Tag: Zeel

  • ZEE Entertainment to sell up to 11% promoters’ stake to Invesco Oppenheimer Fund for Rs 4,224 crore

    ZEE Entertainment to sell up to 11% promoters’ stake to Invesco Oppenheimer Fund for Rs 4,224 crore

    MUMBAI: Essel Group, on Wednesday, announced that Invesco Oppenheimer Developing Markets Fund has agreed to make an additional investment in ZEE Entertainment Enterprises Ltd. (ZEEL). Oppenheimer Fund has agreed to buy up to an 11% stake in ZEEL from its promoters, for a total consideration value of up to Rs. 4,224 Crore.

    Essel Group had initiated the process of divesting its key assets, with an aim to repay all the lenders by September 2019. During this divestment process, the Group has received positive response from multiple partners expressing interest to buy the stake in ZEEL and the other key Non Media Assets.

    Speaking on this development, ZEEL MD and CEO Punit Goenka said “I’m extremely glad to share that the Fund as a Financial Investor has further reposed its faith in ZEEL. It also gives me immense pleasure to note their strong belief and trust in the intrinsic value of our precious asset. It is the valuable belief and support of our esteemed financial investors that enables us to consistently generate great value, year after year”.

    The announcement of 11% stake sale of ZEEL to Oppenheimer Fund is a strong step in the overall divestment process, giving the promoters the required financial fillip to initiate the repayment process.

    The Invesco Oppenheimer Developing Markets Fund, which is an investment company registered with the US Securities & Exchange Commission, has a long history of investing in India as a financial investor. It has been a financial investor in Zee Entertainment Enterprises Ltd. since 2002.

    Along with ZEEL, Essel Group is also in the process of divesting some of its Non-Media Assets. Essel Group is confident to complete the overall process of repayment, well within the agreed timeline.

  • Shaurya Mehta moves on, Kartik Mahadev names ZEEL’s premium cluster business head

    Shaurya Mehta moves on, Kartik Mahadev names ZEEL’s premium cluster business head

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) has elevated Kartik Mahadev to the role of business head of its premium channels cluster post the departure of incumbent Shaurya Mehta last week.

    Mahadev joined ZEEL in February 2019 as Head – Marketing and Communications. Prior to this, Mahadev has worked with Star Network as VP Marketing – Star Sports from May 2017 to January 2019, where he led the brand strategy and communication approach to building a multi-sports culture in the country with impactful community initiatives such as the 'Khelo India School Games' and 'Khelo India Youth Games' that encourage society to play more. He joined Star Network in October 2016 as VP – Channel Maketing Star India.

    For more than two years, Mahadev was also part of Mondelez International. He began his role and led the launch of Cadbury Bournvita Biscuits in India in March 2014.

    Mehta started his career in 2003 as systems associate at GE healthcare. After serving the company for about two years, he joined Deloitte Consulting as the senior consultant. In 2012, he was the co-founder and COO of Ekstop.com and after three years, in 2015, he was the head of Ecommerce at Godrej. In 2017 Mehta was appointed as Essel Group's lifestyle channel- Living Foodz COO and last year he was given the additional role to Head Premium cluster.

  • New tariff order helped ZEEL’s strong domestic subscription revenue growth in Q1 FY20

    New tariff order helped ZEEL’s strong domestic subscription revenue growth in Q1 FY20

    MUMBAI: Zee Entertainment Enterprises Ltd (ZEEL) experienced strong growth in domestic subscription revenue in the first quarter of FY 2020 where the new tariff order played an important role. The leading broadcaster has guided for domestic subscription revenue for the overall year to grow in mid-twenties.

    “The implementation of the new tariff order has allowed us to price our channels in line with their popularity, thereby leading to a sharp improvement in monetisation. Additionally, uniformity in pricing across platforms and increased transparency have led to a step jump in this quarter’s subscription revenue growth,” ZEEL MD and CEO Punit Goenka said in an earnings call after Q1 results.

    The broadcaster also witnessed sharp growth in subscription revenue in the southern market too. Apart from the digitisation of the Tamil market, the new tariff order also played an important role here.

    Goenka, talking about the growth in the Southern market, mentioned that either ZEEL channels were free in certain markets or their pricing was not proportionate with their viewership share while the new pricing regime gave them the opportunity to re-price content.  He pointed out that the tariff has been frozen since the last 16 years and no price change was done since then for any of the channels after launch.

    “Despite having built significant viewership over the last several years, our channels were really not priced in line with their popularity. Under the old tariff order, it would have been a long journey but the new tariff order gave us a chance to reset this pricing. So, that has allowed us to significantly improve our monetisation,” ZEEL corporate strategy and investor relations head Bijal Shah commented on the overall subscription growth.

    “And on top of this, in this tariff order, discrimination between the platforms is not possible, which has also led to an improvement in subscription revenue growth. So, this is much more on expected lines. In fact, for the last 2-2.5 years, we have been guiding that tariff order will allow us to properly monetise the viewership which we have, and we are seeing that evolving the way we had envisaged,” he added.

    However, the broadcaster did not outline any clear guidance in terms of advertising growth but Goenka did mention that ZEEL would beat the industry growth.

    Goenka said this fiscal year also will not be very high on free cash flow generation despite slight improvement. But next year onwards, there will be a lot more cash conversion from the company’s bottom-line to cash with an actual ramp-up in free cash flows.

    “It is the first quarter right now, so a bit difficult to give you an exact amount, but total working capital investment in FY20 will be in the range of Rs 500-700 crore, that is the kind of increase we will see in total in working capital in full year FY20. It could be closer to the lower-end of the range but we just want to keep some buffer for ourselves right now,” Shah noted.

  • TDSAT directs Meghbela Cable to supply details to ZEEL for auditing

    TDSAT directs Meghbela Cable to supply details to ZEEL for auditing

    MUMBAI: Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has directed multi-system operator (MSO) Meghbela Cable And Broadband Services Pvt Ltd to file an affidavit in the audit dispute with Zee Entertainment Enterprise Ltd (ZEEL). Earlier, ZEEL was allowed to hold a comprehensive audit of respondent’s head-end, SMS and CAS systems without any delay.

    TDSAT has noted that the audit is not making progress because historical data for the relevant period, or what the parties understand as baseline data, is not being supplied by the MSO. The tribunal directed the MSO to make adequate arrangements and preparations and extend full cooperation for the required audit.

    “For that purpose, the MSO has to file an affidavit disclosing the required details before this tribunal within a week. Affidavit should disclose the number of locations and also other relevant particulars,” the latest order read.

    In an earlier hearing, TDSAT directed that the audit should be held by an independent auditor such as KPMG, Ernst and Young where the representatives of both the parties will be entitled to remain present and auditors shall be at liberty to ask for reports from the vendors of the MSO’s systems including SMS and CAS systems.  It was also said that the cost of the audit shall be borne by ZEEL.

    TDSAT also directed to post the matter for reviewing the further progress of audit on 9 August. It also mentioned that the latest order shall also bind the vendors of the MSO.

  • ZEEL’s Punit Goenka says ZEE5 to see peak investment in FY 20

    ZEEL’s Punit Goenka says ZEE5 to see peak investment in FY 20

    MUMBAI: Zee Entertainment Enterprises Ltd’s (ZEEL) digital venture touched 76.4 million monthly active users (MAU) in the first quarter of FY20 making the media conglomerate more bullish on its new bet. While the over-the-top (OTT) platform is coming up with a number of original shows in different languages, ZEEL MD and CEO Punit Goenka said this year will see the highest investment in ZEE5.

    “This year will be the peak investment in ZEE5. I am not guiding for any specific number for ZEE5,” Goenka said in an earnings call after Q1 results. He also noted that the company’s margins guidance is factoring in the losses on account of ZEE5, or any other investment that they may have. Content costs, which are already rising, will be impacted due to the ramp-up in ZEE5.

    Goenka also re-emphasised his confidence in the company’s ability to monetise ZEE5. Though revenue is in accordance with its plans and targets, it isn’t enough to have a significant impact on the top-line.

    The streaming service had a global daily active user (DAU) base of 6.6 million in June. It also witnessed a hike in user engagement as users spent an average of 33 minutes per day on the platform in contrast to 31 minutes per day in the last quarter.

    “So, a part of the earlier quarter, the number I gave were only India numbers. Now that international has launched that also contributes to the MAUs. Yes, we did see an increase in India as well. But it got further strengthened with the international numbers,” Goenka commented on MAU growth.

    Although there has been a sharp increase in ZEE5’s MAU in every quarter after its launch, Goenka said the company is not satisfied with the DAU-MAU ratio yet. While it ranges between 8 or 9 per cent, the industry standard is 25 per cent. He expects ZEE5 to touch this mark in six quarters’ time.

    The current trend being OTT tying up with telcos, ZEE5 is yet to take a step in that direction. Out of the three large telcos, while it is yet to strike a deal with one, about 50 per cent partnership has been established with another. But, Goenka denied giving any particular completion timeframe for it.

    On competitor Netflix’s newly-launched mobile-only plan, Goenka said, “It’s too early to comment as to how mobile-only will impact, because, in the end, that is just a pricing strategy that they have done. It does not really tell me too much about the content strategy. And therefore, as you will appreciate, for any OTT platform or content-driven business, the basic need is content. Until that does not change, life would not change significantly.”

    A recent PTI report stated that ZEE5 is planning to test mobile-only packs too.

  • Punit Goenka on Zee Entertainment stake sale: Have one binding offer, awaiting another

    Punit Goenka on Zee Entertainment stake sale: Have one binding offer, awaiting another

    MUMBAI: With speculation rife over the stake sale of Zee Entertainment Enterprises Limited (ZEEL), MD and CEO Punit Goenka on Tuesday suggested that the company was inching closer to ink the high-profile deal.

    Goenka revealed that the media and entertainment conglomerate now has one binding offer with them, and expects another one to come in the next few days. Goenka had earlier stated that the stake sale would be completed by July .

    “I accept that we have received two non-binding term sheets. Out of that we now have one binding offer with us, we are expecting to receive another binding offer over the next few days. Once both the offers are on the table the family will evaluate and take a decision,” Goenka said during an earnings call after the Q1 result for FY20.

    ZEEL reported 13.3 per cent year-on-year growth, with total revenue standing at Rs. 20,081 million. The company highlighted domestic broadcast and digital business as growth driver for the strong performance.

    ZEEL’s advertising revenue also witnessed a 3.6 per cent year-on-year growth. In Q1 FY20, the advertising revenue was at Rs. 11,867 million. While domestic advertising revenue grew by 4.2 per cent year-on-year to Rs. 11,322 million, international advertising revenue for the quarter was Rs. 545 million.

    Goenka, however, did not reveal any information about the nature of the deal. He also added that it is now a matter of days before ZEEL makes a formal announcement on the stake sale.

    Goenka also clarified that ZEE Media cannot be part of any stake sale process because of the FDI norms that exist in that sector.

    “On the offer on stake sale, I am expecting the second offer to come in a matter of days. If that offer was not to come in, then we will be of course going with the binding offer that we already obtained. But I am quite hopeful that the second offer will also come in,” he commented on the timeline of the second binding offer.

    In November last year, ZEEL had revealed the decision of its promoters to sell up to 50 per cent of their equity in the company to a strategic partner.

    The objective of the stake sale was to transform Zee into a global media tech player. In the last few months, a slew of big companies have rumoured to have shown an interest in picking up a stake in one of India’s most iconic companies.

  • ZEE5 MAU touches 76.4 mn in Q1 of FY 20

    ZEE5 MAU touches 76.4 mn in Q1 of FY 20

    MUMBAI: Media conglomerate Zee Entertainment Enterprises Ltd’s (ZEEL) digital arm ZEE5 continues its growth in user base reaching 76.4 million monthly active users (MAU). ZEEL in its first quarter financial result of FY 20 revealed the MAU of the streaming platform as of June 2019 while it had 61.5 million MAUs in the quarter ended March 2019.

    The streaming service had a global daily active user base of 6.6 million in June. It has also witnessed a hike in user engagement as users spent an average of 33 minutes per day on the platform in contrast to 31 minutes per day in the last quarter.

    During the quarter, ZEE5 launched 18 Original shows and movies including seven in regional languages. The company said that many of the shows helped ZEE5 to grow its paid subscriber base. The streaming service also entered into new partnerships with Hathway and ACT Fibernet in the quarter to offer bundled package to consumers. Moreover, ZEE5 also tied up with players in the online ecosystem like Myntra, Qwikcilver, Netmeds and Gaana.com.

    “ZEE5 continues its strong run and is working towards achieving its aim of becoming India's # 1 digital entertainment platform. In the international markets, it has seen an encouraging response in the initial phase. I am confident that with its strong content line-up and partnerships with leading players in the digital eco-system, value proposition of the platform and engagement with the consumers will continue to improve," ZEEL MD and CEO Punit Goenka commented in the earnings release.

    Along with the expansion in the domestic market, ZEEL is looking at an international expansion of its digital business as well. Following the launch in priority APAC markets, ZEE5 commenced marketing activities in the neighbouring countries to leverage its language and content affinity. To tap into the existing demand for Indian content in several markets, it also soft-launched dubbed content in five international languages. Moreover, the roll-out in APAC will be followed by MENA, Europe, Canada and Caribbean markets.

  • ZEE5 to test cheaper mobile-only plans, eyes 80 million MAUs by March

    ZEE5 to test cheaper mobile-only plans, eyes 80 million MAUs by March

    MUMBAI: Zee Entertainment Enterprises Ltd’s video streaming service ZEE5 has made quite a splash since its entry in India’s competitive OTT landscape.

    In just 15 months of launch, the Tarun Katial-led streamer has 61.5 million monthly active users (MAUs), clocking 31 minutes of average time spent per day.

    In a bid to make even greater inroads into the Indian market, ZEE5 will now test cheaper mobile-only plans, reported news agency PTI.

    "We are also planning to test mobile-only pack for consumers who want to watch content on-the-go at cheap prices and with limited ads with an option to choose the ad one wants to watch in exchange of a lower subscription rate," said Katial.

    Innovative pricing packs blended with a unique ad proposal could also be in the offing. This, Katial believes, will further boost the revenue generation efforts of the company.

    Having registered 70 million app downloads till March 2019, the platform now hopes to achieve the 80 million MAU mark by March 2020.

    ZEE5’s success has seen it attract advertisers across the board, with the prowess of its regional content paying rich dividends.

    Katial is confident that ad revenue of the platform will witness strong growth in the near future with content, technology and partnerships driving ZEE5’s appeal.

    "From a technology standpoint, we have partnered with over 30 companies world over with strong expertise in the OTT space," he said.

    Apart from collaborating with telcos, the platform has also struck deals with smart TV manufacturers and connected device makers like Amazon Fire Stick.

    ZEE5 has partnerships with Airtel, Vodafone Idea, and Reliance Jio, Katial added, pointing out that these are helping it reach consumers in small towns.

    Partnerships of this nature not just give ZEE5 access to consumers in smaller markets but also help in joint marketing campaigns.

  • ZEEL launches premium HD Hindi movie channel – &xplorHD

    ZEEL launches premium HD Hindi movie channel – &xplorHD

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) has added another channel in the Hindi movie category with the launch of a premium HD Hindi movie channel – &xplorHD. The channel promises an unparalleled experience that will unbox cinema for the viewers.

    Taking this viewer insight into consideration and bridging the need gap for content that is beyond the traditional definition of cinema, &xplorHD will cater to every movie aficionado’s entertainment cravings that are UNroutine, UNexpected and UNformula. The channel boasts of a vast repertoire of titles that explores storytelling like never before. &xplorHD will air movies like Article 15, Badla, Mard Ko Dard Nahi Hota, Tumbbad, Sonchiriya, Gully Boy, Manmarziyaan and many more. By showcasing movies that are thought provoking yet entertaining on television, &xplorHD with its brand promise of ‘Cinema Unboxed’ endeavors to bring to its audience cinema that helps one explore different worlds.

    Talking about their latest offering, Zee Hindi Movies Cluster Business Head Ruchir Tiwari said, “The Hindi movies industry is moving towards creating content which relies on the power of interesting stories and differentiated treatment. We are seeing an increase in dependence on these factors for box office success. Furthermore, studies have indicated that the HD TV audience has an unsatiated palette for such movies but doesn’t have a single avenue where it can be experienced. &xplorHD with its specially curated library of exclusive, rich, new age entertainers will be the premium destination for the discerning audience.”  

    ZEEL CMO Prathyusha Agarwal adds, “At ZEEL, our aim is to offer extraordinary content which satiates the need of our diverse viewer segments. For today’s audience, experimentation is the new form of experience. Be it food, friends, relationships, jobs, vacations, no experiment is increasingly seen as no experience. Specifically, when it comes to Hindi Cinema, familiar definitions are no longer valid. With a brand promise of ‘Cinema Unboxed’, &xplorHD strives to help viewers embark on a journey of cinematic and emotional discovery. Crafted for an audience that consumes the latest in design and content, the brand’s visual premise rests on the device of a maze with a traveling ball reflecting an unexpected world to explore. We invite the audience to eschew the routine and familiar and unbox the unformulaic world with &xplorHD”

  • ZEEL’s Punit Goenka on FY19 performance, future of digital platforms, new tariff order

    ZEEL’s Punit Goenka on FY19 performance, future of digital platforms, new tariff order

    MUMBAI: The changing nature of content as well as distribution has led to a major overhaul in traditional media companies. Zee Entertainment Enterprises Ltd(ZEEL) is also inking partnerships with new-age content distributors, device manufacturers and other digital players in this context. ZEEL MD and CEO Punit Goenka recognising the need for modification of ZEEL’s processes. He said that the media conglomerate is investing in data and analytics capabilities along with traditional functions like marketing and customer service.

    In a message to shareholders published in ZEEL’s FY19 annual report, Goenka spoke on the performance of the company in FY19, the journey ahead both in front of traditional and digital business. Here are edited excerpts:

    Gearing-up for next phase of growth

    Over the years, ZEEL has evolved from a single-channel network into a multi-faceted entertainment content company by consistently expanding its content offering. Till recently, television was the primary medium for taking new content to audience. However, our emerging businesses – digital, movies & music, and live events, provide us new touchpoints for reaching consumers as well as access to audience which was out of reach. This has added new dimensions to content consumption and is allowing us to experiment with new genres of content and create formats which are suited for smaller audience segments. We have significantly ramped up our content investments to capitalise on this new opportunity. Along with an evolving content repertoire, the distribution landscape is also changing with audience using multiple devices and platforms for consuming content. To enhance the reach and engagement of our products, we are stitching partnerships with new age content distributors, device manufacturers and other digital players. In this changing landscape, we also need to modify our processes and develop new capabilities to sustain growth and take advantage of emerging opportunities. Increase in share of direct to consumer businesses, especially digital, and changes in television distribution space give us greater insights into consumer preferences. While consumers have always been the focal point for content creation, these insights will enable us to serve them better. We are investing in data and analytics capabilities to use consumer insights for content creation and product design. Even traditional functions like marketing and customer service are undergoing significant changes and we are equipping our workforce for success in this new environment.

    The year gone by

    Digital video viewership continues to see tremendous growth as the reach of internet increases and people spend more time watching content. Till now, the growth has been primarily driven by user-generated and TV content which is monetised through advertising. I believe that the next phase of growth would be driven by content that the digital platforms are creating. The themes, talent ensemble and production value of these shows make it markedly different and have caught the fancy of a set of audience which found TV shows too slow. Once digital platforms scale-up their production of original content, it will enable them to drive subscription model. Younger audience, primarily from urban  areas, have been the early adopter of SVOD, and digital content reflects the sensibilities of this segment. As more consumers join the pay bandwagon, the content offerings will explode to cater to varied user segments. In a market characterised by low ARPU and aversion to online payments, bundling of SVOD with telecom and other services, tiered pricing and innovation in payments would be key to growth of the paid subscriber base. Though advertising is the mainstay for digital revenues currently, I believe subscription would develop as a long-term revenue driver.

    Television remains the mainstay for entertainment in India and continues to see growth in reach and engagement. Over the last 4 years, 50 million households have bought a TV set, but still a third of Indians (~100 million households) do not own one, and this provides a long run-way for growth. Constantly improving choices and quality of content across languages have led to growth in time spent. The new tariff order has further improved television’s value proposition for consumers by empowering them to select and pay for content of their choice. It also gives broadcasters flexibility to price their content which would incentivise innovation. The radical change in content distribution dynamics brought with it several challenges which made the transition to new regime uneven. However, once the transition is complete, it will benefit all the stakeholders. Digitisation of distribution space led to proper accounting of subscriber base and this tariff order provides for fair distribution of revenue across the value chain. This increase in transparency would accelerate growth of subscription market in India.

    Our domestic broadcast business delivered another year of strong performance. Strengthening the network viewership share, it consolidated its position as India’s #1 entertainment network. The performance was led by the regional and movie channels portfolio. In line with our strategy of expanding the regional portfolio by entering new markets, we launched Zee Keralam, making our language footprint the biggest in the country. We continued our investments in acquisition of movie rights which will help us launch exclusive movie channels in regional markets and bolster our existing portfolio. There were two major business developments during the year – getting into distribution contracts as per the new tariff order and conversion of our two FTA channels to pay. Both impacted our revenue growth in the short term, but we are confident that once the transitory challenges settle down, they will help us further improve our competitive position across markets. The strength of our pan-India network is a result of our understanding of consumers and the processes built around it, enabling us to replicate success in multiple markets.

    Our international business continued its focus on building reach and improving engagement across geographies. Launch of channels on new platforms helped our linear portfolio increase reach and local programming initiatives in some of the markets helped us engage more with the audience. The performance of our Indian and local language channels continues to be strong across markets. In addition to strengthening our linear business, we also started rolling out ZEE5 in select markets starting with APAC countries. We are working on a market by market strategy and selecting partners for taking our product to consumers. I believe that the revenue opportunity for ZEE5 in international markets is substantial.

    Our consolidated revenue grew by 18.7 per cent in FY19 to `79,339 million. This strong growth was led by 19.8 per cent and 13.9 per cent growth in advertising and subscription revenues, respectively. Movies, music and content syndication businesses registered an impressive 29.7 per cent growth. The EBITDA margin for the year stood at 32.3 per cent and our EBITDA grew by 23.5 per cent to `25,639 million. The strong EBITDA growth for the year, despite increased investments in digital and other new initiatives and impact on revenue in fourth quarter, reflects the strong underlying performance of the business.