye, Zee announced it was buying out Star’s shareholding in three joint ventures in a stock-and-share deal worth approximately USD 300 million. Yours truly very well remembers that in an interview soon after the historic deal, Chandra, though jubilant, said in a measured tone said at about 1 am, “Yes, it feels exciting being an Indian (to have bought out the foreign partner), but the tough part has just begun now for Zee.

    And he was bang on target— like he has been so many other times. These 24 years for Zee have not been all smooth sailing; especially so after Zee broke its business chords with Star. There have been decisions taken on fronts like programming, corporate and personnel appointments as also distribution that have been questioned by viewers, investors and media observers alike.

    Take, for example, the introduction on Zee TV around late 2000 and early 2001 a show titled Sawaal Dus Crore Ka (A Question for Rs. 10 crore or Rs 100 million). Put on air in an effort to counter the runaway success of rival Star Plus’ Amitabh Bachchan-anchored Kaun Banega Crorepati, an Indian version of the UK game show Who Wants To Be A Millionaire, Zee’s Swaal… was a major flop and the channel had to terminate it mid-way blaming its two anchors, film stars Anupam Kher and Manisha Koirala, for its failure after having burnt its fingers and loads of cash. Not to mention Zee’s two failed bids to mount a cricket league (Indian Cricket League), which were shot down by cricket politics, but paved the way for the now hugely successful Indian Premier League, blessed by the Indian cricket Board and cricket’s international apex body ICC.

    There have been leadership position appointments that have been also questioned. Adman Sandeep Goyal’s tenure as Group CEO of Zee in 2001, handpicked by Chandra, was regarded controversial.However, destiny’s child that Chandra could be had managed to build a company that was populated with professionals and such decisions helped Zee get over several mishaps over the 24 years.

    Some of the best professionals — many of them who have now left Zee to make a name for themselves independently —  that worked along with Chandra and later his son Punit included people like programming specialist Kanta Advani, marketing whiz Meenakshi Madhvani (now Menon), newsperson Rajat Sharma (he now owns the Hindi news channel India TV), former Times of India group’s Vijay Jindal and Pradeep Guha (both served as successful CEOs at Zee), strategist Bharat Ranga, communications expert Ashish Kaul, Deepak Shourie, newspersons (at Zee News) Alok Verma and Rohit Bansal, operations specialist Rajiv Khattar (Siti Cable and Dish TV), legal eagle A. Mohan, government relations expert PC Lahiri  and, of course, Chandra’s friend, philosopher and guide Ashok Kurien. But most of all, the whole Zee group — now diversified and broken down into separate business entities owing to regulatory restrictions and compulsions — benefited a lot from a harmonious family that controlled it. Chandra’s two younger brothers, Jawahar and Laxmi Goel, at various stages had been instrumental in pushing things and being the balancing factor, but never publicly having a spat with their elder brother.

    Because Zee (and Chandra) valued professionals, it was no surprise when Chandra, during his acceptance speech for Asian industry organisation CASBAA’s award for “Lifetime Contribution to the Asian Pay-TV Industry’ in 2009, said, “The achievement is not my own. Many others have made this possible, most notably my old colleagues Ronnie Screwvala of UTV Software, Prannoy Roy, the Chairman of NDTV and Raghav Bahl who now leads Network 18 Group.” Both Screwvala and Bahl since then have exited the companies after selling their shareholding. But even they were taken aback by the graciousness shown by Zee boss.

    At a time when Zee could well look back over its shoulder and afford to smile while preparing for the 50th anniversary in a growing digital world, the present leadership of Zee could well borrow poet Robert Frost’s lines, echoed also by India’s first Prime Minister Jawaharlal Nehru at the time of Independence, `But I have promises to keep, And miles to go before I sleep.’ We shall certainly Zee (as in see).

     

  • ‘Chawal’ to channel: Zee’s 24 years of a memorable roller-coaster ride

    ‘Chawal’ to channel: Zee’s 24 years of a memorable roller-coaster ride

    It was a hot and humid Delhi afternoon sometime in the very early 1990s. A few journalists, mostly clueless about electronic media as we know it today, were milling around in a room in a central Delhi five-star hotel waiting for a press conference to begin. The host was a hitherto unknown company called Essel. When the conference began, one of the gentlemen, sporting former PM Indira Gandhi-style white streak in his hairs, announced that his company would start India’s first Indian-owned satellite TV channel. The other gent present on the occasion was Rajat Sharma, who was till then known as a print media journalist of some repute. The confusing series of question-answer that followed highlighted that few (including yours truly) had any idea of cable and satellite TV (CNN coverage of the first Iraq War was a trailer for Indians and later Star TV’s Santa Barbara and Bold & The Beautiful were like manna from the sky) and fewer understood fully the gravity of what Subhash Chandra was telling the Delhi scribes.

    The rest, as they say, was history. Over 24 years, this journey has not only created India’s first home grown electronic media company, but inspired many others to venture out, as Star Trek’s Captain Kirk & Co would say, where no man or entrepreneur has gone ever before.

    Zee Telefilms or Zee Television or Zee Entertainment Enterprises Ltd — as Zee group has been known in corporate circles from time to time — is itself a testament of the changing ethos of the company and the evolving Indian media landscape. But never has there been a time when the group — now housed over several floors in a swanky building in Mumbai’s Lower Parel area — been not associated with Chandra. To borrow a clichéd political line of the 1970s, it could be said that Zee is Subhash Chandra and Subhash Chandra is Zee.

    From those early days — Zee News started late 1990s used to function out of a four-bedroom residential flat in Delhi’s South Extension and the main office on Mumbai’s Annie Besant Road comprised a series of thatched mostly non-AC rooms — it has a been a long journey not only in terms of time, but also business and expansion.

    One of last annual reports (if we go back in time) on Zee’s corporate website pertains to 1998-99 financial year. Message from Chairman Chandra read: “For Zee Telefilms, 1998-99 was yet another year of exceptional accomplishment and growth. Having made its debut in 1992 as a software production company and marketing concessionaire, Zee has come a long way with its recognition as an emerging company of the year. The 35.8 percent total return our Company produced on the capital employed is of utmost importance to us. We’re not content with that…”  

    In 2016, addressing the investors and public at large in the 2015-16 annual report, the vision is gets contemporaneous as Chandra says: “ZEEL is proactively reorganising its operations focusing on newer delivery formats and ramping up its digital business in line with the changing dynamics of the operating environment. Multiple initiatives are being undertaken. Just as consistency has been a hallmark of our journey, so has change!”

    Change? Yes, of course. And why not? From a humble beginning, Zee now straddles the world, growing its business portfolio along with global presence and revenues. With a strong presence in over 171 countries and a total viewership of 1 billion plus people around the globe, when Zee claims it’s a worldwide media brand, it isn’t off the mark.

    Sample some facts. With a networth of Rs 62,315 million, Zee closed the 2015-16 financial year ending March 2016 with a total income of Rs. 58, 515 million and EBITDA of Rs 15, 095 million wherein global advertising revenue was Rs. 34, 297 million and subscription income was Rs. 20,579 million. Add to these vital stats the fact that the group offers content in multiple Indian and foreign languages and various formats with more than 2,22,703 hours of television content and rights to more than 3,818 movie titles from premiere studios featuring Indian film stars, making it one of the largest Hindi film libraries in the world. All this content is aired via 38 international and 33 domestic channels.

    If Essel group, Zee’s parent, made money from trading in commodities in the early parts of its 90-year existence (having begun in a small town in Haryana state), in the 1980s it upgraded itself to export chawal (rice) to the erstwhile USSR, apart from other more urban-centric business activities. This evolution and flirting with little-known businesses has been a hallmark of Zee’s progress too.

    public://SC-Modi.jpg

    Very few would remember that Chandra’s Essel Group wanted to be the first private sector Indian satellite operator having realised that synergies in entertainment, broadcast and delivery business could have its advantages (as also disadvantages). Though the satellite dream is still to fructify as Agrani started and folded quietly in the 1990s, it helped initiate Chandra’s elder son and present MD of Zee Entertainment, Punit Goenka, into the business.

    Though Zee had a blow-hot-blow-cold relationship with Rupert Murdoch’s 21st Century Fox (in the 1990s it was News Corp) and it’s Indian subsidiary Star TV, the three joint ventures that Zee had with Murdoch’s company in those early days, including a 50:50 shareholding in MSO Siti Cable, helped Chandra and his band of colleagues to firm their footsteps in the broadcast world in India first and then globally.

    The joint ventures with Star, which was bought over by Murdoch mid-1990s from Hong Kong-based Chinese businessman Li Ka-Shing, also helped Zee raise himself to broadcast and entertainment’s international levels where negotiations are cut-throat and not an inch is given to even business partners.

    A description of a Chandra-Murdoch meeting in New York is telling. An expat, then working with Chandra for the Agrani project, glowingly says that despite Murdoch’s reputation of being a ruthless businessman, the comparatively younger and inexperienced Indian businessman (Chandra) discussed business with the Star TV boss on an equal footing over drinks— as a CEO would talk shop with another CEO. India, probably, is one of those rare instances where even the mighty Murdoch got bought out by his Indian partner in joint ventures.

    Just when the 1990s was preparing to bid goodbye, Zee announced it was buying out Star’s shareholding in three joint ventures in a stock-and-share deal worth approximately USD 300 million. Yours truly very well remembers that in an interview soon after the historic deal, Chandra, though jubilant, said in a measured tone said at about 1 am, “Yes, it feels exciting being an Indian (to have bought out the foreign partner), but the tough part has just begun now for Zee.

    And he was bang on target— like he has been so many other times. These 24 years for Zee have not been all smooth sailing; especially so after Zee broke its business chords with Star. There have been decisions taken on fronts like programming, corporate and personnel appointments as also distribution that have been questioned by viewers, investors and media observers alike.

    Take, for example, the introduction on Zee TV around late 2000 and early 2001 a show titled Sawaal Dus Crore Ka (A Question for Rs. 10 crore or Rs 100 million). Put on air in an effort to counter the runaway success of rival Star Plus’ Amitabh Bachchan-anchored Kaun Banega Crorepati, an Indian version of the UK game show Who Wants To Be A Millionaire, Zee’s Swaal… was a major flop and the channel had to terminate it mid-way blaming its two anchors, film stars Anupam Kher and Manisha Koirala, for its failure after having burnt its fingers and loads of cash. Not to mention Zee’s two failed bids to mount a cricket league (Indian Cricket League), which were shot down by cricket politics, but paved the way for the now hugely successful Indian Premier League, blessed by the Indian cricket Board and cricket’s international apex body ICC.

    There have been leadership position appointments that have been also questioned. Adman Sandeep Goyal’s tenure as Group CEO of Zee in 2001, handpicked by Chandra, was regarded controversial.However, destiny’s child that Chandra could be had managed to build a company that was populated with professionals and such decisions helped Zee get over several mishaps over the 24 years.

    Some of the best professionals — many of them who have now left Zee to make a name for themselves independently —  that worked along with Chandra and later his son Punit included people like programming specialist Kanta Advani, marketing whiz Meenakshi Madhvani (now Menon), newsperson Rajat Sharma (he now owns the Hindi news channel India TV), former Times of India group’s Vijay Jindal and Pradeep Guha (both served as successful CEOs at Zee), strategist Bharat Ranga, communications expert Ashish Kaul, Deepak Shourie, newspersons (at Zee News) Alok Verma and Rohit Bansal, operations specialist Rajiv Khattar (Siti Cable and Dish TV), legal eagle A. Mohan, government relations expert PC Lahiri  and, of course, Chandra’s friend, philosopher and guide Ashok Kurien. But most of all, the whole Zee group — now diversified and broken down into separate business entities owing to regulatory restrictions and compulsions — benefited a lot from a harmonious family that controlled it. Chandra’s two younger brothers, Jawahar and Laxmi Goel, at various stages had been instrumental in pushing things and being the balancing factor, but never publicly having a spat with their elder brother.

    Because Zee (and Chandra) valued professionals, it was no surprise when Chandra, during his acceptance speech for Asian industry organisation CASBAA’s award for “Lifetime Contribution to the Asian Pay-TV Industry’ in 2009, said, “The achievement is not my own. Many others have made this possible, most notably my old colleagues Ronnie Screwvala of UTV Software, Prannoy Roy, the Chairman of NDTV and Raghav Bahl who now leads Network 18 Group.” Both Screwvala and Bahl since then have exited the companies after selling their shareholding. But even they were taken aback by the graciousness shown by Zee boss.

    At a time when Zee could well look back over its shoulder and afford to smile while preparing for the 50th anniversary in a growing digital world, the present leadership of Zee could well borrow poet Robert Frost’s lines, echoed also by India’s first Prime Minister Jawaharlal Nehru at the time of Independence, `But I have promises to keep, And miles to go before I sleep.’ We shall certainly Zee (as in see).

     

  • Zindagi’s Turkish stars wish Indian fans on Diwali

    Zindagi’s Turkish stars wish Indian fans on Diwali

    MUMBAI: Turkish actors from Zindagi’s highly appreciated Turkish shows – Feriha, Fatmagul & Little Lord — were in Mumbai. The actors were elated with the overwhelming response from Indian fans & media. The actors were excited to be here during the festive season and loved the festive mood. The charming actors sportingly wished all their fans in India.

    Actors of Zindagi’s most admired shows – Hazal Kaya (Feriha), Kaan Tasaner (Fatmagul) & Sarp Levendoglu (Little Lord) – were excited to meet their fans

    Popular Turkish shows, Feriha, Fatmagul and Little Lord, being aired on Zindagi, have wowed Indian audiences with its fresh faces and beautiful storyline. The internationally renowned actors of the show are being admired for their acting prowess, charming personalities and their relatable character portrayals.

    ‘Feriha’, ‘Ali’ and ‘Erdogan’ albeit their on-screen names, have all become famous in Indian households in their respective shows. And now to make this festive season more exciting they i.e. Hazal Kaya (Feriha), Kaan Tasaner (Erdoğan Yaşaran) and Sarp Levendoglu (Ali) were in the city as part of the high level Turkish delegation. They were elated with the overwhelming response from Indian fans & media. The actors were excited to be in the city during the festive season and loved the festive mood.

    Zee Entertainment Enterprises Ltd. (ZEEL) chief business officer Sunil Buch said, “Our Turkish shows are a testament of Zindagi’s commitment to bring compelling and differentiated content from across the world. Our first Turkish show Feriha was a runaway success followed by Fatmagul and now the recently launched Little Lord is being appreciated. These shows have resonated well with the audience and have been seen as a breath of fresh air.”

    The audience has flooded the channel with an overwhelming response of appreciation mentioning that they are hooked to the Turkish shows due to the relatable and talented acting, good looking actors, realistic and scenic locales along with the good storytelling that have struck a chord with viewers in India. These shows have not only got the viewers hooked on to their screens but has also helped Zindagi garner impressive ratings in the premium category.

    Few lucky Zindagi viewers were given the opportunity to meet their favourite actors in Mumbai. Acknowledging her fans in India and being appreciative of how well Feriha was received in India, the gorgeous Hazal was excited to meet some of her fans in India. Hazal Kaya plays the title role in Feriha and wished her fans, “I love my Indian fans, Happy Diwali and Happy New Year!”

    The charming Kaan Tasane seen as Erdoğan Yaşaran in Fatmagul and the good looking actor, Sarp Levendoglu seen as Mehmet’s father, Ali in Little Lord also wished their fans.

    After the phenomenal success of Feriha, Zindagi presented two more specially handpicked shows from Turkey, Fatmagul and Little Lord. Fatmagul airing at 9:00 PM is the story of an innocent girl whose fairy-tale life is turned into a nightmare when she gets raped and is forced to marry the accused. Little Lord currently airing at 7:30 PM is a light-hearted Turkish drama, about the endearing tale of a parent-child relationship seen through the lens of a six year old, Mehmet.

  • Zindagi’s Turkish stars wish Indian fans on Diwali

    Zindagi’s Turkish stars wish Indian fans on Diwali

    MUMBAI: Turkish actors from Zindagi’s highly appreciated Turkish shows – Feriha, Fatmagul & Little Lord — were in Mumbai. The actors were elated with the overwhelming response from Indian fans & media. The actors were excited to be here during the festive season and loved the festive mood. The charming actors sportingly wished all their fans in India.

    Actors of Zindagi’s most admired shows – Hazal Kaya (Feriha), Kaan Tasaner (Fatmagul) & Sarp Levendoglu (Little Lord) – were excited to meet their fans

    Popular Turkish shows, Feriha, Fatmagul and Little Lord, being aired on Zindagi, have wowed Indian audiences with its fresh faces and beautiful storyline. The internationally renowned actors of the show are being admired for their acting prowess, charming personalities and their relatable character portrayals.

    ‘Feriha’, ‘Ali’ and ‘Erdogan’ albeit their on-screen names, have all become famous in Indian households in their respective shows. And now to make this festive season more exciting they i.e. Hazal Kaya (Feriha), Kaan Tasaner (Erdoğan Yaşaran) and Sarp Levendoglu (Ali) were in the city as part of the high level Turkish delegation. They were elated with the overwhelming response from Indian fans & media. The actors were excited to be in the city during the festive season and loved the festive mood.

    Zee Entertainment Enterprises Ltd. (ZEEL) chief business officer Sunil Buch said, “Our Turkish shows are a testament of Zindagi’s commitment to bring compelling and differentiated content from across the world. Our first Turkish show Feriha was a runaway success followed by Fatmagul and now the recently launched Little Lord is being appreciated. These shows have resonated well with the audience and have been seen as a breath of fresh air.”

    The audience has flooded the channel with an overwhelming response of appreciation mentioning that they are hooked to the Turkish shows due to the relatable and talented acting, good looking actors, realistic and scenic locales along with the good storytelling that have struck a chord with viewers in India. These shows have not only got the viewers hooked on to their screens but has also helped Zindagi garner impressive ratings in the premium category.

    Few lucky Zindagi viewers were given the opportunity to meet their favourite actors in Mumbai. Acknowledging her fans in India and being appreciative of how well Feriha was received in India, the gorgeous Hazal was excited to meet some of her fans in India. Hazal Kaya plays the title role in Feriha and wished her fans, “I love my Indian fans, Happy Diwali and Happy New Year!”

    The charming Kaan Tasane seen as Erdoğan Yaşaran in Fatmagul and the good looking actor, Sarp Levendoglu seen as Mehmet’s father, Ali in Little Lord also wished their fans.

    After the phenomenal success of Feriha, Zindagi presented two more specially handpicked shows from Turkey, Fatmagul and Little Lord. Fatmagul airing at 9:00 PM is the story of an innocent girl whose fairy-tale life is turned into a nightmare when she gets raped and is forced to marry the accused. Little Lord currently airing at 7:30 PM is a light-hearted Turkish drama, about the endearing tale of a parent-child relationship seen through the lens of a six year old, Mehmet.

  • Q2-17: Zeel numbers, PAT up on higher Ad and Subscription revenue

    Q2-17: Zeel numbers, PAT up on higher Ad and Subscription revenue

    BENGALURU: The Subhash Chandra led content and broadcast player Zee Entertainment Enterprises Limited (Zeel) reported a 23 per cent  hike in consolidated revenue for the quarter ended 30 September 2016 (Q2-17, current quarter) as compared to the corresponding quarter of the previous year. The growth was driven by a 15.7 percent growth in Zeel’s advertising (Ad) revenue, supplemented by a 21.7 percent growth in subscription revenue. Zeel reported consolidated revenue (Total income from operations, TIO) of Rs 1,695.44 crore in Q2-17 as compared to Rs 1,378.59 crore in Q2-16.

    Ad revenue in the current quarter was Rs 959.16 crore (56.6 percent of TIO) as compared to Rs 828.98 crore (60.1 percent of TIO) in Q2-16. Subscription Income in Q2-17 was Rs 583.34 crore (34.4 percent of TIO) and in Q2-16, it was Rs 479.14 crore (34.8 percent of TIO) Other Sales and Services Income also more than doubled (by 2.17 times) year-over-year (y-o-y) in the current quarter to Rs 152.94 crore (9 percent of TIO) as compared to Rs 70.47 crore (5.1 percent of TIO) in Q2-16.

    Zeel’s Profit After Tax (PAT) in Q2-17 increased 25.4 percent y-o-y to Rs 238.38 crore (14.1 percent of TIO or margin) from Rs 190.15 crore (13.8 percent margin). Operating Profit (EBIDTA) in the current quarter also increased 36.4 percent y-o-y to Rs 489.22 crore (28.9 percent margin) from Rs 358.59 crore (26 percent margin).

    Total Expenditure in Q2-17 increased 19.3 percent to Rs 1,239.81 crore (73.1 percent of TIO) from Rs 1,039.65 crore (75.4 percent of TIO) in Q2-16.

    Finance costs in the current quarter increased 3.9 percent y-o-y to Rs 8.55 crore (0.5 percent of TIO) from Rs 8.23 crore (0.6 percent of TIO) in the corresponding year ago quarter.

    Employee benefit expense in Q2-17 increased 28.1 percent to Rs 153.27 crore (9 percent of TIO) from Rs 119.68 crore (9.9 percent of TIO) in Q2-16.

    The company spent 1.5 percent lower towards Advertising and Publicity expense in the current quarter at Rs 115.31 crore (6.8 percent of TIO) as compared to Rs 117.03 crore (8.5 percent of TIO) in Q2-16.

    International Business

    Zeel’s International Business contributes to about 15 percent of total revenue. International Business revenue in the current quarter increased 29.7 percent y-o-y to Rs 262.20 crore (15.5 percent of TIO) as compared to Rs 202.20 crore (14.7 percent of TIO).

    International ad revenue in Q2-17 increased 7.8 percent y-o-y to Rs 79.20 crore (8.3 percent of total ad revenue) as compared to Rs 73.50 crore (8.9 percent of total ad revenue). International Subscription revenue in the current quarter increased 11.5 percent y-o-y to Rs 115.80 crore (19.9 percent of total subscription revenue) from Rs 103.90 crore (21.7 percent of total subscription revenue) in Q2-16. International ‘Other sales and services income’ in Q2-17 almost tripled (by 2.71 times) y-o-y to Rs 67.20 crore (45.5 percent of total other sales and services revenue) from Rs 24.80 crore (43.9 percent of total other sales and services revenue).

    Sports Channels

    Sports channels revenue in the current quarter increased 66.3 percent y-o-y to Rs 212.50 crore (12.5 percent of TIO) as compared to Rs 127.80 crore (9.3 percent of TIO. Sports channels expenses increased 82.6 percent to Rs 229.30 crore (18.5 percent of Total Expenditure) in Q2-17 as compared to Rs 125.60 crore (12.1 percent of Total Expenditure).

    Five new channels launched in Q2-17

    The company launched three new channels in domestic market – Zee Anmol Cinema, a Hindi movie channel for FTA audience; Zee Yuva, a youth focused Marathi GEC which would it days would help it consolidate its dominant position in the Marathi market; and Zee Cinemalu, a movie channel in Telugu language, which will help it to increase our reach and expand viewer base in the market. Besides, it launched two new channels – Zee One and Zee Mundo in international markets. This takes its total number of international channels to 40 and channels dedicated to native audience to 12.

    With increasing uptake of HD that company says that it is the in process of launching HD version of its regional channels.

    Company Speak

    Chandra said, “ZEE reported well-rounded strong growth in revenues during the first half of fiscal 2017. While we continue to add new channels to our domestic and international broadcasting businesses our new initiatives in movies, music, events and digital are taking shape and have started contributing to growth.”

    Zeel managing director and CEO Punit Goenka said, “At ZEE we are pleased to deliver yet another quarter of satisfying business and financial performance. Our advertising revenues continue to grow ahead of market on the back of improving viewership share and better monetization of our bouquet. Growth in domestic subscription revenue was aided by catch up revenue in Q2.”

    “Telecom Regulatory Authority of India (TRAI) has released draft regulations for broadcasting services and interconnection arrangement to increase transparency in content pricing and payment of carriage and to allow consumers to choose channels. These draft regulations are steps in the right direction and propose a host of changes to the existing system. Although it still remains to be seen what form the final regulation will take, we hope that improved transparency will enable various stakeholders to get their rightful share in subscription revenues,” said Goenka.

    “The first half of fiscal 2017 has been strong for us. Growth in advertisement spends has held up so far. Moderation in FMCG and e-commerce spends might have some impact on industry growth in the coming quarters. On the positive side increasing competition in telecom business would help ad spend growth. GST roll-out in the coming year could boost advertising spends as a part of potential savings in tax outgo might be reinvested,” concluded Goenka.

    Note: (1) The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.
    (2) All numbers in this report are consolidated unless stated otherwise.
    (3) Some of the numbers have been rounded off
    (4) Comparitive Q2-16 numbers for International Business and Sports Channels have been obtained from Zeel’s press release for the quarter ended 30 September 2015 (Q2-16).

  • Q2-17: Zeel numbers, PAT up on higher Ad and Subscription revenue

    Q2-17: Zeel numbers, PAT up on higher Ad and Subscription revenue

    BENGALURU: The Subhash Chandra led content and broadcast player Zee Entertainment Enterprises Limited (Zeel) reported a 23 per cent  hike in consolidated revenue for the quarter ended 30 September 2016 (Q2-17, current quarter) as compared to the corresponding quarter of the previous year. The growth was driven by a 15.7 percent growth in Zeel’s advertising (Ad) revenue, supplemented by a 21.7 percent growth in subscription revenue. Zeel reported consolidated revenue (Total income from operations, TIO) of Rs 1,695.44 crore in Q2-17 as compared to Rs 1,378.59 crore in Q2-16.

    Ad revenue in the current quarter was Rs 959.16 crore (56.6 percent of TIO) as compared to Rs 828.98 crore (60.1 percent of TIO) in Q2-16. Subscription Income in Q2-17 was Rs 583.34 crore (34.4 percent of TIO) and in Q2-16, it was Rs 479.14 crore (34.8 percent of TIO) Other Sales and Services Income also more than doubled (by 2.17 times) year-over-year (y-o-y) in the current quarter to Rs 152.94 crore (9 percent of TIO) as compared to Rs 70.47 crore (5.1 percent of TIO) in Q2-16.

    Zeel’s Profit After Tax (PAT) in Q2-17 increased 25.4 percent y-o-y to Rs 238.38 crore (14.1 percent of TIO or margin) from Rs 190.15 crore (13.8 percent margin). Operating Profit (EBIDTA) in the current quarter also increased 36.4 percent y-o-y to Rs 489.22 crore (28.9 percent margin) from Rs 358.59 crore (26 percent margin).

    Total Expenditure in Q2-17 increased 19.3 percent to Rs 1,239.81 crore (73.1 percent of TIO) from Rs 1,039.65 crore (75.4 percent of TIO) in Q2-16.

    Finance costs in the current quarter increased 3.9 percent y-o-y to Rs 8.55 crore (0.5 percent of TIO) from Rs 8.23 crore (0.6 percent of TIO) in the corresponding year ago quarter.

    Employee benefit expense in Q2-17 increased 28.1 percent to Rs 153.27 crore (9 percent of TIO) from Rs 119.68 crore (9.9 percent of TIO) in Q2-16.

    The company spent 1.5 percent lower towards Advertising and Publicity expense in the current quarter at Rs 115.31 crore (6.8 percent of TIO) as compared to Rs 117.03 crore (8.5 percent of TIO) in Q2-16.

    International Business

    Zeel’s International Business contributes to about 15 percent of total revenue. International Business revenue in the current quarter increased 29.7 percent y-o-y to Rs 262.20 crore (15.5 percent of TIO) as compared to Rs 202.20 crore (14.7 percent of TIO).

    International ad revenue in Q2-17 increased 7.8 percent y-o-y to Rs 79.20 crore (8.3 percent of total ad revenue) as compared to Rs 73.50 crore (8.9 percent of total ad revenue). International Subscription revenue in the current quarter increased 11.5 percent y-o-y to Rs 115.80 crore (19.9 percent of total subscription revenue) from Rs 103.90 crore (21.7 percent of total subscription revenue) in Q2-16. International ‘Other sales and services income’ in Q2-17 almost tripled (by 2.71 times) y-o-y to Rs 67.20 crore (45.5 percent of total other sales and services revenue) from Rs 24.80 crore (43.9 percent of total other sales and services revenue).

    Sports Channels

    Sports channels revenue in the current quarter increased 66.3 percent y-o-y to Rs 212.50 crore (12.5 percent of TIO) as compared to Rs 127.80 crore (9.3 percent of TIO. Sports channels expenses increased 82.6 percent to Rs 229.30 crore (18.5 percent of Total Expenditure) in Q2-17 as compared to Rs 125.60 crore (12.1 percent of Total Expenditure).

    Five new channels launched in Q2-17

    The company launched three new channels in domestic market – Zee Anmol Cinema, a Hindi movie channel for FTA audience; Zee Yuva, a youth focused Marathi GEC which would it days would help it consolidate its dominant position in the Marathi market; and Zee Cinemalu, a movie channel in Telugu language, which will help it to increase our reach and expand viewer base in the market. Besides, it launched two new channels – Zee One and Zee Mundo in international markets. This takes its total number of international channels to 40 and channels dedicated to native audience to 12.

    With increasing uptake of HD that company says that it is the in process of launching HD version of its regional channels.

    Company Speak

    Chandra said, “ZEE reported well-rounded strong growth in revenues during the first half of fiscal 2017. While we continue to add new channels to our domestic and international broadcasting businesses our new initiatives in movies, music, events and digital are taking shape and have started contributing to growth.”

    Zeel managing director and CEO Punit Goenka said, “At ZEE we are pleased to deliver yet another quarter of satisfying business and financial performance. Our advertising revenues continue to grow ahead of market on the back of improving viewership share and better monetization of our bouquet. Growth in domestic subscription revenue was aided by catch up revenue in Q2.”

    “Telecom Regulatory Authority of India (TRAI) has released draft regulations for broadcasting services and interconnection arrangement to increase transparency in content pricing and payment of carriage and to allow consumers to choose channels. These draft regulations are steps in the right direction and propose a host of changes to the existing system. Although it still remains to be seen what form the final regulation will take, we hope that improved transparency will enable various stakeholders to get their rightful share in subscription revenues,” said Goenka.

    “The first half of fiscal 2017 has been strong for us. Growth in advertisement spends has held up so far. Moderation in FMCG and e-commerce spends might have some impact on industry growth in the coming quarters. On the positive side increasing competition in telecom business would help ad spend growth. GST roll-out in the coming year could boost advertising spends as a part of potential savings in tax outgo might be reinvested,” concluded Goenka.

    Note: (1) The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.
    (2) All numbers in this report are consolidated unless stated otherwise.
    (3) Some of the numbers have been rounded off
    (4) Comparitive Q2-16 numbers for International Business and Sports Channels have been obtained from Zeel’s press release for the quarter ended 30 September 2015 (Q2-16).

  • Zee non-committal to BSE on RBNL acquisition report

    Zee non-committal to BSE on RBNL acquisition report

    MUMBAI: During a period when big-time mergers and acquisitions are popping out of the cupboard while others are being fine-tuned, Zee Entertainment Enterprises Ltd (ZEEL) is not willing to confirm or deny that it’s buying Reliance Broadcast’s businesses. At least, for now.

    In response to a news report appearing in a business daily on 13 October, ZEEL gave a non-committal response to Bombay Stock Exchange (BSE) yesterday. The company statement said, “We, Zee Entertainment Enterprises Limited, wish to clarify that the said report/article is only a media speculation. As a company, we keep exploring options from    time    to   time and will inform the Exchanges, media and shareholders, if, and as and when, any such decision(s) are reached.”

    The clarification given to BSE is purely non-committal corporate-speak as Zee neither denied the news report, nor confirmed it.

    However, the business daily report on 13 October, 2016 emphasised that “it was done deal” and went ahead to even state that the deal was worth around Rs 18,720 million for the radio and television business owned by Reliance.

    The ZEEL share, which closed on the BSE at Rs. 546.55 on Oct 13, opened the next day at Rs.550.75 to close lower at R. 528.50 on 14 October, 2016.

    Speculation about the Subhash Chandra-led ZEEL buying Anil Ambani-owned Reliance Broadcast Networks Ltd (RBNL) has been making rounds of financial markets and journalistic circles for some time now. Media reports had earlier stated that the ZEEL-RBNL deal has been a case of on-now-off-tomorrow.

    Indiantelevision.com, while reporting on the issue on 5 October, 2016, had sought clarification from ZEEL spokesperson who had then stated, “From time to time, we keep exploring strategic opportunities for entering new businesses or in our existing businesses. However, as a matter of policy, we do not comment on media speculation.”

    The corporate response to media queries from Zee has been similar even when deals — TEN Sports sale to Sony Pictures Network India, for example — were confirmed later and formally announced. When speculation about Siti Cable buying DEN Networks gathered steam, a similar line was thrown. Ditto was the response with Dish TV’s ongoing discussions to acquire Videocon d2h from the debt-laden-and struggling Videocon group.

    Acquiring RBNL businesses, which include Bhojpuri language channel BIG Ganga, a comedy-centric BIG Magic and a successful FM radio business, can certainly add to Zee’s portfolio of entertainment verticals.

    Overall, the media industry may be ripe for consolidation; especially at a time when the regulator too is trying to bring about more order and transparency in the Indian broadcast sector via its draft guidelines.

    ALSO READ:

    Quo Vadis ZEEL-RBNL

    Sony Pictures to acquire Ten Sports from Zee

     

  • Zee non-committal to BSE on RBNL acquisition report

    Zee non-committal to BSE on RBNL acquisition report

    MUMBAI: During a period when big-time mergers and acquisitions are popping out of the cupboard while others are being fine-tuned, Zee Entertainment Enterprises Ltd (ZEEL) is not willing to confirm or deny that it’s buying Reliance Broadcast’s businesses. At least, for now.

    In response to a news report appearing in a business daily on 13 October, ZEEL gave a non-committal response to Bombay Stock Exchange (BSE) yesterday. The company statement said, “We, Zee Entertainment Enterprises Limited, wish to clarify that the said report/article is only a media speculation. As a company, we keep exploring options from    time    to   time and will inform the Exchanges, media and shareholders, if, and as and when, any such decision(s) are reached.”

    The clarification given to BSE is purely non-committal corporate-speak as Zee neither denied the news report, nor confirmed it.

    However, the business daily report on 13 October, 2016 emphasised that “it was done deal” and went ahead to even state that the deal was worth around Rs 18,720 million for the radio and television business owned by Reliance.

    The ZEEL share, which closed on the BSE at Rs. 546.55 on Oct 13, opened the next day at Rs.550.75 to close lower at R. 528.50 on 14 October, 2016.

    Speculation about the Subhash Chandra-led ZEEL buying Anil Ambani-owned Reliance Broadcast Networks Ltd (RBNL) has been making rounds of financial markets and journalistic circles for some time now. Media reports had earlier stated that the ZEEL-RBNL deal has been a case of on-now-off-tomorrow.

    Indiantelevision.com, while reporting on the issue on 5 October, 2016, had sought clarification from ZEEL spokesperson who had then stated, “From time to time, we keep exploring strategic opportunities for entering new businesses or in our existing businesses. However, as a matter of policy, we do not comment on media speculation.”

    The corporate response to media queries from Zee has been similar even when deals — TEN Sports sale to Sony Pictures Network India, for example — were confirmed later and formally announced. When speculation about Siti Cable buying DEN Networks gathered steam, a similar line was thrown. Ditto was the response with Dish TV’s ongoing discussions to acquire Videocon d2h from the debt-laden-and struggling Videocon group.

    Acquiring RBNL businesses, which include Bhojpuri language channel BIG Ganga, a comedy-centric BIG Magic and a successful FM radio business, can certainly add to Zee’s portfolio of entertainment verticals.

    Overall, the media industry may be ripe for consolidation; especially at a time when the regulator too is trying to bring about more order and transparency in the Indian broadcast sector via its draft guidelines.

    ALSO READ:

    Quo Vadis ZEEL-RBNL

    Sony Pictures to acquire Ten Sports from Zee

     

  • Amagi’s Mix  challenge

    Amagi’s Mix challenge

    MUMBAI: “Small and medium enterprises that participate in TV advertising, can help broadcasters expand their revenues. While the combined media spends of 100 such SMEs would equate to the TV spends of one of heavyweights in the brand world, SMEs can contribute around 15 per cent of total advertising dollars in India, if trends in other markets are to be believed,” Amagi Media Labs co-founder Baskar Subramanian said.

    Giving a fresh new twist to the line ‘anything can be bought online these days,’ Amagi recently launched the much-talked-about online media buying and planning platform Amagi Mix that aims to make media buying more inclusive for small and medium-sized enterprises (SMEs) and the ever-growing start-up companies in India. While the service is currently available for only television buying, Amagi intends to expand it for other media as well.

    A senior broadcasting professional and advertising industry expert, however, was skeptical of Amagi Mix calling it an “evaluation biz” that does not focus on profit-making. He did not think Amagi’s geo-targeting model was very successful either. He also doubted the broadcasters on board had a bulk inventory on sale on the platform.

    But, Amagi Mix, as per Subramanian, is win-win initiative for both broadcasters and brands. On the one hand it allows brands with limited budget to access a national television broadcaster’s reach and customise it to reach its target audience. This is enabled by Amagi’s existing geo-targeting technology that allows a single ten second slot to be multiplied according to different regions, so that different advertisement plays on the same spot in different locations.

    “TV goes national with the help of satellite signals – which could be DTH or cable – and these then come down to different headends in the country, which pipe the content to your homes. We intercept these signals in each of these headends in thousands of locations in the country. It allows us to change the content only for 10 or 30 secs of the ad slot. We buy one spot which then gets spliffed to different content at the headends,” Subramanian explained, adding that the broadcasters install it on Amagi’s behalf as part of their deal. Some of the networks that Amagi has partnered with for its geo-targeting service are ZEEL, Viacom18 group and Times Network.

    “Since we are not competing with the big agencies, we are actually adding or expanding the advertising pie rather than eating away from it,” Subramanian added. It is good for broadcasters to have a variety of advertisers rather than few spenders, because if there is a cost cut in one, it adds more burden to the broadcaster.

    Since going online, the platform has already attracted 5500 visitors, some even resulting in buys starting as Rs 25,000 to tens of lakhs. As per Subramanium, the ideal budget for an average SMEs should start at at least Rs 1 lakh to see the effectiveness of a campaign on Amagi Mix.

    Given the restricted budget of the said advertisers, Amagi is also offering to create creative content for the ad spots in a cost-effective way. “We also create advertisements for those who don’t want to spend a bomb on making ads via big name creative agencies, some of them for as low as Rs 20,000. It is an add-on to our services that ties up well with the rest,” Subramanian informed.

    As to how SMEs would embrace being hands-on with the complex work of buying the right TV media mix for themselves, Subramanian clarified that they have deliberately kept the website simple and easy to use. So far, Subramanian observed that Maharashtra, Uttar Pradesh, Tamil Nadu and Delhi have emerged as strong markets where SMEs are interested in buying media online.

    The idea was to leave the complex knowledge of media buying at the backend, while brands can concentrate on their simple marketing needs.

    “The challenge,” Subramanian said, “is to grow the breadth of media options the SMEs have now. We want to ensure that Amagi Mix is the most trusted platform available to them so that these advertisers, who used to shy away from buying national TV ads thinking it’s too expensive, feel comfortable buying online. It’s not easy to spend lakhs of rupees on a faceless online transaction. Therefore, making ourselves the most trusted brand is very critical.”

    To address this, Amagi has also launched a television commercial, titled ‘Yaari Yaari’ which has gone on-air across Amagi’s vast channel bouquet to educate TV audiences about the viability of the tool. The entire TVC has been scripted, conceptualized, financed, shot, produced and edited in-house at Amagi.

    Amagi Mix works on an algorithm that extrapolates and processes historical data of successful campaigns from around 4000 brands to learn and take intelligent decisions for an advertiser using the service.

    Currently the service offers an ad inventory of 70 national and regional channels, who are already partners with Amagi for its other services. “It’s at a nascent stage now so we don’t have clear figures but channels have come on board with some thousands of 10 seconders for now. We are aiming to broaden the width of channels as well to be more relevant to regional SMEs.”

    About the kind of commissions Amagi expects from transactions online, Subramanian made it clear that currently they aren’t looking at making money right now. “We haven’t really planned the commissions yet. Our primary focus is to make Agami Mix the best place for SMEs to trade in media by making it really user friendly. We will figure out the economics of it once we have established Amagi Mix as the most trusted brand for being media online for SMEs.

    He however affirmed that the company expects the platform to reach maturity in 18 months, post which it is expected to contribute 20 per cent of the agency’s overall business.

    “We had to wait till online buying became more commonplace in the county. It took us two to three years to be ready with everything, in our wish to give a quality service. Especially for brands in the tier II and tier III cities who often complained about the lack of skills or access to the right media inventory for their campaign needs. Either relevant media agencies didn’t exist there or they didn’t have the heavy budget to deal with the media behemoths of the country,” Subramanium shared.

    While media reports suggest that the company is looking to raise series D funding of $25 million, Subramanian stated that the company is adequately funded for the time being and looking to execute in three areas — smooth sailing of Amagi Mix in India expanding into online video business by providing targeted advertising solutions to broadcasters for streaming videos online, and growing its international base.