Tag: YouTube

  • Stage set for ID Day

    Stage set for ID Day

    MUMBAI: Global superstars One Direction have further given details about the event, ‘1D Day’ that marks the release of their new album ‘Midnight Memories.’

     

    ‘1D Day’ will give people from every corner of the globe a unique opportunity to enter into One Direction’s world, through a seven-hour live broadcast with the band on 23 November between 7pm – 2am (GMT).

     

    ‘1D Day’ will be broadcast on YouTube & Google+, so One Direction fans around the world can watch live at the same time. The broadcast will include behind the scenes footage, exclusive plays of tracks from their new album ‘Midnight Memories’, Guinness World record attempts, and special guests including Robbie Williams, Celine Dion, Simon Cowell, Piers Morgan, The Muppets and many more.

     

    ‘1D Day’ will also broadcast live into Doctor Who Live: The Afterparty on BBC3. The show will feature a host of previous doctors and their time-travelling companions.

     

    Fans who have taken part in 1D Day challenges over the past few weeks will have the chance to spot their work on screen and people will be able to join in the fun in a variety of ways; using the hashtag #1DDayLive, swiping the screen to get rewards with the Zappar app and play along with the official 1D Day quiz.

     

    The ultimate reward for fans from around the world is getting the opportunity to hang out with the guys and participate live in the stream. The band will be surprising fans by dropping into their Google+ Hangout parties and chatting live face-to-face in a special feature called ‘One Big Drop In.’  

     

    “‘1D Day’ is all about giving back to our amazing fans for supporting us for the past three years. When we suggested it we never thought anyone would let us loose LIVE all day – we cannot wait!” said Liam of the band.

     

    One Direction recently finished a worldwide tour, and are releasing their hugely anticipated third studio album ‘Midnight Memories’ on the 25 November.  The band has also announced a worldwide stadium tour for 2014.

  • OTT video services dominate US network traffic

    OTT video services dominate US network traffic

    MUMBAI: The latest internet traffic trend report from Sandvine has reported that the network traffic in the US is dominated by over the top (OTT) video services.

    Tracking of the fixed and mobile networks across the globe shows that peer-to-peer file sharing has fallen below 10 per cent of the total traffic in North America. This is starkly different from the 60 per cent share it consumed 11 years ago in the heyday of Napster and other P2P services. Even five years ago, it accounted for over 31 per cent. The figure was reported in the six-monthly survey conducted by the broadband network solutions provider, Global Internet Phenomena Report 2H2013.

    The report has also found that the OTT leader Netflix (31.6 per cent) held its ground as the leading downstream application in North America, and together with YouTube (18.6 per cent) accounts for over 50 per cent of downstream traffic on fixed networks.

    Average monthly mobile usage in Asia-Pacific now exceeds 1GB, driven by video, which accounts for 50 per cent of peak downstream traffic, more than double the 443MB monthly average in North America.

  • OTT video services dominate US network traffic

    OTT video services dominate US network traffic

    MUMBAI: The latest internet traffic trend report from Sandvine has reported that the network traffic in the US is dominated by over the top (OTT) video services.

    Tracking of the fixed and mobile networks across the globe shows that peer-to-peer file sharing has fallen below 10 per cent of the total traffic in North America. This is starkly different from the 60 per cent share it consumed 11 years ago in the heyday of Napster and other P2P services. Even five years ago, it accounted for over 31 per cent. The figure was reported in the six-monthly survey conducted by the broadband network solutions provider, Global Internet Phenomena Report 2H2013.

    The report has also found that the OTT leader Netflix (31.6 per cent) held its ground as the leading downstream application in North America, and together with YouTube (18.6 per cent) accounts for over 50 per cent of downstream traffic on fixed networks.

    Average monthly mobile usage in Asia-Pacific now exceeds 1GB, driven by video, which accounts for 50 per cent of peak downstream traffic, more than double the 443MB monthly average in North America.

  • Facebook says 48% of daily active users and 49% of ad revenue come from mobile

    Facebook says 48% of daily active users and 49% of ad revenue come from mobile

    NEW DELHI: Facebook has claimed that mobile ad revenues and usage will soon outperform desktop ad revenues and usage.

    In its third quarterly earnings press meet, Facebook co-founder and CEO Zuckerberg said 48 per cent of its daily active users only use mobile devices while 49 per cent of its total ad revenues come from mobile ads.

    Zuckerberg said Facebook ads raked in nearly $890 million in revenues during the third quarter through the company’s app install ads, mobile engagement ads, and so on.

    The announcement means the company is heading in the right direction to meet its Q2 prediction that mobile ad revenues will surpass desktop ad revenues by year-end.

    Facebook mobile MAUs gained 45 per cent more than last past year, from 604 million MAUs in Q2 2012 to 874 million MAUs in Q3 2013.

    Facebook mobile MAUs include Facebook users who only use mobile devices and mobile users who occasionally use desktop devices to access Facebook services.

    The 45 per cent statistic for mobile MAUs had more than twice as much growth as overall MAUs, up 18 per cent from $1.007 million in Q2 2013 to $1.189 million in Q3 2013.

     

    Facebook remarked that its statistical figures exclude usage from Instagram-only users, but Facebook COO Sheryl Sandberg delivered figures on the length of time consumers spend on Facebook’s mobile platform if combined with the photo-based social network.

    Sandberg said Facebook and Instagram accounts for a combined 20 per cent of total time spent on mobile devices and 12.5 per cent of total time spent on desktop devices every month in the US.

    Sandberg noted that Facebook accounts for more mobile minutes in the US than the combined minutes of YouTube, Twitter, LinkedIn, Pinterest, Snapchat, Pandora, Yahoo, Tumblr, and AOL, even though comScore research results suggest it may have included Instagram data.

    Facebook noted that MAUs only access the company’s services through mobile devices is at 254 million

    With a total of 1.19 billion Facebook MAUs, the company grew 2.3 per cent of MAUs that only use mobile devices to access it, from 19 per cent in Q2 2013 to 21.3 per cent in Q3 2013.

    According to the latest figures, Facebook mobile DAUs across the world are up by 38 million from Q2 2013, whereas MAUs are up by 55 million from the same period.

  • Zoom packs a digital punch

    Zoom packs a digital punch

    Not only is it the ‘go to’ television channel for gossip and music, Zoom has caught the fancy of the youth even in the all-important digital space. We did some digging to find out just how much.

    Launched in 2004 and available in over 15 countries, Zoom’s official page boasts a staggering 5.4 million likes, with over 4 lakh fans talking about it simultaneously.

    In September, the channel crossed 5 million likes on Facebook with the community drawing a weekly reach of 95 lakhs, with Facebook posts delivering impressions in excess of 4 crores every week.

    So what’s the secret of Zoom’s digital success? “Through careful monitoring and studying of past trends, Zoom ensures that it puts out content that the audience is looking out for the most. Also, in this space, it is critical to be the first. Zoom has systems in place to ensure that even if one is not in front of the TV – one never has to lose access to the latest,” says ET Now, Times Now and Zoom CEO Avinash Kaul.

    The Zoom page works towards interacting from more of a friend perspective rather than just a brand, says Avinash Kaul

    But with properties like MTV also crossing the magical number of 5 million on Facebook, how does Zoom plan to stay ahead of the game? “Being the first to get to a landmark figure is always special. As an entertainment brand, the channel has its own defined presence in our audience’s mind. Our objective has never been to be the one with the highest number, but to be the one who engages their audiences the best. As long as we continue to focus on that, we would still be the preferred destination for our kind of content,” says Kaul.

    Zoom walks the talk in keeping its official page up-to-speed with pictures of Bollywood divas and hunks and all the masala from telly and Bolly land as well as happenings on its shows like Gennext and Planet Bollywood.

    And how does the channel build traffic? “There is a broader strategy based on a clear understanding of our consumers and their basic requirements. But we also look at micro management on the page, by concentrating on each post to ensure engagement and therefore build traffic.”

    “The question is what the consumer takes away from this page, so be it through contests, trivia, or breaking news, it is told to the fans as and how they want it. The Zoom page works towards interacting from more of a friend perspective rather than just a brand,” reveals Kaul.

    The social media space is managed by a dedicated in-house team, which helps maintain complete control over content apart from ensuring immediate response and interaction with members.

    In a world where news is increasingly being replaced by 140 character-tweets, Zoom tweaks music tunes as per fan tweets. The channel has 2.9 million-odd followers and more than 50,000 tweets, setting the official twitter handle @ZoomTV abuzz.

    Topping such a comprehensive digital presence is Zoom’s official website, http://zoomtv.indiatimes.com/, the channel’s mainstay in the digital space with special web exclusive content including live streaming, picture gallery, video uploads, trends and show trivia. The idea is to feed avid Zoom fans as much information as possible through the website.

    Also, Zoom’s official YouTube channel has over 28,000 videos uploaded with 3.4 lakh loyal subscribers and over 81 crore views at last count.

    To its credit, Zoom was adjudged the third most consumed TV channel on Mobile TV by India’s largest consumer survey on mobile usage.

    The channel follows a simple strategy which Kaul puts as: “The strategy has been to listen keenly to know audience conversations, reactions and trends from the past and use that knowledge, almost instinctively, to serve up new stuff that they find interesting. The choice of topic, stars, the time of day (when an update is put out), and selection of hash tags – all comes from the close and mindful study of past trends. Above all, we aim to be as current and quick as possible in making the content available online. Keeping a constant track on all that’s being reported by our own internal resources, while also being watchful at the world outside”

    Zoom’s online channel Telly Talk is the newest jewel in its digital crown and made heads turn when it crossed 10 million video views on YouTube within six months of its launch.

    Telly Talk affords audiences uncensored access to their favourite stars, right from their personal wardrobes to how they celebrate their anniversaries to what goes on behind-the-scenes et al. Not only does it provide entertainment in newer, more user-friendly formats, it also engages viewers by giving them opportunities to interact with their favourite small-screen stars from time to time.

    Telly Talk has over 21,000 subscribers on YouTube. Through Twitter initiative – #TellyMate, the channel facilitates two-way communication between the audience and their favourite stars.

    Asked what makes the channel so popular, sometimes more than GECs, Kaul says: “As a part of family TV viewing, the youth has to follow GECs even when they’re not their most preferred choice of entertainment. In the digital space, it’s entirely left to their individual choice to choose and watch exactly what they want. The width of leadership that the channel enjoys in the space is evidence of the strong connect that the brand has with its core audience.”

    Asked if Zoom would turn to reality shows ever, Kaul simply says: “The youth is really smart and is looking for content that will interest them. The minute it’s not relevant or exciting enough, they have many more options to turn to. So we are focused on the quality of our conversations on the page. It’s more about providing relevant content on the fans’ page to keep them interested and encourage their friends to further develop interest and that automatically gets people to visit the page.”

    The channel is pretty sorted in terms of getting clients and business on-board, says Karthik Lakshminarayan

    On the other hand, Zoom’s activeness on digital platforms is getting praise from senior media professionals.

    “The channel is doing pretty well, very profitable and has made good progress in the last so many years. The channel is pretty sorted in terms of getting clients and business on-board,” says Madison Media COO Karthik Lakshminarayan.

    He further adds that, though the channel is doing well, it does not have any undifferentiated content to offer to its viewers. He suggests that in future, the channel should not take a reality turn and should stay in what its forte is. “Moving beyond that into different forms of offering won’t really help them,” Lakshminarayan signs off.

  • Facebook says 48% of daily active users and 49% of ad revenue come from mobile

    Facebook says 48% of daily active users and 49% of ad revenue come from mobile

    NEW DELHI: Facebook has claimed that mobile ad revenues and usage will soon outperform desktop ad revenues and usage.

    In its third quarterly earnings press meet, Facebook co-founder and CEO Zuckerberg said 48 per cent of its daily active users only use mobile devices while 49 per cent of its total ad revenues come from mobile ads.

    Zuckerberg said Facebook ads raked in nearly $890 million in revenues during the third quarter through the company’s app install ads, mobile engagement ads, and so on.

    The announcement means the company is heading in the right direction to meet its Q2 prediction that mobile ad revenues will surpass desktop ad revenues by year-end.

    Facebook mobile MAUs gained 45 per cent more than last past year, from 604 million MAUs in Q2 2012 to 874 million MAUs in Q3 2013.

     

    Facebook mobile MAUs include Facebook users who only use mobile devices and mobile users who occasionally use desktop devices to access Facebook services.

     

    The 45 per cent statistic for mobile MAUs had more than twice as much growth as overall MAUs, up 18 per cent from $1.007 million in Q2 2013 to $1.189 million in Q3 2013.

     

    Facebook remarked that its statistical figures exclude usage from Instagram-only users, but Facebook COO Sheryl Sandberg delivered figures on the length of time consumers spend on Facebook’s mobile platform if combined with the photo-based social network.

     

    Sandberg said Facebook and Instagram accounts for a combined 20 per cent of total time spent on mobile devices and 12.5 per cent of total time spent on desktop devices every month in the US.

     

    Sandberg noted that Facebook accounts for more mobile minutes in the US than the combined minutes of YouTube, Twitter, LinkedIn, Pinterest, Snapchat, Pandora, Yahoo, Tumblr, and AOL, even though comScore research results suggest it may have included Instagram data.

     

    Facebook noted that MAUs only access the company’s services through mobile devices is at 254 million

     

    With a total of 1.19 billion Facebook MAUs, the company grew 2.3 per cent of MAUs that only use mobile devices to access it, from 19 per cent in Q2 2013 to 21.3 per cent in Q3 2013.

     

    According to the latest figures, Facebook mobile DAUs across the world are up by 38 million from Q2 2013, whereas MAUs are up by 55 million from the same period.

  • Kim Kardashian to sue YouTube

    Kim Kardashian to sue YouTube

    MUMBAI: Reality TV star Kim Kardashian isn’t happy that the footage of Kanye West’s proposal to her has hit the Internet. She is suing YouTube co-founder Chad Hurley for posting video of the proposal online at his new Internet venture MixBit.

    In a lawsuit filed on Thursday in Los Angeles Superior Court, Kardashian says Hurley was not invited to San Francisco’s AT&T Park, where the proposal took place, but rather tagged along with someone who was invited. He was only allowed to stay after allegedly promising both verbally and in a signed confidentiality agreement he would not publish details of the event. Hurley was photographed holding the signed confidentiality agreement, and the photo is included in the suit.

    The lawsuit, in which West is also a plaintiff, says Hurley, who sold YouTube to Google for $1.65 billion, was eager to promote his “new but foundering business” and saw the event (which was ostensibly a birthday celebration for Kardashian) as an opportunity he could exploit.

  • Campaigning on the web? Get a certification, says EC

    Campaigning on the web? Get a certification, says EC

    NEW DELHI: The world has gone digital and so has the Indian political system. With more and more political parties using social media for election campaigns, the election commission (EC) has now directed the chief electoral officers of all states and union territories that details of the social media accounts of the candidates (besides the recognised political parties) who are contesting elections have to be communicated to the commission.

     

    Candidates and political parties will now have to keep the EC posted about their social media accounts and websites used for campaigning, expenditure incurred for maintaining the sites and development of advertisement. Besides, the model code of conduct will also become applicable on the social media.  

     

    According to the commission, a candidate having an account on Facebook, Twitter, YouTube or even apps, has to update the commission with their email ids.

     

    The EC has also stated that campaigning on the web will require pre-certification from competent authorities. No political advertisement can be released to any internet-based website, including social media sites without this pre-certification. This certificate is issued by the media certification and monitoring committees at the district and state level.

     

    Not only this, candidates and political parties in the statement submitted to the EC have to include all expenditure incurred on advertisements on social media. This includes: payments made to internet companies and websites for carrying their advertisements, money paid for developing such content for the web, as well as salaries and wages paid to the workers employed to maintain the social media accounts.

     

    The commission has also stated that the model code of conduct will be applicable to the content posted on the internet. However, the commission will consult the Communication and Information Technology Ministry on the content posted by persons other than the candidates and political parties.

  • ‘Made for TV, as seen on YouTube’ at Asia TV Awards

    ‘Made for TV, as seen on YouTube’ at Asia TV Awards

    NEW DELHI: The 18th Asian Television Awards (ATA) will work with YouTube in organising a seminar titled “Made-for-TV, As Seen on YouTube”.

    The seminar will be held on 5 December at the Grand Copthorne Waterfront Hotel, Singapore, as part of the annual ATA showcase, organised by Television Asia Plus, a publication of Contineo Media.

    “Made-for-TV, As Seen on YouTube”, one of the premium tracks for the Showcase, will feature representatives from the Asia Pacific YouTube team. Currently confirmed is YouTube APAC director of partnership and operations Gautam Anand, who will present a keynote and engage in panel-style discussions in the presence of conference attendees. Also presenting will be YouTube APAC manager of content partnerships Wiwi Goh.

    “With more people going online every day, including here in Asia, digital media is increasingly crucial for content creators. With a platform like YouTube, creators can find new ways of distributing their content to new audiences and build up fan communities around the world,” says Gautam Anand.

    The seminar will address how YouTube can empower content producers and content rights owners/ broadcasters to not only build audiences, but monetise both legacy and new content. Included in the seminar are case studies and panel discussions, with practical tips on how best to reach audiences via YouTube. Attendees will also be acquainted with YouTube’s Content ID tools that can help track, block and even monetise content, allowing one to best structure content creation strategies on the online platform.

    The “Made-for-TV, As Seen on YouTube” seminar is part of the ATA Showcase, a full-day conference of seven tracks opened to all trade members and aspiring media professionals. At the Showcase, each year’s award nominees; regional directors, producers and creative talents, will come together and engage in an intimate theatre-style dialogue. These industry professionals will share their experiences in content production, technical expertise, as well as post production. Attendees can choose from six other Showcase tracks – “Scripted Programming”, “Formats/ Reality”, “Sports Programming”, “Factual/ Documentary”, “Children/ Preschool” and “Technical & Creative”; which will collectively introduce a wide variety of nominated ATA projects that cover the entire broadcast spectrum from production, to performance, to post-production. Some of the speakers from the 2012 ATA Showcase included representatives from Beach House Pictures, The Moving Visuals Co., Most Wanted Pictures, The Group Entertainment, Ochre Pictures, Southern Star Entertainment, Media-Stable, Fuji Television Network, Inc., FOX International Channels, Turner Broadcasting System Asia-Pacific, YouTube, and Viki.

    “The ATA Showcase is our attempt to give producers and content creators a voice to articulate their experiences in producing their nominated works. We are confident that attendees will benefit tremendously from the rich experiences of these industry professionals,” said Contineo Media CEO Raymond Wong. “In addition, our collaboration with YouTube is a testament to our commitment to not only empower content creators, but also to arm them with knowledge and expertise to take their content from existing broadcast platforms to new and emerging digital ones that are truly the next drivers of industry growth.”

    Registration for the full-day ATA Showcase has already started.

  • Intex campaign becomes bigger, better for Aqua i7

    Intex campaign becomes bigger, better for Aqua i7

    Mumbai: As the smartphone market continues to grow at a brisk pace, the manufactures are coming up with better and bigger campaigns to promote their products.

    The multi-crore TVC was shot in Mumbai and Malaysia while the VFX and editing had been done out of Singapore, says Keshav Bansal

    This time, Intex has launched a new campaign for its latest smartphone, Aqua i7. The insight for the campaign came from a research highlighting Intex’s hold across major tier 2 and tier 3 cities. The TVC is done by an in-house team.

    Keeping in mind the target consumers for Aqua i7, the focus was to devise a TVC that will help in its aggressive marketing of the product in Tier 1 cities, majorly in the metros like Delhi, Mumbai and others.

    The phone comes with features packed at an aggressive price range of Rs 22,000 which is a huge leap from the 12,000 price range of its previous flagship smartphone. “The phone caters to a niche segment, therefore the richness and the elegance of the phone needs to be communicated to the audience through TVC. Thus, the objective was to communicate these features to the consumer in an engrossing manner,” said Intex Technologies director – marketing (mobile) Keshav Bansal.

    Talking about the key issues kept in mind while executing the TVC, Bansal says, “We wanted the TVC to focus on the remarkable features of Aqua i7 and hence the TVC was crafted in a way that it is able to etch these features in the mind of consumers with its visual grandeur. The multi-crore TVC was shot in Mumbai and Malaysia while the VFX and editing had been done in Singapore to give it an unmatched appearance. Since we are coming out with a quality product for a niche segment, we left no stones unturned in terms of execution, visual effects or editing to bring out a one of its kind TVC in the fastest possible time.”

    The TVC features the brand ambassador Frahan Akhtar and an action packed fight sequence between a Samurai and Ninja.

    The major media vehicles chosen are TV, print, outdoor hoardings and digital. “Intex is giving extra importance to social media platforms such as YouTube, Facebook and Twitter and is aggressively engaging with its customer base on these platforms,” emphasises Bansal.