Tag: YouTube

  • Percept Pictures releases first short film on YouTube

    Percept Pictures releases first short film on YouTube

    MUMBAI: In a bid to capitalise on the booming digital space, Percept Pictures has released its first short film titled (aids + b) ? on YouTube.

    Moreover, with a vision to empower the youth to tell their stories, Percept is looking to launch at least 25 new directors in the next five years regardless of the medium.

    The digital content created by Percept Pictures will be divided into three categories: 1) India, 2) Travel and 3) Socially Relevant content.

    The company will be experimenting with various formats like music videos, web-series, short films etc. Plans are also to create full length films for the digital space. Additionally, Percept is also planning to give young and aspiring filmmakers a chance to explore and create their own content.

    (aids+b)2 is a black comedy, which has been directed by Venky AV. The film has been promoted through social media networks. The film is about a 10 year old school boy whose life turns upside down on learning about the existence of a disease called AIDS. The primary intention of the film is to encourage open and right conversation on AIDS and not treat it as taboo. Though the idea is a serious one- to bust the myths around AIDS, the film is not. It is a light-hearted film while addressing a very grave issue and maintaining complete cinematic aesthetics.

    Percept Pictures chief operating officer Danny Mamik said, “The most important vision at Percept Pictures is to give the youth a platform to express themselves. Any young aspirational story teller whether from Mumbai or anywhere in this country should feel compelled to come to us to say their story and we will do our very best to give that story every opportunity to be heard and seen. We are very excited with this new pathway and hope that this charts a whole new territory in film making.”

  • Percept Pictures releases first short film on YouTube

    Percept Pictures releases first short film on YouTube

    MUMBAI: In a bid to capitalise on the booming digital space, Percept Pictures has released its first short film titled (aids + b) ? on YouTube.

    Moreover, with a vision to empower the youth to tell their stories, Percept is looking to launch at least 25 new directors in the next five years regardless of the medium.

    The digital content created by Percept Pictures will be divided into three categories: 1) India, 2) Travel and 3) Socially Relevant content.

    The company will be experimenting with various formats like music videos, web-series, short films etc. Plans are also to create full length films for the digital space. Additionally, Percept is also planning to give young and aspiring filmmakers a chance to explore and create their own content.

    (aids+b)2 is a black comedy, which has been directed by Venky AV. The film has been promoted through social media networks. The film is about a 10 year old school boy whose life turns upside down on learning about the existence of a disease called AIDS. The primary intention of the film is to encourage open and right conversation on AIDS and not treat it as taboo. Though the idea is a serious one- to bust the myths around AIDS, the film is not. It is a light-hearted film while addressing a very grave issue and maintaining complete cinematic aesthetics.

    Percept Pictures chief operating officer Danny Mamik said, “The most important vision at Percept Pictures is to give the youth a platform to express themselves. Any young aspirational story teller whether from Mumbai or anywhere in this country should feel compelled to come to us to say their story and we will do our very best to give that story every opportunity to be heard and seen. We are very excited with this new pathway and hope that this charts a whole new territory in film making.”

  • ‘Marketers must not fall prey to the viral trap:’ KS Chakravarthy

    ‘Marketers must not fall prey to the viral trap:’ KS Chakravarthy

    MUMBAI: Speaking at Association for Data Driven Marketing and Advertising (DDMA) India Annual and Awards on Greatness — The New Minimum For Survival, digital marketing and social media agency Liqvd Asia CCO KS Chakravarthy (Chax) points out that accepting the changing role of advertisers and consumers is the bare minimum for the digital world that marketers are operating in today.

    Going back few years, one can see how the internet has changed the way consumers behave. From viewers, they are increasingly looking for outlets to be heard. With social media, advertisers and marketers aren’t the only story tellers; consumers are also partaking in the creative process. In fact, according to Chakravarthy, marketers are no more storytellers, but responders looking out for meaningful conversation touch points in a consumer’s life.

    Citing Google’s concept of micro moments, Chakravarthy highlights how technology enables one to target much sharper. “The entire journey to purchase can be broken down into moments. There is a moment to know, which is when a consumer is seeking information, and it is also the time when you can engage them in conversation and build relationship. And then there are moments to to go when the consumer is actually purchasing… these moments creates avenues for marketers to not just drive sales but to engage consumers,” says Chakravarthy.

    Chakravarthy moves on to expand on the statement with numerous examples of how brands have effectively anticipated and converted consumer engagement with campaigns to brand communications, starting with the Old Spice advertisement in 2010, which the marketers responded to Twitter backlash to generate more conversation about the brand resulting increased sales. While that was accidental, American FMCG brand Honey Maid anticipated negative feedback on their campaign and incorporated that into their follow up campaign.

    Apart from the new take on consumers, the key benchmarks that emerged from the session that digital marketers must take note of are reality of the second screen adoption and the vista of opportunity it poses to the marketers to capitalise upon; social influences or the viral stars of the digital world be it on YouTube, Pinterest or Vine; and the importance of collaboration or branded content, which is being tried but is still at a nascent stage in India compared to other markets.

    Having said that, Chakravathy pointed out why marketers should not fall prey to the viral trap. “It’s sad that in India only 20 per cent of the digital spends goes to video content, while the number is almost 80 per cent in a market like Japan where digital marketing is much more evolved. The issues isn’t just with infrastructure and bandwidth consumption. Whenever we think of digital marketing through videos we think of viral videos. Somehow we all think that we will make a video that will go viral, which is not the case. If one were to analyse YouTube’s data, one can see that most of the videos we know as viral in India are paid for by brands. It’s not organic and hence of no use to marketers,” he said. 

    “Unless a video engages a consumer in something informative, and ensures meaningful consumer engagement, it will not convert to anything even close to sales for a brand,” Chakravarthy asserted.

    When queried as to whether he finds digital marketers lacking confidence in the Indian market, Chakravarthy gives them the benefit of doubt and expresses his primary concerns with the medium in the current landscape. “Apart from a few B2B brands, most brands can’t to without television in India, especially FMCG brands. Moreover even with the buzz around digital marketing, clients haven’t really got what they want from digital practices in India on marketing. Once that happens, this question of confidence won’t come. The fact remains that marketers must engage brands in all touch points of their purchasing journey using digital as a tool. That’s the bare minimum,” Chakravarthy signed off.

  • ‘Marketers must not fall prey to the viral trap:’ KS Chakravarthy

    ‘Marketers must not fall prey to the viral trap:’ KS Chakravarthy

    MUMBAI: Speaking at Association for Data Driven Marketing and Advertising (DDMA) India Annual and Awards on Greatness — The New Minimum For Survival, digital marketing and social media agency Liqvd Asia CCO KS Chakravarthy (Chax) points out that accepting the changing role of advertisers and consumers is the bare minimum for the digital world that marketers are operating in today.

    Going back few years, one can see how the internet has changed the way consumers behave. From viewers, they are increasingly looking for outlets to be heard. With social media, advertisers and marketers aren’t the only story tellers; consumers are also partaking in the creative process. In fact, according to Chakravarthy, marketers are no more storytellers, but responders looking out for meaningful conversation touch points in a consumer’s life.

    Citing Google’s concept of micro moments, Chakravarthy highlights how technology enables one to target much sharper. “The entire journey to purchase can be broken down into moments. There is a moment to know, which is when a consumer is seeking information, and it is also the time when you can engage them in conversation and build relationship. And then there are moments to to go when the consumer is actually purchasing… these moments creates avenues for marketers to not just drive sales but to engage consumers,” says Chakravarthy.

    Chakravarthy moves on to expand on the statement with numerous examples of how brands have effectively anticipated and converted consumer engagement with campaigns to brand communications, starting with the Old Spice advertisement in 2010, which the marketers responded to Twitter backlash to generate more conversation about the brand resulting increased sales. While that was accidental, American FMCG brand Honey Maid anticipated negative feedback on their campaign and incorporated that into their follow up campaign.

    Apart from the new take on consumers, the key benchmarks that emerged from the session that digital marketers must take note of are reality of the second screen adoption and the vista of opportunity it poses to the marketers to capitalise upon; social influences or the viral stars of the digital world be it on YouTube, Pinterest or Vine; and the importance of collaboration or branded content, which is being tried but is still at a nascent stage in India compared to other markets.

    Having said that, Chakravathy pointed out why marketers should not fall prey to the viral trap. “It’s sad that in India only 20 per cent of the digital spends goes to video content, while the number is almost 80 per cent in a market like Japan where digital marketing is much more evolved. The issues isn’t just with infrastructure and bandwidth consumption. Whenever we think of digital marketing through videos we think of viral videos. Somehow we all think that we will make a video that will go viral, which is not the case. If one were to analyse YouTube’s data, one can see that most of the videos we know as viral in India are paid for by brands. It’s not organic and hence of no use to marketers,” he said. 

    “Unless a video engages a consumer in something informative, and ensures meaningful consumer engagement, it will not convert to anything even close to sales for a brand,” Chakravarthy asserted.

    When queried as to whether he finds digital marketers lacking confidence in the Indian market, Chakravarthy gives them the benefit of doubt and expresses his primary concerns with the medium in the current landscape. “Apart from a few B2B brands, most brands can’t to without television in India, especially FMCG brands. Moreover even with the buzz around digital marketing, clients haven’t really got what they want from digital practices in India on marketing. Once that happens, this question of confidence won’t come. The fact remains that marketers must engage brands in all touch points of their purchasing journey using digital as a tool. That’s the bare minimum,” Chakravarthy signed off.

  • TVF, Ola Cabs & the Permanent Roommates association

    TVF, Ola Cabs & the Permanent Roommates association

    MUMBAI: One of India’s popular YouTube channels and digital producers, The Viral Fever (TVF), is back with the second season of its flagship web series Permanent Roommates . And how!

     

    Touting it as the best web series that TVF has put together so far, TFV CEO and founder Arunabh Kumar has high hopes from this ambitious project. The company is making this production in association with call taxi service Ola Cabs as of Permanent Roommates season 2.

     

    While Kumar refused to divulge any details, a source close to the development guesstimated that Ola has shelled out  an eye-popping Rs 2.5-3 crore for backing the production.

     

    Slated to go online on TVF Play and TVF’s YouTube channel on Valentine’s Day, the new season will consist of eight 30 – 40 minute long power packed episodes.

     

    It will take off from where season one left off — the drama in the lives of Internet’s most-loved fictional characters Tanya (Nidhi Singh) and Mikesh (Sumeet Vyas). The episodes are scheduled to air fortnightly. And the theme is “The Third Kind of Love.”

     

    Kumar expects viewership to touch four – five million per episode, which hardly comes as a surprise given last season’s success.

     

    Launched in October 2014, the web series grossed over 12 million views for five episodes that aired on YouTube, with every episode having more than a million views making it the (claimed) second most watched online long form content in the world.

     

    “Our target is to cater to and retain the three million viewers who already follow Permanent Roommates and maybe expand our viewership by a couple of more million. We have weaved the content so that it is not only a youth-based love story but also has elements of interest for the entire family. We have some surprises for all of them,” adds Kumar.

     

    What’s more, with a big chunk of sponsorship money in, the pressure is on the creative geniuses to up the ante now. Season One had CommonFloor as the brand partner; hence, the home was one of the main protagonists.

     

    Will season 2, see them going around in taxis or make mentions of them using the service like the duo does in the promo that released today?

     

    “We do work really hard in trying to integrate the brand’s value through the storytelling and send across the brand statement through the narrative rather than a product placement in a 10-second shot,” says Kumar.

     

     

    If the guesstimated sponsorship amount of Rs 2.5 crore to Rs 3 crore is right, then TVF has a budget of Rs 30-35 lakh per episode at its disposal, which is far higher than the commissioning fees for fictional TV shows on GECS which are in the range of Rs 7 to Rs 15 lakh per episode.

     

    “We generally take six to nine months to complete a production. We pay attention to detail and operate on a crew of almost a hundred people,” explains Kumar, adding that one can’t compare it to television as television mathematics work completely differently.

     

    The latest teaser released by TVF has already created a buzz amongst netizens with over a lakh views in just a few hours. Fans can expect a longer promo from 4 February onwards leading up to the show’s launch on 14 February.

     

    Surprisingly, with a scale this high, TVF continues to confidently depend on word of mouth and social buzz to increase its audience.

     

    “We don’t have any solid marketing strategy in place. We will do what we usually do, post messages on our respective social media accounts and our ever attentive fans will spread the word,” Kumar says confidently.

     

    Having said that, TVF is also looking at dabbling in conversational marketing by collaborating with several partners and maybe go beyond digital and make the shows presence felt offline.

     

    In the new content ecosystem, everything goes, doesn’t it?

     
  • TVF, Ola Cabs & the Permanent Roommates association

    TVF, Ola Cabs & the Permanent Roommates association

    MUMBAI: One of India’s popular YouTube channels and digital producers, The Viral Fever (TVF), is back with the second season of its flagship web series Permanent Roommates . And how!

     

    Touting it as the best web series that TVF has put together so far, TFV CEO and founder Arunabh Kumar has high hopes from this ambitious project. The company is making this production in association with call taxi service Ola Cabs as of Permanent Roommates season 2.

     

    While Kumar refused to divulge any details, a source close to the development guesstimated that Ola has shelled out  an eye-popping Rs 2.5-3 crore for backing the production.

     

    Slated to go online on TVF Play and TVF’s YouTube channel on Valentine’s Day, the new season will consist of eight 30 – 40 minute long power packed episodes.

     

    It will take off from where season one left off — the drama in the lives of Internet’s most-loved fictional characters Tanya (Nidhi Singh) and Mikesh (Sumeet Vyas). The episodes are scheduled to air fortnightly. And the theme is “The Third Kind of Love.”

     

    Kumar expects viewership to touch four – five million per episode, which hardly comes as a surprise given last season’s success.

     

    Launched in October 2014, the web series grossed over 12 million views for five episodes that aired on YouTube, with every episode having more than a million views making it the (claimed) second most watched online long form content in the world.

     

    “Our target is to cater to and retain the three million viewers who already follow Permanent Roommates and maybe expand our viewership by a couple of more million. We have weaved the content so that it is not only a youth-based love story but also has elements of interest for the entire family. We have some surprises for all of them,” adds Kumar.

     

    What’s more, with a big chunk of sponsorship money in, the pressure is on the creative geniuses to up the ante now. Season One had CommonFloor as the brand partner; hence, the home was one of the main protagonists.

     

    Will season 2, see them going around in taxis or make mentions of them using the service like the duo does in the promo that released today?

     

    “We do work really hard in trying to integrate the brand’s value through the storytelling and send across the brand statement through the narrative rather than a product placement in a 10-second shot,” says Kumar.

     

     

    If the guesstimated sponsorship amount of Rs 2.5 crore to Rs 3 crore is right, then TVF has a budget of Rs 30-35 lakh per episode at its disposal, which is far higher than the commissioning fees for fictional TV shows on GECS which are in the range of Rs 7 to Rs 15 lakh per episode.

     

    “We generally take six to nine months to complete a production. We pay attention to detail and operate on a crew of almost a hundred people,” explains Kumar, adding that one can’t compare it to television as television mathematics work completely differently.

     

    The latest teaser released by TVF has already created a buzz amongst netizens with over a lakh views in just a few hours. Fans can expect a longer promo from 4 February onwards leading up to the show’s launch on 14 February.

     

    Surprisingly, with a scale this high, TVF continues to confidently depend on word of mouth and social buzz to increase its audience.

     

    “We don’t have any solid marketing strategy in place. We will do what we usually do, post messages on our respective social media accounts and our ever attentive fans will spread the word,” Kumar says confidently.

     

    Having said that, TVF is also looking at dabbling in conversational marketing by collaborating with several partners and maybe go beyond digital and make the shows presence felt offline.

     

    In the new content ecosystem, everything goes, doesn’t it?

     
  • Just Buy launches marketing campaign targeting shopkeepers

    Just Buy launches marketing campaign targeting shopkeepers

    MUMBAI: With an aim to empower retailers, e-distributor Just Buy Live has launched a marketing campaign – Just Buy, Ek App, Ek Awaaz, which highlights the brand’s emotional connect with retailers and the challenges they face.

     

    The campaign began with teaser ads comprising four thematic TVCs centre staging challenges faced by small retailers. The week-long teaser campaign culminated with the reveal of Just Buy Live. The TVCs were launched simultaneously on YouTube.

     

    Just Buy Live’s ATL campaign was conceptualised and executed by Ferry Wharf Communications (FWC).

     

    Just Buy Live chairman and CEO Sahil Sani said, “As the world’s first e-distributor we had to resist the temptation of simply announcing: ‘here’s a revolutionary product’. Instead we took a step back and looked at why we came up with Just Buy.”

     

    “Just Buy was born out exasperation with traditional distribution systems that put the retailer, the Aam Dukandaar, at a disadvantage. Add to it the real threat to the Aam Dukandaar’s business because of the discount-scale model of online retailers, and we have a potent combination of status quo (of distribution) colliding with frustration and uncertainty experienced by the Aam Dukandaar,” Sani elaborated.

     

    Just Buy Live co-founder and managing director Bharat Balachandran added, “For me, Just Buy is not only the world’s first e-distributor. It is a movement, a revolution that will give back the Aam Dukandaar his confidence, financially and emotionally. The only difference between a retailer and us is that everyone only seems to care about us. Us as in you and me, the consumers.”

     

    FWC director Theron Carmine said, “In the process of getting a product from the manufacturer to the customer, the most important point is where the customer actually interacts with the product. That point is the retail store and surprisingly, it is the most neglected link in the chain. The average shopkeeper doesn’t understand the online retail model, valuations, funding etc. and is perplexed by the fact that online businesses are making losses and yet have big bucks to spend on advertising campaigns. He is unable to understand this loss-making business model and wonders why it is the darling of the media and those in power.”

     

    Network Media executive VP Nilesh Patil said, “The challenge was to target a segment that had no available media consumption data; we had to go beyond traditional thinking and market information. That’s where learning’s from past market visits came handy. We planned the media with a combination of data, gut feel and experience. The results are validating the approach, with a substantial number of downloads from the moment the reveal happened on TV.”

     

    “When the only thing you know to earn a living is under threat, you feel trapped. This feeling of entrapment triggers a bunch of emotions. Some look outside for help and hope for a messiah, some explore the possibility of violent protests, while others see a conspiracy against them. On the other hand, when the family earnings suffer, the family suffers too. These very emotions have been captured in the TV commercials in both the teaser and reveal phases,” added FWC creative head Deven Sansare.

     

    “The important emotional aspect that the TV campaign explores is the feeling among retailers that they are pitted against forces much larger than them. It is the classic David versus Goliath scenario that is playing out in the retailers’ minds and on the business front. Just Buy is the Aam Dukandaar’s voice, his awaaz. All we have done is given it a loudspeaker,” voiced Sani.

  • Just Buy launches marketing campaign targeting shopkeepers

    Just Buy launches marketing campaign targeting shopkeepers

    MUMBAI: With an aim to empower retailers, e-distributor Just Buy Live has launched a marketing campaign – Just Buy, Ek App, Ek Awaaz, which highlights the brand’s emotional connect with retailers and the challenges they face.

     

    The campaign began with teaser ads comprising four thematic TVCs centre staging challenges faced by small retailers. The week-long teaser campaign culminated with the reveal of Just Buy Live. The TVCs were launched simultaneously on YouTube.

     

    Just Buy Live’s ATL campaign was conceptualised and executed by Ferry Wharf Communications (FWC).

     

    Just Buy Live chairman and CEO Sahil Sani said, “As the world’s first e-distributor we had to resist the temptation of simply announcing: ‘here’s a revolutionary product’. Instead we took a step back and looked at why we came up with Just Buy.”

     

    “Just Buy was born out exasperation with traditional distribution systems that put the retailer, the Aam Dukandaar, at a disadvantage. Add to it the real threat to the Aam Dukandaar’s business because of the discount-scale model of online retailers, and we have a potent combination of status quo (of distribution) colliding with frustration and uncertainty experienced by the Aam Dukandaar,” Sani elaborated.

     

    Just Buy Live co-founder and managing director Bharat Balachandran added, “For me, Just Buy is not only the world’s first e-distributor. It is a movement, a revolution that will give back the Aam Dukandaar his confidence, financially and emotionally. The only difference between a retailer and us is that everyone only seems to care about us. Us as in you and me, the consumers.”

     

    FWC director Theron Carmine said, “In the process of getting a product from the manufacturer to the customer, the most important point is where the customer actually interacts with the product. That point is the retail store and surprisingly, it is the most neglected link in the chain. The average shopkeeper doesn’t understand the online retail model, valuations, funding etc. and is perplexed by the fact that online businesses are making losses and yet have big bucks to spend on advertising campaigns. He is unable to understand this loss-making business model and wonders why it is the darling of the media and those in power.”

     

    Network Media executive VP Nilesh Patil said, “The challenge was to target a segment that had no available media consumption data; we had to go beyond traditional thinking and market information. That’s where learning’s from past market visits came handy. We planned the media with a combination of data, gut feel and experience. The results are validating the approach, with a substantial number of downloads from the moment the reveal happened on TV.”

     

    “When the only thing you know to earn a living is under threat, you feel trapped. This feeling of entrapment triggers a bunch of emotions. Some look outside for help and hope for a messiah, some explore the possibility of violent protests, while others see a conspiracy against them. On the other hand, when the family earnings suffer, the family suffers too. These very emotions have been captured in the TV commercials in both the teaser and reveal phases,” added FWC creative head Deven Sansare.

     

    “The important emotional aspect that the TV campaign explores is the feeling among retailers that they are pitted against forces much larger than them. It is the classic David versus Goliath scenario that is playing out in the retailers’ minds and on the business front. Just Buy is the Aam Dukandaar’s voice, his awaaz. All we have done is given it a loudspeaker,” voiced Sani.

  • Pawan Agarwal joins YouTube as head of music partnerships – India & S. Asia

    Pawan Agarwal joins YouTube as head of music partnerships – India & S. Asia

    MUMBAI: Gaana.com vice president and business head Pawan Agarwal has stepped down from his post at the Times Internet owned company to join YouTube as head of music partnership for India and South Asia region.

     

    He joined YouTube earlier this month and will be based in Gurgaon.

     

    Agarwal was with Gaana.com for a period of three years from June 2013 to December 2015 and was responsible for the company’s business growth and profit and loss management.

     

    An IIT, Kanpur alumni, Agarwal was co-founder & COO at Sunstone Business School before joining Gaana.com. He also had a stint with Lime Labs as head of India operations from 2006 – 2011.

  • Pawan Agarwal joins YouTube as head of music partnerships – India & S. Asia

    Pawan Agarwal joins YouTube as head of music partnerships – India & S. Asia

    MUMBAI: Gaana.com vice president and business head Pawan Agarwal has stepped down from his post at the Times Internet owned company to join YouTube as head of music partnership for India and South Asia region.

     

    He joined YouTube earlier this month and will be based in Gurgaon.

     

    Agarwal was with Gaana.com for a period of three years from June 2013 to December 2015 and was responsible for the company’s business growth and profit and loss management.

     

    An IIT, Kanpur alumni, Agarwal was co-founder & COO at Sunstone Business School before joining Gaana.com. He also had a stint with Lime Labs as head of India operations from 2006 – 2011.