Tag: YouTube

  • We are seeing consumption in languages & low-connectivity areas, says Facebook India’s Saurabh Doshi

    With millennials increasingly consuming video online and on their handsets on Youtube and on VOD services, Facebook, the world’s largest social media network, has also rushed in to provide users with their unique experience. And while it has been a little late getting to the party with video, the Mark Zuckerburg led firm has been pretty clear about its intentions to own this space as well.

    With more than two billion monthly active users, and 100 million daily  actives, Facebook could cause unimaginable disruption with its video strategy.  While that might happen online on some connected devices, in India it is going to be on mobile, thanks to its vast mobile population of close to a billion.

    Facebook India head-media partnerships Saurabh Doshi echoed that sentiment as well at indiantelevsion.com’s OTT summit VIDNET 2017 in Mumbai two weeks ago. He stated that almost 95 per cent of the Indian population logs on to the social media network on their mobiles. He was on stage having a fireside chat with well-known Youtube creator and comedian Saurabh Pant.  Excerpts from the conversation.

    Can you quickly start with what is currently happening in India and what is the trend going on on Facebook?

    We get over 184 million active users monthly out of which 178 million come from mobile phones, so almost 95 per cent of the population in India is using Facebook on their mobile. Close to 100 million visit the platform everyday. On Whatsapp, we have around 200 million monthly active users.

    The interesting thing is that Facebook also deals with multiple formats, considering use of videos. As a creator myself, I have noticed that it has exploded over the last year and seeing far more traction. So can you tell us something about the multiple formats and how best to use them.

    We started with being a text platform. Over a period of time, the journey moved to photos after which we saw a big consumer shift happening towards videos like the Ice bucket challenge kicked off its whole journey on Facebook. So it is generally from videos to live, 360 degree, and VR which is an extension of different platforms. Recently, we launched camera effects through which the creators can create filters, masks, emoji’s.

    With Instagram, what’s happening is like put up the story and you get an immediate click on it.

    Yes, Instagram is also doing great in India, its growing relatively very fast, we see a lot of youth coming on the platform. Around 200 million people across the globe are using Instagram stories.

    At a session here, Republic TV’s Arnab Goswami gave Facebook a very happy endorsement where he said he prefers Facebook over Twitter because of a lack of anonymity. What is your take on that?

    Real people on the platform have always been our USP. When you have real people and real conversations happening on real time basis, it has been carried to other platforms as well. We have a community business team across the world working 24X7 to pull out fake pages and accounts.

    As I said Facebook videos have exploded from last year, my Facebook and Youtube views are almost even and sometimes views on Facebook were far more. So is there any trend you are noticing with regards to content creation and what works and what does not, from a video point of view?

    First of all I want to elaborate a bit. Facebook started up being a friend and family network and is still that. In fact, that is the core DNA. Secondly, there is need to either have a conversation as to what is happening in your personal life and also what is happening in your surroundings like breaking news or a movie trailer etc. – the ability to give an environment where anyone can comment, chat, share.

    I have been using Facebook Live very  consistently over a period of six to eight months and I have noticed that some of the live videos hit higher numbers than the stand-up. The new Facebook layout has a separate tab for videos, where you can see videos all across the platform.

    At various points of time we keep on experimenting with lots of products, the behaviour of a user to pull out a phone, watch some videos, and look at some text. People come to the platform not only because of the news feed but also a place where the creators’ content can be curated so that people can follow those creatives.

    What kind of content do you like to watch on Facebook: is there any particular channel or creative that you find exciting? Going forward, what do you think are some of the trends you see with regards to Facebook videos?

    Personally, I am a strong consumer of news, I discover all my news through Facebook, as Satya (Raghavan fro YouTube) mentioned, we see a growth around the languages, regional content and local content. So we focus on supporting creators and organisations in some of those areas. People with low-end devices in poor connectivity areas also browse Facebook. We are seeing the consumption all across and thanks to Reliance Jio for all the efforts on the infrastructure side.

    The most crucial question, what are the plans for monetisation rollout?

    We clearly understand the need for providing the tool through which creators can make money. Premium content obviously kicks in a lot of resources, efforts. We need to have the model where the creators should be able to make money out of Facebook. Having said that, we have experimented in the past, and there are more experiments going on. Last year, we rolled out suggested  video, this year some time early in US we rolled out ad rates inside the videos where the creator could actually put an ad and make money out of it including live.

  • YouTube: Ten ads clock 2.3 mn hrs of watch time in Q2 ’17, 180 mn Indians watching monthly

    MUMBAI: YouTube released the Q2’17 India Ads Leaderboard, a list of the top ads and promoted videos that Indian audiences consumed during the second quarter of the year. These ten ads clocked an astounding 2.3 million hours of watch time, with mobile devices accounting for 82% of the watch time. As per App Annie*, every month, 180 million Indians are watching YouTube on the mobile. The YouTube Ads Leaderboards showcase the most creative ads that people choose to watch. The list represents the top 10 ads on YouTube in India that resonated most with audiences over the past month and celebrates the brands that performed best through a combination of popularity and promotion.

    Here are the top 10 most viewed ads of 2017 on YouTube:

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  • Dekkho to identify non-production house talent, plans four web series in Sept-Oct

    MUMBAI: Dekkho will largely focus on youth-based videos and regional content across six languages, primarily serving the 18-30 year old mobile audience.

    The online video streaming platform has announced plans to establish itself as the destination for talent discovery in India and showcase premium content from non-production house talent. Having collaborated with 80+ creators to curate premium videos across genres such as food, fashion, travel, lifestyle, comedy and gossip, the platform is now gearing up to run multiple digital promotions and events to identify emerging talent and get them on board over the next three to four quarters.

    The platform will also mark its foray into original content co-creation with four branded video properties, lined up for September-October period, in the form of web series, music videos, and short-form videos.

    Dekkho’s latest move is aimed at tapping into the unscripted and independent creator market, which comprises around 80 per cent of the overall production volume of online entertainment.

    As part of its marketing strategy, Dekkho has tied up with leading telecom operators and original phone equipment manufacturers (OEMs) to offer greater exposure to content developed by independent creators. The platform has additionally collaborated with partners like Amazon Fire TV.

    Co-founder Tanay Desai said, “Viewers today want more of short, snackable content that independent creators like AIB or Miss Malini produce. Our aim now is to create visibility through a bunch of exciting developments like localising our UI, promoting offline viewing and building for low data consumption. We are focused on Tier II, Tier III consumers who constitute the masses, and provide them a focused, curated experience that is missing on YouTube and Facebook.”

    “Dekkho,” he said, “will primarily host creators who are not associated with a label or production house. This initiative is synergistic with that vision, and will help us in discovering exciting talent from across the country to provide our viewers with premium content across age groups, geographies, and languages.”

    Says he: “Not only are we providing them with global exposure and monetisation opportunities through our advertising network and brand integrations, but this is the first time their ongoing content will be represented on a big screen format via our partnerships.”

    Dekkho aims at realising its target of reaching five million monthly active users within the next year and have 200 channels on board.

  • Tata Sky & QYOU partner to bring online video content

    MUMBAI: QYOU Media, a leading curator of premium ‘best-of-web’ video for multiscreen distribution, has expanded its partnership with Tata Sky, a leading content distribution platform in India, in the largest single-territory deployment of its linear channel to date. Previously available through Tata Sky’s mobile app, this broader deal will make QYOU’s 24/7 service of online video content available to 17 million Tata Sky connections across television and mobile.

    The rapid growth in internet access has seen the number of users in India surge to almost 400 million. Online short-form video available through sites such as YouTube, Daily Motion and Facebook is hugely popular, with the average length of a viewed video in India being less than twenty minutes. To cater to the tastes of digital native millennial and generation Z audiences who are engaging with short-form video on a daily basis, Tata Sky will feature The QYOU’s 24/7 service which curates unique digital-first content. This content will be featured through the screens and services its younger customers in India love to use, especially mobile and TV.

    As part of the agreement, QYOU and Tata Sky will also start to feature content from local creators in India and some of the most popular online videos from the region in order to create highly localized shows that appeal to Indian audiences. The service will be available on Ch 200 (HD) & Ch 201 (SD) on Tata Sky and keeping in mind the ‘on the go’ nature of the content, it will also be available on the Tata Sky app on Live TV and VOD.

    Tata Sky chief content officer Arun Unni commented: “Catering to audiences’ changing preferences and tastes has always been the core focus for Tata Sky. This will be the first time that subscribers can view short format content 24×7 on their TV sets on the Tata Sky Mobile App. With the burgeoning popularity of online video in India and the incredible depth of unique content in QYOU’s archives, it makes complete sense for us to provide this service to our subscriber base.”

    QYOU Media CEO Curt Marvis adds: “India is renowned for being a region filled with tech-savvy young people, who navigate the worlds of internet video and traditional television with complete ease. Having a curated mix of the best digital-first video content at their fingertips – whether they’re watching on a mobile device or via the TV screen – means that they can enjoy the best of both worlds and never miss a thing. We are proud that our partnership with Tata Sky is evolving and enabling us to make the largest deployment of our channel in a single market to date.”

  • Facebook plans to stream sports, comedy, reality & gaming TV series

    MUMBAI: Cable cutters never had it this good. Now, a broad range of streaming services is available on all your devices, including those that offer live TV.

    Social networking giant Facebook, with around two billion monthly users, plans to start production on high-quality gaming shows and television series possibly investing up to $3 million (Rs 193 million) an 30-minute episode which would be broadcast on its platform. Facebook may announce its first batch of TV-like shows this summer, targeting 13-34 age-group audience but focusing on 17-30 range, PTI and WSJ reported. With that, Facebook is set to take on Netflix, YouTube, and Hulu.

    The online platform, which has around two billion monthly users worldwide, is working on the project with a small group of partners and hopes to start putting out episodes of its forthcoming series by the end of the summer. The company is also reportedly keen on sit-com programming having signed deals for short-form content from partners such as Vox Media, ATTN, and BuzzFeed earlier this month.

    It was in mid-April that Facebook originally planned to unveil its shows around its developer conference, then in time for the Cannes Lions festival, which started mid-June. But, it did not happen.

    Facebook vice president for media partnerships Nick Grudin, in a statement to AFP, said its goal was to make Facebook a place where people could come together around video, observing that Facebook and its collaborators would “experiment with the kinds of shows you can build a community around — from sports to comedy to reality to gaming.”

    Facebook is funding the shows on its own at first, he said, “but, over time, we want to help lots of creators make videos funded through revenue sharing products like Ad Break,” a software tool that allows adverts to be directly inserted into Facebook’s online content.

    Facebook could possibly not have shows about teens, or “political dramas, news [or] shows with nudity and rough language.” So, it seems Facebook wants to be the safest, most straight-down-the-middle TV network on the web. Facebook may share ad revenue with creatives who contribute short-form content. And, in a major change from the way online competitors have been doing business, it will also open up its viewership data to “Hollywood” — presumably production partners.

  • ChuChu TV on YouTube records 10m subs with 154 kids videos

    MUMBAI: A YouTube channel seems to be creating wonders with kids rhymes, and it is getting wonderful views and reviews and clicks! ChuChu TV, an Indian YouTube channel for kids, gives a positive spin to original nursery rhymes.

    One of the most popular edutainment channels worldwide, ChuChu TV, in its fourth year, has received 10 million subscribers with just 154 videos, making it the fastest-ever growing YouTube channel in the family entertainment and pre-school education space. This incredible milestone which reiterates ChuChu TV’s remarkable success was achieved on 17 June, 2017.
    Indiantelevision.com had reported in May 2017 that T-Series stayed put in its #1 spot on the top of the charts for the 11th week in a series. One of the India’s largest music labels and movie studio’s destination on YouTube popped up 26% to close out the week with more than 321.3 million views. Way far behind in the second place was Ryan Toys Review. The aging toddler saw his channel go up 4% in its week-over-week view count to top out at nearly 214.8 million views, TubeFilter had reported. In the fifth position was SET India. The YouTube home of Sony Entertainment (India) jumped up 19% to end the week with almost 183.1 million views.

    Says ChuChu TV co-founder and CEO Vinoth Chandar, “We are delighted to have made history by becoming the fastest growing family entertainment and preschool channel. We have always believed in quality and positive messaging and this landmark is a thumbs-up from our audience and care-givers. It inspires us to create iconic content, introduce consumer products and basically do more of everything that delights and educates our audiences across the world.”

    ChuChu TV is the fourth largest YouTube channel in India with its online audience larger than that of All-India Bakchod (AIB), Viral Fever Videos or Comedy Nights, Colors TV and Star Plus. The channels more popular with a larger subscriber-base than ChuChu TV are — T-Series, Sony and ZeeTV.

    However, T-Series has grown over the years through an upload of around 10000+ videos, SET India has around 17000+ videos and ZeeTV around 68000+ videos, whereas ChuChu TV has only 154 so far, making it a leader in its own right.

    In addition, ChuChu TV has achieved this milestone in four years. In terms of views, ChuChu TV has a whopping 12 billion views across all its channels. It ranks #1 in Asia Pacific region and in India and #2 worldwide in terms of  subscribers in the family entertainment & pre-school education categories.

    ChuChu TV is a YouTube based kid’s channel which offers educational videos and original nursery rhymes refreshed with a positive message. Designed to engage children through a series of upbeat songs and colourful animations, ChuChu TV has been making learning engaging and fun for toddlers in over 75 countries worldwide, truly making the channel a global phenomenon. Positive messages are at the heart of ChuChu TV’s entertaining songs and animations. Beloved nursery rhymes like “Chubby Cheeks” and “Baa Baa Black Sheep”  have been re-written to promote the value of sharing and helping others, while “Head, Shoulders, Knees and Toes” highlights the importance of exercise in a way that young children will understand.

    Their motto is ‘Spreading goodness among children,’ and the channel strives to keep to with every new video they offer to their young audience.

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  • BBC Learning English – Thai now live on website, FB, YouTube & Instagram channels

    MUMBAI: BBC Learning English has launched special content for Thai-speaking learners. BBC Learning English – Thai is now live on the BBC Learning English website as well as Facebook and Instagram channels. BBC Thai features selected material on its Facebook page and other social-media channels.

    BBC World Service delivers news content around the world in English and 28 other language services, on radio, TV and digital, reaching a weekly audience of 269 million. BBC Learning English, a part of the BBC World Service, is a leader in using international broadcasting to teach English. Users connect with BBC Learning English via the website bbclearningenglish.com, its partner sites, as well as Facebook, Twitter, Instagram and YouTube.

    BBC Learning English – Thai includes weekly video and audio clips for learners at beginner and intermediate levels. Beginners can try Essential English Conversation, while English on the Street and English in the News – featuring the most popular stories from the BBC Thai website – are aimed at those at intermediate level.

    BBC Learning English – Thai is delivered via the BBC Learning English website and social-media channels. Selected content features on BBC Thai Facebook page, Instagram and YouTube channels.

    BBC Learning English editor Paul Scott says: “We are looking forward to engaging and interacting with Thai-speaking learners of English. Our new free series will help them on their language-learning journeys as the starting point for conversations and for sharing views, ideas and culture.”

  • YouTube 1.5x of FB, short-form popular, 65% in non-metros & 80% may pay premium: Kantar

    MUMBAI: In an attempt to understand the dynamics of mobile video consumption space in India, Culture Machine and Kantar IMRB presented an environment scan of consumption of video and OTT platforms.

    Highlights:

    – YouTube remains the king of online video consumption, with 1.5x the reach of second-ranked Facebook
    – Short-form video (<10 min.) remains the most popular format among mobile users, but it’s also gaining traction among PC users
    – Non-Metro consumers accounted for 65% of video views on smartphone
    – 1 in 3 mobile smartphone video viewers is accessing an OTT video Platform
    – 80% of OTT consumers would consider paying a premium to access exclusive content

    The advent of 4G services and subsequent reduction in mobile data costs have acted as significant catalysts for mobile video consumption. The video streaming landscape in India is being radically transformed, but information regarding viewership remains hard to come by. This report sheds light on the budding landscape of mobile video to enhance perspectives and drive decision-making for marketers interested in the mobile video phenomenon.

    Key Findings:

    – Short-form video remains the most popular format among smartphone users, with 85% of viewers preferring a video length of 10 minutes or less
    – YouTube leads the charge with maximum reach among online mobile video viewers
    – The average smartphone user devotes more than 3 hours a week, watching video content on their smartphones
    – 1 in 3 mobile smartphone video viewers is accessing an OTT video platform
    – 80% of OTT consumers would consider paying a premium to access exclusive content

    Facebook vs YouTube

    – YouTube remains the king of online video consumption, with 1.5x the reach of second-ranked Facebook. But this dominance has come under threat as Facebook is proving to be not just a platform that drives views but also delivers engagement for content
    – The frequency of accessing Facebook in a month is almost 2.5x times greater than YouTube
    – Entertainment/Comedy is the most popular genre on both platforms
    – Vernacular/Regional Content is the most engaging content across categories on YouTube
    Over-the-top (OTT) video services
    – Mobility factor and ability to consume content on-the-go emerges as the clear driver for growth
    – Women and those aged between 15-24 are most likely to be avid users
    – Weeknights are the most popular time slots for OTT consumption

    Culture Machine CEO Sameer Pitalwalla said, “Digital’s rapid growth continues and video is the fastest growing piece of that pie. This report was the result of Culture Machine’s proprietary technology platform Intelligence Machine which we used to understand the video landscape in India. Thereafter, the collaboration with Kantar IMRB was natural, given their global standing in creating reports and coming up with deep-dive analyses on data points.”

    Kantar IMRB MD Hemant Mehta said, “Mobile video has definitely come of age and is the new leveler. Over 40% of users are from the lower socio-economic groups (SEC C/D/E) and as many as 65% are from non-metros. Also, mobile video is not a youth phenomenon anymore – with over 25-year-olds contributing equally. For me, two things stand out: the strong engagement levels that women have with mobile videos and the fact that it’s not just about entertainment. We found that Education while being the third most watched genre, generated over a billion views; especially for the content-focused on toddlers and preschoolers.”

    The report combines Big Data and a deep understanding of smartphone consumer behaviour including –

    – Intelligence Machine – Culture Machine’s AI powered video intelligence platform that scans 3 billion videos daily.
    – Mobi Track: Kantar IMRB’s 8000-strong proprietary smartphone panel that tracks behavioural data.
    – Interviews with 1500 video OTT consumers across India.

  • ReachMe in US hotels and airports, announces India’s Toonz TV

    MUMBAI: India’s Toonz Media Group’s new kids channel will now be distributed via ReachMe.TV’s in-hotel and in-airport networks in the US. Toonz TV is planning to roll out internationally in the third quarter of 2017.

    Toonz Media has partnered with Los Angeles-based mobile entertainment network ReachMe.TV, a multi-channel, digital TV entertainment network and integrated global distribution platform that reaches viewers on the go, to launch Toonz TV, a new animation-focused family and kids channel.

    ToonsTV is the home of the wildly popular Angry Birds Toons series, the first-ever animated series from Rovio Entertainment, and hand-selected family entertainment shows from around the world. ToonsTV is available on all Angry Birds apps (on iOS and Android devices) the ToonsTV website, Roku video streaming players and Samsung Smart TVs.

    Toonz TV telecasts content of cost, including a Toonz Channel and selection of television series on ReachMe.TV’s mobile web platform, that’s now available to a potential audience of over 100 million US viewers, Kidscreen reported.

    ReachMe.TV’s round-the-clock hotel network at present reaches over 750,000 rooms in top-tier US hotels with an estimated reach of 30 million viewers per month. Its in-airport screens reportedly reach approximately 80 million-plus viewers per month in the top 50 US airports.

    The channel takes content from Toonz’s international animation catalogue, and also shows produced by Toonz’s Thiruvananthapuram-based studio and ReachMe.TV’s production centre space in Hollywood.

    Toonz TV will additionally support families on the go with complimentary in-room movie packages, games and popular downloads.

    Interactive games that incorporate VR and AR are also under way, and a section of ReachMe.TV programming will be accessible on Toonz’s global multi-channel network that operates on platforms including Dailymotion, YouTube, Roku, YuppTV and Amazon Prime.

    Toonz recently tied up with Sharmaji Productions to create Uma and Devan Namaste!, the maiden preschool series about an Indian-American family. Toonz had earlier secured collaborations with major players including Marvel, Disney, Universal Pictures, Paramount Pictures, BBC Worldwide, Sony Pictures, Cartoon Network, Nickelodeon, Discovery Kids and Google.

  • ZeeMelt: OTTs add to momentum of FB & Youtube video consumption

    MUMBAI: “Digital video is not the regular video which is differentiated by the screen size but everyone is aware about digital videos. If someone is working on a TVC, then bring your brand within first five seconds to get your brand liftup,” said Google creative head Haani Mirza.

    “To lift the brand, marketers will have to focus on ABCD, which is Attract, Brand, Connect and Direct the viewers,” he added.

    Talking about digital advertisments, Kantar Insights CEO – media & digital Gonzalo Fuentes said, “86 per cent people have observed the frequency of advt has increased as compared to past three years, and 32 per cent of Gen Z in South East Asia and India have installed ad blockers.”

    “Digital Advertising industry can change the trend by focusing on the data which is fully consumer-centric and building engagement through creativity and consistency — creativity which is not targeting the audience gives a negative impact,” he added.

    Speaking about videos on social media and OTT platforms, Kantar IMRB MD media, digital & retail Hemant Mehta said, “Over the last few years, video is dominating the social media, and mobile screens attract more engagement than any other media. All the OTT platforms add to the momentum which was inbuilt in the social consumption. India has more than 20 million avid-video consumers spending 45 minutes a day and 22 hours a month.”

    Culture Machine CEO & co- founder Samir Pitalwalla added to Mehta’s view, “90 per cent of the consumers are watching videos on Youtube and Facebook in which three out of 10 consumers access OTT platforms. Music & entertainment are most dominant categories, and the fastest growing are: education and news.”

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