Tag: Zee TV

  • BARC week 21: The Q is heading to the big league of channels

    Mumbai: QYOU Media Inc has announced that The Q India, the company’s Hindi language youth-oriented channel has reported a new record gross rating point (GRP) level in week 21 of 2021, as measured by the Broadcast Audience Research Council (BARC). 

    GRP is a measurement that combines viewer impressions with the time spent viewing (TSV) a particular channel. In week 21, The Q recorded 94.65 million viewer impressions with an average TSV of 104.56 minutes, which on a combined basis has driven The Q to its highest GRP level in company history. 

    The GRP of The Q in the week 21 report of BARC is 53, and clearly indicates that the channel is making steady progress and heading into the big league dominated by mass-market channels that are operated by Sony, Zee TV, and Viacom (Colors). The Q also recorded an eight-week average GRP of 46.23. 

    It should be noted that GRP is one of the most vital metrics used to project potential future revenue growth. As The Q is gearing up with a line up of new programmes, the channel is expected to join the big league in the coming months. 

    “This has been an incredible ratings run and every week we are thrilled with the solid fan base that we are clearly establishing.  Perhaps the most amazing part of this is that we have yet to launch many of our new programs and series and in addition, there has been little to no marketing of the channel to date. This is happening organically and via the virtuous loop, we all believed in where our creators and their social presence are building our brand directly with our viewers. We are not resting on these results and expect to continue to build distribution, programming, and marketing efforts to push The Q to (still) higher and higher levels,” said QYOU chief executive officer and media co-founder Curt Marvis. 

    In a recent statement, the company said that The Q is available in over 100 million TV households and reaching over 612 million OTT and mobile users in India. 

  • Yupp TV relaunches Zee in UK and across Europe

    Yupp TV relaunches Zee in UK and across Europe

    Mumbai: OTT platform Yupp TV known for airing South Asian content has relaunched Zee channels in the United Kingdom, and all across Europe. Beginning from 2 June, Zee channels including Zee TV, Zee Cinema, Zee Telugu, Zee Tamil, Zee Kannada, Zee Keralam, Zee Punjabi, Zee Marathi, and Zee Bangla will be available for viewers in Europe. 

    Zee Entertainment is one of India’s leading media conglomerates that offers a bouquet of entertainment channels. With the relaunch of Zee in the European market, viewers will be able to watch a wide range of fiction, non-fiction, and other regional content offered by various Zee channels. 

    Commenting on the relaunch of Zee channels, Yupp TV founder and CEO Uday Reddy said, “We are delighted to once again join hands with one of the leading entertainment networks, Zee Entertainment, to bring back its premium entertainment channels to the UK and the Rest of Europe markets. These markets provide unlimited potential for Indian television with Hindi and regional languages and Zee channels will be a great value addition to our already vast library. YuppTV users can now watch their favourite Zee content, giving them more entertainment options to choose from.” 

    Zee Entertainment Enterprises Limited, chief business officer-international business Ashok Namboodiri, said ZEE reaches out to over 1.3 billion viewers globally and we continue to grow. “YuppTV and ZEE have been working together for the last decade in several markets and give audiences the best in entertainment, globally. With this partnership, audiences in UK & Europe can now enjoy a wide range of entertainment channels from ZEE and stay updated on all the latest news with Zee News and Zee Business from the Zee Media portfolio,” he said.

    Expressing excitement about partnering with Yupp TV, Zee UK business head Parul Goel said, YuppTV viewers will be in for a treat as they will be able to pick channels across six to seven Indian languages and genres from the ZEE stable.

    Viacom18 had also launched its regional channel Colors Gujarati in the United Kingdom. IndiaCast Media Distribution, jointly owned by TV18 and Viacom18, has partnered with Sky and Virgin Media for the channel’s launch in the European nation. 

  • BARC week 20: Star Plus tops the list of Hindi GEC pay platforms

    BARC week 20: Star Plus tops the list of Hindi GEC pay platforms

    Mumbai: Star Plus has topped the list of pay platform channels in the report released by the Broadcast Audience Research Council (BARC) for week 20 (15 May to 21 May 2021). The Hindi GEC was ranked second with 2357.44 Average Minute Audience (AMA), followed by Sony SAB (2159.02) and Colors (1375.48) ranked second and third respectively. 

    Zee TV bagged the fourth spot with 1180.56 AMA, while Sony Entertainment Television (1132.23) and Star Utsav (928.8) grabbed the fifth and sixth spots respectively. The remaining channels in the top 10 list of Hindi GEC pay platforms are Star Bharat (701.35), Sony Pal (598.01), Dangal (422.79), and Colors Rishtey (419.06).

    Star Utsav topped the BARC’s free platform list of Hindi GECs with 2101.41 AMA. Zee Anmol, Colors Rishtey, and Sony Pal were listed on the second, third, and fourth spots with 1078.96, 1016.59, and 956.05 AMA respectively. 

    Dangal (737.22), The Q (708.76), Big Magic (360.83), Shemaroo TV (143.4), DD National (19.75), and DD Retro (18.12) are the other channels that find their spot in BARC’s list of most-viewed free platforms. 

    In the urban market, the top 10 channels were Star Plus, Sony SAB, Colors, Star Utsav, Sony Entertainment Television, Zee TV, Sony Pal, Star Bharat, Colors Rishtey, and Dangal. 

    The top 10 channels in the rural category were Star Utsav, Zee Anmol, Colors Rishtey, Sony Pal, Star Plus, Dangal, Sony Sab, The Q, Zee TV, and Colors. 

  • Zee TV’s Aparna Bhosle on changing the content game in television

    Zee TV’s Aparna Bhosle on changing the content game in television

    MUMBAI: Traditional television broadcast has long been a staple of entertainment. But as the fast-growing internet and over-the-top (OTT) video platforms make inroads into the consumer market, more and more people are beginning to cut the cord and move to a digital viewing experience. The rules of the content game have changed. Digitisation has lifted barriers and offered a multitude of opportunities to tell stories that were once impossible to tell and it has become more important than ever for broadcasters to up their game in terms of content quality.

    Indiantelevision.com’s Shikha Singh spoke to Zee TV business head Aparna Bhosle on how this transformation has impacted the audiences’ demands, the use of newer technologies, shooting techniques to meet the ever-growing need of viewers for quality entertainment and more.

    Edited Excerpts:

    On what has led to the growth of TV shows.

    Technology has evolved over the years and has certainly contributed significantly to our shows looking much better visually. We have more sophisticated cameras and lenses today, much better visual effects, and cutting-edge post-production software. But, at the end of the day, it is more about a maker's intent. Our audiences are far more exposed to global content than they ever were. Hence we, as makers, have started putting in a lot more effort into every small detail which makes the content look more aesthetic and visually appealing. It is not only about monetary investment but also investment in terms of time and thought. A lot more thought goes into production design which overall results in shows looking much better.

    On changes they have introduced to improve the look and feel of the shows.

    Shooting on Sony F5 is a standard in today's time. We even shoot on more sophisticated cameras such as Arri Alexa, Sony FX9. These are some cameras that have given great results even in low lighting conditions and the picture quality is top-notch. And with the advent of specialty equipment such as drones, Go-Pros, one can bring alive the scale of production values.

    Apart from that, more and more technicians are now experimenting not only with cameras but also lighting techniques. The days of flat lighting are long gone. Today's storytelling requires different shows to have different lighting. It is not just about having the latest technology at your disposal, it is more about how one leverages it to narrate a story more effectively. Technicians today love to experiment and create new looks for the show. They play with camera angles, lighting techniques which overall helps in achieving a new contemporary look. Sound, too, plays a very important role in storytelling. Today, our shows come with a Dolby digital 5.1 output which gives our viewers a high-quality sound experience while watching TV.

    On advantages of shooting in 4K.

    Shooting in 4K means more resolution, deeper colours, more creative options to work with during post-production. But the 4K files are heavy, which means more time to grab, hence for daily shows, it becomes time-consuming and not viable as a process. Shooting in 4K is possible in the case of certain events or promos that provide sufficient timelines between the dates of the shoot and on-air telecast.  

    On what kind of discussion goes on with production houses before creating any property.

    Detailed discussions between the channel and the production house right from the concept of a show, the narrative and the pace at which the storytelling should unfold, the key drama spikes, the characterisation, casting, core communication pitch, the production design, and the overall look and feel of the show are an integral part of the show’s making. As one moves closer to the show going on the floor, aspects such as set design, art direction, costume styling, camera treatment, and edit patterns get discussed.  

    Today, with the audience being far more exposed and discerning,  it is imperative for every broadcaster to display their A-game to hold and sustain audience interest.

    On how shows are made and changes introduced in the script.

    Just a few years ago, a tape used to be delivered from the editing studio to a channel’s office for transmission. Today, the same is achieved by a simple file transferring process. Content production is a dynamic process, and we are always eager to introduce new technology into our ecosystem. The journey from envisioning to execution is always a challenging one. As far as scripting is concerned, technology has given far more creative freedom to content creators as a lot of sequences that were earlier unthinkable in terms of execution have now become possible and even cost-effective.

    On how digitalisation has changed content production on TV.

    It has certainly lifted a lot of barriers. The camera quality is far better. Cameras can now shoot much better in low light conditions; they are lighter in weight, there is sophisticated equipment to shoot underwater, action sequences, etc. Our requirement for lights has considerably reduced. Shooting in uncontrolled environments, outdoors has become far easier. Footage transfer has become faster. The advancement in visual effects has empowered us to bring our viewers stories that were once impossible to tell.

    The post-production process has gone through a mammoth leap. The process of DI (digital intermediate, or digitising filmed content and manipulating the colour and other image characteristics), colour grading, sound effects, and background music were all very time-consuming and today can be achieved in a decent timeline. From a viewer's point of view, they are experiencing content with never-seen-before visual and audio quality and further advances in digitisation will only help us to up our ante.

  • BARC week 11: Zee TV slips to sixth spot in urban market.

    BARC week 11: Zee TV slips to sixth spot in urban market.

    MUMBAI: Star Plus, Sony Sab and Zee TV have continued to remain as top three channels in urban market and pay platform (Saturday 13 March 2021 to Friday 19 March 2021) of Broadcast Audience Research Council of India (BARC) data. Zee TV has slipped down to the sixth spot in urban market. 

    Pay Platform

    In week 11 of BARC India ratings, the top ten channels on pay platform were Star Plus, Sony Sab, Zee TV, Colors, Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Dangal, and Colors Rishtey.

    Urban Market

    In the urban market, the top ten channels were Star Plus, Sony Sab, Colors, Star Utsav,  Sony Entertainment Television, Zee TV,  Sony Pal, Dangal, Colors Ristey, and Zee Anmol in week 11 of BARC India ratings.

    Rural Market

    Star Utsav, Zee Anmol, Sony Pal, Dangal, Colors Rishtey, Star Plus, Zee TV, Sony Sab,  Big Magic, and Colors were the top ten channels in the rural market in week 11 of BARC India ratings.

    Free Platform

    On the free platform Star Utsav, Zee Anmol, Sony Pal, Dangal, Colors Rishtey, Big Magic, Shemaroo TV, DD National, DD Retro  and DD Madhya Pradesh were the top ten channels in week 11 of BARC India ratings.

  • BARC week 10: Star Plus, Sony Sab & Zee TV reign pay platform

    BARC week 10: Star Plus, Sony Sab & Zee TV reign pay platform

    MUMBAI: Sony Sab has continued to maintain its hold on the second position in urban market and pay platform(Saturday 6 March 2021 to Friday 12 March 2021) of Broadcast Audience Research Council of India (BARC) data. Colors Rishtey has replaced &TV for the tenth spot on pay platform.

    Pay Platform

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    In week ten of BARCIndia ratings, the top ten channels on pay platform were Star Plus, Sony Sab, Zee TV,Colors, Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Dangal, and Colors Rishtey.

    Urban Market

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    In the urban market, the top ten channels were Star Plus,Sony Sab, Colors,Star Utsav,  Zee TV, Sony Entertainment Television, Sony Pal, Dangal, Colors Ristey, and Zee Anmol in week ten of BARCIndia ratings.

    Rural Market

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    Star Utsav, Zee Anmol, Sony Pal, Dangal, Colors Rishtey, Star Plus, Zee TV,Sony Sab, Big Magic and Colors were the top ten channels in the rural market in week ten of BARCIndia ratings.

    Free Platform

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    On the free platform, Star Utsav, Zee Anmol,Sony Pal,Colors Rishtey,Dangal, Big Magic, Shemaroo TV, DD National,DD Retro and DD Madhya Pradesh were the top ten channels in week ten of BARCIndia ratings.

  • BARC week 9: Colors slips down to third spot on pay platform

    BARC week 9: Colors slips down to third spot on pay platform

    MUMBAI: In comparison to week eight, Colors has slipped down to fourth position on pay platform(Saturday, 27 February 2021 to Friday, 5 March 2021) of Broadcast Audience Research Council of India (BARC) data. Sony Sab has bagged second spot on both pay platform and urban market.

    Pay Platform

    In week nine of BARCIndia ratings, the top ten channels on pay platform were Star Plus, Sony Sab, Zee TV,Colors, Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Dangal, and &TV.

    Urban Market

    In the urban market, the top ten channels were Star Plus,Sony Sab, Colors,Star Utsav,  Zee TV, Sony Entertainment Television, Sony Pal, Dangal,Zee Anmol and ColorsRistey in week nine of BARCIndia ratings.

    Rural Market

    Star Utsav, Zee Anmol, Sony Pal, Dangal, ColorsRishtey, Star Plus, Zee TV,Sony Sab,Colors, and Big Magic were the top ten channels in the rural market in week nine of BARCIndia ratings.

    Free Platform

    On the free platform, Star Utsav, Zee Anmol,Sony Pal,Dangal, ColorsRishtey, Big Magic, Shemaroo TV, DD National,DD Retro  and DD Madhya Pradesh were the top ten channels in week nine of BARCIndia ratings.

  • Barc week 52: Sony Sab slips to fourth spot on pay platform

    Barc week 52: Sony Sab slips to fourth spot on pay platform

    MUMBAI: Sony Sab has slipped to fourth spot on pay platform in week 52 (Saturday 26 December 2020 to Friday 1January 2021) of Broadcast Audience Research Council of India (BARC) data. &TV for the third consecutive week has grabbed tenth spot on pay platform.

    Pay Platform


    In week 52 of Barc India ratings top ten channels on pay platform were Star Plus, Colors,Zee TV, Sony Sab,  Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Dangal, and &TV

    Urban Market

    In the urban market, the top ten channels were Star Plus,Colors,Sony Sab, Star Utsav, Zee TV, Sony Entertainment Television, Sony Pal,  Dangal, ColorsRistey, and Zee Anmol are in week 52 of Barc India ratings.

    Rural Market

    Star Utsav, Zee Anmol, Sony Pal, ColorsRishtey, Dangal,Zee TV,  Star Plus, Sony Sab, Colors and Big Magic  were the top ten channels in the rural market in week 52 of Barc India ratings.

    Free Platform

    On the free platform Star Utsav, Zee Anmol,Sony Pal, ColorsRishtey, Dangal, Big Magic, Shemaroo TV, DD National, DD Retro and DD Bharati were the top ten channels in week 52 of Barc India ratings.

  • Zee TV bids adieu to 2020, looks ahead to 2021

    Zee TV bids adieu to 2020, looks ahead to 2021

    MUMBAI: 2020 has been a year of significant ups and downs for the Indian television industry. While the year began on a high note with Zee TV along with other Hindi GECs launching fresh and engaging content for its viewers, the year soon saw a low with the novel Coronavirus rearing its head. During the crucial phase of the lockdown where each and every person was spending time at home, struggling to stay afloat in the battle against the pandemic, the need for entertainment was more than ever. In this space where channels came to the rescue with various forms of content, old and new, Zee TV kept its loyalists entertained all through the year. As we gear up to embrace another year full of opportunities with a fresh outlook, let’s have a look at the year gone by.

    Beginning 2020 in a grand style

    After seven successful seasons of ruling reality television, Sa Re Ga Ma Pa Li’l Champs once again opened its doors to welcome India’s finest young singing talent with season eight of the show. While the popular singers Alka Yagnik, Kumar Sanu and Udit Narayan ventured on the journey as the judges and mentors of the show, Himesh Reshammiya and Javed Ali came aboard and stepped in for Kumar and Udit as the new judges post lockdown. With various celebrities from Sajid Khan to Govinda and even Poonam Dhillon gracing the stage with their presence, the show culminated with Li’l Champ Aryananda Babu being crowned the winner.

    Set against the backdrop of Devprayag, Qurbaan Hua is an intense drama about two passionate young individuals, Neel (Karan Jotwani and currently Rajveer Singh) and Chahat (Pratibha Ranta) who are completely different people hailing from starkly different backgrounds and cultures. Being on a mission of their own, they sacrifice the single-most important and intimate relationship of life by tying the knot with each other, without a trace of love that forms the foundation of any marriage. While Neel is burning with the fire of revenge for his sister’s death, Chahat is single-mindedly determined to clear her abbu’s name as she’s convinced he had no role to play in the death of Neel’s sister. Via the show, Zee TV brought forth the question to its viewers – To what lengths will these warriors of love go for the love and pride of their family?

    Reviving the nostalgia around classics

    Zee TV brought back some of its most iconic shows and left no stone unturned to entertain its audience to the fullest during the Covid2019 lockdown.

    A universal favourite across generations, Hum Paanch made a mega comeback on public demand on the channel after 25 years. The iconic show that brought together a stellar cast, narrated the story of Anand Mathur and his amusing middle class family comprising his wife Bina Mathur and his five daughters, who would constantly plot plans to turn his world upside down. Adding more chaos and confusion to his life is the photo frame of his late wife, who occasionally talks to him and nags him on certain decisions.

    In addition to this, Zee TV brought back episodes of its first inter-generational family saga set amidst a modern Muslim milieu, Qubool Hai. Following the journey of Zoya (played by Surbhi Jyoti), the show gave an interesting insight into the world of the Muslim community and the progressive changes that take place within.

    A mix of spine-chilling tales and period drama

    With another surprise up its sleeve, Zee TV brought back a collection of some of  the spookiest short horror stories of ghosts and spirits that scared the daylights out of everyone back in the day. Along with re-introducing The Zee Horror Show, it also narrated the classic tale of Akbar Birbal that not only made people laugh with its majestic storytelling but also imparted some valuable life lessons to its  viewers.

    A reality flashback

    The most popular seasons of Dance India Dance and Sa Re Ga Ma Pa Li’l Champs saw a comeback on television with the superhit judges' trio of Terence Lewis, Remo D'Souza and Geeta Kapoor along with Neha Kakkar, Himesh Reshammiya and Javed Ali respectively.

    While the current youth icons – Shakti Mohan, Dharmesh Yelande and Punit Pathak revived the energy amongst viewers with their splendid dance performances, the Li’l champs brought melody to their ears through some soulful performances.

    Bhakti ki shakti

    Offering its viewers an escape into the spiritual world with stories about the greatest protectors of the world, Zee TV narrated the story of Lord Vishnu’s ten incarnations through BR Chopra's Vishnu Puran. Based on an ancient collection of stories and scriptures, the show helped viewers transcend into a heavenly world and learn some interesting life lessons from Lord Vishnu aptly played by veteran actor Nitish Bharadwaj.

    It also narrated various fascinating chronicles of the natkhat Krishna and depicted the mischievous side to this Makhan Chor with Paramavatar Shri Krishna. Enchanting viewers with his various and diverse facets the show also showcased the victorious tale of Krishna’s triumph over the evil Kans mama’s tyranny, while giving us a glimpse of the warrior within him.

    Succeeding in first of its kind initiatives

    Celebrating 25 years of India’s longest-running non-fiction franchise – Sa Re Ga Ma Pa, Zee leveraged its network strength for a truly unique initiative, ‘Ek Desh Ek Raag’ which began with a 25-hour music marathon on digital with back-to-back, round-the-clock performances by popular singers across ten Zee Facebook pages that captured the vibrancy of the sur, taal and spirit of every Indian sub-culture.

    The 25-year milestone culminated in a grand televised, shot-from-home fund-raising concert across 23 channels of Zee & Zee Media with performances by the most iconic faces of the show.

    Establishing a first-off connect between OTT and television

    In its quest to provide viewers with differentiated content amidst lockdown, Zee TV introduced four new finite shows for the first time on television after them being aired earlier on respective OTT platforms. While shows like Karle Tu Bhi Mohabbat, Baarish and Kehne Ko Humsafar Hain reassured viewers in the power of love during the most challenging times, Queen motivated its viewers by narrating a hard-hitting story of an ordinary girl who stood up to life’s curveballs to emerge as the extraordinary ‘Iron lady of Indian politics.

    A unique saas-bahu relationship

    Capturing the essence of the ever-evolving dynamics of the saas-bahu relationship in Indian society, Zee TV's new show Hamariwali Good News presented a heart-warming journey of the Tiwaris, who like most families, are grappling with the quest for the quintessential 'good news' of a tiny tot who'll fill up their lives with joy. Only this time around, it is the saas who rather than pressurising or berating her bahu for not being able to conceive, will go the extra mile, brush aside societal norms regarding age and the worry of ‘what will people say’ by conceiving a baby with her husband to bring the good news that they collectively await. The journey of this unique saas-bahu relationship between the daughter-in-law, Navya (Shrishti Jain) and her mother-in-law, Renuka (Juhi Parmar) and the manner in which it beautifully deepens in the face of this role reversal forms the crux of this show

    A tale of defying destiny and rising above

    Set against the backdrop of Jaipur, Apna Time Bhi Aayega is an inspiring narrative of Rani, (Anushka Sen and currently played by Megha Ray) the young daughter of a head staff member of an affluent family, who refuses to be tied down by her humble roots. The show depicts her journey in breaking free from the shackles of her background as she chooses to carve her own destiny and reach out for her ambitious goals. This family-drama also debunks the deep-rooted class system and questions its unwritten rulebook of aukaat (status) in our society, which almost curtails the chances of the lower strata in taking charge of their destiny and rising above their means.

    An ordinary woman’s battle against evil

    Set against the backdrop of Ambala, the show Brahmarakshas 2 follows the journey of an ordinary young girl, Kalindi (Nikki Sharma) whose destiny gets entwined with the most ferocious evil force that has ever awakened, the Brahmarakshas. It turns out Kalindi was born under a peculiar birth star that makes her special and as a result, the Brahmarakshas needs her in order to accomplish his mission of attaining immortality. Kalindi’s only source of strength is her love for her partner, Angad (Pearl V. Puri). As she navigates and manoeuvres her way through the world of evil and her own ordinary life, Kalindi finds herself up for a gruelling battle to protect the people she truly cares for!

    Roli and Rishu’s innocent mission to bring their family back together

    In December, Zee TV introduced a slice-of-life drama Kyun Rishton Mein Katti Batti depicting the innocent world of two young and adorable kids who team up and set off on a mission to rekindle the love between their parents, Shubhra (Neha Marda) and Kuldeep (Siddhaanth Vir Surryavanshi). The latter duo’s relationship has begun to go south due to personal conflicts that have paves the way to a series of arguments and fights. In the hope of bringing papa back to mamma and  completing their ‘happy family’, Rishu (Pratyaksh Panwar) and Roli (Mannat Murgai) vow to be the glue that will fill the cracks that have developed between their parents.

    What continued ruling hearts?                  

    While the viewers developed a fondness for the new shows, the old ones continued to be audience favorites.

    Taking a leap of faith

    Having intrigued and entertained the viewers with several interesting twists and turns in Guddan (Kanika Mann) and Akshat’s (Nishant Singh Malkani) love life, Guddan Tumse Na Ho Payega took a 20-year-leap that that saw the entry of television star Savi Thakur to essay the character of the new male lead – Agastya Birla. On the other hand, Kanika Mann, who flawlessly brought alive the character of Guddan onscreen, was seen playing the role of her own daughter, Choti Guddan. Showcasing the various ups and downs in the latter’s life, the show also the entry of actors like, Pratham Kunwar, Maera Mishra along with the exit of Nishant Singh Malkhani, Sehrish Ali and Shweta Mahadik.

    Tujhse Hai Raabta being a favourite amongst viewers for its intriguing plot and natural performances by Kalyani (Reem Shaikh) and Malhar (Sehban Azim) took a  leap, after a shocking twist where Malhar was seen pulling the trigger on Kalyani. Five years down the line, it showcased a  deeply dejected Malhar demoted to a  sub-inspector who was on a self-destruction spree. Just as Malhar looked like he was drifting away beyond a point of repair or return, the leap saw the return of Kalyani in an all new avatar that turned Malhar’s world upside down.

    Welcoming the old Zara in Ishq Subhan Allah

    Zee TV’s Ishq Subhan Allah reunited viewers with the original Zara Siddiqui essayed by television actress Eisha Singh in season one. Eisha Singh made an exciting comeback in an all new avatar of a music healer who believes in the extraordinary healing powers of music and its potential to revive even the most depressed. Questioning Kabir’s prior mindset that music is haraam as per his interpretation of religion, she returned to challenge his traditional belief system.

    Reconnecting viewers with their favourite on-screen jodis

    While Zee TV reconnected its audiences with the journeys of their beloved characters post lockdown, they also brought back the viewer’s favourite pairs together after much anticipation. Kundali Bhagya saw major twists and turns occurring in Karan (Dheeraj Dhoopar) and Preeta’s (Shraddha Arya) life with Mahira attempting to get hitched with Karan. However, the drama finally culminated with Karan and Preeta coming together as the audience’s favourite jodi once again.

    Kumkum Bhagya too saw the return of Pragya (Sriti Jha) in Abhi’s (Shabbir Ahluwalia) house where Pragya received a bahu-like welcome at Abhi’s house.

    Ending the year on a high note

    With numerous shows, be it ongoing or new keeping the audience entertained all through the year, Zee TV will give its audiences the best of entertainment at one go with the biggest event of the year.

    Zee Rishtey Awards 2020

    Acknowledging the contributions of innumerable actors, directors, producers, creative teams, technicians who have been working relentlessly to bring you all your favourite daily primetime shows, Zee Rishtey Awards once again made it’s audience’s evening a memorable one as it drew the curtain on 2020. The special event saw popular faces of television across Zee TV’s primetime shows letting their hair down and having a gala time like never before!  Showcasing some amazing performances, the actors were seen giving viewers a taste of all the festivals that they might have missed celebrating through their acts. From Sriti and Shabbir’s scintillating Diwali Dilon ki performance to romantic performances by Rajveer – Pratibha, Mugdha – Krishna and Juhi – Shakti to Ankita Lokhande’s divine act giving a special tribute to the late actor Sushant Singh Rajput, the Zee TV Kutumb ensured that everyone came together and enjoyed the show whole-heartedly.

    Welcoming a new tomorrow in 2021!

    Indian Pro Music League

    Zee TV will present Indian Pro Music League (IPML), a first-of-its-kind music league which will have six teams supported by the likes of Shraddha Kapoor along with Shakti Kapoor and Siddhant Kapoor, Govinda along with wife Sunita, Rajkummar Rao, Bobby Deol, Suresh Raina and Riteish Deshmukh. These teams will be seen representing different regions of India, battling it out against each other in a musical championship. Each of these teams will have celebrated playback singers, one male and one female vocalist as their captains including the likes of Mika Singh, Sajid Khan, Shaan, Ankit Tiwari, Neha Bhasin, Akriti Kakar, Javed Ali, Shilpa Rao, Asees Kaur and Bhoomi Trivedi. Additionally, every team will also have reality stars like Hemant Brijwasi, Salman Ali, Jyotica Tangri, amongst others. To add to this pool of talent, six fresh voices from various regions of the country, one for each team, will get a chance to be a part of this league! To be hosted by two top anchors, the Indian Pro Music League will be launched in early 2021

    Teri Meri Ik Jindri

    Set against the backdrop of Amritsar, Teri Meri Ik Jindri is an endearing tale of two young souls, Mahi (Amandeep Sidhu) and Jogi (Adhvik Mahajan) who despite their starkly different personalities, walk together on the common path of love. While Mahi is an educated, self-driven and ambitious girl belonging to a middle-class family, Jogi is a simple, carefree and grounded boy born and brought up in a lower middle-class family. These two opposite personalities differ widely in terms of their background and outlook towards life. Yet, the only thing uniting and keeping them bound together is their immense respect and love for each other. The show will be launched in early 2021

  • BARC week 51: Colors retains second spot on pay platform

    BARC week 51: Colors retains second spot on pay platform

    MUMBAI: Star Plus, Colors and Sony Sab continued to remain in the top three channels on both pay platform and urban market in week 51 (Saturday 19 December 2020 to Friday 25 December 2020) of Broadcast Audience Research Council of India (BARC) data. For the second week running, &TV was at number 10 on pay platform.

    Pay Platform

    In week 51 of BARC India ratings, the top ten channels on pay platform were Star Plus, Colors, Sony Sab,  Zee TV, Sony Entertainment Television, Star Utsav, Sony Pal, Star Bharat, Dangal, and &TV.

    Urban Market

    In the urban market, the top ten channels were Star Plus, Colors, Sony Sab, Star Utsav, Zee TV, Sony Entertainment Television, Sony Pal,  Dangal, Colors Ristey, and Star Bharat in week 51 of BARC India ratings.

    Rural Market

    Star Utsav, Zee Anmol, Sony Pal, Colors Rishtey, Dangal, Star Plus, Zee TV, Sony Sab, Colors and Big Magic were the top ten channels in the rural market in week 51 of BARC India ratings.

    Free Platform

    On the free platform, Star Utsav, Zee Anmol, Sony Pal, Colors Rishtey, Dangal, Big Magic, Shemaroo TV, DD National, DD Retro and DD Madhya Pradesh were the top ten channels in week 51 of BARC India ratings.