Tag: Zee Entertainment.

  • Puja Sethi bags top digital editorial job at Times Network

    Puja Sethi bags top digital editorial job at Times Network

    MUMBAI: Puja Sethi has landed a plum role as managing editor digital at Times Network, bringing her two-and-a-half-year stint at India TV to a close.

    “Excited to share that I’m starting a new chapter in my career,” Sethi announced, tipping her hat to the “incredible teams and mentors” who’ve propelled her career forward. Her digital trajectory has been nothing short of meteoric, with previous roles including group editor digital at India TV and a similar position at Zee Entertainment.

    The LSR graduate cut her teeth in broadcasting, having anchored India’s first Hindi breakfast news show Subha Savere for Moving Pictures  before diving headlong into the digital deep end. Her impressive CV boasts of transforming myUpchar.com as vice president and steering Jagran New Media as general manager and digital head.

    During her six-year tenure at  Dainik Jagran  Cityplus, Sethi orchestrated an ambitious expansion, launching 48 editions across major Indian metros. Her digital acumen truly shone at OnlyMyHealth.com, where she catapulted user engagement to over five million visitors.

    No stranger to the Times Group ecosystem, Sethi previously handled mobile content at Indiatimes, managing the once-ubiquitous 58888 short code service that delivered news, contests and horoscopes to millions of Indian mobile users.

    With her formidable background spanning broadcast, print and digital media, industry watchers will be keeping their eyes peeled for how she plans to energise Times Network’s digital offerings in an increasingly competitive landscape.

  • Cape May Studios inks deal with Indie Rights for global streaming venture

    Cape May Studios inks deal with Indie Rights for global streaming venture

    MUMBAI:  Independent film distributor Indie Rights has struck a landmark content licensing agreement with Cape May Studios, the fledgling streaming venture founded by former Zee Entertainment executive Sachin Gokhale.

    The partnership will see a curated selection of critically acclaimed indie films appear on Cape May’s upcoming free ad-supported streaming television (Fast) and advertising-based video-on-demand (AVOD) channels, set to launch next month.

    Gokhale, who established Cape May Studios in August 2024 after serving as executive vice president and territory head for the Americas at Zee Entertainment, is building a network of genre-focused channels targeting global “fandom” audiences.

    “This collaboration is a key milestone as we prepare to launch our channels,” said Cape May Studios. founder & CEO Gokhale. “With access to Indie Rights’ compelling films, we’re excited to deliver content that challenges, inspires, and resonates with a global audience.”

    The content deal focuses heavily on horror, thriller, sci-fi and mystery genres – with titles including I Survived a Zombie Apocalypse and Shadows of Bigfoot set to terrify viewers in English, Hindi and Spanish initially, with plans for further language expansions.

    Indie Rights chief executive Linda Nelson noted: “This is an exciting moment as we expand our global reach with Cape May Studios. Their innovative streaming platforms will provide our filmmakers with new opportunities to connect with audiences who crave original, meaningful stories.”

    The agreement represents Cape May’s first major content acquisition since Gokhale launched the venture after an extensive career spanning major media companies including Viacom18, where he spent over 12 years in senior leadership roles across multiple territories.

    Industry observers note the partnership shrewdly targets millennial and Gen Z viewers between 18-40 years old, a demographic increasingly abandoning traditional subscription services in favour of free, ad-supported alternatives.

    As one streaming analyst quipped: “In the bloodbath of global streaming wars, this horror-focused partnership might just give audiences something to actually scream about – in a good way.”

  • Zee gets thumbs up on ESG from S&P;  leads media sector in ESG rankings

    Zee gets thumbs up on ESG from S&P; leads media sector in ESG rankings

    MUMBAI: Even as certain government bodies are investigating Zee Entertainment for lack of transparency and for misuse of corporate funds in India, a global rating provider S&P Global’s Corporate Sustainability Assessment has given it a score of 44, placing it among the top 10 per cent of global media companies and well above the industry average of 20. 

    Ironical is it not? A prophet is not recognised in his own country, but is venerated elsewhere.

    The Indian media powerhouse recorded a 16-point improvement from 2023, reaching the 93rd percentile in the global media, movies and  entertainment sector. The company achieved top marks in transparency and reporting, whilst scoring above the 90th percentile in business ethics, cybersecurity, labour practices, and customer relations.

    “Sustainable growth remains key to driving long-term success”, said Zee CEO Punit Goenka,  emphasising the company’s focus on environmental sustainability and governance frameworks.

    The assessment evaluated Zee’s management of material ESG risks through company disclosures, stakeholder analysis, and detailed corporate engagement. The score reflects Zee’s enhanced commitment to responsible business practices as it seeks to maintain its position as a leading entertainment provider in Asia’s third-largest economy.

     

  • ITV Network Appoints Abhay Ojha as CEO

    ITV Network Appoints Abhay Ojha as CEO

    MUMBAI: ITV Network has appointed Abhay Ojha as chief executive officer for its television, print, digital and sports league business.

    Abhay brings over 25 years of experience across media and FMCG sectors, having previously worked with Zee Media, Star India, Zee Entertainment, Turner and Hindustan Unilever.

    Abhay’s expertise spans multiple industries, including media, FMCG, e-commerce, and financial modeling. He is a skilled change catalyst and financial strategist with a strong background in business management, digital transformation, investments, new business acquisition, and startups.

    Throughout his career, Abhay has successfully led multiple companies through digital transformations, resulting in millions of dollars in profit. His entrepreneurial spirit, passion for innovation, and strong business acumen have enabled him to achieve unprecedented success in launching new businesses.

    “His exceptional leadership skills and business acumen make him ideal to drive our organisation’s growth,” said ITV Foundation chairperson Aishwarya Pandit.

    “It’s an honor to join ITV network, an institution I have long admired and respected. I am drawn to ITV network because of the organisation’s clarity and consistency of purpose and am very excited to partner with the outstanding leadership team to lead the company into the future,” expressed Abhay.

    Abhay  holds a bachelor’s degree in science from Indore and a master’s in business management from IGNOU. In his new role, he will oversee the network’s expansion across multiple platforms and lead its digital transformation initiatives

  • Parinda Singh appointed marketing head Hindi Movie Cluster & Sony Marathi at SPNI

    Parinda Singh appointed marketing head Hindi Movie Cluster & Sony Marathi at SPNI

    MUMBAI: Sony Pictures Networks India (SPNI) has announced the appointment of Parinda Singh as head of marketing for its Hindi movie cluster and Sony Marathi.

    Bringing over 23 years of experience in brand building, consumer insights, and marketing strategy, Singh has worked with India’s top brands, media houses, and Fortune 500 companies. her expertise spans content marketing, digital media, fintech, and over-the-top (OTT ) platforms. She has a proven track record of developing growth strategies, scaling brands, and fostering cross-functional collaboration.

    Prior to this appointment, Singh served as a marketing consultant, advising leading organisations across sectors such as sports, media, and digital platforms. she has previously held senior marketing roles at Zee Entertainment, Star TV network, NDTV Imagine, and Bennett Coleman & Co. Singh has also worked ad agencies on the servicing side such as Lowe Lintas, FCB Ulka and Mudra Communications. She holds  a bachelor’s  degree in commerce and an MBA in marketing from NMIMS, Mumba.

    In her new role, Singh will spearhead marketing strategies, enhance brand engagement, and drive growth for the Hindi movie cluster and Sony Marathi, with a focus on delivering impactful campaigns that resonate with audiences.

  • Aaron Mascarenhas transitions to  JioStar as Hindi movies strategy & acquisitions head

    Aaron Mascarenhas transitions to JioStar as Hindi movies strategy & acquisitions head

    MUMBAI:  JioStar has announced the tranisition of Aaron Mascarenhas as the new head of Hindi movies strategy & acquisitions (digital). 

    With a robust background in commercial negotiations, content management, and acquisitions, Mascarenhas brings over a decade of media experience to his new role.

    Prior to  JioStar, Mascarenhas served as associate vice president of content acquisitions & strategy at Viacom18, and held senior positions at Amazon’s MX Player, LeEco, and Zee Entertainment. 

    He holds a master’s degree in marketing and advertising from Alliance Manchester Business School and a bachelor’s degree in management Studies from the University of Mumbai.
     

  • Vani Rane transitions  to JioStar as creative head of network branded content

    Vani Rane transitions to JioStar as creative head of network branded content

    MUMBAI: Vani Rane, has recently taken on the role of creative head for the expanded branded content vertical for the network at JioStar, following the merger of  the two media powerhouses – Disney Star TV India  and Viacom18 Media under the Reliance Industries umbrella.  With over 18 years of experience in content development and production, Vani is eager to leverage this new opportunity to push creative boundaries and deliver innovative content.

    Expressing her excitement about the transition, Vani stated, “My playground just got a whole lot bigger and better!”

    She is enthusiastic about leading a talented team, emphasizing that their collaboration will enable them to create compelling stories and branded content. The merger has opened up expansive possibilities for content creation, positioning the team to explore exciting new directions in both television and OTT platforms.

    Prior to her move to JioStar, Vani served as the creative Head at Viacom18, where she honed her skills in both fiction and non-fiction content development. Her impressive portfolio includes successful projects like Swipe Ride with Shruti Haasan and various brand partnerships across different media formats. Vani’s tenure at prominent companies such as Zee Entertainment, Zoom, Maxus ESP and Culture Machine further cements her reputation as a leader in branded content.

    With her new role, Vani aims to elevate JioStar’s content strategy, focusing on creative solutions and partnerships that resonate with audiences. 

  • From Zee to the Sun, Pankaj Rathod joins as broadcast operations & eng head

    From Zee to the Sun, Pankaj Rathod joins as broadcast operations & eng head

    MUMBAI: He’s decided to take a trip to the Sun – the Sun TV  Network that is. Pankaj Rathod has hopped on to  Sun TV as the head broadcast operations & engineering (Sun Neo | Sun Marathi | Sun Bangla). He joins Sun after nearly 13 years with Zee Entertainment Enterprises where he ended up as director- content operations, metadata syncing & publishing (Zee5) and music monitoring.

    Prior to Zee, he  was employed in three organisations for a year and some months each. First was with FoodFoodTV where he was head: scheduling/ sales ops/ traffic / presentation. Then he was head: operations & inventory planning at Mediasys Solutions. Third, he was manager sales operations at 9X  and 9XM.

    Before this he ventured into Siemens Information Systems where he offered broadcast TV solutions to television channels for a couple of years. A long five year run at  Sony Entertainment Television  resulted in him being promoted to sales coordinator, group executive – revenue management. He worked there for five years. 

    The BA in Economics’ first job  in media was with Mid-Day Publications where he ended up as senior media executive in the advertising department after four years.

    Expressing his happiness at joining Sun TV Pankaj said: “I have got the opportunity to build my expertise in broadcast operations (presentation, traffic & sales ops), inventory planning & management and evaluating & implementing – broadcast management system (BMS). My exposure in the print, broadcast and digital media has made me appreciate the nuances of the industry as a whole.” 

  • Zee reimagines Yamaha anthem with Sa Re Ga Ma Pa contestants

    Zee reimagines Yamaha anthem with Sa Re Ga Ma Pa contestants

    MUMBAI: Subtle branded content is all the rage. And Zee Entertainment Enterprises Ltd (Zee) has been working overtime to give that value-added oomph to advertising partners and sponsors. One such partner is Yamaha Motors, India.

    Yamaha Motors has an iconic anthem The Call of the Blue which was first launched in 2018 and has gone through various iterations, the latest being in September 2024 as the 4.0 version, which was tailored to resonate with the musical preferences of today’s youth. A new TVC was also released along with the song featuring young folks getting captivated by a film in the theatre, showcasing Yamaha’s iconic two-wheeler models, including global favorites. As they step out, they are thrilled to find these models right in front of them on the road.

    And of course, there is Zee’s legendary path-breaking original singing talent  show Sa Re Ga Ma Pa which is probably regaling a fourth or fifth generation of young viewers. Zee roped in the contestants of the reality show to sing the celebrated Yamaha anthem. For the first time ever, the young budding, musical talents reimagined the anthem, composed and performed their own renditions of it. This helped create a powerful and emotionally resonant experience that captivated audiences across the Punit Goenka-led network’s channels Zee TV, Zee Tamil, Zee Telugu. 

    Sa Re Ga Ma Pa has now become the canvas for a first-of-its-kind integration, where contestants from across India bring their unique style to the Yamaha anthem. This initiative extended beyond traditional marketing, allowing the spirit of Yamaha to echo through music and storytelling in an innovative, refreshing way.

    Sa Re Ga Ma Pa trio

    A press released from Zee stated that the collaboration strikes at the heart of music’s universal power to connect, inspire, and create lasting memories. As the contestants infused Yamaha’s anthem with their passion, energy, and individual creativity, the result was an electrifying mix that embodied the brand’s core values of adventure, freedom, and brotherhood. The partnership therefore went beyond mere promotion—it was a celebration of creativity, artistry, and individuality.

    The campaign garnered a massive cumulative reach of approximately 25 million viewers across Zee’s platforms, amplifying Yamaha’s message of adventure and passion and making it resonate with music lovers, especially the youth, adds the press release. Through this collaboration, Yamaha and Zee have forged a meaningful connection with their audiences, proving once again that music and storytelling can transcend the ordinary and create extraordinary experiences.

    Zee chief growth officer-digital & broadcast revenue  Ashish Sehgal points out that the Yamaha partnership is the perfect embodiment of the network’s philosophy of bringing brands closer to their audiences.

    He adds: “The synergy between Yamaha’s adventurous spirit and the creative energy of Sa Re Ga Ma Pa contestants has led to an exciting and impactful collaboration that has not only amplified Yamaha’s core message but also created a truly memorable experience. This campaign has resonated deeply with viewers, bringing the brand’s values to life in a way that is both engaging and inspiring. It’s a perfect example of how music and storytelling can come together to create something remarkable.”

    Yamaha Motor India general manager marketing Vijay Kaul is of the view that  motorcycles and music are two wonderful ways to connect with the world around. He adds: “Through this association, we look forward to connecting with young music lovers at a more intrinsic level, celebrating the shared values of freedom, passion, and self-expression. The thrill of the open road mirrors the rhythm of music, creating experiences that inspire and energize. For the first time on Sa Re Ga Ma Pa, contestants have crafted their unique renditions of a brand anthem, each piece capturing the essence of freedom, individuality, and the joy of riding.”

    Motivator India  chief growth officer & managing partner Aman Kochhar  highlights that the partnership worked better than using overt brand placement.  He adds:  “Reimagining The Call of the Blue anthem in their unique styles helped us connect with younger audiences, seamlessly integrating the brand into the content with fresh, vibrant energy.  The talented contestants on the platform showcased immense potential in understanding the brand’s requirements and delivering them with style. Hence, the collab was exceptional.”

    To watch the latest version of The Call of the Blue TVC click here: The Call of the Blue

    As The Call of the Blue anthem continues to strike a chord with audiences nationwide, Yamaha and Ze reaffirm their commitment to pushing creative boundaries. This collaboration marks just the beginning of what promises to be a lasting partnership that fuses music, storytelling, and brand values to deliver impactful, unforgettable experiences, the Zee press release elaborates.

  • Zee vs Railtel arbitration: tribunal dismisses claims by both

    Zee vs Railtel arbitration: tribunal dismisses claims by both

    MUMBAI: Railtel Corp and Zee Entertainment have been at loggerheads for the past three years.

    The bone of contention has been the cancellation of a 10 year contract that Zee’s subsidiary Margo Networks had signed with the former in March 2021 to provide content on demand (movies, news, music videos, and general entertainment) free of buffering onboard 8,731 trains including 5,723 suburban trains and more than 5,952 wi-fi-enabled railway stations. As part of this, media servers were to be installed in railway coaches.

    The Railway Board had assigned Railtel with the task of implementing this dream project which had then subcontracted it to Margo. Revenue expectations were high with the Railways hoping to pocket at least Rs 60 crore as part of the 50:50 arrangement it had made with Railtel.

    The project had moved to pilot implementation stage in a Rajdhani train and in an AC rake of the western railways.

    And then it was called off suddenly in November 2021. Railtel said, it was due to the alleged non-performance of Margo Networks. Zee Entertainment had disagreed and announced that it would haul Railtel to the courts.

    In August 2023, it started arbitration proceedings against Railtel for cancelling the contract and claimed amounts wrongfully forfeited by the latter along with costs/damages. The matter had been with the arbitral tribunal since then.

    Zee Entertainment, on 26 November 2025, informed  the BSE in a regulatory filing, that the arbitral tribunal had made its arbitral award. As part of that, it had rejected its and Margo’s claims against Railtel. It added that the tribunal had  also rejected the counter claims made by Railtel.

    Zee added that it is “evaluating the option of filing an application/appeal before the appropriate court for setting aside of the arbitral award.”

    Clearly, we have not seen the last of this courtroom saga.