Tag: YouTube

  • Film based on Stephen Kings novel attracts 40 million viral views

    Film based on Stephen Kings novel attracts 40 million viral views

    NEW DELHI: The Carrie viral “Telekinesis” video has been wildly successful on YouTube with nearly 40 million views since its launch last week.

     

    The thriller horror film Carrie directed by Kimberly Peirce with a screenplay by Roberto Aguirre-Sacasa and based on the book by Stephen King will hit the silver screen on 10 January.

     

    It stars Chloë Grace Moretz, Judy Greer, Portia Doubleday, Alex Russell, Gabriella Wilde, Ansel Elgort, and Julianne Moore.

     

    A re-imagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

     

    Watch the video at http://www.youtube.com/watch?v=VlOxlSOr3_M

  • Telly Talk India soars high on popularity

    Telly Talk India soars high on popularity

    MUMBAI: Telly Talk India, the brand new online channel, has its pulse on all the things that go on after the daily soap cameras stop rolling and reality TV gets real. Showcasing some of the most exclusive and sensational telly scoops, Telly Talk India is making heads turn. It has crossed one crore video views on YouTube within six months of its launch. The digital channel has been successful in establishing itself on the basis of its irresistible entertaining content. In fact, within two months of its launch, more than 10 videos from Telly Talk India were trending on YouTube charts.

     

    Telly Talk India is owned and operated by one of the leading Bollywood channels, Zoom, which is also India’s biggest TV brand in the digital space. Zoom has over 81 crore views and nearly 3.3 lakh subscribers on YouTube, over 52 lakh fans on Facebook, nearly 2.8 lakh followers on Twitter and over 12 lakh people in its circles on Google+. The basic idea of the online channel Telly Talk India emerged from Zoom’s weekly TV show “Telly Talk” that covers the off-screen lifestyles of the most popular TV celebrities.

     

    Telly Talk India has become the most sought after destination for the Indian television lovers, giving them an uncensored access to the life of their favourite telly stars. From identifying the “good-friends” in the industry, to RK from Madhubala (Colors) disclosing his real life romance and Saras from Saraswati Chandra (Star Plus) talking about the upcoming twists in the serial to revealing telly stars’ personal wardrobes to how they celebrate their anniversary and what goes on behind-the-scenes on the sets, this digital channel is not just good at sourcing the latest scoops from telly land, but has the distinction to uncover the in-depth stories first.

     

    Enthralling the viewers with some exciting content innovations, Telly Talk India has exceeded expectations and has constantly delivered engaging content. Telly View, a segment on Telly Talk India, is the only online review show that rates the Indian TV shows. From predicting the runaway successes to short on-air life of shows, Telly View has been bang-on in predicting the fate of the latest launches on television.

     

    Mashup – a fun series of mashed up star-conversations is a roaring success because of its highly addictive tongue-in-cheek humour. Telly Express is a spicy one-minute roundup of all the biggest stories in Television.

  • Manish Tewari does not endorse internet policing

    Manish Tewari does not endorse internet policing

    NEW DELHI: Information and Broadcasting (I&B) minister Manish Tewari feels that those who insist on privacy and the right to use new media on the internet should understand that while the government does not favour policing, the users themselves have to show a certain sense of responsibility while going on the social space.

     

    Speaking on freedom of expression in the internet age at a function here last night, Tewari said that there is a need to draw a line between policing and freedom of speech and expression adding that the right to online privacy and anonymity should come with accountability. He also defended the government for policing of online content that it deemed “defamatory”.

     

    The minister also feels that there should be agreed global rules of engagements in this new media space to prevent misuse.

     

    “We do not believe there should be a regulation or policing of the internet but common rules of engagement need to emerge in the new media space also because it is a virtual civilisation which has its own dynamics,” said Tewari

     

    He referred to the recent riots in Muzaffarnagar where he claimed that a video posted on YouTube had flared up the entire incident. He also referred to the mass exodus from Bangalore of people hailing from the northeast from southern states last year after rumours of attack on them spread.

     

    The rules of engagement are important because hardware responsible for dissemination of information over the Internet may not be under the control of a state at whom it is targeted. He said this as he noted that the cyber world has the potential to inflict destruction though it enables grassroots democratisation.

     

    He sought the views of stakeholders on the role that a government can play when people fan violence through new media.

  • Bullett Raja trailer crosses 2.7 million views

    Bullett Raja trailer crosses 2.7 million views

    The trailer of the much awaited Bullett Raja shows Saif Ali Khan mouthing, Jab hum aaengey to garmi thodi badh jaegi. Well, it seems the mercury is already heading north!

     

    In today’s day and age of cut throat competition it is a task to get noticed without going full throttle in promotions! But Tigmanshu Dhulia’s Saif Ali Khan and Sonakshi Sinha starrer Bullett Raja has done it! Where filmmakers can’t create much hubbub about their films without having gala launches, Bullett Raja came without any crutches of any star studded event and has conquered hearts!

     

    The trailer of Fox Star Studios’ Bullett Raja which released a week ago is spearheading with a fantastic response, making it one of the quickest films to cross the 2.7 million mark without any conventional promotional events. Under four days from the release, the movie trailer was a hit and crossed the two million views mark on YouTube. And even before the trailer release, the anticipation was really high on the digital space, where #WeWantBullettRaja was trending in India throughout a day before, by a Twitter activity, called Garmi Badi Kya Contest.

     

    With Saif’s bold, rustic and trigger-happy avatar and Sonakshi’s Bengali look packed with some slick action, romance, crisp dialogues and blazing guns, Tigmanshu Dhulia’s (maker of Paan Singh Tomar and Saheb Biwi Aur Gangster) Bullett Raja has set the mood in B-town to gear up for action!

     

    Presented by Fox-Star Studios, the film also stars Jimmy Shergill, Gulshan Grover, Vidyut Jamwal, Chunky Pandey with Mahie Gill in an item number and is slated to release on 29 November, 2013.

  • Viral on your mind?

    Viral on your mind?

    A‘Kolaveri Di’ kind of video with the capacity to go viral doesn’t happen every day, and that’s something marketers and the junta might do well to remember.

    There have been enough and more cases of online campaigns that fell flat on their face just as there have been instances of campaigns that fared considerably well in recent times (Dove’s real beauty, Flipkart’s Nation wants to know, Dhanush’s Sachin anthem).

    Content is king

    So what are the ingredients that make for success? First up, it’s the content. GroupM ESP national director (sports and live events) Vinit Karnik opines that videos like ‘Kolaveri Di’ and ‘It’s your fault’ are an engaging and entertaining way to disseminate a social message and build awareness.

    Watch the video: Boost pays tribute to Sachin’s 23 years of stamina!

    Gasoline founder and chief creative officer Anil Kakar says the first rule of creating online content is that it needs to be worth sharing. “The potential reach shareable content can offer is enormous and brands are currently only scratching the surface,” he says.

    Referring to two recent viral videos ‘It’s your fault’ and ‘I quit’, Draftfcb Ulka Interactive (digital arm of Draftfcb Ulka) creative head Sudarshan Sudevan says: “These two videos share different lights in the context of one’s feeling, one is targeted at the mass and the second, targeted at a single person….her boss. But the common platform that they share is – being vocal about it. That’s the lesson you can learn from it. Exercise your freedom of expression to the maximum… without fear. You can be a total stranger but your voice is surely heard if it has a message. That’s the power of this digital medium.”

    Not to do list

    Successful online content is often disruptive, based on a powerful insight and more importantly, follows a set of rules in social media that are way different from other forms of media.
    Experts believe the most common mistake that someone/some brand can make while launching a digital campaign is to create it to go viral. According to Infosys global head (digital marketing) Ashok Lalla, that is the biggest fallacy. “Virals happen. Of course, one can help them happen through content which is very high quality and well produced, and also through extensively promoting the content. For example, Idea’s Honey Bunny was promoted across media and that drove the viral-ness of the video online,” he points out.

    Similarly, Everest Brand Solutions president Dhunji Wadia says if one tries to create a campaign to go viral, there are a million ways to go wrong as there is no fixed formula or template for these videos. “You just have to click with the consumers, literally! Firstly, if it doesn’t impress me, how will it impress the world? One can get carried away with an idea, which does not make as much sense after production as much as it made on paper. Don’t hesitate to start fresh in such a case. Secondly, is the product/service forced into the communication? Sometimes there is a ‘disconnect’ between the product/service and the ad concept. If the two are not inter-twined, the product will be left hanging after a great concept.  It will hardly be noticed. Try to find a common ground between the two.”

    Highlighting mistakes marketers/advertisers tend to make, Sudevan adds: “Low budget for a promotion to be launched ‘asap’ plus maximum output demanded (for example say 1 million likes) and hence resorting to social media leads to bad ideas and bad execution, considering the time the agency gets to churn this out in that shoe-string budget. Also, no research of the ecosphere of social media or what or how much a campaign should cost or the time it should get competed within leads to selection of bad ideas presented by some smart agency.”

    With or without social media

    All said, the social media universe is swelling and no advertiser or marketer can afford to ignore it. Besides, with the dipping rupee and dwindling economy, conventional Indian media is facing the heat, rendering social media the smartest option in the current scenario. 

       
    Says Kakar: “What makes social media unique is the fact that brands can, for the first time, have a conversation directly with consumers. This is a huge paradigm shift of sorts, which is already testing our collective skills as an industry. Also, for the first time, we can gauge accurate responses through analytics and tools, engage with a select audience, should the need arise, and alter content according to responses. Social media is also a great platform to engage opinion leaders or ‘feeders’, who help promote content onto blogs, twitter, facebook and other platforms for a multiplier effect, generating free PR, which would have otherwise cost an arm and a leg for an advertiser.”

    Watch the video: AIB seeks an answer to whose fault is it anyway?

    FoxyMoron co-founder and director – new business and innovations Pratik Gupta seconds Kakar saying: “A lot of brands want to reach out to their audience and it might be as simple as uploading a TVC on YouTube. One must remember that a TVC is watched by the entire family, out of which, not all could be the target audience wherein the people who will click on social media are the correct viewers.”

    Gupta gives the example of the campaign Baby Lips Kiss Song featuring Alia Bhatt that FoxyMoron recently did for Maybelline. He says there are many brands that are utilizing the platform to the fullest to reach their TG.  He also talks about the YouTube channel Q-tiyapa by TheViralFeverVideos saying they are doing everything right to strike a chord with the youth.

    And what do advertisers have to say about digital platforms? “Advertising is a 360-degree experience. That’s when a user feels the brand in totality and since every medium has its own plus points, it’s best to design any campaign keeping in mind the purpose of the campaign,” say advertisers.

    Then again, there are the naysayers who feel digital media and by extension, social media is still not a mass channel of outreach in India. Statistics for internet usage vary between 70-140 million and those for social media are a subset of this. So, it’s unlikely to be the medium of choice for all brands for all seasons. At best, digital/social media may be the medium of choice for a younger, urban-centric demographic concentrated in major metros and towns across the country.

    Whatever be the case, one thing is clear that with the medium encouraging conversations on various social platforms, the movement of content from ‘airing’ to ‘sharing’ can catalyze the internet audience to great effect.

  • From television to web on the go

    From television to web on the go

    CANNES: Day two of Mip Junior put the spotlight on how kids today are increasingly moving from television to the web.

    “This year, four trillion gigabytes of social data was generated. In fact, two years down the line, the number will double,” said SuperAwesome CEO Dylan Collins, adding that Netflix and YouTube were two of the biggest platforms for children to watch/upload videos and listen to music.

    “There is a re-definition of trend. This year, YouTube has seen 100 hours per minute of video being uploaded. And this has built up from zero, six years back. YouTube could probably kill half a dozen entertainment companies tomorrow, just because of how many children are there,” he said.

    SuperAwesome recently asked 2,000 children what presents they’d like to unwrap on Christmas Day only to find out that kids favoured iPhones and iPads over traditional games consoles and handhelds.

    Speaking about the shift to multiple screens, Collins said: “A lot of people talk of two screens, but there are actually four – the mobile, laptop, TV, and desktop. If one has to look at China, the usage of mobiles has exceeded that of desktops. This is where every kid is going.”
    Again, kids with their own tablets are using more Android than iPad, Collins pointed out. “So when you’re thinking about creating new IPs and new brands, build them for tablets and not necessarily just iPads,” he said.

    He stressed on the need for producers to think multi-channel from the very beginning. “Parents today are ready to pay $10-20 for tablets. Everything that interacts with kids involves video and that is the way ahead. Video isn’t going away, in fact, online video is getting bigger and everyone needs to think about it from day one,” he said.

    The morning session also concentrated on games, apps, toys and books for kids.

    In a session on ‘Borderless IPs’, MakieLab CEO Alice Taylor informed the audience about her creation of physical goods from virtual ones. “MakieLab is a start-up making customisable 3D printed dolls, born out of the trend where children were seen collecting in virtual worlds like Moshi Monsters and Club Penguin to customise avatars. We wanted to turn these avatars into real dolls.”

    MakieLab now has a website and an app, and will also launch a game in early 2014. “The app helps children build their own doll through simple slide-bar controls. MakieLab is also working at creating an 11-minute 52-episode animated show aimed at girls, based on the Makies characters and world,” Taylor said.

    Compania de Medios Digitales (CMD) COO Marcelo Liberini spoke about his product Gaturro, which started as a comic in 1993, and has now moved to TV and video. “We ended up building a full trans-media property around this character, and this year, we are finishing the work on the TV series,” Liberini said.

    In 2010, CMD also launched Mundo Gaturro, a virtual world, which has since spread to online radio, a social network called Picapon, webisodes and a video-on-demand platform. “We are expanding into mobile too. We are now in the process of porting the virtual world, ready to be used on tablets,” Liberini said.  

  • YouTubes just the beginning for AwesomenessTV

    YouTubes just the beginning for AwesomenessTV

    CANNES: “Kids and teens are on YouTube and while adults like to eat meals, kids prefer snacks. And they can snack the whole day,” said AwesomenessTV CEO and founder Brian Robbins in his media keynote, adding, “Deliver what they want, when they want, and also constantly refresh it.”

    It was Robbins’ experience of the way his own kids consumed content that led to the launch of AwesomenessTV – a YouTube exclusive channel for kids and teens – last year. It was purchased in May this year by Jeffrey Katzenberg’s DreamWorks Animation.

    Robbins said it was important to create videos that were funny, creative and yet relevant to kids and that uploading these videos on YouTube was the best form of engaging kids.

    About the online blast, Robbins said: “What’s happening online today is similar to what happened on TV 25 years ago. We want to engage in two-way communication. Every producer should be aware of their target audience. We know who our viewers are and what they’re telling us.”

    While AwesomenessTV boasts one million subscribers and 200 million video views, YouTube is just the beginning for Robbins. “We are going to have a presence everywhere. We are currently working on a mobile app and also PlayStation access. We have a big network in UK and also see opportunity in Brazil. We are looking at creating new audiences every time,” he said.

    At the same time, Robbins sees great opportunity in starting something on YouTube and building an audience and then taking it to TV. “We are giving Dreamworks another platform to build its audience and also market its movies,” he said.

    Comparing AwesomenessTV with say a Nickelodeon, Robbins said while Nick could produce only two pilots to ensure success, they could produce multiple pilots a day. Nickelodeon apart, Robbins argued that most channels today do not create enough fresh content. “One can see only four to five hours of fresh content on the channels. Mobile gives kids options to choose from,” he said.

  • Life OK to showcase Mallika’s Magic

    Life OK to showcase Mallika’s Magic

    MUMBAI: The countdown to Life OK’s much anticipated show The Bachelorette India has begun. Starting 7 October, every Monday to Friday from 9.30 pm to 10.30 pm, all eyes will be on Mallika Sherawat as she hunts for the perfect mate from among 30 eligible bachelors, who will pull out all stops to win the sexy siren’s heart… and hand.

    People will either hate it or love it believes Ajit Thakur

    “You will either hate it or love it,” says Life OK general manager Ajit Thakur about the non-fiction show.

    Scheduled to run for five weeks with 28 hours of total content, 40 to 50 per cent of shooting has already been canned in the City of Lakes. Produced by SOL Productions with Lux Inferno and Ghadi Detergent as co-presenting sponsors, the show is in keeping with Life OK’s promise to add an Indian flavour to the much awaited reality series. As for Mallika, she is a magnet for publicity, whatever she does.

    But why make the show a week day property? “This kind of content is universal in nature. If you view from a concept perspective, on other GECs, a week day concept is all about soaps and the emotional content is very high. So love is the corner stone for everything that happens on a GEC from Monday to Friday. Considering this fact, we thought this was the best time,” says Life OK marketing head Pratik Seal.

    Marketing-wise, several activities have been planned. Digitally speaking, Life OK has organised a ‘live tweeter outdoor’ at Delhi University North Campus, where people can come and tweet their wishes to Mallika. “It’s a mood meter. Mallika’s mood changes on how you tweet. For example, if you criticise, she becomes grumpy; if you praise her, she is all happy. This activity is still on and students there are enjoying it,” explains Seal. Special tabs, games and apps, and video leaks on YouTube have been built into the digital activity.

    Secondly, throughout the five weeks, Life OK will have a video diary, also known as a regular video blog, on YouTube that will be updated regularly.

    Thirdly, there will be a live tweeter hastens during the show, where people can tweet about their favourite moments.

    Fourthly, Life OK has undertaken on-ground activations in over 38 cities. Add to that, colleges in UP, Delhi and Gujarat will celebrate Rose Day as a prelude to the show. A Google hangout with the lady on 7 October is also in the pipeline.

    Fourthly, Life OK has undertaken on-ground activations in over 38 cities. Add to that, colleges in UP, Delhi and Gujarat will celebrate Rose Day as a prelude to the show. A Google hangout with the lady on 7 October is also in the pipeline.

    Radio and television activations have been undertaken on a huge scale and TV promos of the show have received a good response.

    Speaking about hoardings, Seal says: “We did Phase I and Phase II of the campaign. The first phase was about selling the concept of war while the second phase was about showcasing love.”

    There will be people coming, who want a break from Hindi GECs, says a confident Pratik Seal

    Of the entire show budget, the channel is learnt to have spent around eight to ten per cent on marketing the upcoming show.

    Will the show grab enough eye balls in the face of such stiff competition? “Our attempt was to reach out beyond the GEC audience. We want to target more youth, more men, and more family as a unit; that has been our objective. If we manage to do that, half of our job is done. So there will be people coming, who want a break from Hindi GECs, to see what new biryani is cooking,” says Seal confidently.

    But comparisons with NDTV Imagine’s Swayamvar are inevitable and the industry isn’t too gung-ho about Life OK’s experiment with a similar format. “We’ve already seen enough of Rahul Mahajan, Rakhi Sawant and Ratan Rajput’s Swayamvar. What new is the show going to add? Just by changing the face of the person does not mean that the show is going to catch the attention of the viewers,” says a director.

    “Forget the daily soaps on other GECs. I think Bigg Boss is going to be the show’s biggest competitor. I am watching Bigg Boss since three weeks and I am already glued to it. I would not like to switch to any other channel for that one hour,” says an industry professional.

  • Fluence signs Malayalam Cinema Actress Manju Warrier

    Fluence signs Malayalam Cinema Actress Manju Warrier

    MUMBAI : CA Media Digital’s first venture, Fluence – India’s leading online influencer network around celebrities and brands has recently signed renowned Malayalam cinema actress Manju Warrier.
     

    Fluence helps brands maximize their impact on audiences, by utilizing the online influence of celebrities and providing specific demographic and psychographic analytics of the celebrity fan base highlighting campaign effectiveness. Currently, Fluence will focus on various digital platforms for Manju including Facebook, Twitter, Instagram, Tumblr, YouTube, and Bubble Motion and focus on the monetization strategy for her on the digital platform

    “We are thrilled to have a national award winner and a fantastic actress like Manju Warrier on board. The crux of Fluence is connecting our prospective celebrities via their digital platforms to both fans and brands across verticals. Manju is already very popular on Facebook with over 4 lakh followers. Fluence actively ensures that the celebrity engages with their fans across genres and regions in India.” said Rishi Negi, Executive Vice President Operations.

    Keyed up about the association, Manju Warrier commented, “Social media continues to evolve and has become an integral part of modern society. For celebrities however, there’s so much more that goes into how we use and leverage our social media platforms to connect with our fans. I am excited to work with the young talented team at Fluence as I believe that Digital media is definitely the way forward.”

    Fluence has been managing celebrities such as Amitabh Bachchan, Salman Khan and Karisma Kapoor, handle their digital life which includes; their social media presence, their digital endorsements, online/mobile monetization and equity-linked investments in the digital space. Brands that are actively spending on Fluence are Nestle, Thums Up, Suzuki, Kalyan Jewelers and Binani Cement. Fluence is also in active discussion with other Celebrities from Bollywood, the south and Indian cricket to get on board.

  • Fortis brings ‘Mumbai ki Dhadkan’ on World Heart Day

    Fortis brings ‘Mumbai ki Dhadkan’ on World Heart Day

    MUMBAI: Fortis Healthcare Limited (Fortis), one of India’s largest private healthcare chains, dedicated the anthem Mumbai Ki Dhadkan, to the spirit of the Mumbaikars in tackling heart disease. The anthem has been specially created for Fortis by renowned singer-composer and guitarist Lesle Lewis on the occasion of World Heart day.

    Mumbai ki Dhadkan – urges people to adopt a healthier lifestyle for a trouble free heart. The anthem will be promoted in Mumbai through several platforms and will be available for download on the microsite – www.mumbaikidhadkan.in. It will also be accessible on Saavn, YouTube and Facebook. In addition, Mumbai Ki Dhadkan CD’s will also be distributed free in colleges, gyms and clubs.

    Fortis will organise a ‘World Heart Concert’ on 29 September on the occasion of the World Heart Day. Lesle Lewis will perform the Anthem live at the MMRDA grounds. Along with Lesle, 10-12 youth bands will also render their own compositions in support of the initiative. The youth bands are being chosen from college-wide promotions that Fortis is currently organising.

    Fortis Healthcare regional director – east and west Varun Khanna said, “Music holds a special place in the hearts of people. We hope our musical anthem will serve as a powerful reminder for everyone to wake up to a healthy heart every day of the week. Using youth as the core of our initiative and with the help of colleges in Mumbai, we will hold awareness programs, conduct CPR training sessions and free cardiac check-up camps at all Fortis hospitals in Mumbai and Rotary Clubs over the next month. We hope our initiatives will not only motivate people to live a healthy lifestyle but will also equip them to handle emergency situations to save valuable lives.”

    Notably, studies show that people though aware of heart attack as a deadly disease end up ignoring early diagnoses. More than 80 per cent of heart attacks turn fatal because patients do not receive immediate attention following visible signs of a heart attack. This raises the importance of medical help within the “Golden Hour” or the crucial sixty minutes following the first symptom that an attack is in progress.
    Lesle Lewis said, “The connection between music and the heart is eternal. It gave me great pleasure to create the music that hopefully will make people listen to their hearts. I hope this unique initiative by Fortis Hospitals will strike the right chord with Mumbaikars in this drive to promote a healthy heart.”