Tag: Zee TV

  • Kalanithi Maran, Sun TV: the evolution

    Kalanithi Maran, Sun TV: the evolution

    MUMBAI: In the late eighties, a scrawny young man returned to India from the US having completed his MBA from the University of Scranton. He had lights in his eyes, fascinated as he had become by television in the US during his management freshman and graduation days.

    But television in India was a domain restricted to only state-owned Doordarshan. For a while, he dabbled in the print media that his family owned but the lure of the moving image proved too strong. So, he did the next best thing: he started producing a video magazine in Tamil.

    Kalanithi Maran had bigger ambitions; he wanted to start a TV channel in Tamil; not just a TV channel; TV channels in the various south Indian languages. With that goal in mind, he approached the then-emerging TV baron Subhash Chandra whose Zee TV had caught the imagination of the nation with edgy fast-paced general entertainment programming.

    The young man wanted a slot (one in the afternoon) on Zee TV’s service to start his own TV channel; but a Zee TV executive saw no merit in the plan and turned it down. He never got a chance to meet the goateed Chandra.  It was to prove to be a colossal mistake. However, another cable TV operator–Siddhartha Srivastava–who has the distinction of launching the first Indian private TV channel (not Subhash Chandra as many commonly believe) called ATN was more giving and provided him with a slot.

    Kalanithi cobbled together his savings and also got his father the late Murosali Maran to guarantee a bank loan for him. The same 25 friends who were working on the video magazine–Poomalai (which was by then plagued by piracy) and the cable TV programme Tamizh Maalai–stood by him and drew up the programming for the to-be-launched channel.

    Thus, Sun TV was born on 14 April 1993 beaming off the wobbly Russian satellite called Gorizont. The programming was primarily film entertainment-based. Kalanithi and his team had to work hard to build cable TV distribution infrastructure in the state, coaxing shop owners to become cable TV operators and set up headends and distribute Sun TV  so that it could be seen by Tamilians who had little else to watch in the comfort of their homes.

    His efforts bore fruit: cable TV operators soon thereafter popped up all over Tamil Nadu, courtesy consumer demand for the channel. Both fuelled each other and, by 1996, Sun TV was notching up revenue of Rs 450 million with a penetration of 86 per cent in the state. Apart from Zee TV, it was the only other channel that was sporting a black bottom line at that time.

    Kalanithi went about fulfilling his dream to have a southern Indian language network, just as Chandra was expanding his Zee Network. The aggressive young entrepreneur launched Udaya TV in Karnataka in 1994, took over Gemini TV soon thereafter and Surya TV followed.  There has been no stopping him and, today, the group runs 33 channels and another nine are being added. His portfolio covers the genres of entertainment, news, comedy, music, movies, kids and classic.

    Along the way, Kalanithi appears to have shed his inhibitions of foraying outside his comfort zone of the south–Tamil, Telugu, Kannada and Malayalam. For some time now, the Sun group has been gestating Bengali and Marathi language channels. Six to eight months from now, the two are slated to be launched and teams have been hired in Kolkata and in Mumbai. Hectic parleys are going on to decide the programming, the positioning, the distribution and marketing of the two channels.

    Kalanithi also owns 42 FM radio stations, the second-largest Tamil-circulated daily newspaper in India Dinakaran, and five other magazines, DTH platform Sun Direct and the Sunrisers Hyderabad IPL cricket team. Then, there is the cable TV network SCV, which has presence in Chennai. The Sun group made an ill-informed dash to acquire and run an airline SpiceJet, which Kalanithi found challenging to do and quickly did a volte face and sold it to Ajay Singh who has since been doing a better job. And then there is the network’s new OTT offering Sun Nxt.

    Recently, the group celebrated 25 years of its television existence with full front-page ads across select newspapers and a week of celebrations with its 1,500 employees nationwide. The ads crowed about Sun TV’s no 1 status in India and then went on to thank everyone saying it would not have been possible without “your support.” Silver coins, plates were given out to long-serving employees during the celebrations. Print ads aside, the Sun network did no press or public relations blitz–in the mainline nor the trade media.

    That’s in keeping with Kalanithi’s innate tendency to stay away from the limelight. He and the group have been publicity shy to the T. The company does not have any media relations to speak of or have a structured communications department like the other big four networks do. Star India, Zee, Viacom18, Sony Pictures Networks Television, do. Zee TV, Viacom18 and Sony Pictures all celebrated lavishly during their individual anniversaries inviting important partners, clients, and vendors.

    The shunning of the media probably stems from the fact that his roots are in one of the most important political families in the country. His grand uncle M Karunanidhi heads the DMK party, his uncles are politicians while his late father Murosali Maran held ministerial positions in various political regimes and his brother, Dayanidhi Maran, has been a minister, too.

    This apart, the group also owns powerful print media titles, which serve as a very strong platform to communicate the messaging Kalanithi wants to convey.

    All along, mutters have been doing the rounds that the Sun network got several benefits and favours courtesy Kalanithi’s political lineage. Allegations have also been hurled that Sun TV Network misused the clout and used strong-arm tactics with Tamil film producers demanding movie titles for broadcasting on his network to the exclusion of other television stations. And at surprising prices.

    Additionally, most media went to town alleging that the Sun TV network worked as a strong supporter of the DMK party. But which news channel in India does not have political backing, leaning or favourites? And Kalanithi’s DMK leaning was probably at a time when the AIADMK was going hammer and tongs against the DMK with its own party mouthpiece Jaya TV. Even then, Sun TV’s reportage at times caused heartburn to DMK supporters as Kalanithi worked on maintaining a balance.

    Moreover, over the years, most Indian TV news channels have become more blatant in their support of specific political agendas and parties–whether national or state wise or region wise. So, singling out Kalanithi as a political beneficiary is like the pot calling the kettle black.

    Finally, that myth must have been totally exploded following the distancing of grand-nephew from grand uncle and the launching of a competing television network by the DMK patriarch. Also, oodles of trouble followed with Kalanithi and Dayanidhi in relation to the 2G telecom scandal. Both have been since absolved and freed of the charges by the courts.

    The fact is that it is not political equations that have allowed Kalanithi to build his Sun group. It has been his savvy ability to see opportunity where others don’t, grab it and diligently make it successful. And he has done this fearlessly time and again–with the exception of SpiceJet. His radio stations are some of the more innovative ones and attract a wide demographic with a lot of it being youth. They are profitable. His newspapers give him wide reach and coverage and, in the process, media clout. And they make money.

    What’s above all this is the fact that Sun is highly profitable and its stock price has been holding strong when others have not. That itself speaks highly of the confidence the investor community has in him. As a businessman and as an innovator. No other media enterprise has come even close to breaking the stranglehold he has on viewers in the south; the programmers seem to understand the pulse of the Sun Network viewers. Several have tried including smaller players and the big four. But none has managed to race ahead of the Sun network.

    The Sun TV stock appears to be an investor’s darling, often times being talked of being undervalued. Both investors and shareholders have come to terms and have accepted the high pay cheques Kalanithi hands out to himself and his wife Kavery every year, ranking him among the top-paid CEOs in India.

    Many scions of political leaders have been given similar silver spoons but none have been able to scale up their ventures to the level that Kalanithi and the team Sun TV have. Clearly, credit should be given to his business acumen rather than just the political lineage.

    Clearly, it’s about time–during its silver jubilee year–Kala be given his due place in the media sun as an entrepreneur who has made it big. On his own steam.

  • Zee TV’s unique Galat Galat Galat campaign which delivers a strong message against Triple Talaq | Ishq Subhan Allah

    Zee TV’s unique Galat Galat Galat campaign which delivers a strong message against Triple Talaq | Ishq Subhan Allah

    MUMBAI: ‘Talaaq, talaaq, talaaq’. Three words that have shaken the nation. Galat, Galat, Galat. Three words that question a redundant practice that sets a progressive, emerging millennial India back by a thousand years.  Sending out a strong message of gender equality and demanding that Muslim women have an equal say in the eventuality that their marriage should reach the stage of divorce, Zee TV launched Ishq Subhan Allah, a show that not only puts the spotlight on Triple Talaaq but contrasts the different schools of thought that interpret the same religion very differently. While the show received a stellar opening and grabbed audience attention, Ishq Subhan Allah gave its leading lady – young Zara Siddiqui an opportunity to voice her opinions – not as just another TV show character but a lay person with a YouTube channel of her own, asking the nation to pay heed to her requests about the unjustness of the Triple Talaaq system. Zee TV launched ‘Galat Galat Galat’, a marketing campaign which drives conversations across the country about the misinterpretations of Islam, the callous misuse of Triple Talaaq and urges audiences to re-examine their own perspective on religion and bring an element of rationality to the way they understand and apply religion to their lives.  The campaign is a reflection of Zara’s quest for religion 2.0 – one wherein we interpret religious teachings in order to move forward and grow in life.

    As Ishq Subhan Allah mirrors the collective voice of the Indian society, this extensive marketing campaign is creating awareness about Zara’s nazariya which resonates strongly with a large segment of the Muslim community. While ATL activities like OOH, print inserts in Urdu publications, radio spots and aggressive outreach across TV channels, in markets like Mumbai, Delhi, Uttar Pradesh and Madhya Pradesh communicate Zara’s nazariya through hard-hitting creatives, a subtler social media strategy has been gaining prominence amongst the online community. On YouTube, Facebook and Twitter, a specially created profile for Zara Siddiqui has been sharing stories about her point of view and interpretation of Islam derived from the Holy Quran. The videos posted on these social media accounts have been raising pertinent questions aimed at provoking the viewers’ thought processes while driving conversations about the Triple Talaaq custom. Zara’s videos on her YouTube channel have received a thunderous response, with many influencers resonating with her ideologies and applauding her efforts at raising a voice against age-old practices, leading her to trend on Twitter for more than 4 hours at a stretch!

    Zee TV, Deputy Business Head, Deepak Rajadhyaksha said, “Innovation in outreach has been the key to our marketing strategy. Be it Kaleerein’s #ChangeHerNot campaign, Aap Ke Aa Jaane Se’s Licence to Love campaign or the most recent Zara Ka Nazariya outreach for Ishq Subhan Allah, we have supported our on-air narratives by a strong viewer engagement and outreach program which drives home the true message deeply embedded in our storytelling. While conversations around the custom of Triple Talaaq are gaining momentum across the country, we have an outspoken and modern Zara who, in her own simplistic ways, asks questions that spark curiosity and nudge viewers to question belief systems which have existed for generations. A simple question like ‘Why can’t a woman have a say in annulling a marriage if her assent is important in sealing the marriage?’ puts the focus on pertinent issues like gender equality within the Muslim community. Our campaign strives to encourage many women like Zara to question norms, take charge of their destiny and curate a future of their own making. The feedback that the Zara Ka Nazariya campaign has been receiving is very encouraging and it tells us that we are on the right path towards raising a voice and prompting change.”

    Ishq Subhan Allah is the story of Lucknow-based Kabeer (Adnan Khan) and Zara (Eisha Singh), both devout followers of Islam, whose different interpretations of the Holy Quran becomes a bone of contention between the two. While Kabeer, a young Maulvi, is more traditional and orthodox in his understanding of the religion, Zara is well-educated and questions belief by way of logic. While their contrasting ideologies has been the cause of some friction, a turn of events sees Kabeer and Zara getting married through a traditional niqaah ceremony. But a roadblock soon approaches their lives as Zara demands equality in the Triple Talaaq system deeming one-sided annulment as unjust. Will her voice be heard?

    Soon after Zee TV’s brand refresh campaign announcing its core philosophy Aaj Likhenge Kal that instantly struck a chord with its heartwarming films, each of the channel’s subsequent campaigns building each of its new offerings – be it #LicenceToLove promoting Aapke Aa Jane Se, #ChangeHerNot for Kaleerein or ‘Zara Ka Nazariya’ for Ishq Subah Allah – have resonated beautifully with the Indian middle class, an indicator of Zee TV’s hold on the pulse of its audience.

  • Zee TV’s ‘Ishq Subhan Allah’ year’s second highest weekday fiction launch across GECs

    Zee TV’s ‘Ishq Subhan Allah’ year’s second highest weekday fiction launch across GECs

    MUMBAI: Zee TV recently put the spotlight on Triple Talaaq with its new fiction show Ishq Subhan Allah introducing viewers to the turbulent love story of Zara (Eisha Singh) and Kabeer (Adnan Khan) – an Islamic couple dealing with the issue first-hand. Raising pertinent questions about women having a say in the system of divorce and sending out a strong message of women’s empowerment, the show opened with 8460 impressions (‘000s) in HSM and 5346 impressions (‘000s) in Urban markets. This milestone opening gives the show the leadership position in the 10pm slot and the pedestal of being the second highest opening weekday fiction show of the financial year amongst pay Hindi GECs, second only to Zee TV’s Kundali Bhagya that had opened with 5796 impressions (‘000s) @ HSM- Urban in its launch week.  

    Commenting on the ratings, Zee TV, Deputy Business Head, Deepak Rajadhyaksha said, “In keeping with our brand philosophy Aaj likhenge Kal, it is our constant endeavor to present viewers with progressive stories that are not only entertaining but also provoke them into thinking differently, get inspired, take charge of their destiny and work towards an extraordinary future. With Ishq Subhan Allah, we bring audiences the love story of a Muslim couple where the man and woman beg to differ on matters of interpreting and applying religion to their daily lives. We have dwelled into the issue of Triple Talaaq which was never spoken about in a prime-time fiction show. The response that the show has received in its opening week stands testimony to the the universal applause and the warm welcome given to the show by Indian audiences.”

    Year 2018 has started on an upbeat note for Zee TV with each of its fiction launches bringing forth a strong message inspiring the masses to introspect and question prevalent mindsets.  Be it Aapke Aa Jane Se that questioned whether an older woman needs a license to love a younger man or Kaleerein that highlighted the sad reality of Indian society expecting women to change for marriage,  each of the channel’s new propositions have resonated very strongly with the great Indian middle class. With the all-round acceptance of the path-breaking Ishq Subhan Allah, Zee TV sure seems to be leveraging the strong brand equity it has built in the Muslim social drama space that it pioneered with the immensely successful Qubool Hai that ran into three glorious seasons.  

  • Zee TV unveils the top 16 contestants of the fourth season of DID Li’l Masters

    Zee TV unveils the top 16 contestants of the fourth season of DID Li’l Masters

    MUMBAI: Zee TV, over the past 25 years, has been at the forefront of providing a platform to the talent of India’s common man and opening up a world of opportunities for the truly deserving. Amongst its home-grown non-fiction formats, Dance India Dance has established itself as one of the biggest talent hunt shows of all times. Giving dance its due respect, Dance India Dance has revolutionized the art form in India, making it a mainstream career choice for millions. After having begun the year entertaining audiences with the superlative talent of India’s young adults, it’s time for the country’s youngest generation to put on their dancing shoes and take center-stage as ‘Amul DID Li’l Masters powered by Lifebuoy’ premiered on Zee TV on 3rd March. A perfect reflection of Zee TV’s core philosophy Aaj Likhenge Kal, the show gives wings to the aspirations of young dance enthusiasts, empowering them to take charge of their destiny and pursue their passion for dance. Having introduced viewers to talent like Faisal Khan, Harpreet, Jeetumoni and Teriya Magar amongst many others, DID Li’l Masters, in its latest season, celebrates the unmatched dancing talent that sets ‘Blockbuster Bacche’ apart from the ordinary, lending them an instant following and a celebrity status. Having aired episodes showcasing the exciting auditions, DID Li’l Masters is all set to reveal its top contestants in the upcoming weekend’s episodes.  The ultimate celebration of dance, DID Li’l Masters airs every Saturday and Sunday at 9 PM only on Zee TV! The show is produced by Essel Vision Productions ltd.

    Like every action-packed season filled with priceless moments, DID Li’l Masters is living up to its promise of being truly dhamakedaar and blockbuster. This time around, it’s not only the blockbuster bacche that will take audiences by storm.  Guiding, coaching and mentoring the little dance prodigies through their journey on the show are two reality TV debutantes who’re making a transition from Bollywood to the small screen.  With everything from critically acclaimed films to widely popular dance numbers under her belt, the gorgeous Chitrangada Singh has floored audiences with her looks, charm, acting prowess and dancing ability. Having cemented his position as a master story-teller and a multi-faceted director, Siddharth Anand will add yet another feather to his cap,  with his debut as judge on the show. Together along with ace choreographer Marzi Pestonji who has been an integral part of the DID family across seasons, they will help the talent strike a perfect balance between dance and drama in their performances. Motivating the kids every step of the way, choreographing their routines and polishing their acts are the show’s skippers Vaishnavi Patil, Tanay Malhara, Jeetumoni Kalita and Bir Radha Sherpa –  each of who have risen from the very same platform. Adding some tongue-in-cheek wit, spontaneity and comic relief to the show are its talented host duo- Jay Bhanushali who continues his association with DID and child comedienne Tamanna who had viewers in splits when she shot to fame on Zee TV’s India’s Best Dramebaaz.

    Zee TV, Deputy Business Head, Deepak Rajadhyaksha said, “With a strong legacy of creating stars out of India’s common man through our varied homegrown non-fiction formats, Zee TV launched Dance India Dance back in 2009. The franchise has only grown ever since and transcended the boundaries of being a mere reality show and changed the landscape of dance in the country, cutting across age groups through its extensions like Li’l Masters and Super Moms.  In fine sync with our brand philosophy Aaj Likhenge Kal, the previous seasons of DID Li’l Masters have enabled young talent in the country to leverage their dancing talent and build an extraordinary future in the field of dance. Through a slew of opportunities and the right kind of exposure, the show has given birth to an all-new breed of young budding dancing superstars who have emerged as names to reckon with in the entertainment fraternity. The new season of DID Li’l Masters celebrates the kind of superlative dancing talent that separates the blockbuster kids from the ordinary and wins them an instant celebrity status. In fact, a Bollywood Blockbuster aura has been created around the new season through all its communication, brand imagery and a season-long Bollywood theme. The format now enables the contestants to perform as solos, duos and groups, exploring and establishing the latest trends, forms and styles in the dance circuit. And, as we welcome this season’s Top 16 contestants, we wish them luck and hope that their dance journey brings them the fame and recognition that they deserve.”

    Commenting on her TV debut as a judge on DID Li’l Masters, Chitrangada Singh said, “Dance has always been my passion and as an actor in our film industry, dance has played a big role in my journey. I think of dance as a form of expression and a medium to tell stories. We’re probably the only culture that manages to beautifully integrate dance into our films and it even takes the story forward, adding its own unique flavor. As judge on DID Li’l Masters, I am looking forward to sharing my knowledge pertaining to the importance of expressions and grace in dance with the contestants, especially the Top 16, as they progress through the season. I am enjoying my stint completely as it has given me an opportunity to experience, first-hand, the amazing pool of talent in our country, the young children whose incredible talent promises to shape our future to build a better tomorrow!”

    Bollywood director Siddharth Anand who has joined the judges’ panel this year said, “On the set of my film, in a way, I also judge talent, and direct them. There, it’s my vision. Here, there’s a creative director with whom I have extensive discussions on what their vision is for the show and what they want to portray. I love the passion that this team has; it matches the passion that I have for my work,” says Siddharth, who has done his homework through extensive workshops of dance.” Speaking of the kind of talent he is looking for in the show, he said, “I will take a holistic approach and will be looking at the stories that they are trying to tell through their dance, expressions, costumes, overall presentation and how well they use the stage. I’ll leave the technicalities to my co-judge Marzi.”

    Ace choreographer Marzi Pestonji further added, “DID Li’l Masters is about etching the future of dance in our country. The show serves as a great medium for budding young talent, honing their skills to become experts in this field. The winners of the show, over the years, have experienced tremendous fame in the industry and achieved new heights in their career. I am thrilled to continue to be a part of this journey and present the next generation of dancing sensations. This season’s contestants truly have what it takes to make the country dance to their tunes!”

    After months of grueling auditions held in every nook and corner of the country, DID Li’l Masters is all set to announce its Blockbuster Top 16 Bacche who will find their training ground with the skippers as they are divided under ‘Tanay Ke Tigers’, ‘Bir Ke Baahubali’, ‘Jitumoni Ke Jaanbaaz’ and ‘Vaishnavi Ke Veer’. While Tanay Ke Tigers ace in dance styles like popping animation with bone breaking, krumping and contemporary, Bir Ke Baahubali shine in freestyle and contemporary, and Jitumoni Ke Jaanbaaz outperform everyone in lyrical hip-hop and freestyle, Vaishnavi Ke Veer excel in Kathak and Bollywood hip-hop. Forming a part of Tanay Ke Tigers are AP Rockers (from Ramtek, Nagpur), Mann R Patel and Amit Delwani (from Morni, Rajkot), Brinda Dahal (from Nepal) and Soorya Sreejith (from Trivandrum). Joining Bir Ke Baahubali are Stacie Valerie Mawrie (from Shillong), Gautam Dance Studio (from Bhubaneshwar), Abhinav Arun (from Kolam) and Tamman Gamnu (from Itanagar). Ready to shake the dance floor through Jitumoni Ke Jaanbaaz are RDA Crew (from Gomia, Jharkhand), Urva Bhavsar (from Ahmedabad), Satyam Rai and Fire Stepper Crew (from Faridabad). And, making their dance dreams come true as Vaishnavi Ke Veer are twins Tanya and Tanisha, Rohan Thapa (Nepal), Beat Boys India (from Indore) and Jiya Thakur (from Hyderabad).

  • Fempowerment Women Achiever’s Award 2018

    Fempowerment Women Achiever’s Award 2018

    MUMBAI: They personify the “beauty” they acquire from their own struggles. They are huge reservoirs of strength, power, talent and yet go untapped. Fempowerment Women Achievers Awards 2018 is back to recognize women and celebrate their achievements. In putting them on the Fempowerment pedestal, the idea is to give them the applause they truly deserve.

    In sync with Zee TV’s philosophy Aaj Likhenge Kal, Fempowerment Women Achiever’s Award 2018 is all set to salute women achievers from all spheres of life, inspiring millions of women across the country to take charge of their destiny, break out of self-imposed shackles and strive towards an extraordinary future.

    Essel Group & ZEE, aptly, Member of Parliament, Rajya Sabha and Chairman, Dr. Subhash Chandra said: “My best wishes for Fempowerment Women Achievers Awards Success. I would like to humbly communicate that in this men’s world (still it is) women have to recognize their own strengths which they possess and they will empower themselves, without any external assistance”.

    Fempowerment is an initiative of Kiren Shrivastav in association with ZEE TV, intending to strengthen, motivate and acknowledge women across the country.

    “It is a one-of-its- kind initiative, inviting the masses directly to nominate the most deserving women for the honours,” says Kiren Shrivastav.

    The vision of empowering women along with its transparent process and a credible Jury make Fempowerment Women Achievers Awards a prestigious awards platform .

    Some of the renowned figures who have been closely associated with Fempowerment are: Subhash Ghai, Ridham Desai (MD of Morgan Stanley India), Mrunalini Deshmukh, Nagesh Kukunoor, Javed Ahmed, Abha Singh, Shrikant Bhasi, Annurag Batra,Swanand Kirkire.

    The previous Fempowerment awards have celebrated the glory of Ms. Priyanka Chopra, Shikha Sharma, Safeena Hussain, Shobha Kapoor, Dipika Pallikal, Ekta Kapoor, Saroj Khan, Chitra Ramakrishna, Zarina Mehta ,Daksha Sheth ,Aditi Mittal, Shanoo Sharma, Anisha Singh and many more.

    However, lending a huge support to the noble cause of women empowerment are a few men who work consistently and proactively to bring about a change. 

    Fempowerment is the only award that also felicitates men for helping empower women and has a special category of an award to one such deserving man, presented by women.

    In 2016 Arunachalam Muruganantham was presented a special Fempowerment award for the invention of low-cost sanitary pad-making machine and innovating grassroots mechanisms for generating awareness about traditional unhygienic practices around menstruation in rural India. .

    So, if you know any woman who is a great achiever and can be a source of inspiration to millions – someone who has set an example through a commendable body of work, made a significant contribution to humanity, is a trend setter in society or has noteworthy accomplishments in the fields of entertainment, corporate, sports, education, arts, literature, social services, health and wellness, please nominate them now for the Fempowerment Women Achiever Awards 2018.

  • GECs aim to retain viewership with 8 show launches in March

    GECs aim to retain viewership with 8 show launches in March

    MUMBAI: March is all set to be a mega launch month for entertainment with eight big-budget shows debuting on six general entertainment channels (GECs)—Sony Entertainment Television (SET), Colors, Zee TV, Star Plus, &TV and Sab TV.

    Zee TV has already launched DID Li’l Masters season 4 on 3 March. The upcoming launches that are hitting TV screens in March are Sony’s Shriman Shrimati Phir Se on 13 March at 7.30 pm, Zee TV’s Ishq Subhan Allah on 14 March at 10 pm, &TV’s new dance reality show on weekends High Fever Dance Ka Naya Tevar on 17 March from 8 pm, SET’s new late-night show Yeh Pyaar Nahi Toh Kya Hai on 19 March at 11 pm, Colors’ Bepanah on 19 March at 9 pm, Star Plus’ Kulfi Kumar Bajewala on 19 March at 8.30 pm and SET’s popular comedy Family Time with Kapil Sharma on 25 March from 8 pm onwards.

    Though channels are experimenting with new time slots, March is proving to be an ideal month for shows to premiere as the Indian Premier League (IPL) begins on 7 April and will continue till 27 May.

    The IPL has a massive roadblock for most Hindi GECs as the nail-biting cricket extravaganza used to routinely cannibalise GEC viewership, sometimes sealing the fate of primetime soaps forever. Now that Star India holds the rights from this year, channels are prepping new shows to capture viewers’ attention.

    Looking back at the ten seasons of the IPL, GEC viewership has been subsumed by cricket. With the IPL luring eyeballs, the trend seems to be that audiences give the Hindi GECs a miss during the two months of the year.

    In the tenth season, which commenced on 5 April 2017, within three days, SPN India’s Hindi movie channel Sony Max rose to the top of ratings in the Hindi movies genre list for week 15 of BARC 2017 with 14,29,479 (000s) impressions. Sony Max telecast the IPL matches till last year.

    However, before the launch of the IPL, in week 13 of BARC India data, Sony Pal led the Hindi GEC (urban + rural) markets with 702,603 (000s) impressions. With a fall in viewership in week 14, however, Star Plus grabbed the first position in Hindi GEC (U+R) markets with 691,210 (000s) impressions and the viewership continued to fall in week 15 with Star Plus leading again but with 678,258 (000s) impressions.

    Being grouped in the category of highest viewership is never easy. From creating new time slots to bringing in compelling content, it is always a struggle to retain and attract eyeballs. Therefore, it seems like a smart move on the part of the broadcasters to launch the shows before the IPL starts and get a good hold on viewership.

    With the launch of the Shrimaan Shrimati Phir Se, Sony SAB is all set to create ripples in the entertainment genre with its fresh take on the 90s hit comedy series Shrimaan Shrimati by presenting it in a new avatar. The story of the show is based on the premise of ‘love the neighbour.’

    Zee TV introduces viewers to the world of Kabeer and Zara who are grappling with the issue of triple talaq first-hand in its new fiction offering, Ishq Subhan Allah, even as the Parliament is debating the case.

    & TV’s High Fever Dance Ka Naya Tevar is the new dance reality show offering on weekend time slots. The show will explore the strength of dancing pairs across age groups based on their relationships. The pair can be real-life family pairs such as husband-wife, mother-daughter, father-son or couples.

    Partnering once again with Bindu & SJ Studios, SET is bringing a breezy yet absorbing world of romance in Yeh Pyaar Nahi Toh Kya Hai. It’s that shade of love, which is unspoken but palpable, unexpressed but perceptible of Siddhant Sinha (Namit Khanna) and Anushka Reddy (Palak Jain).

    Bepanah, premiering on Colors, is a romantic thriller and drama TV series with Jennifer Winget and Harshad Chopra in lead roles. The show is produced by Cinevistaas Ltd.

    Star Plus’ new show Kulfi Kumar Bajewala will showcase the journey of Kulfi, essayed by Aakriti Sharma. The new show is being produced by 4 Lions Films and Invictus T Mediaworks.

    Comedy king Kapil Sharma is back in a new avatar with Family Time with Kapil Sharma from March 25 onwards. The show will premiere immediately after the Super Dancer Chapter 2 finale, which is on March 24. The new promo of the show was launched on 10 March.

    SET has also announced the comeback of ace superstar Salman Khan with his show Dus ka Dum. Speculation, however, is that the show will launch only after the IPL. For now, there seems to be no new show in the pipeline for the upcoming two months.

    With interesting shows lined up this month, Hindi GECs are attempting to get viewers to switch their loyalties from the IPL to shows. Since the IPL is on a new platform this time, Star Sports, it would be interesting to see the ratings pan out. 

    Also Read :

    ‘Porus’ viewership soldiers on

    Crime reality shows maybe doing more harm than good

    Scary times for horror shows

  • Diverse language content the pivot for ZEE5’s growth

    Diverse language content the pivot for ZEE5’s growth

    MUMBAI: The Zee Group’s much anticipated new digital platform ZEE5 (Z5) has finally launched, a few months down the brand refresh that was given to media behemoth’s entertainment channels. Offering everything from Indian and international original content, movies, TV shows, music, live TV and health and lifestyle content, Z5 gives viewers the opportunity to pick their entertainment from 11 browsing (and content) languages—English, Hindi, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Bhojpuri, Gujarati and Punjabi.

    During the launch event, Zee International and Z5 global CEO Amit Goenka said, “As a global content company, our biggest strength is how well we understand our consumers and translate this into content they love. Every aspect of Z5 is based on our deep understanding of our consumers and their local ecosystem. It is both local and global at the same time and we know it is going to change the way you watch content.”

    Z5 is seeking to addresses the entertainment demands of a young India that is increasingly digital savvy and globally connected, yet fundamentally rooted in its culture. Aggregated and original content is offered in the 11 languages as well as Odiya. “Digital will play a critical role in fuelling this growth and we wanted to ensure that we had a strong offering and presence in the space. With the launch of Z5 we see ourselves catapulting into the next phase of growth,” added Amit.

    A silent preparation of 1.5 years went into Z5 to include content and features that cannot be found on any other Indian platform. While revealing the mystery of the silence Zee Entertainment Enterprises MD and CEO Punit Goenka said, “We have invested immense amount of time and energy in creating and acquiring rich and engaging content for Z5, which I am sure will be cherished by our viewers across the nation and worldwide. The launch of Z5 further strengthens us as a media and entertainment powerhouse.”

    While talking about the strategies for India, ZEE5 digital head Archana Anand said, “We see ZEE5 as filling a definite need-gap in the Indian market for strong language content and navigation experience across Indian languages. Our platform will be as relevant to the urban elite as it is to the new digital audiences experiencing Internet for the first time. India’s digital story is going to be fuelled by new language consumers and that’s exactly who ZEE5 is for. 

    Our Brand Anthem celebrates this spirited new India, globally savvy, yet happiest in the language of their comfort. We believe this market to be hugely underserved and hence, see this approach as key to driving our India win.”
    Z5 is banking on India’s rich diversity of languages to bag it the popularity. “Our brand anthem celebrates this spirited new India, globally savvy, yet happiest in the language of their comfort. We believe this market to be hugely underserved and hence, see this approach as key to driving our India win,” she added. Tie ups have been made with regional producers for language content. 

    The platform’s brand anthem has been directed by Dangal director Nitesh Tiwari, composed by Amit Trivedi and written by Amitabh Bhattacharya. Keeping in mind the distinct audiences, two versions of the anthem have been created – one for the North market and one for the South, each catering to the specific market nuances for authenticity and connect.

    Z5 has a freemium pricing model with both free and paid premium content to cater to a mix of audiences. Viewers who subscribe to the subscription pack will get access to the entire library of content at a special launch offer price of Rs 99 per month instead of the actual monthly pack price of Rs 150. The advertisers will have a strong involvement in their free wall offerings. Those with Zee’s older digital platforms, i.e. Ozee will automatically upgrade to Z5, whereas Ditto TV will ask for an upgrade from the viewer. However, originals, international movies, old shows, Zee theatre and many more things will fall under its paid offerings. The live news TV offering will not only provide Zee News but also other news broadcasters’ feeds on it.

    People can watch 100 movies that have never been shown on TV with subtitles and with dubbing in their language of choice. Fresh series will be either launched together or on a weekly basis. Punit said that Z5 will focus towards the production of kids’ content in the near future. Anand also added that they will look at acquisitions in the kids’ space in regional languages. 

    Z5 is also available as a progressive web app (PWA) to address the patchy connectivity and low phone storage scenarios.

  • Zee TV reinforces its brand philosophy Aaj Likhenge Kal with author Rashmi Bansal’s ‘Touch the Sky’

    Zee TV reinforces its brand philosophy Aaj Likhenge Kal with author Rashmi Bansal’s ‘Touch the Sky’

    Bringing its audiences content that drives the great Indian middle class to take charge of their destiny and curate an extraordinary future, Zee TV’s brand philosophy, Aaj Likhenge Kal has been creating waves across the country. Through its latest offerings such as Detective Didi, Aap Ke Aa Jaane Se and Kaleerein where the protagonists break self-imposed and societal shackles to forge towards a better tomorrow, Aaj Likhenge Kal has distinctly emerged as a strong content mantra for Zee TV. Further reinforcing this brand philosophy and taking it beyond television frontiers into the lives of its viewers in the form of literature, Zee TV associates with popular author Rashmi Bansal for her new book ‘Touch the Sky’.  Bringing inspiring accounts of women across India who are writing their own destiny, the book was released in Mumbai by Zee TV actors Manasi Salvi,Karan Jotwani, Sahil Uppal and India’s leading celebrity nutritionist Rujuta Divekar

    Touch the Sky is a tribute to the courage and confidence of the Indian woman, from Korba to Kashmir. Be it the 60 year old lady who runs a shelter home supported by a home made pizza business or the blind girl who found a meaning to life through friends made across the globe over the internet. Be it the woman diagnosed HIV positive in the course of her pregnancy who mustered the courage to deliver and live happily with her son or the 5 girls from the remote village of Hutup who chose to kick over cook, in each personal triumph lies a larger story. Of boldness, of transformation. Of women rising to take their place in the sun. 

    Featuring the accounts of strong women like the Yuwa Girls, Usha Choudhary, Meena Lahre, Chhaya Solanki, Rabiya Khan, Shital Bhatkar, Sushma Bhadu, Aditi Gupta, Hafiza Khan, Swati Karwa, Jyoti Dhawale, Sanam Karunakar, Padma Srinivasan, Apeksha Shah and Bhavana Issar, the book is an extension of Zee TV’s brand philosophy Aaj Likhenge Kal. 

    Zee TV, Deputy Business Head, Deepak Rajadhyaksha said, “Ever since we freshly articulated our brand philosophy in October, Aaj Likhenge Kal has resonated strongly with our audiences. With the core grain of our content reflecting this ideology, we are now happy to amplify the message through any medium – be it TV, films, digital or books. The premise of Rashmi Bansal’s latest book ‘Touch the Sky’ is in beautiful sync with Aaj Likhenge Kal. The idea is to encourage readers through stories of seemingly ordinary individuals who, with their progressive thinking and courage, changed the course of their destiny. Through ‘Touch the Sky’ we want to highlight that every person, man or woman, has the power to envision and reach out to their own destination on the foundation of self-belief, creating an impact not only on their own future but also on the world.”

    Author of Touch the Sky, Rashmi Bansal said, “Thank you to the Zee TV team for conceiving the idea and putting their faith in me, to bring it to life. The channel’s philosophy, Aaj Likhenge Kal, is a complete reflection of the message that my book ‘Touch the Sky’ attempts to convey to readers. Touch the Sky is a compilation of stories featuring strong and independent women as they discover the true essence and definition of shakti. It is an ode to women who overcame the odds. What kind of odds? All the stuff women face… silently, without protest. Samaaj ka daayra. Beti hone ke bandhan. Family ki rok tok. It is about their incredible journey and how they emerge as heroes by merely standing up for what they believe in.”

    Rashmi Bansal’s ‘Touch the Sky’ emulating the Aaj Likhenge Kal brand promise will be available for purchase starting 29th January 2018 in book stores close to you!!

  • Zee TV questions why a bride should have to enrol in a grooming school and change herself before she gets married through its new offering ‘Kaleerein’

    Zee TV questions why a bride should have to enrol in a grooming school and change herself before she gets married through its new offering ‘Kaleerein’

    It’s said that marriage is not a destination but a journey two people set out on together. It is all about finding perfections in each other’s imperfections rather than getting your partner to change as per your own personal preferences. So, then why should a girl change herself or portray herself to be someone she is not, only to land a suitable match in the marriage market? If the foundations of your rishtaa are laid by saying that you can swing a party for 15 guests at home at a 1-hour-notice or by claiming that you are proficient at 19 different cuisines (when you can barely cook to save your life!) or pretending that you don’t wear western outfits or that you have no career aspirations and are content with just tending to the upkeep of the entire sasuraal, you are just setting yourself up for failure. Drawing insights from this concept, Zee TV is all set to launch a new fiction offering, Kaleerien – the story of Meera, a small-town girl from Punjab, who chooses to assert her individuality against the reality of bride grooming schools that are mushrooming all over Punjab; schools that prescribe a bucket-list of must-have qualities for a bride to land the perfect groom. A free-spirited girl who wants to live life on her own terms, Meera values her uniqueness and is in search of a suitor who will accept her for the person she truly is. In keeping with its brand philosophy – Aaj Likhenge Kal, Zee TV, through Kaleerein, continues to provide a glimpse into the life and aspirations of the common man and the stereotypes they break to shape an extraordinary tomorrow. Kaleerein is co-produced by Nikhil Sinha and Priya Mishra of Triangle Films and will go on air starting 5th February 2018 and air every Monday to Friday at 7:30 pm on Zee TV.

    Making her debut as the effervescent Meera will be debutante Aditi Sharma while popular actor Arjit Taneja will be seen as the male protagonist in the show.

    Zee TV, Deputy Business Head, Deepak Rajadhyaksha said, “We started 2018 on a high note with the launch of Aap Ke Aa Jaane Se, a mature, unconventional love story that has been received well by audiences. Keeping the momentum going and upping the ante on entertainment, we are excited to bring our audiences another progressive concept that is in keeping with our brand philosophy Aaj Likhenge Kal. The most basic question our show Kaleerein throws up is – does a woman need to change or acquire specific attributes in order to find a suitable match and enter the institution of marriage? If a man doesn’t need to undergo any form of grooming to be a bridegroom, why are we commoditizing brides through bride grooming schools? Meera’s intriguing story will highlight how getting married to an ‘ideal’ groom is the beginning of a new and very crucial chapter in a woman’s life that should be built on the foundation of transparency and mutual understanding rather than pretense and hard-sell. The message we wish to put out there is that that the institution of marriage should not come with a tag of ‘demands’ for a bride but should signify ‘freedom’ and ‘happiness’. Girls all over the world should not have to change themselves in order to find their perfect match. Through the show, we urge young brides to take charge of their destiny and find a groom of their liking who accepts them for who they are and not for who they are forced to become.”

    Triangle Film Productions, Co- producer, Priya Mishra said, “Marriage is undoubtedly the most sacred bond shared between two individuals; it is based on love, trust and honesty. Every girl dreams of having a perfect married life. This inadvertently pushes them to make many sacrifices and adjustments as they starts a new chapter in their life. But that does not mean that she needs to change everything she stands for and believes in to become the perfect wife. Kaleerein, through its light-hearted narrative, analyses societal pressures put on women to change themselves in order to bag the perfect groom. The show will showcase Meera’s approach to various situations from a very different lens and how she handles the pressures put on her to get married.  We have consciously named the show Kaleerein because it signifies good wishes and a happy beginning for a bride and not a ploy to rob her of her identity. This show is our first outing with Zee TV and we are looking forward to a great start to our association.”

    Actor Aditi Sharma who essays the lead role of Meera said, “In our country, girls are expected to groom themselves and imbibe ‘expected’ qualities and skills before they embark on this new journey with their man. Meera stands out from the rest because she refuses to lose her identity in this whirlpool of societal pressures surrounding marriage. Meera’s character is very real; she is the modern millennial Indian woman who doesn’t wish to conform to the stencil of the perfect Indian bride, refusing to put up an act that will impress the ideal suitors.  These ideologies resonate very strongly with me because, just like her, I too believe in living life on my own terms without giving in to societal pressure. Meera’s independent and individualistic demeanour are what attracted me to Kaleerein, and I hope that I am able to drive positive change in the viewers’ mindsets.”

    Actor Arjit Taneja who essays the role of Vivaan said, “Kaleerein offers a very important perspective about marriage and the pressures women deal with while their families are on the lookout for the perfect groom. My character, Vivaan, is an NRI hailing from Punjab who has certain expectations from his life partner and wants his wife to meet them. A shrewd businessman, Vivaan’s character is very intriguing and quite different from the roles I have played in the past. I am looking forward to this exciting experience and hope that the audience will accept me in this new endeavor.”

    As Meera dodges the hullabaloo surrounding marriage and faces many predicaments and dilemmas, will she be able to defy stereotypes and find a suitable groom for herself who loves her for the person she is?

  • Zee TV & Gul Panag get people to question bride stereotypes

    Zee TV & Gul Panag get people to question bride stereotypes

    MUMBAI: Zee TV is creating awareness for its upcoming fiction offering Kaleerein, starting 5 February 2018 and will air every Monday to Friday at 7:30 pm. Joining hands with social activist and actor-producer Gul Panag, who believes in living life on her own terms, Zee TV launched the #ChangeHerNot social media experiment through a matrimonial website MySoniKudi.

    Designed by Zee TV’s digital agency, Big Trunk, the website gave grooms the option of choosing from gharelu brides, fair-skinned beauties, cooking champions and many more unfortunate, stereotypical moulds that the society has created over the years. With the objective of highlighting the sheer absurdity of this stark reality and to nudge the audience to question these age-old shackles, the website was introduced on social media by vocal supporter Gul Panag who criticised the portal for commoditising brides. While it was disappointing to see the website receiving thousands of registrations from serious prospective grooms within a matter of hours, the social media experiment was truly a success when an exponentially higher volume of noise erupted on Twitter with people crying out in unison against slotting brides into categories and expecting them to change themselves for the sake of marriage.

    Zee TV deputy business head Deepak Rajadhyaksha said, “MySoniKudi was aimed at eliciting precisely the kind of strong reactions it has evoked. So, while the website isn’t real, the issue is. It is sad that to be marriageable, a woman has to be a certain way. From gharelu to sanskaari, fair-skinned to no western clothes, no-career to a great pay package, there are all kinds of customisations expected, making bride-grooming schools that get young women to fit specific moulds a reality. Our very next fiction offering Kaleerein tackles this subject head-on, showcasing the journey of Meera, a small-town bride who refuses to bow down to the diktats of bride grooming and celebrates her individuality. Through her example, the idea is to help Indian women free themselves from the mould of a stereotypical bride, earning them the right to find a groom who is willing to accept them the way they are.”

    As the true intent of the website and the #ChangeHerNot campaign was revealed, the overwhelming support from all quarters reflects that Indians are no longer willing to adhere to societal shackles but want to rewrite them to take control of their own destinies, thereby extending a strong support to Zee TV’s brand philosophy and content mantra Aaj Likhenge Kal.

    Actor Gul Panag said, “When Zee TV approached me with legit research on the disturbing trend of grooming schools that serve as finishing schools for brides and get them to fit certain pre-conceived moulds, I was more than happy to support them and help create awareness about the issue.”

    Along with the #ChangeHerNot campaign, Zee TV has planned a series of ATL and BTL activations to create awareness about the unfair expectations that one has from a prospective bride, and highlight the concept of Kaleerein amongst the relevant target audiences.

    Kaleerein is the story of Meera, a small-town girl from Punjab, who chooses to assert her individuality against the reality of bride grooming schools that are mushrooming all over Punjab; schools that prescribe a bucket-list of must-have qualities for a bride to land the perfect groom. A free-spirited girl who wants to live life on her own terms, Meera values her uniqueness and is in search of a suitor who will accept her for the person she truly is.