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Tag: Zaman Habib.

  • Entertainment bigwigs and global IP gurus mull over AI, royalties and rights

    Entertainment bigwigs and global IP gurus mull over AI, royalties and rights

    MUMBAI: Mumbai’s glitterati of lyricists, composers, and legal eagles gathered for a confabulation with World Intellectual  Property Organization (WIPO),  deputy director general Sylvie Forbin, courtesy of the Indian Performing Right Society Ltd. (IPRS).

    The topic?

     Intellectual property rights (IPR), the rise of AI, and how to keep the creative juices flowing in a digital age.

    Held under the watchful eye of legendary lyricist and IPRS chairman Javed Akhtar, the closed-door roundtable was a veritable who’s who of India’s music and entertainment scene. From Vishal Dadlani’s vocal chords to Kausar Munir’s poetic prose, all were present to discuss the future of creativity.

    “The music community has always shown resilience to overcome the challenges brought as well by technological advances,” Forbin declared, clearly impressed by India’s grasp of the AI conundrum. “They have adapted in the best way by showing a strong alliance between them. I am impressed by India’s knowledge and assessment of what would be needed when it comes to the AI revolution and happy to go along with Indian creators to foster regulatory, business, and technological solutions to engage in this new era with the necessary tools and safeguards. Long life to Indian music!”

    Akhtar, never one to mince words, stressed:  “The music industry has always been at the forefront of technological breakthrough. The music community has always shown resilience to overcome the challenges brought as well by technological advances. They have adapted in the best way by showing a strong alliance between them. I am impressed by India’s knowledge and assessment of what would be needed when it comes to the AI revolution and happy to go along with Indian creators to foster regulatory, business, and technological solutions to engage in this new era with the necessary tools and safeguards. Long life to Indian music!,” 

    The session, a proper meeting of minds, covered everything from strengthening IP frameworks to navigating the AI revolution. Key takeaways included the need for robust metadata, empowered collective management organisations (CMOs), and a stronger voice for creators in policy-making.

    “Having WIPO at the table added immense value, bringing international expertise and highlighting collaborative efforts to strengthen IP frameworks across nations. SWA and SRAI as representatives of screenwriters and lyricists strive for the rights of the creators and it is good to see all the stakeholders coming together to discuss the betterment of creators and protection of Intellectual Property,” said  Screenwriters Association general secretary Zaman Habib.

    The event, a veritable feast of ideas, saw participants calling for a unified voice to drive India’s cultural and economic growth. They also emphasised the importance of copyright education, data integrity, and international cooperation.

    “It was a great opportunity to listen to Sylvie and express our thoughts.We truly appreciate the initiative by the one and only IPRS in supporting India’s rapidly evolving entertainment and music landscape,” said Simca secretary general Sridhar J Swaminathan.

    With AI looming large, the roundtable was a timely reminder that creativity needs protection, and that India’s creative community is ready to fight its corner. It’s clear that when it comes to safeguarding artistic rights, they’re not about to play second fiddle.

    Key Takeaways from the Roundtable:
    * IP as a Growth Enabler: Strengthening IP frameworks is essential for fostering innovation and supporting India’s growing creative industries.
    * Global-Local Synergy: Engagement with WIPO highlighted the importance of international collaboration and knowledge exchange.
    * Preparing for the AI Era: A strong focus on evolving digital rights, metadata management, and ethical guidelines to navigate emerging technologies.
    * Institutional Strengthening: The need for proactive government support, legal clarity, and empowered CMOs (collective management organisations) to enforce rights.
    * Building a Unified Voice: The event marked a milestone in uniting diverse voices to drive long-term impact on India’s cultural and economic growth.
    * Elevating the Role of Creators in Policy-Making: Formal inclusion of creators in national IP and digital policy formulation was strongly advocated.
    * Copyright Education & Awareness: Emphasis on educating both creators and consumers on IP rights to reduce misuse and promote informed practices.
    * Strengthening collective management organisations (CMOs): Modernisation and transparency of CMOs were recognized as pivotal for trust and efficiency.
    * Data and Metadata Integrity: The need for robust crediting systems through better metadata was highlighted to ensure fair attribution and royalties.
    * Cultural Exchange and International Cooperation: The role of WIPO in encouraging global partnerships was applauded, with a call for more international dialogue.
    * Youth and Innovation: Recognising the contribution of young creators and startups in redefining the future of creative economies.

     

  • The spell of pandemic spills over to writing

    The spell of pandemic spills over to writing

    MUMBAI: Will the Covid2019 pandemic have a direct bearing on the way TV and film script writers churn out their scripts? Now that the Maharashtra government has allowed conditional resumption of film, television, OTT shoots, how are the writers faring? Indiantelevision.com spoke to a few scriptwriters from the film and television industry to get answers to these questions.

    Even if shooting begins, the plotline will have to go for a change; it is not going to be the same as before. Writers face the twin challenges of creating something refreshing that connects with the audiences all the while keeping in mind the numerous restrictions that have been implemented.

    While some script writers want to reflect the current pandemic situation in their writings, a tiny minority feels that it is not necessary to always showcase the reality. And one thing everyone agrees is the role technology will play in the narratives.

    According to Screenwriter Association president Robin Bhatt, many stories can be created keeping in mind the guidelines laid down by the government. With the help of technology, action scenes can also be choreographed. A lot of film scripts have already been written which don’t require any changes, but in the coming days writers will avoid writing crowd scenes or stories where SOP is compromised, he said.

    In future, he says, technology is going to play a major part in cinema. He has already finished one show which is highly technological in nature, with a lot of graphics and animation. Bhatt is currently excited to begin the shoot of Sanjay Gupta’s much-awaited movie Bombay Saga starring John Abraham. Bhatt, who is the writer of the film, says that most of the editing, background score, sound design as well as VFX had started much before the lockdown. As of now, he has not received any directions from Sanjay Gupta to make amendments in the script.

    He adds, “The current pandemic scenario will definitely reflect in my writing because the entire world has changed. The same old narratives of how couples fall in love, tragedy or drama will change. Currently, it is a wait-and-watch situation.”

    Writer-producer Zaman Habib says that until and unless the country emerges out of the risk of the pandemic, there will be changes in scriptwriting accordingly. Scenes with huge crowds or many characters will be avoided. Habib is currently a story consultant for the Star Plus’ show Yeh Rishtey Pyaar Ke.

    Habib points out that the advantage of being a writer is that it is not necessary to be present on sets. A lot of freelance writers, who have left for their hometowns, continue their work through video conferencing and similar apps. “In television, we don’t participate in day-to-day works. So it is not bad for writers but there is going to be a major change on the floor while shooting.”

    According to him, television shows are divorced from reality. But, now writers, producers and broadcasters will want to put the reality out there.

    “There are many people who want to shut off their emotions and have lighter moments. But when we write we create different characters with different emotions. So, one just cannot shy away from the reality or what is happening around us,” he added.

    Writer of Once Upon a Time in Mumbai, The Dirty Picture, Kick, Gabbar Is Back and Taxi No. 9211, Rajat Arora said that as of now he has not made any changes in his scripts.

    “As we move forward, only then we will understand what can be executed and what cannot. So, as the shooting begins, we will see if any changes in the script are required. There are certain things which cannot be done while filming as per the current guidelines. But it is just a small part. At the end, safety of our people is of utmost importance.”

    Currently, he is busy working for Ahan Shetty’s debut film. The project is backed by Sajid Nadiadwala. He is also doing the pending work of Jayalalitha biopic  starring Kangana Ranaut.

    Contrary to what other writers said, Arora feels that the current pandemic is so terrible that he doesn't want to show this situation in his writing. “I think no one wants to be reminded of a pandemic. I personally don’t want to dwell on it. Dystopian shows are now today's reality. So, we don’t want to face reality or may watch it on screen.”