Tag: Zee5

  • Salman Khan-starrer Radhe to debut on Zee5, Zee Plex along with theatres

    Salman Khan-starrer Radhe to debut on Zee5, Zee Plex along with theatres

    KOLKATA: As the Covid2019 pandemic once again slams the film exhibition industry with new restrictions, filmmakers and distributors have been in a quandary — whether to postpone movie releases or take the direct to OTT route. Now, taking a cue from foreign production houses like Warner Bros, Salman Khan-starrer Radhe will debut on Zee5 and Zee Plex on the same day as its theatrical release. 

    With this move, Zee Studios has become the first studio in India to adopt a multi-format release worldwide. 

    Zee Studios CBO Shariq Patel shared, “The ongoing pandemic forced us to innovate, and we are proud to be the first to embark upon this new distribution strategy. While we all love to catch the latest movies at the nearest theatres, we realised we’d be doing a disservice to Salman’s fans nationwide if we aren’t able to release theatrically in all Indian states.

    He went on to add that the studio sensed the need for a pay per view solution along with theatres, which gives the consumers flexibility and convenience of viewing the film. Zee Studios is looking to release the film in over 40 countries including theatrical release in major overseas markets. 

    “There cannot be a better film than Radhe to offer the audiences who’ve been waiting for an out and out entertainer for over a year now,” quipped Patel.

    The film will have a theatrical release and will be showcased in all Indian states where cinema halls are operational as per Covid protocols. The international theatrical release will target countries in the Middle East, North America, Australia, New Zealand, Singapore, Europe. It will also be the first Bollywood film to release theatrically in the UK since the lockdown last year

    Salman Khan Films' spokesperson remarked, “We will support the theatre owners by releasing the film in as many theatres as we can, keeping in line with the rules and protocols laid down by the government. But, considering the guidelines and safety measures, we also need to devise ways to ensure that the film reaches all of our audience. We don't want to deny the audience the choice of entertainment in the comfort of their homes during these times."

    Along with Salman Khan, Radhe also stars Disha Patani, Randeep Hooda and Jackie Shroff in pivotal roles. The movie is presented by Salman Khan Films in association with Zee Studios, produced by Salma Khan, Sohail Khan and Reel Life Production. It is scheduled to release on 13 May 2021 on the occasion of Eid.

  • Hero Group forays into edtech with ‘Hero Vired’

    Hero Group forays into edtech with ‘Hero Vired’

    New Delhi: Tapping into the booming ed-tech market, the Hero Group has launched a new ed-tech company – Hero Vired – to adequately train and empower the workforce of the future. The launch accompanied the release of its new brand campaign, Be Made for BIG Things, which went live on social media and OTT platforms.

    National award-winning actor Ashish Vidyarthi has lent his voice to the brand campaign, which attempts to showcase the importance of an end-to-end learning ecosystem for today’s workforce. It talks about how individuals have plans for their future that are larger than life, pushing them to try newer frontiers. “It is often this drive that sets them apart from the crowd. This is where Hero Vired will help individuals, learners and professionals to achieve them. The concept for this campaign was born from the fact that life is more than just another job,” stated the company during the launch.

    Hero Vired head of programs & marketing Sushma Bharath said, “We believe that there’s more to life than just another job, increment or a degree. We want to bridge the gap between learning and employability by ensuring our efforts result in the real transformation of life and ambitions. Be Made For BIG Things is a campaign that will inspire people to look beyond the subjects and see the possibilities of tomorrow.”

    AVDS founder and chief creative officer Arun Verma said, “Today's generation is not fixated on just another job title, salary or designation. They are looking for a larger purpose and a reason for being. Show them a dream that adds a purpose to their life, beyond just a career or organisational growth and they will be all in, committed to your vision. That is what Hero Vired creates – youngsters who want to be made for the human race, not the rat race.”

    The film will be promoted across OTT platforms Disney+ Hotstar and Zee5 and social media platforms. It went live on YouTube on Tuesday evening.

  • Zee5 Global unveils fresh content line-up for April

    Zee5 Global unveils fresh content line-up for April

    KOLKATA: As we wind up the first quarter of the year, Zee5 Global has unveiled a fresh new line-up of content. Viewers can choose from a variety of Zee5 Originals, television shows, and non-fiction shows to enjoy their summer at home.

    Leading the April line-up is the much-awaited Zee5 Original Film Raat Baaki Hai starring Paoli Dam, Anup Soni, Rahul Dev, Dipannita Sharma and Akash Dahiya. Set to premiere on 16 April, the film is a remake of the popular play Ballygunge-1990, and has been directed by Avinash Das and produced by Samar Khan of Juggernaut Productions. The film revolves around a fateful meeting between two ex-lovers under strange circumstances: one of them is running away from the law for being a murder suspect.

    Zee5-ALTBalaji Original web series Mai Hero Boll Raha Hu starring Parth Samanth, Patralekha and late Asif Basra will drop on 20 April. Taking the viewers through Nawab’s rise as an underworld don in the late 1980s and 1990s, the intriguing drama documents how an amazing friendship and mentorship quickly turns sour when Nawab outperforms his mentor Lala. Next in line is His Story, a Zee5-ALTBalaji Original series starring Satyadeep Misra, Priyamani and Mrinal Dutt in lead roles. The Hindi series premierses on 25 April.

    Zee5 Tamil Original Film Mathil revolves around Laxmikanthan, a common man, who fights against a politician who usurps the wall of his dream house for an election campaign. Starring Mime Gopi and KS Ravikumar, Mathil releases on 14 April 2021 (Puthandu, the Tamil New Year); the trailer is already out. 

    Viewers can also enjoy a special Ramadan curation from 12 April onwards with a variety of delectable festive recipes from celebrity chefs Kunal Kapoor, Sakshi Batra and others. Furthermore, the platform will stream some of the most loved family movies, TV shows and Originals for audiences across markets. From Shabana Azmi’s Mee Raqsam to primetime legacy shows Razia Sultan, Jodha Akbar and popular originals including Daawat-e-Biryani, Jaadu Kadai and more.

    For Zee Tamil viewers, the platform is set to celebrate the grand success of Yaradi nee Mohini and Poove Poochudava crossing a landmark 1,000 episodes – the first ever shows to do so, with Vetri Vizha on 11 April.

    Zee Bangla viewers can enjoy a new fiction TV show Amader Ei Poth Jadi Na Sesh Hoy, where a rich girl Urmi decides to become a taxi driver, in an exciting journey of self-discovery and independence. Slated to be released on 12 April, the show stars Anwesha Hazra as Urmi. Zee Bangla will soon premiere Dance Bangla Dance Season 10, judged by Bollywood celebrity Govinda and popular Bengali superstar Jeet and Ankush. The exciting Sa Re Ga Ma Pa Bangla gears up to stream the grand finale on 18 April.

    Zee Punjabi viewers can celebrate Baisakhi with Neeru Bajwa and top Punjabi artists and TV stars in a special episode on 10 April, while in the popular Punjabi cooking show Swaad Aa Gaya, viewers can celebrate Baisakhi the whole week.

  • Zee5 partners with Sahaj to go deeper into rural India

    Zee5 partners with Sahaj to go deeper into rural India

    KOLKATA: With the aim of strengthening its focus on Bharat, OTT platform Zee5 has struck a strategic partnership with Sahaj Rural Development Foundation to bring financial and digital inclusion to rural India.

    Through this first-of-a-kind association, Zee5 becomes the first OTT player to cater to the country’s underserved rural market at scale, through the retail network established by Sahaj. Zee5 will design a special ‘Chhota’ pack for Sahaj customers offering 10 per cent discount on its premium subscription, thereby leveraging the massive untapped opportunity of over 300 million rural internet subscribers in the country.

     Zee5 will now get access to more than 76,000 gram panchayats, and over 96,000 tier-3 and tier-4 rural locations in 24 states and union territories. With a robust portfolio of purposeful, compelling, diverse, and multi-lingual content in over 12 Indian languages, Zee5 continues to take eventful strides in enticing the masses to subscribe to the platform and consume entertainment anytime, anywhere, and in the language of their choice.

    Zee5 India chief business officer Manish Kalra said the move comes at crucial time, when rural India is on the cusp of driving a robust wave of digitisation in the next 12 months.

    “We want to fuel this change by democratising access to diverse content across genres and languages. Our partnership with Sahaj is one such step towards strengthening our connection with the entertainment-loving audience from Bharat, providing them with an unlimited and instant access to our premium content library, thereby unlocking unparalleled scale and reach across 24 states and union territories of India,” he added.

    On its part, Sahaj has been breaking boundaries to accelerate digital transformation in rural India ‘Bharat’ for more than 12 years and has access to 500 million+ rural customers through its wide network of over 100,000 retail outlets, 'Sahaj Mitr', said CEO Amit Kumar Singh.

    “The limited awareness about digital transactions beyond urban centers has restricted the popularity of OTT content in rural India. The partnership between Sahaj and Zee5 will bridge this urban-rural digital divide and offer rural customers an opportunity to enjoy premium OTT content just like their urban counterparts. With this partnership, Sahaj further strengthens its focus on staying at the forefront of identifying consumer trends in the rural market,” he explained.

    Since its inception, Zee5 has successfully struck a chord with many Indians within the country. As of December 2020, the platform recorded 65.9 million MAUs and 5.4 million DAUs. Zee5’s repertoire of content includes Indian and global movies, catch-up content, and live TV, shows, news, music, live events, and much more. With a rich library of over 120+ originals, Zee5 offers content in 12 Indian languages and in the last three years, it has had 85+ regional launches: 55+ web series, 5 short films, and 25+ movies in Tamil, Telugu, Marathi, Kannada, and Bengali, across genres. Additionally, the platform offers content in – Hindi, English, Punjabi, Bhojpuri, Gujarati, and Odia.

  • Connected TV viewership growth: OTT users going beyond six-inch smartphones

    Connected TV viewership growth: OTT users going beyond six-inch smartphones

    KOLKATA: Indian viewers consume content only on smartphones – the market has matured enough to move on from this notion. With more and more premium content offered by leading streaming services, consumers don’t want to limit their viewing experience to six-inche screens anymore.

    It is undeniable that a large chunk of Indian consumers still watch content on mobile devices but their preference for the larger screen has increased by leaps and bounds, especially while they were homebound during lockdown. Moreover, the appetite for quality viewing experience also pushed them to larger screens.

    With smart TVs becoming more affordable, a number of TV households are replacing their old linear sets. Smart TV market has been on the rise over the last couple of years due to the entry of brands like Xiaomi, Vu, Real Me, One Plus, etc. In addition to that, traditional TV brands like Samsung, Panasonic, and LG also went aggressive in the segment. Reports have suggested the popularity of OTT content is driving smart TV growth in India.

    "India is one of the most exciting countries in the world with more than 200 million potential TV households and still underpenetrated. Smart TVs have become more affordable over the last three years, and represent the vast majority of all new TVs sold. People love having the ability to connect to the Internet and stream their favourite films and series on demand. We see an ever growing need among audiences to watch Netflix on a smart TV, at home, with their family,” Netflix India business development director Abhishek Nag said.

    Connected TV also includes streaming devices such as Roku, Chromecast and Fire TV. Users who don’t intend to invest in a brand new TV set are opting for these devices instead. Recently, Amazon said in a report that Fire TV users in India doubled consumption of entertainment content during their stay at home in 2020, with movies, cricket, online gaming and music gaining traction.

    “In 2025, we expect connected TV will reach over 40 million homes from around seven million homes today. This will further grow OTT viewership as people  prefer to watch content on a large screen if possible. Both Airtel and Jio have announced growth plans for home broadband. Hence, that’s growing to drive connected TV homes and viewership,” stated EY India partner and media & entertainment leader Ashish Pherwani.

    The prolonged shutdown of cinema halls and fresh content availability on OTTs also contributed to the uptake of connected TV. Over 50 per cent of Mirzapur 2 viewers completed the show within 48 hours of its release on Amazon Prime Video. Direct-to-digital releases Shakuntala Devi, Gulabo Sitabo, Coolie No.1,  Soorarai Pottru, Ponmagal Vandhal were the most watched movies from Prime Video on Fire TV devices. Users enjoyed sports content too as Disney+ Hotstar viewership increased 50 per cent during IPL 2020.

    Zee5 witnessed accelerated adoption of connected devices wherein, three out of five SVoD users watched content via connected devices, recording over 80 per cent growth during Covid2019. Overall engagement of the platform grew and the audience spent more time watching content on connected TV versus smartphone.

    “With the audience becoming acclimatised to the idea of work-from-home and social distancing owing to the pandemic, their content consumptions patterns have seen a drastic change and there has been a significant growth in terms of watch-time. The surge in content consumption is also partly driven by a big uplift in the use of connected devices,” shared Zee5 India chief business officer Manish Kalra.

    Earlier in a conference, head honchos from Disney+Hotstar, Voot, Amazom Prime Video also spoke of the shift towards the living room as opposed to mobile device viewing.  As a result of rapid growth lately, the current ratio of mobile-connected TV consumption for Zee5 stands at 50-50, Kalra revealed. This signifies higher engagement levels on CTV compared to content consumption on smartphones.

    “In terms of the genres, we have observed that the audience consumes more of family entertainment content. Some of the most watched content includes Jeet Ki Zid, Black Widows, Pareeksha as compared to crime and edgy content,” he added.

    On the back of surging demand for CTV, OTT services are increasingly forging partnerships with OEM manufacturers. Netflix’s Nag said the platform has tied up with global TV OEMs like Samsung, LG, Sony, Xiaomi, and OnePlus, and local TV OEMs like VU and MarQ, to ensure that all the members get the same consistent, high quality app experience, no matter which smart TV they choose. Zee5’s Kalra mentioned that the platform is available across all leading Smart TVs and smart sticks available in the market – Samsung, LG, Xiaomi, OnePlus, Sony; Amazon FireTV Stick and Mi 2k stick. Moreover, the streamer has a presence as Hot keys for Samsung, LG, TCL, Onida, Nokia and Marq TVs across all 2020 models.

    Although smart TV penetration is phenomenally low in India, going forwards it is projected to grow more swiftly than smartphones which have reached the 400 million threshold, Elara Capital VP research analyst (media) Karan Taurani noted. Moreover, affordability coming in with new players will boost growth. Hence, the mobile consumption of OTT platforms standing at 80-90 per cent can come down to 70 per cent in the next few years, albeit mobile devices will largely dominate the viewership for some time to come. However, the growth of connected TV viewership in India will be led by boxes offered by aggregators like Jio, Tata Sky, Taurani remarked.

    According to Deloitte India partner Jehil Thakkar, India is a mobile-first video consumption country and that will not change soon. Even, the launch of 5G can result in a better viewing experience for handheld devices. But viewership on connected TVs will parallelly go up, he asserted. During the Covid crisis, many users invested in new smart TVs or connected devices. These users will continue to consume content on those devices while they are homes, he opined. Along with that, the replacement of current TV sets in coming years will be mostly led by smart TVs only.

  • Zee5’s ‘ATM’ promises content anytime, anywhere in one’s language of choice

    Zee5’s ‘ATM’ promises content anytime, anywhere in one’s language of choice

    KOLKATA: Zee5 has unveiled its latest integrated marketing campaign – ATM, acronym for ‘Any Time Manoranjan’, to further strengthen the OTT platform’s connection with audiences across the country by offering TV shows, movies, news, and much more for free to its AvoD consumers.

    Targeted primarily at the TV viewing audiences across tier-2 cities, Zee5’s ATM will offer viewers the opportunity to consume entertainment anytime, anywhere, and in the language of their choice. Starring popular celebrities Shraddha Arya and Tejashri Pradhan, the campaign will be launched in various languages – Hindi, Marathi, Tamil, Telugu, Kannada and Bangla.

    Zee5 India chief business officer Manish Kalra said, “As India and Bharat’s multilingual storyteller, we have entertained millions of Indians with our diverse gamut of content offerings for the past three years. Through the ATM campaign, we aim to acquire new users and encourage TV watchers to download the Zee5 app for an unmatched experience, using a powerful combination of platform convenience and compelling content. We chose this proposition because the word “ATM” connotes instant accessibility; and we want users to think of Zee5 like an ATM that gives you access to entertainment anytime, a.k.a. ‘Any Time Manoranjan’. Through our ability to deliver multilingual purposeful content across various devices, ecosystems, and operating systems, we want to target the gap between the TV watching audience and OTT users by introducing them to a world of real, relevant, and resonant Indian stories on our platform.”

    Zee5 has planned a high-frequency TV campaign across multiple Zee network channels, leveraging prime time spots as well as some new launches like Indian Pro Music League to get maximum reach. The campaign will also be rolled out across owned social media platforms and will drive conversations through influencer marketing to further amplify the proposition. Deepening inroads into Bharat, the platform will target tier-2 and tier-3 towns with clutter-breaking creatives in high-footfall areas and run campaigns across top radio stations in key markets. To highlight the campaign, Zee5 will add ATM messaging in all the featuring banners for tentpole shows to build further recall.

    Zee5 has successfully struck a chord with many Indians within the country; last December, the platform clocked in 65.9 million MAUS and 5.4 million DAUS. Its repertoire of content includes Indian and global movies, catch-up content, and live TV, shows, news, music, live events, and much more. With a rich library of over 120+ original shows, the OTT service offers content in 12 Indian languages and since its inception, it has had 85+ regional launches: 55+ web series, five short films, and 25+ movies in Tamil, Telugu, Marathi, Kannada, and Bengali across genres. Additionally, the platform offers content in – Hindi, English, Punjabi, Bhojpuri, Gujarati, and Odia.

  • #Throwback2020: The year the world of TV changed

    #Throwback2020: The year the world of TV changed

    KOLKATA: If there's one signal that 2020 strongly gave: it was that consumption of content via streaming, both video and audio, is here to stay. And media and entertainment organisations globally have to pivot around that change in viewing that has taken strong root; that they have to go direct to consumer.

    Yes, the doomsayers have for a few years been shouting from the rooftops that the days of TV are numbered, considering the rash of consumers who have cut the cord on cable and satellite TV. Yes, media conglomerates have been pottering around with digital, not fully confident that Netflix’s streaming gambit is the future. But the Covid2019-induced lockdown, which accelerated digital adoption by a few years, not only allowed OTTs to take flight and soar, it also gave linear TV a new lease on life.

    For traditional broadcast outfits, cable, satellite and terrestrial transmissions are not the only modes of distribution – wherein they have to go through intermediaries to get their content to viewers – it has become crucial, a question of survival to deliver content via IP directly to viewers who watch what they want to watch and whenever they want to. Streaming is at the forefront of change that they are undergoing.

    Global media giants overhaul organisational structure:

    The OTT revolution was started by Netflix a decade ago and the platform has led the change for years now. But following the success of the Reed Hastings-led streamer and Amazon Prime Video, large media conglomerates which traditionally offered TV content and owned rich movie libraries are placing big bets on their digital arms. The Walt Disney Co (Disney) is the greatest example of this.

    While the media empire was already embracing a new future gradually under its new CEO Bob Chapek, it accelerated the reorientation due to the challenges posed by Covid2019. In October, the company revealed its plan to centralise its media businesses into a single organisation that will be responsible for content distribution, ad sales and Disney+. Kareem Daniel has emerged as the star of the re-organisation as he has been promoted to lead the new media and entertainment distribution group. After the announcement, Chapek also acknowledged that Covid accelerated the rate at which they made this transition, albeit the transition was bound to happen anyway.

    Later at its investor day, the entertainment giant shared some glimpses of “tremendous success” achieved through its portfolio of streaming services with 137 million subscribers worldwide. Riding high on this humongous wave, it now expects its streaming services to hit 300–350 million total subscriptions by fiscal 2024.

    Moreover, a new service is also in offing, from the international general entertainment content brand Star. Hence, it is clearly inevitable that Disney will put all its money behind streaming over in the next few years.

    Warner Bros is another media giant raising the stakes in the digital game, as it recently unveiled its plan to launch its slate of 2021 films on HBO Max on the same day they’re released in US cinemas. It could be seen as a crisis-led response but it indicates how streaming could significantly shorten the theatrical window overall in reaction to rapidly changing consumption habits. Like Disney, WarnerMedia also rejigged its organisational structure this year under new CEO Jason Kilar. He said the changes were meant to help WarnerMedia successfully reach consumers amid accelerated direct-to-consumer demand during the pandemic. While the two Hollywood giants made a buzz recently, other media companies like NBCUniversal, ViacomCBS, Discovery are also experiencing the same wave of reorganisations and betting their futures around streaming video.

    Indian media companies rejig organisation too:

    Cut to India. Zee Entertainment Enterprises Limited (ZeeL) has been investing highly in its streaming business in the last couple of years. ZeeL CEO and Punit Goenka announced that the company would gather all of its digital assets under a single umbrella, which includes Zee5 (domestic AVOD+SVOD), Zee5 Global, SugarBox and digital publishing to align with its future strategy. As a part of the restructure, Amit Goenka took over as digital businesses and platforms president. 

    In line with the global overhaul, another major broadcaster Star India (a part of Disney post 21st Century Fox acquisition) is also facing major shake-up at the top executive levels. Star & Disney India president Uday Shankar announced his departure from the organisation and Star Sports CEO Gautam Thakkar also called it quits just a few days after Shankar’s resignation. A separate head of Disney+Hotstar, Sunil Rayan, was roped in after a global search to replace Ajit Mohan, who left to head Facebook India.

    Many industry sources indicated that Disney Star India would reduce its spend on TV, and its sports content catalogue and increase its focus on Disney+Hotstar. Expect considerable muscle to come behind Disney+Hotstar as its subscribers makes up 30 per cent (26.8 million subscribers) of the total subscriber base of parent Disney+.

    Traditional broadcasters put more money in online content:

    Another noticeable trend in 2020, other than the restructuring that has swept through the Indian streaming services, is higher investment in content. Sony Pictures Networks India (SPN) entered the streaming war on the back of its TV content and sports portfolio. With more global and homegrown rivals ramping up their spends, it was not able to make a mark in the race. In mid-2020, SPN relaunched its digital service SonyLIV 2.0 with increased spends on original content and a fresh brand identity. With the rebranding, SonyLIV has emerged as the dark horse in the Indian OTT space, especially due to successful shows like Scam 1992 which have been appreciated widely.

    Among other broadcaster-led streaming platforms, Viacom18 also upped its game in premium content with the launch of subscription service Voot Select. Regional broadcasters like Sun TV are also not far behind. The south-based network is planning to invest around Rs 200 crore in its digital venture SunNXT. Not to be outdone, Public broadcaster Doordarshan is also building up its digital portfolio through its YouTube channels.

    What do the numbers say?

    The reason for everyone moving their guns in one direction could be explained through numbers. The OTT market is expected to grow at a CAGR of 28.6 per cent over the next four years to touch revenues of $2.9 billion, a report from PwC forecasts. Moreover, the pandemic has tuned more consumers to pay for subscription-based services as the segment has registered a 55-60 per cent year-on-year growth in India in 2020. Further, more than half of these new users are likely to continue using the service, according to the annual M&E report by the Boston Consulting Group (BCG). Even the pay-per-view model is also gaining traction as mental barriers for online payment are slowly lifting. To grab a slice of this growing market, all the traditional players are also trying to secure a place for themselves in the consumers’ consideration sets.

    For Indian companies, the story may play out differently as compared to their western counterparts. They will be surfing two concurrent waves: the digital one and the traditional linear TV, as they cannot overlook the latter courtesy its potential to grow further.    

  • MPL ropes in HockeyCurve for creative automation

    MPL ropes in HockeyCurve for creative automation

    NEW DELHI: Martech start-up HockeyCurve Technology Labs has won the account of Mobile Premier League (MPL), the fantasy gaming platform with more than 60 million users.

    During the engagement, HockeyCurve will provide end-to-end dynamic creative implementation to deliver high performance digital campaigns for all the MPL gaming verticals. This will also include programmatic ad serving, creative analytics and automating all mainline campaigns into high performance digital sub-campaigns.

    HockeyCurve co-founder and CEO Aditya Jagtap said, "We are really excited to have MPL on board. They have 50+ different games on their platform – which is a perfect recipe for building a true creative automation model for MPL. After deploying SportsPlex for broadcasters like Hotstar, Sony, ESPN, we are really kicked about expanding the product into the fantasy and gaming domain". 

    As a part of their recently launched IPL campaign, HockeyCurve deployed first of its kind real-time key player statistic based ads for MPL’s fantasy league. These ads were an instant hit with 3X increase in user engagement compared to standard banner ads and uplifted the programmatic advertising efficacy by almost two times compared to direct buy campaigns.

    "With HockeyCurve ad-server, we got a three-in-one solution that offers personalised creatives, dynamic optimisation and granular analytics, which is super scalable for our growth team. This custom setup ensures our product offerings get seamlessly extended into our advertising across our digital media campaigns. We look forward to bringing more such automation campaigns in the coming months to enthral our users,” said Arpit Awasthi, MPL’s head of digital marketing.

    Founded in 2016, HockeyCurve Technology Labs offers proprietary digital marketing products for programmatic media buying, dynamic creative optimisation (DCO) and other custom automation services to e-commerce, sports and OTT brands including Flipkart, Hotstar, ESPN, Amazon Prime Video, Sony, Zee5, Voot, Oyo, Grab and others.

  • ZEE5 decrypts future of digital entertainment with Contech.ED 2020

    ZEE5 decrypts future of digital entertainment with Contech.ED 2020

    Mumbai: ZEE5 will air the final episode of their Contech.ED 2020 series on December 12, 2020. #BingeNomics is an eight-partknowledge series to discuss the trends and triggers behind changing media and entertainment consumption patterns and how companies are responding to it. Bringing together renowned industry personalities like Ajay Kakkar from Aditya Birla Capital, Vikram Sakhuja from Madisson Media, Siddharth Banerjee from Games24x7, Pankaj Parihar from Godrej Consumer Products, the discussions aim to capture expert viewpoints to holistically address the challenges that befall the industry. 

    Entertainment consumption patterns have witnessed a dramatic shift in 2020 – from appointment viewing on TV to on-demand viewing on-the-go. Combined with several technology innovations propelling this growth, the steady penetration of connected devices, and smartphones giving rise to parallel second screen viewing, consumers are discovering newer ways to satiate their content needs. The #BingeNomics series brings to fore various questions with the aim to decode the preferences of the current end consumer, market growth drivers, the importance of storytelling and need for superior consumer experience to decipher what the future has in store for the media and entertainment industry. 

    Zee5 chief revenue officer Rajeev Dhal opined, “OTT saw a comeback in Q2 compared to Q1 post the lockdown. ZEE5 has grown more than 2X in terms of numbers, in Q2:Q1 our user base has grown 50 per cent and engagement rates have grown 4X – basically, everything consumed at-home has only been growing, and OTT is here to stay. There is no debate that digital ad expenses are only growing, and by 2026, 50 per cent of the AdEx will be digital oriented and bigger than TV or print. While consumption rates grow exponentially, users are going to choose to be discreet by limiting ad tracking, removing cookies which will inevitably disrupt the system. BingeNomics is ZEE5’s way of having such thought-provoking, engaging and inspiring conversations on the fast-paced, always evolving media and entertainment industry.” 

    ZEE5 India business head expansion projects and head of products Rajneel Kumar added, “Technology plays a very important role across all material changes we’re witnessing in the media and entertainment space. Consumers are now multi-device, multi-platform users and in order to know where their right audience is, brands must track them closely and accurately in order to understand where they spend their time and why. The more attuned we are to understanding these technological shifts, the better prepared we will be to entertain our consumers and make their content viewing experience superlative.” 

    Moderated by SheThePeople founder Shaili Chopra, ZEE5’s Contech.ED 2020 #BingeNomics kicked off in October 2020 and airs a new episode every Saturday. The first three episodes delved into the disruptors that are currently shaping the digital entertainment landscape, storytelling in digital content, and how innovations are changing the way we look at the rise of digital. The next four talk about the future of advertising in the digital age, who the new digital video consumer is, regional markets driving digital growth, and if and how digital media is poised to overtake traditional media.In the final episode,experts will discuss the nuances of ensuring a brand safe environment on digital media. 

  • In with the new: Zee5 Global to end 2020 with a bang

    In with the new: Zee5 Global to end 2020 with a bang

    KOLKATA: Zee5 Global has lined up a fresh slate of originals to wind up 2020 with a bang. The OTT platform is ending the year with the robust content flow it has maintained throughout the year.

    Darbaan premiering on 4 December is inspired by a Rabindranath Tagore short story on love, loyalty and sacrifice. This Zee5 original film features Sharib Hashmi and Sharad Kelkar in lead roles.

    Lined up for release in the second half of the month is a remake of popular Nordic television series Black Widows, with an ensemble star cast that includes Mona Singh, Raima Sen, Swastika Mukherjee, Shamita Shetty, Sharad Kelkar, Parambrata Chattopadhyay, and Aamir Ali. Bisra Dasgupta has directed this highly-anticipated story of three oppressed women taking the bull by the horns to put an end to domestic violence. Black Widows premieres on 18 December exclusively on Zee5.

    Also lined up for release on 18 December is the world digital premiere of the Bangla movie Password. And on 29 December, Milind Soman and Shaheer Sheikh are set to share the screen in a magnum opus period drama Paurashpur, a Zee5-Alt Balaji collaboration.

    Apart from these, marking its second anniversary, Zee Keralam will be streaming two new serials – Kaiyethum Doorath that premiered on 30 November, and Manam Pole Mangalyam set to release on 21 December.

    Other new TV shows available on Zee5 are the much-awaited Zee Bangla show Aparajita Apu, which debuted on 30 November, Zee Tamil show Thirumati Hitler launching on 14 December, and Zee Punjabi fiction show Maava Thandiyan Chavan, releasing on 15 December.

    The streaming platform will also premiere Zee TV’s latest daily soap Kyun Rishton Mein Katti Batti, the story of a married couple who begin to have differences in their relationship, on 14 December, featuring new episodes every day.

    Among its year ender specials, Zee5 will air the popular Zee Rishtey Awards 2020 on 27 December. The streaming platform is also hosting a Global Content Festival through December, inviting entries for feature films, documentaries and shorts from independent film makers across the world, giving them a chance to showcase their content on Zee5.