Tag: Yupp TV

  • BTVI to leverage digital mediums for growth

    BTVI to leverage digital mediums for growth

    MUMBAI: English business news channel BTVI is completing two years in August this year. The company was transformed from Bloomberg TV India after Bloomberg decided not to renew its deal with Business Broadcast News. BTVI got its COO Megha Tata in 2016 at the same time it got its new name. 

    English Business News (EBN) genre is still a very niche market with only five channels in the race – CNBC TV18, ET Now, BTVI, NDTV Profit and CNBC TV18 Prime HD. The genre contributes to less than one per cent of the total TV pie where BTVI is still struggling to compete with the genre leaders, CNBC TV18 and ET Now.

    It was around the same time that BTVI decided to bring in ex HBO MD Megha Tata on board as the channel’s new COO. Tata’s journey ever since has been a roller-coaster ride and she believes that refurbishing the leadership at BTVI has been a positive step. “Bringing back revenue function in-house which was outsourced before was another move that has worked for us,” she says. 

    One of the crucial decisions that paid off for BTVI was refurbishing the leadership. “Besides having a strong editorial leadership, in people like Anuj Katiyar to lead marketing, research and branded content, Shilpa Shetty to head revenue, Ashim Chakraborty as HR head and Deepa George to head our legal, I think we found an absolutely perfect leadership team. Bringing back revenue function in-house which was outsourced before was another move that has worked for us,” she adds.

    The hard work in the last one year has helped in boosting the channel’s market share from two per cent to a stable 15 per cent (touching as high as 24 per cent at times). This growth was riding on the back of very strong consumer insights being translated into on air content, programming changes, promo planning, FPC planning and brand building. 

    Tata believes that the business news genre is consumed not only on linear TV but also on OTT platforms. The channel is already present on Hotstar, Jio TV, Yupp TV, Airtel TV and Tata Sky TV. The key trend this year, according to Tata, will be the further penetration of TV in rural areas.

    Tata says that the future is for broadcasters to create specialised content for their social media as well as OTT platforms to retain subscribers and their loyalty. “More TV viewers from rural India will also mean an increase in advertiser base and hence advertising revenue. This year will also see exponential growth in the viewership of non-linear OTT platforms. Now that these OTT platforms have garnered critical subscriber base, it will be interesting to see what are the different revenue models that will emerge to monetise this critical subscriber mass. BARC is expected to launch EKAM – the integrated viewership measurement module – later this year. This will certainly help in rationalisation of investments in these OTT platforms,” she adds.

    With eight states gearing up for elections, news channels are sure to have a ball. Tata thinks that with addressable TV, broadcasters will get an option of customising ad breaks and play different ads targeted at different markets/TG. This will make TV lucrative for regional and small advertisers thus increasing advertiser base and revenues of broadcast TV media.

    BTVI, in the last financial year, had focussed on improving the OTS levels to 100 per cent in its key markets. In this financial year, the channel’s aim is to achieve this 100 per cent OTS in all the P1 markets.

    The growth in digital hasn’t had a deteriorating impact on traditional news viewing. Instead, Tata believes they complement each other and it is the content that will be the winner. Advertising on digital medium is growing rapidly, though not at the expense of TV revenues. 

    Urban India is ahead when it comes to consuming news on digital mediums but it is mainly headlines. When it comes to analysis, views or opinions, the option is always a news channel or newspaper.

    Tata reveals that increasingly audiences are consuming English business news on their mobiles and non-linear platforms like OTT and m-sites of trading apps. It’s an opportunity not to be missed. “Hence, we at BTVI have increased our focus on building a strong digital ecosystem for brand BTVI. We are already available on trading apps of Kotak, Axis Direct and IIFL. We are also working on our mobile app as well as revamping our website. To support the app and website, we plan to build a robust digital content plan,” she says.

    Though the regional market is important, BTVI will first look at focussing its energy and resources in establishing itself in its core metro market first. The regional market will come in at a later time.

    Speaking on the issue of taking up dual local channel number (LCN) she says that though it is advantageous to the channel, it can even hamper the brand since people can’t remember more than one number for a channel. Though it may get additional reach, it won’t get enough TSV to justify the cost.

  • Indian diaspora remains sustainable audience for OTTs

    Indian diaspora remains sustainable audience for OTTs

    MUMBAI: With the Indian diaspora spread out all over the world, media enterprises have found them to be a worthy group to target. Over-the-top (OTT) players, especially, are finding the diaspora audience a rewarding pursuit. Some platforms use Bollywood to grab their attention while others are targeting millennial audiences with original content.

    One the one hand you have players that believe in stock content. Yupp TV has been at the forefront of targeting Indian diaspora through catch-up content. Realising the scarcity of Indian entertainment content for the expat community, Uday Reddy founded the venture. While there is scepticism about whether audiences would pay for catch-up content, Yupp TV has relied on SVOD model for the diaspora and a freemium one in India.

    Another OTT platform, Spuul, which also has a large presence outside India, takes the help of popular Bollywood titles to attract them. According to its own viewership statistics, the Indian diaspora has a strong inclination to watch Bollywood movies during leisure time.

    On the other hand, a new bunch of players wants to break out of the monotony of catch-up and Bollywood content. Arre, a youth platform launched by ex-TV18 execs B Saikumar and Ajay Chacko, gets a good handful of viewers from abroad for both videos and articles.

    “Our show Aisha which is primarily a sci-fi thriller/drama is among the most consumed. It is also one of the most awarded shows from India, internationally. Our other shows like Real High (adventure travel reality), Official Chukiyagiri/ CEOgiri also see a lot of international audiences. We also get a lot of readers on our articles internationally,” Arre co-founder Chacko says.

    Chacko feels that the younger audiences want original quality programming of modern India and not the staid staples like Bollywood and catch up.

    Holding the same belief, ALTBalaji CMO Manav Sethi feels that content must be unique to get people to pay. “It is very important for today’s consumers who consume content on mobile, paying for data, to watch differentiated things,” he says.

    While it comes to market outside India, the US is definitely a promising one, followed by the Gulf countries. For Arre, the US is the largest market outside of India while for ALTBalaji both come in the list of top-five markets. Canada, with a huge number of Punjabi people, is also an attractive market. In fact, on Spuul, other than Hindi content, Punjabi is the highest consumed content.

    Depending on the dominant diaspora language in the region, platforms tweak content accordingly. For example, if Canada has more Punjabi people, there will be more Punjabi content for Canada. ALTBalaji released a Tamil show Maya Thirrai, which got traction in Singapore and the UAE, while its Bengali show Dhimaner Dinkaal received got a great response in Bangladesh. Chacko reveals that through YuppTV, Arre gets significant traction for shows, especially the ones dubbed in Telegu among the Indian American diaspora in the east and west coasts of the US.

    Two neighbouring countries of India, Pakistan and Bangladesh, also demand Indian content. The similarity in culture, language, dialect, lifestyle and moreover, the pattern of same entertainment content paves the way for OTT players to explore the business there.

    These audiences are a good way for OTT players to also get some revenue since most of them only have SVOD or TVOD options. Players say that the diaspora is more likely to pay for content that keeps them connected to their roots. The average revenue per user is higher outside the country. They also have a huge repertoire of choices with good quality in international OTT platforms.

    Some platforms want to go beyond the diaspora communities and reach out to other global audiences as well.

    “So far, it has been a sustainable model for us, as we have been working on multiple verticals of content but, going forward, we will be paying more attention to India than last year and separate content for specific markets,” Spuul content head Girish Dwibhashyam says.

    Due to the diversity of the diaspora, there is no one formula fits all solution. Content creators have to rely on good quality original content to keep these audiences glued.

    Also Read :

    We’ll ensure diaspora plays an imperative role in AdAsia Congress, says Raj Nayak

    Sony targets 9m HD subs & diaspora with youth-focused Rox in Dolby quality

  • YuppTV to stream IPL 2018 in several international markets

    YuppTV to stream IPL 2018 in several international markets

    MUMBAI: South-Asian content OTT platform YuppTV has announced that it has been awarded the exclusive digital and television media rights for IPL 2018 by Star India for Europe, South America, South East Asian countries and non-exclusive rights for Australia.

    Commenting on the announcement, YuppTV founder & CEO Uday Reddy said, “By bagging the exclusive digital media rights for the Vivo IPL 2018, we are enabling live, on-the-go access to the cricket tournament for our users. Our endeavor is to provide them with seamless, real-time access to all the matches and allow our viewers from across different geographical boundaries to watch their favorite teams in action on their preferred device.”

    Scheduled to take place from 7 April to 27 May 2018, IPL 2018 will witness eight teams playing this season, including Chennai Super Kings and Rajasthan Royals, which are back in action after serving a two-year suspension.

    With enormous anticipation and such high stakes in the offing and an exciting line-up of teams, cricket fans the world over have the perfect window to catch every swing and ball of the league thanks to the YuppTV app.

    Also Read:

    Star India roars with IPL’s second national campaign

    IPL gets 34 major brands on board this season

  • Aastha TV to launch OTT, VOD service

    Aastha TV to launch OTT, VOD service

    MUMBAI: Now mobile users who are fans of spiritual gurus like Morari Bapu, Shivani, Acharya Balkrishna and Swami Ramdev will be able to watch their programmes and discourses while on the go.  The Swami Ramdev-Acharya Balkrishna-owned Vedic Broadcasting today  launched an app which will stream the live  linear channel feed of the TV channels of the Aastha group – including Aastha Bhajan, Aastha TV, Vedic and Arihant.  In addition to that it features over 500 hours of VOD content and users will be able to watch catch up TV for the previous nine days. 

    Interestingly, Aastha TV is already available as a live channel on YuppTV.

    According to Swami Ramdev, the Aastha app would bring “bring people across the world closer to Indian spirituality and meditation. It will break national boundaries and anyone anywhere will be able to watch the best of spirituality and natural wellness through Yoga and Ayurveda.”

    Balkrishna believes that the app will “help connecting the younger generation across India and the world with the Indian spiritual value-based system and help them enrich their lives spiritually, mentally and physically.”

     

    https://www.indiantelevision.com/sites/default/files/styles/large/public/6e38738e-f2c3-4423-bb9c-20c847a9ad06_0.JPG?itok=8_BPjssY
    Swami Ramdev at the launch of the Aastha app in Delhi on 17 January

    The app has been powered by OTT YuppTV’s white label service, which has moved on from being just an OTT platform to being a technology service provider to video companies wanting to deliver content via mobile and OTT services.

    Says Yupp TV CEO Uday Reddy: “We are glad to associate with Aastha channel and expedite its reach across digital channels via our multi-screen white-labelled video platform. While the channel promotes spirituality and culture amongst the youth and elderly alike, our white labelled OTT Platform will ensure the channel's direct reach and accessibility to the users."

    Adds Aastha TV CEO Pramod Joshi: "The present-day user is equipped with digital mediums, smartphones and tablets and their viewing habits have changed. Hence, it is important for us to be present where our users are and make it convenient for them to watch our content and have a direct connection with them. We thank YuppTV's white-labelled OTT Platform for helping us successfully navigate through the world of OTT and making Aastha channels directly accessible to users via iOS and Android mobile apps, websites and connected TVs."

    The Aastha app will be free for users in India but will be available for a subscription, after an initial free period, in different markets globally.

    The content on the app will also be available in regional languages like Tamil, Telugu, Kannada, Malayalam, Oriya, Bangla and Marathi.

    The app will also have also beam videos of Ramdev's yoga camps as well as his discourses, which will be dubbed in regional languages for wider reach.

  • Star bids highest for BCCI’s IPL media & digital rights and is the winner

    Star bids highest for BCCI’s IPL media & digital rights and is the winner

    MUMBAI: Star India has been investing heavily in Indian sport. And that investment – and promise to invest more – got the vote of confidence from the Board of Control for Cricket in India (BCCI) when its  offer of Rs 16,3475 million or Rs 16347.5 crore or approximately $ 2.55 billion proved high enough for it to snare the five year global consolidated (telecast & digital) rights for the most lucrative and prized cricket league in the world – the Indian Premier League (IPL). 

    Star India’s offer was about Rs 5000 million more than the consolidated highest individual bid total which stood at Rs 15,8195.1 million.  The bidding rules had made it clear that the global rights  (Rs 16,347.50 crore) bid would get precedence over the individual bids if the latters’ sum total (Rs 15,8195.1 million) was lower than the former.  For viewers, what this means is that they will be watching IPL action on Star India’s sports channel bouquet and VOD platform Hotstar for the next five seasons of the IPL (2018 to 2022).

    Though 24 companies picked up the offer documents, only 14 turned up for the bidding process early this morning, from which BAM Tech was disqualified. Those who took part included:  beIN, Star India., Followon Interactive Media, Sony Pictures Networks (SPN) , Times Internet, Supersport International, Reliance Jio, Gulf DTH, Econet Media, Facebook, DAZN / Perform Group, Yupp TV, Airtel and BAM Tech.

    Star India and SPN India were the only two bidders for the Indian subcontinent TV rights and the latter’s  bid  of Rs 11,0500 million was much higher than Star India’s Rs 6,1969. million.  Facebook India was the highest bidder for digital Indian subcontinent rights with its offer of Rs 3,9000 million. It beat back telcos Jio, which bid Rs 3,0757.2 million, and  Airtel’s offer of Rs 3,2800 million, and even Star India that had bid Rs 1,4430 million. The Rest of World A (Austrailia, New Zealand & rest of world) telecast rights saw a bid of Rs 700.1 million by Followon emerging as the highest offer, ahead of Times Internet Ltd’s  (TIL’s) Rs 533 million and Star at 178.8 million. 

    The beIN bid of Rs 3900 million for the Rest of World B (Middle East) rights  was much higher than OSN’s Rs 2112.5 million, YuppTV’s Rs 1001. million and Star India’s Rs 650 million.

    Supersport came out tops on the Rest of World C (South Africa) rights with its bid  of Rs 1202.5 million as against Econet’s Rs 845 million and Star India’s Rs 617.5 million. The Rest of the World D (UK) rights  had only one bidder: Star India with its offer of Rs 487.5 million, the only territory for which it emerged as the highest  individual bidder.

    The Perform group led the race for the Rest of the World E (US) rights by bidding Rs 2405million leaving YuppTV (Rs 2346.5 million), TIL (Rs 1852.5 million) and Star India (Rs 491.6 million) far behind.  The consolidated figure for the highest bids for each individual right thus worked out Rs 15,8195.1 million.

    Almost all the cricket ecosystem players were cock-a-hoop with delight about the successful global bid placed by Star India.

    Said BCCI acting president CK Khanna in a press release:  “We are happy to announce Star India as our new global media and digital partner. We thank all the bidders that participated in the process. We have ensured that transparency of the highest form was maintained throughout the process. I would like to thank cricketers and franchises for making the league one of the eminent sporting leagues in the world. I would also like to thank all the fans for showing their continuous support for the VIVO IPL for the last 10 years.”  

    Added BCCI acting secretary Amitabh Choudhary:  “We welcome Star India on board as our broadcast and digital partner. Cricket as a sport has evolved over the years, and today’s bids were a reiteration of VIVO IPL’s growing global popularity.”

    Star India chairman & CEO Uday Shankar too expressed his excitement about his company’s successful bid. Said he:  “We are honoured to be selected as IPL’s global media rights partner and we thank BCCI for conducting such a transparent process. The VIVO Indian Premier League is undoubtedly one of the most exciting sporting leagues in the world and this acquisition of media rights reaffirms our commitment to serve cricket fans and make cricket even bigger than it is. We are delighted that in Star, IPL has found its natural home. We look forward to bringing this exciting format to our audiences across the world in a quality that all our viewers are accustomed to both on television as well as on digital on Hotstar.”

    Shankar further added, “At Star India, we believe that Indian sports have barely scratched the surface of its potential. Both the viewership of sports and more importantly participation in sports is something that we would like to grow substantially over the next few years. The acquisition of these rights is symbolic of our commitment to not just cricket but to the growth of a wider sports culture in the country.” Not to let go of a chance like this, Shankar also added that Star would have to come up with solid business proposal to monetise the IPL property over a period of five years as pay TV revenues — read tariffs — were highly regulated in India.

    BCCI CEO Rahul Johri expressed:  “We are grateful to the Supreme Court, the Committee of Administrators and the office bearers of BCCI. We are also thankful to Deloitte and our legal partners Cyril Amarchand Mangaldas for their support in carrying out a fair and transparent bidding process efficiently. We would like to welcome Star India on board as our IPL global media and digital partner.  We believe this is a global benchmark and all the stakeholders of IPL will significantly benefit from this association with Star India.”

    Sportingly, SPNI congratulated and wished Star India all the best in its endeavor to shape the  IPL over the next five  years.  Said the previous rights holder in a press note:  “SPNI  has nurtured the IPL since its inception and within a span of 10 years established it as one of the most popular sporting properties in the world. We would like to thank all those who supported us in curating the lineage and legacy of IPL.  At the same time, we take this opportunity of wishing STAR India the best as they shape IPL over the next five years. With our recent acquisition of the Ten Sports network, the sports network of SPNI holds the broadcast rights to five cricket boards, guaranteeing that our channels will continue to offer a strong mix of programming for cricket fans.”

    Also Read:

     

    IPL tender submission & result date rescheduled

    IPL chief Shukla recuses from ‘live-streaming’ media rights auction

  • Arre’s ‘Virtual Girlfriend’ wins five awards at LA Web Festival

    MUMBAI: Arré’s first web series A.I.SHA | My Virtual Girlfriend wins five awards at the recently held LA Web Festival for Best Series, Best Editing, Best Direction, Best Actress and Best Overall Premise within the Drama Category, from among a selected shortlist of 35 webseries across the world. The series was also nominated for Best Sound Design, Visual Effects, Outstanding Score, Cinematography, Supporting Actor, Best Actor and Writing.

    The LA Web Festival is one of the oldest, largest and most influential web series festivals globally and has screened nearly 1400 web series since 2010. It has been referred to as the ‘Sundance of Web Series Festivals’ by Los Angeles Magazine.

    This is the third set of international awards for A.I.SHA after winning Best Overall Web Series and Best Suspense/Thriller at the South Florida Web Festival held in Miami and for Exceptional Merit at the WRPN.TV Global Webisode competition.

    Arré’s Official Chukyagiri was also named an Official Honoree in the Film and Video Long Form or Series Category at the 21st Annual Webby Awards 2017.

    A.I.SHA, Artificial Intelligence Simulated Humanoid Assistant (A.I.SHA) is India’s first AI-based digital series. The story pivots around the widely debated and chilling premise of what happens when artificial intelligence develops feelings and consciousness? Sam, the show’s protagonist, creates A.I.SHA, without realising the consequences, and thus begins a series of events that rapidly spirals out of control. Catch the full series here.

    Season 2 of A.I.SHA is currently live on Arré (at www.arre.co.in, Arré’s YouTube Channel, Facebook Page) and on Arré’s partner platforms – Yupp TV, SonyLIV, Vodafone Play and Jio Cinema.

    The series is directed by Sahir Raza, written by Raghu Ram and Harman Singha and produced for Arré by Monozygotic. The show has partnered with Gillette Flexball, Palo Alto Networks, a next-generation security company, Nissin Cup Noodlesand Dell.

    Arré brings to India’s new-gen digital audiences a range of contextual storytelling and entertainment using video, audio, graphic-art and text.

  • Yupp TV gets $50 mn funding from KKR-backed Emerald Media

    Yupp TV gets $50 mn funding from KKR-backed Emerald Media

    MUMBAI: It’s a sign of the confidence international private equity firms have in India’s one-billion plus mobile user base, the over the top (OTT) ecosystem and the appeal south Asian content can have worldwide.

    The Chernin-KKR-Ailleo-Kamath backed Emerald Media yesterday announced that it was investing $50 million (Rs 334 crore) in the Uday Reddy-run internet pay TV platform Yupp TV and gaining a significant minority stake in the firm. The purpose of the fund-raising: expand the OTT service’s footprint globally, its content library through originals and acquisitions, and in the process ramp up its subscriber base.

    Headquartered in Atlanta, Yupp TV offers a mix of live TV (more than 250 channels in 14 languages), TV shows, movies and videos with a focus on the US, UK, Middle East, Canada, Singapore, Malaysia, Australia, New Zealand and the Caribbean.  It has been making inroads in India too with an initial focus on the south Indian market, but has since been spreading nationally. The platform has more than 25,000 hours of entertainment content catalogued in its library, with nearly 5,000 hours of new on-demand content being added to it daily. It recently launched YuppFlix, its on-demand movie streaming service on the back of its 5,000 strong movie catalogue.

    More than five million monthly visitors – peaking at 20 million – log on to the Yupp  TV service using 27 integrated devices. The YuppTV app has had 10 million mobile downloads, 50 million Samsug TV  and 300,000 LG Smart TV pre-installs globally.  The app is also available for PS3 and PS4s.

    Said YuppTV promoter & CEO Uday Reddy:  “We couldn’t ask for a stronger partner than Emerald Media. YuppTV is a content distribution platform with a strong consumer connection, and Emerald Media has global media relationships. We hope to leverage their relationships and existing assets Endemol, OML, Fluence and Graphic India to create original programming and make this platform a next generation distribution and content powerhouse.”

    Added Emerald Media managing director Rajesh Kamat:  “Emerald Media believes in driving change and value-creation by providing a distinctive combination of capital, domain knowledge and management bandwidth. The world is moving from traditional consumption to multiscreen delivery mediums. YuppTV provides a unique combination of technology, strong content relationships and revenues of scale and will be an anchor to our vision of building a new age media company.”

    Said Emerald Media managing director Paul Aiello: “Uday and his team have created an exceptional online video platform with a loyal subscriber base that realizes the huge potential of the global Indian diaspora. Our investment and relationship will enable YuppTV to further their strong leadership position in the rapidly growing OTT space.”

    YuppTV will need all the financial muscle it can get. The Indian OTT and VOD space is just about beginning to warm up with the likes of Amazon keeping aside a war chest of around $300 million for its Prime Video service. Additionally, Netflix, Hotstar, SonyLiv, Ditto TV, Voot, Hooq, Viu, Spuul, and the soon to be launched Alt Balaji are all nurturing ambitious investments and plans to capture a piece of the Indian mobile consumer’s wallet.

    Also read:

    Hooq plans to invest $2 million on original Indian content

    Challenges faced by the OTT players in India; the way ahead

  • Yupp TV gets $50 mn funding from KKR-backed Emerald Media

    Yupp TV gets $50 mn funding from KKR-backed Emerald Media

    MUMBAI: It’s a sign of the confidence international private equity firms have in India’s one-billion plus mobile user base, the over the top (OTT) ecosystem and the appeal south Asian content can have worldwide.

    The Chernin-KKR-Ailleo-Kamath backed Emerald Media yesterday announced that it was investing $50 million (Rs 334 crore) in the Uday Reddy-run internet pay TV platform Yupp TV and gaining a significant minority stake in the firm. The purpose of the fund-raising: expand the OTT service’s footprint globally, its content library through originals and acquisitions, and in the process ramp up its subscriber base.

    Headquartered in Atlanta, Yupp TV offers a mix of live TV (more than 250 channels in 14 languages), TV shows, movies and videos with a focus on the US, UK, Middle East, Canada, Singapore, Malaysia, Australia, New Zealand and the Caribbean.  It has been making inroads in India too with an initial focus on the south Indian market, but has since been spreading nationally. The platform has more than 25,000 hours of entertainment content catalogued in its library, with nearly 5,000 hours of new on-demand content being added to it daily. It recently launched YuppFlix, its on-demand movie streaming service on the back of its 5,000 strong movie catalogue.

    More than five million monthly visitors – peaking at 20 million – log on to the Yupp  TV service using 27 integrated devices. The YuppTV app has had 10 million mobile downloads, 50 million Samsug TV  and 300,000 LG Smart TV pre-installs globally.  The app is also available for PS3 and PS4s.

    Said YuppTV promoter & CEO Uday Reddy:  “We couldn’t ask for a stronger partner than Emerald Media. YuppTV is a content distribution platform with a strong consumer connection, and Emerald Media has global media relationships. We hope to leverage their relationships and existing assets Endemol, OML, Fluence and Graphic India to create original programming and make this platform a next generation distribution and content powerhouse.”

    Added Emerald Media managing director Rajesh Kamat:  “Emerald Media believes in driving change and value-creation by providing a distinctive combination of capital, domain knowledge and management bandwidth. The world is moving from traditional consumption to multiscreen delivery mediums. YuppTV provides a unique combination of technology, strong content relationships and revenues of scale and will be an anchor to our vision of building a new age media company.”

    Said Emerald Media managing director Paul Aiello: “Uday and his team have created an exceptional online video platform with a loyal subscriber base that realizes the huge potential of the global Indian diaspora. Our investment and relationship will enable YuppTV to further their strong leadership position in the rapidly growing OTT space.”

    YuppTV will need all the financial muscle it can get. The Indian OTT and VOD space is just about beginning to warm up with the likes of Amazon keeping aside a war chest of around $300 million for its Prime Video service. Additionally, Netflix, Hotstar, SonyLiv, Ditto TV, Voot, Hooq, Viu, Spuul, and the soon to be launched Alt Balaji are all nurturing ambitious investments and plans to capture a piece of the Indian mobile consumer’s wallet.

    Also read:

    Hooq plans to invest $2 million on original Indian content

    Challenges faced by the OTT players in India; the way ahead

  • A.I.SHA | My Virtual Girlfriend to be dubbed in Tamil; S2 on cards

    A.I.SHA | My Virtual Girlfriend to be dubbed in Tamil; S2 on cards

    MUMBAI: Following the successful run of the season 1 of A.I.SHA | My Virtual Girlfriend, Arre plans to release its Tamil version. With this category, it intends to reach out to a wider audience.

    This version is presented by Gillette Flexball in association with Palo Alto Networks, Indo Nissin Foods and Dell.

    In addition, the show is also syndicated to the digital platform of one of France’s television networks, TF1 Xtra, apart from various Indian digital platforms such as Sony LIV, Yupp TV, Vodafone Play, etc.

    “The southern regional markets are growing markets from a mobile internet consumption and advertiser interest point of view. They’re also interesting future forays for Arré considering that digital media in these markets is more secular as compared to broadcasting and cable and there isn’t enough original content available currently. A.I.SHA, our first show, is possibly the best show to begin our regional foray with, given its universal appeal and the overwhelming viewer response so far,” said Arre founder B. Saikumar.

    The series is produced by Raghu Ram and Rajiv Laxman’s production venture, Monozygotic.

    Ram added, “A.I.SHA is a special project for all of us at Monozygotic since it was our first fiction show and also the first show that Arré launched with.”

    A.I.SHA (Artificial Intelligence Simulated Humanoid Assistant) is India’s AI-based digital series. A fiction thriller, the story pivots around the widely debated and chilling premise of what happens when AI (Artificial intelligence) develops feelings and consciousness.

    Pre-production work for A.I.SHA season 2 is underway and is planned for launch later this year.

  • A.I.SHA | My Virtual Girlfriend to be dubbed in Tamil; S2 on cards

    A.I.SHA | My Virtual Girlfriend to be dubbed in Tamil; S2 on cards

    MUMBAI: Following the successful run of the season 1 of A.I.SHA | My Virtual Girlfriend, Arre plans to release its Tamil version. With this category, it intends to reach out to a wider audience.

    This version is presented by Gillette Flexball in association with Palo Alto Networks, Indo Nissin Foods and Dell.

    In addition, the show is also syndicated to the digital platform of one of France’s television networks, TF1 Xtra, apart from various Indian digital platforms such as Sony LIV, Yupp TV, Vodafone Play, etc.

    “The southern regional markets are growing markets from a mobile internet consumption and advertiser interest point of view. They’re also interesting future forays for Arré considering that digital media in these markets is more secular as compared to broadcasting and cable and there isn’t enough original content available currently. A.I.SHA, our first show, is possibly the best show to begin our regional foray with, given its universal appeal and the overwhelming viewer response so far,” said Arre founder B. Saikumar.

    The series is produced by Raghu Ram and Rajiv Laxman’s production venture, Monozygotic.

    Ram added, “A.I.SHA is a special project for all of us at Monozygotic since it was our first fiction show and also the first show that Arré launched with.”

    A.I.SHA (Artificial Intelligence Simulated Humanoid Assistant) is India’s AI-based digital series. A fiction thriller, the story pivots around the widely debated and chilling premise of what happens when AI (Artificial intelligence) develops feelings and consciousness.

    Pre-production work for A.I.SHA season 2 is underway and is planned for launch later this year.