Tag: Zeel

  • ZEEL CMO Prathyusha Agarwal on TRAI tariff order, channel pricing and content strategy

    ZEEL CMO Prathyusha Agarwal on TRAI tariff order, channel pricing and content strategy

    MUMBAI: Just 10 days away from D-Day, Zee Entertainment Enterprises Ltd (ZEEL) has embarked on a mission to educate and enlighten consumers about the new Telecom Regulatory Authority of India (TRAI) tariff order and how it will benefit them.

    Till now, packs focused on family viewing and bundled channels keeping everyone in mind. Now, it has launched a new multimedia multi-stakeholder communication initiative ‘Channels Ka Chunaav 2019’.

    Talking to media, ZEEL CMO Prathyusha Agarwal said rather than looking at it as a multimedia campaign their approach is in the form of a behavioural change. While in terms of choosing channels broadcast sector had a very low involvement from consumers, the scenario is going to change soon as TRAI has put the power in the hands of consumers. Over a period of time, consumers will gradually start to evaluate what they are paying for. Explaining the structural change across the value chain, Agarwal spoke about ZEEL’s initiatives as well as the new regime’s impact on the industry.

    On the new behavioural change program

    We did a lot of work. We have done price modelling and consumer research in terms of path-to-purchase. The biggest worry is if they will end up compromising someone’s need in the family because budget remains the same. Is that a reality? Not necessarily true. Because once they start doing the exercise, they will realise that they are able to reallocate to the ones which they want. The entire behavioural insight focuses on the variety of needs of each family member and how to meet that demand.

    The other one we have realised while doing this is that TV is seen as a family asset. So, when they are titrating it, the optimisation happens on the person fulfilling the needs of the family and hence the pricing of the bouquet is based on which is optimised for everyday entertainment needs. This is the monthly fee someone is willing to shell out that has been optimised for the everyday needs of everybody in the family. This is the ZEE approach and the behavioural campaign.

    On readiness of DPOs

    The DTH guys have systems in place and DTH consumers are already equipped with this. In terms of LCOs, it’s not as if every LCO is unprepared. I met an LCO who had his own app which he would look at for collecting payments and what he is giving to consumers. I met another LCO who did not have a clue. People who are already attuned to viewers’ demand will be the first movers and gainers. The rest of the mass majority will follow after that. Those who haven’t taken technological support are still empowering their salesmen.

    On protests from LCOs

    Every time there’s a change, there will be protests. First, they will ignore things, and then they will be listening and gearing up for action. I don’t think anybody is not wanting to do. Moreover, many times education and understanding help in a big way. Things will fall into place in the 29th-5th cycle when they go to collect money. By 25-26th of this month, they have to take the call.

    On the change of pricing model

    Currently, based on the pricing modelling that has been done, our pricing has been put by ZEEL which we believe is the right demand-led pricing. This is the channel which has a certain love from its viewers hence certain pricing has been fixed. It will get titrated because it was never an open market pricing. Earlier it was always a fixed bundle or fixed fee which is never a true representation of value.

    On the change in subscription cost for consumers

    The narrative is about reallocation, not increase. There might be or might not be an increase. India is a country where we always have a habit of trading up for what we want and trading down what we don’t need. So that is going to play out even in this sector. They will reallocate their monthly budget. If it does not fall in their budget they are going to shell that incremental money for what they really love. For consumers paying Rs 350, it’s going to be in the budget. Among those paying Rs 200, a little bit of reallocation and titration will happen.

    On whether channel price will be relooked if SC strikes down 15 per cent cap

    In TV ecosystem, now subscription pricing becomes an open market variable and hence you need to be ready not just when regulator intervenes but you have to be thinking about it at a conscious variable and hence be geared for it. Your consumer understanding of what is demand-led pricing will keep you in a good state in the long run. Obviously what the regulator is saying will make you go back and look at pricing. But even otherwise, we are really looking at it as the first pricing that has gone out. There is a behavioural change and there is a certain feedback loop that will happen from consumers saying what I am willing to pay for you. That will take six months to settle down. We will do continuous research.

    Impact on advertising revenue

    It’s a virtuous cycle. Brands which have the strength, pull and reach are going to actually benefit because the reach will keep going up. Because consumers will pick and choose, the reach will keep galloping and hence advertising revenues will go up. Where the product is not good, obviously you will not anyway get advertising revenues for it because there’s no reach. If it’s an open market, your offering and its quality will make you stand in a good state in both places. Till now there’s an artificial not knowing whether your product is doing well or not from the subscription side, now it will get opened up.

    Content strategy

    You never had random content being pushed doing well. When they don’t work, we shut those channels. So any good broadcaster who is committed to good content offering has always evaluated if it is performing well. You had the reach numbers to tell you if it’s catching eyes or not. It isn’t as if because of the new regime people will start evaluating their content. The good thing is there will be feedback on what is being pulled or consumed which will refine your strategy.

  • ZEE5 announces partnership with Zeasn

    ZEE5 announces partnership with Zeasn

    MUMBAI: Zee Entertainment Enterprises Ltd’s digital entertainment platform, ZEE5, today announced a key strategic alliance with home digital entertainment service provider, Zeasn. The partnership will make ZEE5 available on millions of Zeasn devices across Asia, the Middle East and Africa.

    ZEE5 global chief business officer, Archana Anand said, “Asia, Middle East and Africa are among the fastest growing markets in the world for online entertainment content and are key markets for us, given the huge South Asian diaspora, and the universal love for Bollywood content even among the locals there. By enabling over 2.5 million Zeasn users to access our unparalleled content library, this partnership further underscores our commitment to bring the best of language entertainment to viewers across devices of their choice.”

    On the partnership Zeasn chief executive officer, Jason said, “Bollywood content has a large number of fans around the world and it is a very important part of the world's cultural treasure. The strategy partnership will enable the consumers to enjoy wonderful Bollywood content efficiently on their smart TV devices, which will greatly help enrich the content of family digital entertainment system.”

    Available across 190+ countries globally, ZEE5 offers multi-genre and multi-lingual content across English, Tamil, Hindi, Malayalam, Telugu, Kannada, Marathi, Bengali, Oriya, Bhojpuri, Gujarati and Punjabi. 

    ZEE5 comes packed with 1,00,000 hours of On Demand content, including movies and TV shows, music, and health and lifestyle videos along with a slew of Originals, across 12 languages. It also has an extensive Live TV offering with 60+ popular Live TV channels, including ZEE’s best loved channels.

    With over 2.5 million Zeasn connected device users now being able to watch ZEE5 across any screen of their choice, this partnership further strengthens ZEE5’s international reach, while giving Zeasn users access to the largest library of over 1,00,000 hours of language content across genres. Over the next year, the ZEE5 app will be made available on all Zeasn enabled devices, offering Whale Eco consumers access to ZEE5’s premium content.

  • VBS 2018: Media & entertainment industry leaders address pressing issues on Day 1

    VBS 2018: Media & entertainment industry leaders address pressing issues on Day 1

    GOA: Rapid advance in technology and infrastructure, entry of disruptive forces and changes in consumption habits have led the Indian media and entertainment industry to major conversion. The interesting developments are attracting international players to invest in the market, with traditional domestic players adopting new strategies for growth. Where the industry is heading in the next few years is something everyone wants to know.

    To seek answers for several concerning questions, Indiantelevision.com brought together industry doyens on the first day of the Video and Broadband Summit. The conference dedicated to industry issues has been supported by esteemed broadcasters, technology companies as well industry bodies. All the speakers agreed that the VBS platform is the perfect stage to discuss relevant issues as well as to gain new insights while sharing their experience.

    Indiantelevision.com founder and CEO Anil Wanvari set the tone for the day with his welcome speech. He spoke about how demonetisation and GST put pressure on business in last couple of years. He also highlighted how the burgeoning OTT industry is throwing new challenges to traditional TV, cable and DTH operators along with the new tariff order that is likely to reshape the trajectory of the sector. He also added how a disruptive force like Jio FTTH is fueling the transformation.

    The first session moderated by Anil Wanvari was about the future of digital delivery platforms where Tata Sky chief content officer Arun Unni, PwC India partner Raman Kalra and One Take Media founder and CEO Anil Khera participated. As the influence of video and broadband has become unmistakable now, Tata Sky recently rolled out a broadband service. While he was asked about how it stands out, Unni said customer centric nature of the business makes their service different. While broadband and telco players are throwing a challenge for distribution, Khera thinks India still has potential for DTH and cable growth owing to almost  90 mn households still unpenetrated by TV. Kalra said while pay-TV and OTT platforms will stay together, there will be a constant battle among players to stay relevant to consumers with proper content.

    In a fireside chat with Anil Wanvari, COAI director general Rajan Mathews spoke about various issues in the telecom industry. He said consumer choices are changing rapidly today, hence the model which is working at present, may get disrupted in future. He also spoke about the high cost of utilizing satellites in the country despite them being produced and launched at very low cost. Talking about 5G, he said it will take a while to be rolled out and added that it would be focusing on education, health, traffic management, smart cities and agriculture.

    Anil Khera who has now ventured into the value-added service space after spending considerable time in the DTH industry, explained the importance of this vertical and how DTH players are utilizing it.

    Another engaging session where audience also took an active part in the discussion, was about monetising TV in times of transition. ZEEL chief growth officer Ashish Sehgal, KMPG India media and entertainment partner and head  Girish Menon and TAM India CEO LV Krishnan spoke on the issue. “Only thing TV can't do is engagement which digital platforms allow but you cannot build your brand without TV,” Sehgal made a very important comment.

    The eventful day ended with a fireside chat between Viacom18 COO Raj Nayak and Anil Wanvari. Nayak shared glimpses of his inspirational journey in the industry and Viacom18 where he was the brainchild of several successful endeavors. Talking about the future, he said it will belong to those who can create content which is compelling. Moreover, he also said content cost is not going down but it's going up across broadcasters. Giving the example of Netflix’s change of fortune with House of Cards, he added that for changing the trajectory of the business, delivering two-three golden nuggets every year are enough.

    For more insights stay tuned for the updates from the second day of video and broadband summit 2018!

  • Zee collaborating with African countries to remake Indian content

    Zee collaborating with African countries to remake Indian content

    MUMBAI: Gone are the days when Indian producers were busy Indianising foreign content. Not that it’s not done still, but now made-in-India fare is being adapted into other languages in various countries. Zee, for example, is re-adapting popular Hindi soaps for other markets, especially the African ones.

    Zee TV’s flagship show, `Pavitra Rishta’, which worked well with Indian audiences, is now ready to fly in countries like Kenya, Nigeria and Senegal that have taken a fancy for Indian kitchen politics. Zee Telefilms has partnered with Multimedia Group (a broadcaster with two entertainment channels, Joy Prime and Adom TV) from Ghana and a Nigerian investor, MACE, to remake `Pavitra…’ as `Deceptive Measures’ with local actors.

    The filming is taking place across Kenya, Ghana and Nigeria and the first season will have 52 episodes of one-hour each. Popular actors from Kenya, Ghana and Nigeria, who will star in the series, include local stars like Michael Godson and Joy Jasmin Aygeman apart from actors from the three countries. The series will be directed by Nigerian film producer and director Uduak Obong.

    Zee Telefims Ltd regional head for Middle East, Africa, Turkey and Pakistan Nitin Michael told indiantelevision.com that over the past few years popularity of Indian content amongst African audiences has grown significantly.

    According to Michael, last year Zee produced `Khwaabon Ke Darmiyaan’, in collaboration with RTI from Ivory Coast, giving it a local flavour. The Indian drama series produced in the UAE had an African actor as part of the cast. A few of the scenes from the drama were also shot in Africa as well. “This series turned out to be a huge success and, hence, the next logical step was to explore a full local production,” Michael explained the reason for Zee venturing into remakes.

    However, getting into a full-fledged conversion of an Indian theme with foreign actors for specific markets was not just a thought out of the blue. The idea to get into local flavor came after lot of brain-storming and data analytics relating to popular soap operas that did well in Africa in the past.

    ‘Pavitra Rishta’, for example, was a story that had worked well both on Zee channels in Africa as also on other TV channels from countries like Kenya, Nigeria and Senegal when telecast in original Hindi and dubbed/sub-titled in English and French languages, Michael said.

    The partnership amongst African broadcasters, local investors and Zee is a unique initiative with the objective being collaboration with FTA broadcasters from across Africa and using local talent to create engaging content with production values that were better than what was already being done in the African entertainment industry. According to Michael, the price of creating such re-purposed content was similar to what was already being done.

    The project involving remaking Indian content for audiences across regions has “opened the eyes and minds” of broadcasters to create more such high-quality content, which could work well with the audiences there in Africa.

    Michael said following `Pavitra Rishta’ initiative, Zee is exploring the option with other broadcasters from across the region for remaking other successful Indian scripted and unscripted formats that could travel across Africa and could include the likes of ‘Dance India Dance’ and ‘Punar Vivah’. 

  • Essel Group engages Goldman Sachs to sell half its stake in Zee Entertainment

    Essel Group engages Goldman Sachs to sell half its stake in Zee Entertainment

    Mumbai: 13th November 2018, Subhash Chandra and family along with its advisors met in Mumbai over the Diwali weekend to undertake a strategic review of its businesses in view of the changing global media landscape. The strategic review underscored the importance of technological advancements such as AI, IOT, 3D printing AR, VR and many more. There is informed recognition that the world is convergent today and the lines across media, telecom, manufacturing and technology are thinner than ever. The semi-conductor business also appeared to be a promising opportunity, but due to its large capital requirement it was ruled out. It was observed that these developments will impact virtually all businesses across sectors and business practices will be driven by technological innovation. The review showed that the family needs to accelerate efforts to stay ahead of fast changing trends.

    The review noted that with the current 1.3 billion viewers and close to 50 million digital viewers growing at a fast pace, ZEEL is well placed to benefit from current market trends due to its strong brand & bouquet of domestic & international channels. Adding to that strength, ZEE5 will further enable the company to leverage the benefits of changing video consumption trends, contributing significantly over the coming years. The management of ZEEL under Punit Goenka and Amit Goenka has been well appreciated by all stakeholders and reflected in the performance of the company. Speaking on where the business stands today, Jawahar Goel said, "Punit and Amit have made the right sustainable investments for the future and the business is growing ahead on all fronts in a focused and disciplined way".

    On its own, ZEEL would remain a leader in both linear and digital distribution. It has the consumer insights and knows how to produce and deliver content for the South Asian diaspora globally. The management depth the Company has built over last two decades distributing content globally in 12 foreign languages puts the Company in a unique position. It has strong revenue streams including advertising and subscription – domestic and international. However, there is recognition that a right global strategic partner will help in transforming ZEEL further, and maximise long term value. It will transform it into a global media-tech player with a unique offering of content to the main stream audiences in 170 plus countries.

    It has been decided to undertake a strategic review of Essel's shareholding in ZEEL with a view to maximize value for the business. The proposed transaction to divest upto 50% of Essel's
    holding to such a partner, is expected to address the Essel Group's capital allocation priorities and will allow ZEEL shareholders to capture the full value of India's largest entertainment broadcaster with an ever strengthening bouquet Essel has decided to appoint Goldman Sachs Securities (India) Ltd. as their investment banker and US and European based LionTree as an international strategic advisor for this exercise. Essel expects the outcome of the strategic review to be concluded by March/April 2019. This transaction will meet the objectives of the Essel Group as well as the minority shareholders of ZEEL.

    India remains a priority market for Subhash Chandra and the Essel Group and the family believes that India is at the cusp of significant growth. The family will continue to invest in growth opportunities in India. Regardless of the outcome of this exercise, Essel is committed to create significant long term value in ZEEL and shall keep on contributing in every possible way going forward.

  • ZEE5 partners Paytm to offer 50% cashback on subscription

    ZEE5 partners Paytm to offer 50% cashback on subscription

    MUMBAI: Zee Entertainment Enterprises Ltd's (ZEEL) digital venture ZEE5 is attracting consumers with its latest tie-up with Paytm for a cashback deal on subscription.

    As a result of the partnership, customers who will subscribe ZEE5 through the Paytm app will get a flat 50 per cent cashback of the subscription amount. From 1 November, the offer has gone live already and will be valid for 6 months for customers to avail. The cashback is valid for one-month subscription of Rs 99, six-month subscription of Rs 599 and annual subscription of Rs 999.

    “ZEE5 has consistently been at the forefront in offering a seamless experience and value to its consumers. Digital payment is evolving at a fast pace and Paytm has played a major role, being at the forefront of that change. With our association which is an attractive flat 50 per cent cashback offer, it reinforces our commitment to provide an entertaining yet affordable deal for the consumer,” ZEE5 India business head Manish Aggarwal commented on the partnership.

  • ZEEL launches media buying & selling online platform for small retail advertisers

    ZEEL launches media buying & selling online platform for small retail advertisers

    MUMBAI: Media & Entertainment powerhouse Zee Entertainment Enterprises Ltd (ZEEL), has launched zeemitra.com, a first of its kind online platform to democratise advertising on television by going direct to small retail advertisers.

    ZEEL’s new initiative will directly connect and enable small retail advertisers to advertise on Zee bouquet of channels through an online platform.

    Zee Entertainment Enterprises chief growth officer of advertising revenue Ashish Sehgal says, “Our first organisational value is ‘Customer First’ which stands for the need to anticipate, understand and meet the needs of our customers, ensuring customer delight. We want to partner our advertisers in growing their business and provide customised solutions to help grow their business.”

    With a focus on small and medium scale enterprises, Zee Mitra website will enable them to advertise their brand on TV in their relevant markets, independently, at an affordable cost. The intent is to empower them to move beyond print and radio which has been the entry medium for MSMEs. TV advertising has been viewed as a costly and complicated medium. We wish to break that barrier with this initiative.

    With its presence across multiple states, this platform will offer the entire bouquet of 52 channels under the Zee umbrella, genres ranging from national and regional GECs, movies, local regional news, lifestyle, English entertainment, English movies, etc. (count of 52 is without Zee Bollywood which will be added post Nov).

    It will additionally offer the split beam of it marquee national channels — Zee TV, Zee Cinema & Zee News, for advertising across 15 key markets of India, viz., Mumbai, Rest of Maharashtra, Maharashtra, Delhi NCR, UP, Punjab, Gujarat, Madhya Pradesh, Bihar, Hyderabad, Bangalore, Odisha, West Bengal, North-East, Rajasthan. This will not only create an opportunity for hyper-local advertising at a cost which is much lower than national ad spot but also help expand reach by opening-up the possibility to test market product in newer territories.

    The platform has an intelligent algorithm which is based on advertiser’s business objective will suggest the ideal channel mix to reach out to the relevant target audience through an easy to use interface, which not only creates a media plan but also allows to edit and customise their plans as per their needs.

    The Zee Mitra platform will also allow advertisers to avail the services of an in-house creative team to devise a television creative in motion graphics at a nominal cost.

    In addition to the online platform, this initiative will also be supported by the Zee Mitra feet-on-street sales team, who will approach potential advertisers spread in the relatively smaller corners of India and explain the benefits of advertising on TV. These advertisers will be guided and closely assisted by the Zee Mitra sales team through the entire buying process.

    The platform intends to change the landscape of TV media buying in India, bringing more advertisers within its fold, by making it accessible and affordable to all.

  • TRAI wins tariff order case in Supreme Court

    TRAI wins tariff order case in Supreme Court

    MUMBAI: The Telecom Regulatory Authority of India has come out victorious in the long running battle on whether pricing of content comes under its purview. The Supreme Court has finally given the long-awaiting verdict on Star India versus Telecom Regulatory Authority of India case on tariff order while arguments related to the case ended on October 11. A source close to the development informed Indiantelevision.com that the ruling is in favour of TRAI.

    Speaking on the verdict Zee and Essel Group chairman Subhash Chandra said, "I am extremely glad to note the Supreme Court’s order and I think it is THE best thing that could have happened to the industry, the players in the value chain and the consumers at large. We at ZEE & Essel Group have always focused on keeping our consumers as our first priority and I am very glad that the Supreme Court’s order has empowered the consumers across the nation. While the overall media & entertainment landscape has been evolving at a rapid pace, it is for the first time in 26 years that such a strong & positive step has been taken to eradicate the lack of transparency in the entire value chain of the broadcast & cable industry. It will certainly help the LCOs, MSOs and the broadcasters.”

    Zee Entertainment Enterprises Ltd (ZEEL) was first out of the blocks in publishing the RIO, declaring the MRP and nature of channels in connection with its tariff order , which had a 31 August deadline. The Punit Goenka-led company was followed by TV18 Broadcast Ltd ( TV18) and Sony Pictures Networks India Private Ltd (SPNI), who adhered to the regulator’s directive on 4 September. Later, Disney India, Turner India International, Sun TV Networks have also published their RIOs in compliance with the order.

    Speaking on the news, AIDCF president Rajan Gupta said, “This is the watershed moment we have all been waiting for. We feel that the new framework will bring in much needed transparency, parity, promote exercising of choice for the consumer and ensure orderly growth of the sector. The onus is now on all service providers to put their best foot forward and keep consumer interest in mind by complying with the required initial timelines and activities at the earliest.”

    The TRAI tariff orders, first contested in Madras High Court by the petitioners, were cleared by the Chennai court with certain riders after hearings that continued almost over 16 months in front of a two-member bench

    After the Madras HC had given a thumb up to TRAI tariff order, and both the petitioners and the defendant (TRAI) had filed caveats in the Supreme Court, the regulator had bowled a googly saying that its tariff order would come into effect from 3 July 2018 as all judicial compliances had been completed.

    According to TRAI, implementation of the new regulatory framework will “bring in transparency”, enable provisioning of affordable broadcasting and cable TV services for the consumer and, at the same time, “would lead to an orderly growth of the sector”.

  • ZEEL turns activist with ‘Aankhon Ka Aandolan’ driving upgrade to an HD quality viewing experience

    ZEEL turns activist with ‘Aankhon Ka Aandolan’ driving upgrade to an HD quality viewing experience

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) the leading media & entertainment powerhouse, launched its new campaign ‘Aankhon Ka Aandolan’ to build awareness about the benefits of a High-Definition (HD) channel viewing experience and drive a behaviour change. With multiple players having pushed the HD subscription, its penetration still stands below 10%. With this new campaign, ZEEL aims to drive consideration to upgrade from SD to HD subscription amongst the current SD subscribers.

    The campaign ‘Aankhon Ka Aandolan’ showcases the trouble that the eyes go through and the reason why they are out on streets to protest. The campaign further aims to educate viewers who would have heard about the HD experience being better but are not sure how it is significantly superior to what they are currently experiencing.  Launched in partnership with the country’s top DTH platforms like Tata Sky, DishTV, Videocon d2h, Airtel and cable platforms, the campaign aims to actively drive HD channel upgrades during this festive season. Hence, the creative campaign has a clear Call-To-Action with a missed call number that will allow consumers to opt for their DTH partner or call their cable operators and enquire on the HD offers available.

    The core idea of the campaign is led by strong consumer insights that address the inferior experiences that the SD channel viewers are currently settling for – Less Clarity, Faded Colours & Stretched Pictures. Along with the SD viewers, the campaign also reaches out to those HD viewers who believe that HD viewing is only relevant for specific content, whereas HD experience is an overall upgrade to a superior quality viewing world.

    Conceptualised by the company’s creative partners Lowe Lintas, the campaign aims to be the trigger to upgrade to HD subscription by showing the consumers, the superior quality HD viewing experience that they are missing out on. ZEEL currently offers 14 HD channels. With the revised MRP price point regime that is expected to come into play in a few months from now, and the changing consumer behaviour pattern, the viewer will now be able to independently choose HD and SD channels separately giving them the power to upgrade to a superior viewing experience.

    Commenting on the launch of the ‘Aankhon Ka Aandolan’ campaign, Ms. Prathyusha Agarwal, Chief Marketing Officer at ZEEL said “At Zee, we believe in offering 'Extraordinary Entertainment' to our consumers at all levels. Where we focus on offering versatile content for consumers across age groups, we are equally invested in offering them superior quality viewing experience through our best in class HD technology. We truly believe that HD viewing experience offers our viewers better clarity, and once you get hooked on to it, you just can’t do without it! We have tailor-made our two brand films in 8 languages and given it legs to appeal to our regional viewers spread across the country. The benefits of the HD viewing experience has been brought alive through the lead protagonist across regional markets of the ZEE network.

    Sharing his views on the campaign, Sagar Kapoor, Executive Director at Lowe Lintas said – “FINALLY, THE EYES SPEAK UP! The creative idea stemmed from the very objective of magnifying the benefits of HD over the SD experience. We just shifted the lens on looking at a very apparent yet hardly spoken about TG. The eyes in this case. Hence the idea of eyes asking for HD viewing. It just made complete sense to land the advantage via someone who will benefit the most. Not to mention the cut through we get with the visual idea of creating characters out of eyes themselves.”

    Anaheeta Goenka, President at Lowe Lintas Group also expressed her views saying “In India a better service or product does not necessarily make for adoption. Especially when the comparative does not exist. That was our strategic challenge. Getting people to see the distinct value of HD vs SD. Easy to sell the product – but we refrained and instead took another journey from the ‘viewers eyes’.”

    Zee Entertainment has launched a 360-degree marketing campaign influencing the consumers across their path to purchase journey. The media mix strategically uses ‘TV, DTH and Out-of-home’ to build awareness, ‘Digital’ to influence behaviour and an aggressive ‘Retail’ promotion to trigger conversions at the point of purchase of the HD TV set. The high impact retail push is in association with the biggest electronic stores in the country such as Reliance Digital and Vijay Sales, during this festive season. Alongside, the company will also be seeding the campaign across Samsung and Panasonic stores in collaboration with Dish TV.

    The campaign is promoted through the strength of the network with 35 channels coming together to achieve a reach of 40 Mn viewers ably supported by our digital push with an estimated reach of 45 mn across the campaign period up till Diwali. The Digital campaign has been designed to reach out to the SD viewers across platforms that they have used to either show interest in purchasing HD TV sets, make subscription payments or upgrade their lifestyle. The SD & HD subscribers will be targeted not only through the DTH & cable platforms but also through our network’s vast social media assets. Innovative marketing formats have been used across social media and Out of Home to bring alive the tension points – example, usage of Uber cab windows to bring alive the ‘clarity’ difference between SD and HD channels.