Tag: Zee TV

  • BARC ratings: Zee Anmol leads GECs in U+R

    BARC ratings: Zee Anmol leads GECs in U+R

    MUMBAI: Zee Anmol emerged as the leader in the Hindi GEC (U+R) genre dethroning Star Bharat according to Broadcast Audience Research Council (BARC) all India data for week 52 of 2017.

    Star Plus came down to fourth position from second position in GEC urban markets this week as compared with week 2. Zee Anmol and other channels, however, retained their respective positions this week in GEC rural markets as against the previous week.

    Hindi GEC (U+R)

    Zee Anmol garnered the top slot this week with 736,662 impressions (000s) swapping its position with Star Bharat at second position with 691,997 impressions (000s).

    Colors retained its third position with 627,061impressions (000s), whereas Sony Pal and Zee TV exchanged their positions to fourth and fifth positions, respectively, with 612,393 impressions (000s) and 605,654 impressions (000s).

    Star Utsav, Star Plus, Rishtey, Sony Entertainment Television and Sony Sab retained their sixth, seventh, eighth, ninth and tenth positions with 547746 impressions (000s), 472,073 impressions (000s), 453,939 impressions (000s), 424,273 impressions (000s) and 376,493 impressions (000s), respectively.

    Hindi Rural GEC

    Zee Anmol, Sony Pal, Star Utsav, Star Bharat, Rishtey retained their first, second, third, fourth and fifth positions, respectively, with 562,416 impressions (000s), 419,826 impressions (000s), 394,693 impressions (000s), 352,927 impressions (000s), 329,434 impressions (000s).

    Zee TV, Dangal TV, Big Magic, Colors, Star Plus also maintained their sixth, seventh, eighth, ninth and tenth positions with 238,911 impressions (000s), 236,393 impressions (000s), 166,794 impressions (000s), 163,428 impressions (000s), and 138,850 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Colors retained its leadership with 453,621impressions (000s) sum. Zee TV climbed to the second position with 366,742 impressions (000s).

    Star Bharat stood at third position with 339,070 impressions (000s). Star Plus dropped down to fourth position from the second position with 333,222 with impressions (000s) as compared with week 2.

    Sony Entertainment Television, Sony Sab, Sony Pal and Zee Anmol retained their fifth, sixth, seventh and eighth positions with 304,688 impressions (000s), 281,841 impressions (000s), 192,567 impressions (000s) and 174,245 impressions (000s), respectively.

    Star Utsav and &TV also retained their ninth and tenth positions with 153,052 impressions (000s) and 132,949 impressions (000s).

    Also Read:

    ‘Kumkum Bhagya’ hits the 1000-episode milestone

    Zee Anmol leads Hindi GEC (U+R) in BARC week 1 2018

  • Star Bharat leads Hindi GEC (U+R) in week 2 of BARC ratings

    Star Bharat leads Hindi GEC (U+R) in week 2 of BARC ratings

    MUMBAI: Star Bharat emerged as the leader in the Hindi GEC (U+R) genre dethroning Zee Anmol according to Broadcast Audience Research Council (BARC) all India data for week 2 of 2018.

    Sony Pal and Star Utsav exchanged their second and third positions in GEC urban markets this week as compared to week 1 2018. Moreover, Colors climbed to ninth position from tenth position this week in GEC rural markets.

    Hindi GEC (U+R)

    Star Bharat has garnered the top slot this week with 713443 impressions (000s) swapping its position with Zee Anmol at second position with 674543 impressions (000s).

    Colors, Zee TV, Sony Pal, Star Utsav and Star Plus retained their third, fourth, fifth, sixth and seventh positions with 627061 impressions (000s), 571781 impressions (000s), 561707 impressions (000s), 532146 impressions (000s) and 501448 impressions (000s) respectively.

    Sony Entertainment Television and Rishtey exchanged their eighth and ninth positions with 434651 impressions (000s) and 421999 impressions (000s) respectively. Sony Sab retained its last position with 401334 impressions (000s).

    Hindi Rural GEC

    Zee Anmol retained its first position with 5028221 impressions (000s). Sony Pal and Star Utsav exchanged their second and third positions with 384965 impressions (000s) and 379734 impressions (000s) respectively. Star Bharat and Rishtey stayed with their fourth and fifth positions with 371722 impressions (000s) and 298159 impressions (000s) respectively.

    Zee TV jumped to sixth position with 225491 impressions (000s), pushing Dangal to seventh position with 224788 impressions (000s). Big Magic kept its eighth position with 171562 impressions (000s).

    Colors and Star Plus swapped their ninth and tenth positions with 169408 impressions (000s) and 145360 impressions (000s) respectively.

    Hindi Urban GEC

    In urban GEC, Colors retained its leadership with 438891 impressions (000s) sum. Whereas, Star Plus, Zee TV, Star Bharat, Sony Entertainment Television, Sony Sab, Sony Pal and Zee Anmol retained their second, third, fourth, fifth, sixth, seventh and eighth position with 457653 impressions (000s), 356088 impressions (000s), 346290 impressions (000s), 341721 impressions (000s), 310921 impressions (000s), 297416 impressions (000s), 176742 impressions (000s) and 166321 impressions (000s) respectively.

    Star Utsav and &TV exchanged their ninth and tenth position respectively with 152412 impressions (000s) and 151782 impressions (000s).

    Also Read : Zee Anmol leads Hindi GEC (U+R) in BARC week 1 2018

    Star Bharat leads Hindi GEC (U+R) in BARC week 52

  • Zee Anmol leads Hindi GEC (U+R) in BARC week 1 2018

    Zee Anmol leads Hindi GEC (U+R) in BARC week 1 2018

    MUMBAI: Zee Anmol is back as the leader in the Hindi GEC (U+R) market after a gap of one week, dethroning week 52 (2017) leader Star Bharat, in the first week of 2018, according to Broadcast Audience Research Council’s (BARC) all India data. Star Utsav dropped two slots to sixth position this week from the fourth position last week in Hindi GEC urban + rural markets.

    Star Plus jumped to the second slot this week from third slot last week whereas Zee TV slipped to third slot this week in Hindi GEC urban market. Moreover, &TV and Star Utsav exchanged their ninth and tenth positions in GEC urban markets this week as against the previous week. In the GEC rural markets, Star Plus and Colors swapped their ninth and tenth positions, according to week 1 of BARC India data analysis as compared to  week 52.

    Hindi GEC (U+R)

    Zee Anmol garnered the top position in the genre with 685344 Impressions (000s) sum followed by Star Bharat on second position with 678228 Impressions (000s) sum.

    Colors stood at the third positions with 598060 Impressions (000s) sum, whereas Zee TV climbed to the fourth position with 569854 Impressions (000s) sum. Sony Pal jumped to the fifth position with 557297 Impressions (000s) sum from sixth slot last week and Star Utsav fell to sixth position with 546867 Impressions (000s) sum.

    Star Plus, Rishtey, Sony Entertainment Television and Sony Sab have retained their seventh, eighth, ninth and tenth spots with 545437 Impressions (000s), 455178 Impressions (000s), 422853 Impressions (000s) and 379657 Impressions (000s) sum, respectively.

    Hindi Rural GEC

    Zee Anmol, Sony Utsav, Sony Pal, Star Bharat and Rishtey retained their first, second, third, fourth and fifth slots with 513567 Impressions (000s) sum, 396160 Impressions (000s) sum, 378521 Impressions (000s) sum, 346269 Impressions (000s) sum and 323827 Impressions (000s) sum, respectively.

    Dangal TV, Zee TV and Big Magic stood at their sixth, seventh and eight positions with 258281 Impressions (000s) sum, 219205 Impressions (000s) sum and 171606 Impressions (000s) sum, respectively.

    Star plus and Colors interchanged their ninth and tenth slots with 159556 Impressions (000s) sum and 158773 Impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Colors retained its lead position with 439287 Impressions (000s) sum. Star Plus jumped up one slot to the second position with 385880 Impressions (000s) sum, whereas Zee TV slipped to third position with 350649 Impressions (000s) sum.

    Star Bharat, Sony Entertainment Television, Sony Sab, Sony Pal and Zee Anmol retained their fourth, fifth, sixth, seventh and eighth positions with 331958 Impressions (000s) sum, 297308 Impressions (000s) sum, 286626 Impressions (000s) sum, 178776 Impressions (000s) sum and 171776 Impressions (000s) sum, respectively.

    &TV and Star Utsav swapped their ninth and tenth positions with 155992 Impressions (000s) sum and 150707 Impressions (000s) sum, respectively.

    Also Read:

    Most watched Hindi GEC primetime programmes by urbanites in 2017

    Zee TV leads Hindi GEC (R+U) & urban market: BARC week 44

    Star Bharat leads Hindi GEC (U+R) in BARC week 52

  • Zee TV’s ‘Aap Ke Aa Jaane Se’ gets late night slot

    Zee TV’s ‘Aap Ke Aa Jaane Se’ gets late night slot

    MUMBAI: Zee TV is proving that it meant business when it spoke of its progressive new tagline ‘Aaj Likhenge Kal’ by introducing a new show wherein the girl is half the age of the man she is with. This time, it’s not the wife who’s younger.

    Premiering on 15 January 2018 is its latest offering Aap Ke Aa Jaane Se, slotted in for Monday to Friday at 10:30 pm, an unconventional romance that transcends the barriers of age, life stages and background.

    Produced by Bodhi Tree Productions’ Sukesh Motwani and Mautik Tolia, who are currently churning out Fear Files season two on Zee TV, the show’s edginess caused it to be given a late prime time slot. “It has a slightly adult appeal with a bold progressive concept. So, it makes sense to pick the 10.30 pm slot,” says Motwani.

    Each episode takes an investment of approximately Rs 7-8 lakh. Tolia says that reverse economics works in television. “Rather than us deciding the show budget and making a decision, we work on what the channel allocates. The budget varies as per different components such as time slot, star cast, etc.”

    The intellectual property (IP) right of the show is with Zee TV. Motwani says that owning IP rights is relevant only when you are creating something uniquely Indian or extremely universal, and which travel all over the world and adapted in other languages. A regular family drama doesn’t have the quality.

    Zee TV deputy business head Deepak Rajadhyaksha says that the show is meant to question the point that do people really need social sanction to fall in love. “The show asks us to pause and reassess our understanding of what makes a couple ‘suitable’ or ‘appropriate’. Many of us often go through life, forming opinions about who other people ought to form romantic relationships with. This is based largely on social conditioning dictats that are governed by traditional compatibility factors like age, gender, class, caste, financial background, lifestyles and culture. If they choose to get involved with someone who doesn’t fit any of these pre-conceived parameters, we are quick to judge them,” he says.

    It is an infinite series and 10 episodes are ready. The story is set in Kanpur while the shooting is in Mira Road, Mumbai. Some scenes will be shot in Bhopal for its scenic beauty.

    The show boasts of a stellar star-cast that comprises Suhasi Dhami and Karan Jotwani. Set against the backdrop of Kanpur, Aap Ke Aa Jaane Se chronicles the unique journey of Vedika and Sahil, two strikingly different individuals, hailing from diverse backgrounds, who fall in love irrespective of their substantial age difference. Vedika Mathur is a 42-year-old strong, independent single mother whose world revolves around tending to her own mother and her 15-year-old daughter. Sahil Agarwal, on the other hand, is a 24-year-old fun-loving, free-spirited young man whose thirst for living it up often compromises any semblance of a focus in life or any serious career aspirations.

    Bodhi Tree Productions has a big line up for the new year. While discussing their plans, Tolia says, “We are doing a lot of digital web series and have seven to eight digital properties in the pipeline for 2018 for various platforms. We are in advanced talks with Star, Sony, Discovery Jeet and others for daily soaps. For digital, we are in advanced talks with Vu Clip, Voot and Times. So, for this new year, we have 10 shows in the pipeline.”

    Motwani was doing fiction shows with Zee from 2009 to 2012 after which he quit and launched Bodhi Tree and the production house has initiated 22 shows in the last four years. It was of the producers of Fear Files season one on Zee, and also shows like Nisha and Uske Cousins for Star Plus, Bade Bhaiya Ki Dulhaniya for Sony, Tedhi Medhi Family for Big Magic, Big F two seasons for MTV and Channel V’s episodic shows. It has just completed the web show for Bindass Disney called Dil Buffering.

    Also Read :

    Zee TV’s new weekend detective drama costs 50% more to produce

    Zee TV new logo unveiled; refreshed digital platform Zee5 launch soon

    Kumkum Bhagya boosts Zee TV viewership across genres

  • Star Bharat leads Hindi GEC (U+R) in BARC week 52

    Star Bharat leads Hindi GEC (U+R) in BARC week 52

    MUMBAI: Star Bharat emerged as the leader in the Hindi GEC (U+R) genre dethroning Zee Anmol according to Broadcast Audience Research Council (BARC) all India data for week 52 of 2017.

    Zee TV and Star Plus exchanged their second and third positions in GEC urban markets this week as compared to the week 51. Moreover, Big Magic climbed to eighth position from tenth position this week in GEC rural markets.

    Hindi GEC (U+R)

    Star Bharat has garnered the top slot this week with 692154 impressions (000s) swapping its position with Zee Anmol at second position with 682234 impressions (000s).

    Colors retained its third position with 600546 impressions (000s). Star Utsav climbed to fourth position with 600396 impressions (000s). Zee TV stood at fifth position with 591855 impressions (000s). 

    Sony Pal, Star Plus, Rishtey, Sony Entertainment Television and Sony Sab retained their sixth, seventh, eighth, ninth and tenth positions respectively with 561552 impressions (000s), 501322 impressions (000s), 465438 impressions (000s), 420804 impressions (000s) and 388490 impressions (000s).

    Hindi Rural GEC

    Zee Anmol, Star Utsav, Sony Pal, Star Bharat, Rishtey, Dangal, Zee TV and Colors retained their first, second, third, fourth, fifth, sixth and seventh slots respectively with 513156 impressions (000s) sum, 436095 impressions (000s) sum, 377872 impressions (000s) sum, 357402 impressions (000s) sum, 332561 impressions (000s) sum, 247713 impressions (000s) sum and 237327 impressions (000s) sum.

    Big Magic jumped to eighth position pushing down Colors to ninth with 177951 impressions (000s) sum and 161655 impressions (000s) sum respectively.

    Star Plus garnered last position with 147332 impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Colors retained its leadership with 438891 impressions (000s) sum. Whereas, Zee TV and Star Plus exchanged their slots to second and third positions with 354527 impressions (000s) sum and 353989 impressions (000s) sum respectively.

    Star Bharat, Sony Entertainment Television, Sony Sab and Sony Pal retained their fourth, fifth, sixth and seventh positions respectively with 334751 impressions (000s) sum, 298884 impressions (000s) sum, 290669 impressions (000s) sum and 183680 impressions (000s) sum respectively.

    Zee Anmol, Star Utsav and &TV also stood at the same eighth, ninth and tenth positions respectively with 169078 impressions (000s) sum, 164300 impressions (000s) sum and 148076 impressions (000s) sum respectively.

    Also Read:

    BARC week 51: Zee Anmol leads Hindi (R+U) & rural market 

    Mr Panchal continues to help Star Bharat top Hindi GECs across genre

  • BARC week 51: Zee Anmol leads Hindi (R+U) & rural market

    BARC week 51: Zee Anmol leads Hindi (R+U) & rural market

    MUMBAI: Zee Anmol dominated two markets this week – by dethroning Star Bharat in the Hindi GEC (U+R) market and continued ruling in rural markets – according to Broadcast Audience Research Council (BARC) all India data.

    Colors continued to rule the urban markets with a slight fall in the impressions. Star Utsav and &TV exchanged their ninth and tenth positions in GEC urban markets this week as compared to the previous week.

    Star Utsav and Sony Pal swapped their fifth and sixth positions as compared to week 50 in the Hindi GEC (U+R) market.

    Dangal TV jumped to sixth and Zee TV fell to seventh in Hindi GEC rural market this week.

    Hindi GEC (U+R)

    Zee Anmol has emerged as the leader in the genre with 692817 impressions (000s) followed by Star Bharat at second position with 692427 Impressions (000s).

    Colors and Zee TV stood at the third and fourth positions with 598691 and 584373 impressions (000s) sum, respectively.

    Star Utsav jumped to fifth position with 568254 impressions (000s) sum, while Sony Pal fell to sixth position with 542658 impressions (000s) sum.

    Star Plus, Rishtey, Sony Entertainment Television and Sony Sab have retained their seventh, eighth, ninth and tenth spots with 531495 impressions (000s), 467713 impressions (000s), 403512 impressions (000s) and 371595 impressions (000s) sum, respectively.

    Hindi Rural GEC

    Zee Anmol garnered the leading position with 520761 impressions (000s) sum. Sony Utsav and Sony Pal retained their second and third slots respectively with 417285 impressions (000s) sum and 367643 impressions (000s) sum respectively.

    Star Bharat and Rishtey stood at the fourth and fifth position with 359720 impressions (000s) and 340623 impressions (000s), respectively.

    Dangal TV and Zee TV interchanged their slots with Dangal TV at sixth place with 232190 impressions (000s) sum and Zee TV on seventh slot with 229254 impressions (000s) sum this week.

    Colors, Star plus and Big Magic also retained their eighth, ninth and tenth positions respectively with 161018 impressions (000s), 155558 impressions (000s) and 153796 impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Colors, Star Plus, Zee TV, Star Bharat and Sony Entertainment Television retained their first, second, third, fourth and fifth positions with 437673 impressions (000s), 375937 impressions (000s), 355119 impressions (000s) and 332706 impressions (000s) sum and 292281 impressions (000s) sum, respectively.

    Sony Sab, Sony Pal and Zee Anmol also retained their sixth, seventh and eight positions with 278135 impressions (000s), 175014 impressions (000s) and 172055 impressions (000s) sum, respectively.

    Star Utsav and &TV swapped their ninth and tenth positions with 150969 impressions (000s) and 143501 impressions (000s) sum, respectively.

    Also read: 

    Zee TV leads Hindi GEC (R+U) & urban market: BARC week 44

    Most watched Hindi GEC primetime programmes by urbanites in 2017

    Colors tops urban market: BARC week 43

  • Zee TV leads Hindi GECs in week 48 of Barc ratings

    Zee TV leads Hindi GECs in week 48 of Barc ratings

    MUMBAI: Zee TV emerged as the leader among Hindi general entertainment channels (urban + rural) dethroning Zee Anmol, according to Broadcast Audience Research Council’s (BARC) all-India data for week 48.

    Zee Anmol and &TV interchanged their eighth and ninth positions, respectively, in the GEC urban market this week as compared with the previous week.

    Hindi GECs (U+R)

    Zee TV garnered the top slot this week with 675065 Impressions (000s) followed by Star Bharat at second position with 657889 Impressions (000s). Colors stood at third position with 649192 Impressions (000s). Zee Anmol fell to fourth position with 612946 Impressions (000s). Sony Pal retained its fifth position with 595324 Impressions (000s).

    Star Utsav, Star Plus, and Rishtey also retained their sixth, seventh and eighth slots with 489578 Impressions (000s), 464278 Impressions (000s), and 421112 Impressions (000s), respectively.
    Sony Sab and Sony Entertainment Television exchanged their ninth and tenth spots with 420114 Impressions (000s) and 383014 Impressions (000s), respectively.

    Hindi rural GECs

    Maintaining the status quo, Zee Anmol, Sony Pal, and Star Utsav retained their first, second, and third slots, respectively, with 464035 Impressions (000s) sum, 409596 Impressions (000s) sum, and 362520 Impressions (000s) sum.

    Star Bharat, Rishtey, Zee TV and Dangal TV also retained their fourth, fifth, sixth and seventh positions with 341932 Impressions (000s), 308601 Impressions (000s), 270986 Impressions (000s) sum and 214034 Impressions (000s) sum.

    Furthermore, Colors, Big Magic and Star plus also retained their eighth, ninth and tenth positions respectively with 182761Impressions (000s), 161346 Impressions (000s), and 136018 Impressions (000s) sum.
     

    Hindi urban GECs

    In urban GEC, Colors, Zee TV, Star Plus, Star Bharat, Sony Sab retained their first, second, third and fourth positions with 466430 Impressions (000s), 404079 Impressions (000s), 328260 Impressions (000s) and 315957 Impressions (000s) sum respectively.

    Sony Sab, Sony Entertainment Television, and Sony Pal also retained their fifth, sixth, and seventh positions with 315719 Impressions (000s), 273799 Impressions (000s) and 185728 Impressions (000s) sum respectively.

    &TV and Zee Anmol swapped their eighth and ninth positions with 150323 Impressions (000s) and 148910 Impressions (000s) sum, respectively.

    Star Utsav retained its tenth position with 127058 Impressions (000s) sum.

  • Comment: The rise and rise of Uday Shankar

    Comment: The rise and rise of Uday Shankar

    MUMBAI: From not having enough money to afford even a TV set in Delhi in 1991 when he was a newspaper reporter to heading Star India, one of the most admired Indian media and entertainment companies, for a decade to now being appointed as 21st Century Fox Asia president, it has been quite a journey for Uday Shankar. A well-deserved and rewarding one at that.

    Today, Shankar is one of the few professionals from India to get region-wide responsibility for a global media powerhouse. Executives such as Man Jit Singh, who heads Sony Pictures Home Entertainment globally, and Bedi A Singh, who was News Corp CFO for a long time, have preceded him but both are Indians who rose up the ranks in the US.

    Shankar has, however, earned his stripes growing the Star India business, which in the first quarter had an EBDITA of $100 million and is on course to hit $500 million in 2017-2018 (in the words of 21st Century Fox (21CF) chairman James Murdoch). The 2020 EBDITA target, as spelt out by 21CF, is twice that, and the Murdochs say it is well on course to be achieved.

    When he was handpicked by the then News Corp COO Peter Chernin to take over Star in October 2007 (some say on the advice of the then outgoing company head in India), Shankar knew very little about the entertainment business. All his experience had been in news–whether print or television. He had had stints with several print media publications (his first was The Times of India around 1990) as a political correspondent and last was as one of the founders of environment magazine Down To Earth before the TV news bug bit him.

    Shankar took to the TV medium with ferocity—doing stints at Zee TV’s news channel as a news producer, the Hindustan Times promoted Home TV (it shut down quickly), production house Sri Adhikari Brothers, Sahara TV, and then India Today group’s Aaj Tak and Headlines Today, two channels he helped stabilise and grow over the next six seven years. His talent for being a journalist who got things done did not go unnoticed and he was asked to lead Star News, a joint venture with Kolkata-based ABP group, after CEO Ravina Raj Kohli departed.

    It was at Star News that he blossomed as an executive—a TV exec to be precise—and caught the attention of Chernin and the Murdochs. The rest, as they say, is history.

    Today, under his leadership, the Star network has expanded into regional language channels and produces close to 17,000 hours of content each year in eight languages. The route it has taken to get there: acquisition of the South India-based Maa network, Asianet and via launch of channels such as the Bengali-language Star Jalsa.

    A journalist with little entertainment content creation experience when he was appointed, Shankar has steered Star into creating TV content that has been path breaking over the past 10 years, dealing with social issues, apart from helping position it as a network that produces classy shows but with a social purpose. So much so that Star India shows command an advertising premium even if the channel is not topping viewership ratings. Even on the affiliate revenues front, Shankar has played hardball.

    But one of the boldest moves taken by Star under him—some critics may choose to describe it as foolhardy—was to take on broadcast and telecom regulator TRAI late 2016 when Star India and its affiliate Vijay TV challenged in court the regulator’s jurisdiction over matters relating to copyrights, which effectively has stalled implementation of a new tariff and inter-connect regime announced by TRAI in October 2016. The case is still pending a final verdict in Madras High Court till the time of writing this piece.

    Amongst the early movers in the OTT space, Shankar has made Star invest big in customer acquisition and pushed its digital platform Hotstar CEO Ajit Mohan to go out and not only acquire new business, but also devise a distribution strategy that could be sliced and diced as per needs of the geographical markets. So, Hotstar’s distribution and subscription strategy for the US and Canada market, heavily subscription revenue-led, could be quite different from that pushed in India, where making available content practically free to subscriber initially is aimed at hooking the viewer before he’s seduced to the pay model.

    Though Shankar is not known to be a great fan of gambling—even during Diwali when in India playing cards with cash is considered auspicious or for good `shagun’—he gambled big on the Indian Premier League’s (IPL) global rights for five years. Star not only played smart, outbidding incumbent rights holder SPN India and some global digital players sniffing at commercially viable Indian cricket rights, but also raised the bar to clinch the hand with a bet of $ 2.55 billion. Raising the stakes flattened competition.

    Under Shankar, Star has also ploughed huge investments into creating and acquiring sports properties such as the Pro Kabaddi League, the BCCI national cricket domestic rights, the domestic soccer league ISL in collaboration with Reliance Industries, table tennis, badminton, and many others sports.

    The recent promotion of Shankar means he has won the confidence of the Murdochs and the boards of News Corp and 21CF to replicate in Asia what he has done in India, long referred to as a jewel in the crown of the Murdoch media empire. While 21CF has done well in markets such as Taiwan, Japan, Hong Kong, Singapore, Malaysia, and South Korea, scale has been something that’s been missing. Shankar is expected now start building that.

    By promoting him to head Asia, 21 CF has also ensured that if a deal with Disney does happen (media reports emanating from all parts of globe say the approx USD 60 billion deal could happen sooner rather than later), it will be—very well could be—Shankar who will be scripting the new Asian story. Currently, Disney has two Asian heads: one for south east and south Asia and the other for north Asia. With him being designated as the boss, the reporting lines too could change with Mahesh Samat reporting to Shankar.

    How has Shankar managed this rags-to-riches story in the cut-throat corporate world of global media? Shankar himself gives a hint. Casually leaning against the main exit to the executive floor at level 37 in the South Parel office of Star, housing the leadership team, while escorting out a couple of senior editors of Indiantelevision.com after an interview in September, he was asked what made him tick. The recorder was off and the interview had ended, but what he said was revealing.

    According to Shankar, though he considers he has miles yet to travel (wherein he’d continue reading thought-provoking books like Yuval Noah Harari’s Sapiens: A Brief History of Humankind), his satisfaction comes from the fact that he has managed to assemble a string of high-calibre professionals as heads of various Star businesses who at least specialise in or know better one thing extra about the business than the chief. “This gives me great satisfaction as I know the business is in safe hands,” he said with a poker face.

    In the end, one of his mentors, Siddhartha Ray (Delhiwallahs say he’s one of the few friend-philosopher-guides of Shankar), who also happens to be the first GM of Star TV in India in the early 1990s, aptly summed up the X factor: “What makes Uday so successful? He’s a quick learner, good man-manager and an adept environment manager.”

    At Indiantelevision.com, we would wish Uday Shankar more wind beneath his wings so that he can soar higher.

    ALSO READ:

    Uday Shankar becomes president of 21st Century Fox Asia

    Star’s Uday Shankar on distribution challenges, IPL, FTA vs. pay TV…and much more

  • Zee TV’s new weekend detective drama costs 50% more to produce

    Zee TV’s new weekend detective drama costs 50% more to produce

    MUMBAI: Women empowerment is Zee TV’s new motto as it embraces the recently adopted brand philosophy – ‘Aaj Likhenge Kal’. Its latest weekend primetime show Detective Didi will attempt to inspire the girls of India by showing how Bunty Sharma chooses a bold career of a detective in a male-dominated field.

    Produced by Manik Bedi and Ila Bedi Dutta, the show is both set and shot in the bylanes of Delhi. Bedi, who has previously produced Hitler Didi, says that the investment is also 50 per cent more because of the location change. “The entire crew has been brought from Mumbai for the shoot. It’s an expensive experiment,” he says. The shooting schedule is one year and so planning is being done three months in advance.

    The local police are supporting the shoot as they cover iconic Delhi locations like Chandni Chowk, Jama Masjid, India Gate and Parliament House. “We are mobilising in a way that it is similar to shooting in Mumbai,” he adds.

    Zee TV deputy business head Deepak Rajadhyaksha says that the character demanded Delhi due to its different socio-cultural ethos and to give authenticity to the adventures. He agrees that shooting cost is higher but the channel can manage it.

    Following up Detective Didi’s new time slot of 8-9 pm on weekend, the channel will be opening more such slots. “There is no recipe for success and this show is a big experiment. What we can control are understanding sentiments, requirements and the aspirations and to portray them effectively through the shows,” says Rajadhyaksha.

    Similar shows on other channels target the 9 pm slot but Zee didn’t want to cater to a pure crime audience but rather those that can be relatable to and viewed by families. A few years ago, the channel experimented with Neeli Chhatri Waale at this time which took a dive in ratings after the initial hype. “Our new programming strategy is to provide three different entertainment types from 8-11/11.30 pm,” reveals Rajadhyaksha. If Didi makes a mark in one year, the channel may give the producers a longer lifeline. This is also Zee’s first attempt at a detective drama on the weekend.

    Rajadhyaksha says that Didi’s storytelling is different from others because of two episodes making one story. That leaves room for just the weekend slot. Bedi says this is better for producers since one topic will be explored on two consecutive days and so the recall value is higher. Zee TV was the one to decide the time slot for the show, which begins on 9 December. Bedi also explains that the success of a show doesn’t solely depend on the time slot, though that is a major factor.

    In the show, Bunty is assisted by a second character Bhim Singh Bhullar and it will attempt to be hilarious as the duo takes different routes to solve cases. Dutta says that Bunty is the reflection of many ambitious Indian women who don’t forget their family responsibilities. “She isn’t a professional detective. She is an amateur with an uncanny knack for spotting crime and arresting it in time. The emotional aspects of a situation help her in cracking a case.”

    The earlier name for the show was Delhi Crime Diaries but that would have made it Delhi-specific, says Dutta. Instead, the producers thought of using the common term ‘didi’ to make it relatable to the audiences.

    Detective Didi is being sponsored by Bagh Bakri Mili Chai, Flamingo Knee Cap and Pillsbury Cookie cake, special partner – Combiflam Icy hot. It is hunting for a title sponsor.

    Didi follows the lives of special agent Bhim Singh Bhullar and private detective Bunty’s journey, amidst their professional assignments, making way for some lighter moments while they investigate the city’s most baffling criminal cases. While Bhim is a jolly cop from the Delhi crime branch who investigates staying well within the rule book, Bunty takes matters into her own hands as she has no faith in the capabilities of the police. In the chase for who solves the case first, Bhim and Bunty, a man and a woman who can’t stand each other, fight tooth and nail to catch criminals and solve many interesting cases. Brilliant at their work and having their own individual strengths, they employ distinctly different methods while solving the same cases. But, when both Bunty and Bhim work together as a unit despite their differences, they seem to successfully solve cases with relative ease. Playing the dynamic character of Bunty Sharma is actor Sonia Balani while Manish Goplani will be seen stepping into the pivotal role of Bhim Singh Bhullar.

  • Zee TV leads Hindi GEC (R+U) & urban market: BARC week 44

    Zee TV leads Hindi GEC (R+U) & urban market: BARC week 44

    MUMBAI: Zee TV dominates two markets this week – the Hindi GEC (U+R) and Urban markets- according to Broadcast Audience Research Council (BARC) all India data.

    Zee Anmol continued to rule the rural market where Dangal TV is the new entrant.

    Hindi GEC

    Zee TV has garnered the top slot this week with 741062 Impressions (000s) followed by Star Bharat on second position with 698635 Impressions (000s).

    Zee Anmol fell to third position with 676733 Impressions (000s).

    Sony Pal stood at number four with 593863 Impressions (000s) and Colors at five with 582344 Impressions (000s).

    Star Plus, Sony Entertainment Television and Sab TV grabbed sixth, seventh and eighth slots with 517871 Impressions (000s), 462257 Impressions (000s) and 379771 Impressions (000s) respectively. Star Utsav and Rishtey bagged ninth and tenth spots with 373404 Impressions (000s) and 370051 Impressions (000s) respectively.

    Hindi Rural GEC

    Zee Anmol, Sony Pal and Star Bharat are at first, second and third slots respectively with 530044 Impressions (000s) sum, 405706 Impressions (000s) sum and 381969  Impressions (000s) sum.

    Zee TV, Star Utsav and Rishtey are at fourth, fifth and sixth positions with 297080 Impressions (000s), 284532 Impressions (000s) and 261172 Impressions (000s) sum respectively.

    DD National, Dangal TV, Colors and Star Plus are at seventh, eighth, ninth and tenth positions respectively with 244068 Impressions (000s), 190630 Impressions (000s), 171488 Impressions (000s) and 161722 Impressions (000s) sum.

    Hindi Urban GEC

    In urban GEC, Zee TV bagged the leadership position with 443982 Impressions (000s) followed by Colors at second slot with 410856 Impressions (000s) and Star Plus at third with 356148 Impressions (000s).

    Sony Entertainment Television, Star Bharat and Sab TV  stood at fourth, fifth and sixth with 334106 Impressions (000s), 316666 Impressions (000s) and 285031 Impressions (000s)

    Sony pal stood on number seven with 188157 Impressions (000s).

    &TV, Zee Anmol and Rishtey garnered eighth, ninth and tenth slots with 150009 Impressions (000s), 146688 Impressions (000s) and 108878 Impressions (000s) respectively.