Tag: YouTube

  • YES BANK launched its newest content marketing initiative on the occasion of Teacher’s Day.

    YES BANK launched its newest content marketing initiative on the occasion of Teacher’s Day.

    Banking as a category, is often dubbed as ‘boring’ and we often approach marketing and content creation on special occasions like Father’s Day, Mother’s Day, Yoga Day, Teacher’s Day etc. to engage with our customers. The challenge however lies in finding relevance, and fitment for our brand and /or products. Else the content remains as just another wishing post on our customer’s timeline, and does not deliver any real impact.

    We took this challenge up with our content strategy for Teacher’s Day and have looked at a fun, relatable yet relevant way of integrating the occasion with our products.

    In addition to the marketing and engagement activities organized at our branches and also at the premises of our partner corporates, 3 digital films have been launched. The objective of our #SikhaateRehna campaign is to bring out the continuous aspect of learning through humor and relatable content to educate our customers about ‘Safe and Secure Banking Practices’. We are organizing workshops in our branches and also in collaboration with our partner organizations (corporate and educational) who bank with us.

    The campaign is devised on the simple insight that there are some very easy tips and tricks which if kept in mind can prevent fraudulent transactions! Just as we were educated about good practices in school, the Bank aims to educate its customers on Safe Banking Practices. Banking on the wide spread usage and consumption of video content our focus on digital is to deliver the brand message and create relevant & entertaining content. These films are a step in that direction.

    Delivered through the humor route, the films portray some basic mistakes that people tend to commit even after multiple reminders and how they can be prevented.

    These films have been released across all key social networks such as Facebook, Twitter and YouTube.

    Links for the films are shared below:

  • Shemaroo hopes to grow at 38% CAGR over the next few years

    Shemaroo hopes to grow at 38% CAGR over the next few years

    MUMBAI: For the last three-four quarters, Shemaroo Entertainment Ltd has been guiding for softer margins due to investments in multiple initiatives. Among other initiatives, the new streaming service ShemarooMe and device business have also left an overall impact due to the higher investment. However, the company hopes to reap benefit from the new initiatives both in terms of margin and top-line. Despite some cyclical issues, the company hopes to grow at 38 per cent CAGR or higher over the next few years.

    “If you see even for this quarter, the people expenses are up by about 40 per cent. Other expenses are up by 50 per cent. So, there is a certain investment that is being done. There are certain cyclical aspects, how long they will last? We do not know. So, it is very difficult for me to guide for the rest of the year because the economy is in a certain state,” Shemaroo Entertainment CEO Hiren Gada commented in an earnings call after Q1 FY 19 results.

    But he also noted that over the last several decades of being in business, they have seen many cycles which have been regarded as opportunities to actually build longer-lasting and better return businesses.

    While new media growth also slowed down to 25 per cent from 35 per cent, the telecom segment contributed 40 to 45 per cent to the overall revenue and the rest of the contribution was equally split between YouTube and syndication having 27 to 30 per cent. Though YouTube and syndication both continue to grow more or less equally fast, Gada hopes that over the next few quarters, ShemarooMe also will kick-in in terms of monetisation and revenue.

    “Telco piece is now in a phase where that business is transitioning from a feature phone product to the smartphone; the market itself is transitioning from feature phone to smartphone. So, that is the whole aspect of that business. So, that business in a way you can say will be shrinking over the next few quarters,” Gada added.

    Despite overall growth in the YouTube segment, the growth in revenue has been significantly lower compared to viewership growth as the realisations on a CPM basis, the ad rate basis continue to fall.

    “So, this quarter, definitely YouTube has at least grown or come back into the growth trajectory or rather, I would say remained in the growth trajectory which it was towards the end of last year that has continued. So, that is one thing, in terms of the overall growth of digital media, I think one is that the base is now significantly higher. So, definitely that base effect is bound to kick in. That is one reason for the slowdown,” Gada added.

    Shemaroo recently launched its over-the-top platform ShemarooMe in a market where more than 30 players are trying to win over consumers. Rather than creating web series or acquiring the latest and greatest movie blockbusters, Shemaroo has focused on segmenting the audience based on consumer needs.

  • Airtel outlines digital entertainment vision with launch of converged platform Airtel Xstream

    Airtel outlines digital entertainment vision with launch of converged platform Airtel Xstream

    MUMBAI: Bharti Airtel (Airtel), India’s largest integrated telecommunications services provider, today announced the launch of its converged digital entertainment play: Airtel Xstream.

    Airtel Xstream is part of Airtel’s vision of building a world-class digital entertainment ecosystem for Digital India and make it accessible to customers through innovative devices and exciting applications. Over the coming months, Airtel plans to roll out a range of exciting solutions to cater to the entertainment needs of every customer segment of India that is getting transformed through rapid adoption of high speed data services.

    All the content on one platform, delivered across screens: Airtel Xstream brings one of the widest entertainment catalogues – hundreds of satellite TV channels, tens of thousands of movies and shows in English, Hindi and multiple Indian languages, millions of songs, plus access to all the popular OTT entertainment apps on one platform. It enables customers to access all this content across the screen of their choice – TV, PC, and Smartphone with a unified User Interface.

    Future Ready platform for connected Homes: Airtel Xstream devices will come with capabilities beyond world-class entertainment and will be the IoT gateway for enabling a range of solutions for connected homes.

    Exclusive benefits for Airtel Thanks customers: Airtel Thanks customers will enjoy exclusive benefits on Airtel Xstream, including free access to premium content from Airtel’s content catalogue plus offers on a range of other services.

    Bharti Airtel Bharti Airtel chief product officer Adarsh Nair said, “Airtel is on an exciting mission to provide a broad array of digital services and platforms that can form the foundation for a rising India. As part of our digital entertainment play, our vision is to truly massify digital entertainment and make it accessible to more and more customers through innovative platforms.

    “Today, we are announcing India’s first converged entertainment platform Airtel Xstream that brings together your favorite content including Live TV, video, music, news, and sports across an OTT smart stick, internet enabled set top box and handheld devices. Digital India is transforming the way content is being consumed over internet connected devices. Airtel Xstream will cater to needs of a new generation of consumers who are looking for seamless and converged entertainment across multiple screens at home and on the go.”

    With the launch of Airtel Xstream, Airtel has become the first company in India to enable a seamless digital entertainment experience, with a unified user interface across all screens. Airtel has rolled out a new range of Airtel Xstream connected devices that will make any TV a smart TV and will be available to customers starting today. Airtel Xstream devices offer blazing-fast performance and slick viewing experience through solid product engineering, deep design excellence coupled with strong device specifications.

    Airtel Xstream Stick

    An Android 8.0 based OTT stick designed for plug & play experience on any TV screen, the Airtel Xstream Stick comes with a single subscription plan that provides access to all digital entertainment at a one-stop destination with over 10,000 movies and shows from top OTT content partners like ZEE5, Hooq, Hoi Choi, Eros Now, HungamaPlay, ShemarooMe, Ultra and Curiosity Stream, in addition to over 6 million songs from Wynk Music’s library. The Airtel Xstream Stick will also provide access to Netflix, Amazon Prime Video and other Google Playstore applications to enable users to download any app of their choice.

    The Airtel Xstream Stick with built-in Chromecast is powered by best-in-class 1.6 Ghz processor. The stick remote comes with voice enabled search feature and Bluetooth 4.2 makes it faster and more energy efficient.

    The Airtel Xstream Stick is priced at Rs 3999/-. Airtel Thanks Platinum and Gold customers get complimentary access to the content subscription plan on Airtel Xstream Stick. All other customers get free access to the content for the first 30 days and will need to subscribe to a Rs 999/- annual plan to continue enjoying the exciting content catalogue.

    For the launch of Airtel Xstream Stick, Airtel has partnered with Flipkart as the exclusive online partner. The stick will also be available starting today across leading Airtel retail stores, airtel.in, top electronic retail chains like Croma and Vijay Sales.

    Airtel Xstream Box

    Powered by Android 9.0, the Airtel Xstream 4K Hybrid Box seamlessly brings satellite TV and OTT content together onto the TV screen with the convenience of a single device, making any regular TV a smart TV.

    Along with the option to choose from 500 plus TV channels, the Airtel Xstream Box comes preinstalled with Airtel Xstream app (10,000 plus movies and shows), Netflix, Amazon Prime Video, YouTube and Airtel Store (for advanced gaming with high end graphics).

    The Airtel Xstream Box has Wi-Fi and Bluetooth connectivity and built-in Chromecast. It comes with a universal remote that features Google Assistant based voice search and hot keys for Netflix, Amazon Prime Video and YouTube.

    Priced at Rs 3999, the Airtel Xstream Box comes with a complimentary one year subscription (worth Rs 999) to all Airtel Xstream app content in addition to one month subscription to a HD DTH pack.

    All existing Airtel Digital TV customers can upgrade to Airtel Xstream Box at a special price of Rs 2249 only.

    Airtel Xstream Box is available starting today across leading Airtel retail stores, airtel.in and top e-commerce sites like Flipkart, Amazon and electronic retail chains like Croma and Vijay Sales.

    Airtel Xstream App and Web access

    Airtel Xstream app is a revamped version of Airtel TV app. The refreshed app has a new User Interface and much sharper content discovery and recommendation engine. Airtel Xstream app continues to have one of the widest content catalogues with over 400 LIVE TV channels and 10,000 plus movies and shows from top content providers like ZEE5, Hooq, Eros Now, HungamaPlay and much more.

  • Vikatan Group’s B Srinivasan on TV-OTT dynamics, air time barter model, first digital-only daily soap

    Vikatan Group’s B Srinivasan on TV-OTT dynamics, air time barter model, first digital-only daily soap

    MUMBAI: Tele-Wise Tamil witnessed a one–on-one conversation between Vikatan Group managing director B Srinivasan and Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari which brought out interesting facts on the journey of Vikatan Group. The duo also discussed the company’s road ahead in the Tamil market.

    The group creates content for various streams from television to YouTube and has its own YouTube channel with 10 million subscribers. The company is also looking forward to cater to the audiences in Tamil Nadu through OTT platform.

    Taking the audience through the journey of Vikatan Group, Srinivasan said, “It has been 29 years since I joined. After the launch of Sun TV it took us around five years to gain the courage that we had lost in 1993. That time I decided at least to produce if I am unable to start a satellite channel. We were having our own fiction and that was the bread and butter of Ananda Vikatan. We have had the best creators working for us so we thought it was a natural extension to enter into production. We started in 1998 with a weekly serial called Akshaya.”

    “We had an interesting journey; we consistently worked with some of the best channels in the industry. Daily soap is not easy to come by, it is tough to bring out the cassette at the end of the day and since the last three years it has become six days a week. 26 episodes a month is not a joke,” he commented.

    Talking on the presence of Vikatan’s content on digital platform, Srinivasan said, “Since 2011 we are on YouTube as well. Today across fiction and non-fiction we have around 10 million subscribers on our YouTube platform. We crossed 150 million views last month. Today we got into a place where we can produce content beyond television. We are in talks with a couple of OTT players and trying to understand how it works since it is nothing like television.”

    Wanvari mentioned that apart from Doordarshan and Sun TV, most producers operate on a commission model, then why did they choose the air time barter model. “In 1998, Sun was the dominant player in the television market and it had air time commission model, they did not have commissioning model at that time. That gave us one of the biggest advantages of creative independence and I can guarantee that none of the producers today have that. Creative independence is cherished a lot by our creators today,” replied Srinivasan.

    Tamil TV is under-indexed compared to the share of viewing it gets, sharing his views on the impact of the same on Vikatan Group, Srinivasan said, “The market is rough but we have been having an amazing relationship with our advertising clients and they know us from different days. There is a trust that we have been able to build in the market.”

    He further said, “Because of the market dynamics we have not been able to make money always but we have been able to supplement our presence through YouTube.”

    Wanvari also inquired whether Vikatan Group would be opened to get commissioned from the broadcaster. To which Srinivasan replied, “I would rather get commissioned in the OTT space than on the television because our product will make lot of money with the kind of IPs we have.”

    Going further he said, “The OTT space is completely different. On television, the investment that is required in a single episode can run into almost Rs 1 crore. So, that is something that we wouldn’t want to go ahead with.”

    The group also shared his plan to produce the first digital daily soap for YouTube. Srinivasan said, “We have been fortunate enough to be the first producer commissioned by YouTube to produce the first digital daily soap and that’s likely to come out in the next few months.”

    “There are going to be digital avatars of the characters. There will also be digital interaction which will lead to the storytelling and those will lead to the social interaction. That’s how the story will pan out. It’s a 120-episode series which will air from Monday to Friday,” explained Srinivasan.

    If the show does well then it would be the first daily soap which will be told exclusively on YouTube. Srinivasan is hoping to get the interest of advertisers on the same and also plans to come back with seasons of the show.

  • YouTube Music enables users to flip between song and music video

    YouTube Music enables users to flip between song and music video

    MUMBAI: YouTube Music has introduced a feature for its user that enables them to flip between listening to a song and watching that song’s music video without any interruption. If a video is available, the top of the app’s screen will now have two buttons that say ‘song’ and ‘video’.

    Tapping on the video button will switch over to the song’s official music video without any hiccups or pauses. Then, clicking on song button will revert to just the audio and the song’s cover art. It’s all time-matched, so switching in the middle of a song will jump to the corresponding point in the video. If the user wants to stick to just audio, then they can go into settings and turn off the music video option by toggling ‘don’t play music videos’.

    YouTube matched over five million music videos to songs for this feature.

    Google launched YouTube Music in India on 12 March, introducing a free ad-supported and a premium ad-free version with a subscription fee. Soon after its launch, it surpassed its opponent Spotify by registering more downloads within a week of the launch. YouTube registered three million downloads in the first week of its launch.

  • YouTube expanding monetisation tools for creators

    YouTube expanding monetisation tools for creators

     MUMBAI: Social media giant YouTube is focusing on new monetising opportunities for its top creators in addition to ad revenue. YouTube is rolling out new options for channel memberships, custom stickers that users can pay to make appear in video chats, and several new merchandising partners.

    YouTube chief product officer Neal Mohan spoke on the updates in a keynote on Thursday at VidCon US. Mohan also said that while creator revenue from Super Chat, Channel Memberships and Merch was not significant in 2018, now several thousand channels have more than doubled their total YouTube revenue from those tools.

    The Super Stickers will be launched in the next few months and fans will be able to purchase those during live streams and premieres in order to show creators how much they like their content. This feature is meant to compliment the existing monetisation tool Super Chat.

    The social media giant is also introducing changes to membership levels allowing creators to set up five different price points for memberships. YouTube is also expanding Merch Shelf feature which was launched last year.

  • Influencer-led brand marketing is the way to target GenZ and millennials

    Influencer-led brand marketing is the way to target GenZ and millennials

    MUMBAI: In terms of media consumption patterns GenZ has the lowest attention span, which comes to only eight seconds and video being the viewers’ choice of content consumption, one-third of them watch videos for at least an hour a day.

    Gen Z was the topic in focus at BrandVid 2019 session ‘GenZ: The new video sticklers’. The session included speakers– Burger King India CMO Srinivas Adapa, Leo Burnett Orchard COO Prashanth Challapalli, Onida CMO Pratyush Chinmoi and MediaCom west head Priya Choudhary. It was moderated by Worldwide Media VP – Content Studio Vidyut Patra.

    The panellists agreed that YouTube is for getting reach and long-form content, TikTok is for user-generated content while Instagram is for sharp targeting. “Not all brands have a content strategy. They all have a brand strategy. Therefore, they go after influencers. But, people are on Instagram because they are following their interest, not brands,” said Challapalli.

    To which Choudhary said that influencers play a role especially with GenZ and even millennials. She said that the lure of brands is going down and the new generation trusts these influencers. Hence, a long term content strategy is extremely important to make it work. “We have done extensive consumer work with GenZ and they are smart. They see through brands using influencers so the minute an influencer starts endorsing the brand they stop trusting the influencers so we have to figure out a very smart way of doing it. And it cannot be in-your-face it has to be subtle. So influencers are worth investing but there has to be a right way to use them,” she said.

    In the case of long term content, Adapa feels that it is a struggle. He explained the two ways to look at it, one way could be a story told from the lens of the brand without force fitting the brand plug-in.  The second way could be running a series of episodes where a brand can be deeply integrated inside the show. Adapa went on by saying, “From a Burger King perspective, one is from the US and one is from India. In the US we just launched something called an ‘Upside Whopper’ which is a tie-up with Stranger Things since season 3 is launching. Back in India, we launched the limited edition Big Boss whopper which is in line with the reality show. So yes, the straight forward answer is that we need much deeper integrated brand integration.”

    Choudhary chipped in and said that the thumb movement today is almost a microsecond and Facebook even believes there are brands can make meaningful content in just two seconds, thus putting pressure on brands. According to her, there are also categories in which a longer video is required. It depends on what job the brand is trying to do, what the category is and which environment one is looking into. “I would like to add that we used to believe that 30 seconds is enough to tell a story, more and more we are realising that better stories can be told in short form,” she said.

    Adapa said that in today’s data-driven age, it does not take too long to know if people are really completing your video online or not. “GenZ is very kind with comments, they will let you know very quickly saying you are wasting my time or it is wow, but even in terms of analytics, both Google and YouTube are very clear in terms of x or y percentage of people who actually have crossed this much seconds in a video so it’s very quick and easy to learn and adapt and develop from there,” he said.

    When Patra questioned about how home-grown brands are treating this format, Challapalli said that a brand like Ola does not do much of TV commercials. It believes in digital content. He added that Ola doesn’t look at the age of the target audience or where do they come from, it looks at what their pain points are. He gave the example of its April Fool’s day campaign that had nothing to do with mobility but about lack of public toilets. It was later that they realised that every ride will contribute to the creation of public toilets.

    Chinmoi comes from a brand that is popular with the earlier generations. Recently, Onida resurrected its devil mascot to target the new generation. “Gen Z customers are the ones who are going to be the major future buyers,” he said.

    Challapalli also said, “We do a lot of social listening and data analytics and look at the larger cultural trends that are happening and think that can we do something around it,” he concluded.

  • Influencers, advertising, data and tech at the core of BrandVid 2019

    Influencers, advertising, data and tech at the core of BrandVid 2019

    MUMBAI: The second edition of the Indiantelevision.com’s marquee summit BrandVid 2019 concluded with some interesting and insightful discussions around the video content industry in Mumbai yesterday. The day-long conference saw some of the leading geniuses from the marketing industry talking about how to optimise video content as a brand communication tool and get better results in terms of consumer engagement as well as revenues.

    Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari opened the event. He mentioned, “Branded content has an emotional connect; it has a story to tell. The global content market is expected to grow to about $412 billion as per various reports out of which 10-20 per cent will be led by branded content.”

    The day was divided into five in-depth sessions and a fireside chats covering the various aspects related to the world of branded video content and was kickstarted by MullenLowe Lintas Group group CCO and chairman Amer Jaleel. He highlighted a key point that most brands seem to have forgotten today – that of not being very obvious to the consumer. “Brands today want to be obvious because of the insecurity of the clutter. Fuzziness is going and directness is returning. If brands want to be relevant today then the way forward is to be random, obscure and slanted,” he highlighted.

    Jaleel went on to make the point that it is impossible for creativity to catch up with the speed at which technology is moving. “Technology is synthetic and artificial and craft needs talking to people, which needs time,” he said.

    The events of the day continued with a panel discussion on ‘Branded Video Rewind’, which covered all the aspects of the evolution of branded video over the years and how the past fiscal was for the industry in terms of video spends, creative allocation, number and nature of brand films.

    Moderated by L&K Saatchi & Saatchi India CEO and Managing Partner Anil Nair, the panel had Sony Pictures Networks India Pvt Ltd head – content, partnerships, new initiatives – digital business Amogh Dusad, Shemaroo Entertainment Ltd COO Kranti Gada, GroupM South Asia president growth and transformation Tushar Vyas, Eros Now group CMO Manav Sethi, and Bajaj Consumer Care president Sandeep Verma sharing their views on the evolution of branded videos.Varma mentioned that today video content is no longer just for virality but is more holistic in the content marketing approach. However, the panellists agreed that there is no sure-shot way to guarantee that your content will hit the right note. Gada said, “Brands are not yet focusing on branded content as a core strategy. It is sporadic.” The panel also drove the point that in branded content, the creative thought should be the main driving force and the brand needs to ride on it not vice versa. The idea is to not force fit the content.

    The next item on the agenda was a fireside between YouTube India director Satya Raghavan and Indiantelevision.com founder, CEO, and editor-in-chief Anil Wanvari. Raghavan voice the opinion of many that today’s thumb-based apps have reduced the attention span to single digit numbers. In such a scenario, YouTube helps its content creators in getting reach. “YouTube’s algorithm helps the average content creator to get 50-60 per cent of its views. People are now optimising their content to get into the algorithm. So, content creators don’t have to worry about reaching the target audience,” he revealed.

    It was followed by a panel discussion on ‘GenZ: The New Video Sticklers’ between Burger King India CMO Srinivas Adapa, Leo Burnett Orchard COO Prashanth Challapalli, Onida CMO Pratyush Chinmoi     and MediaCom west head Priya Choudhary. It was moderated by Worldwide Media VP – Content Studio Vidyut Patra.

    The session covered how the brands are using video as a vehicle to achieve greater engagement and build personal connects with GenZ. Since Gen Z has a variety of apps to choose from and each with a different mode of working, brands need to pick the platform that is appropriate for its message. For instance, YouTube is for getting reach and long-form content, TikTok is for user-generated content while Instagram is for sharp targeting. “Not all brands have a content strategy. They all have a brand strategy. Therefore, they go after influencers. But, people are on Instagram because they are following their interest, not brands,” said Challapalli. To this point, Choudhary added, “Gen Z sees through influencers who are promoting brands so you have to smart in your strategy.” This is also the generation that is averse to seeing ads.

    The conference further continued with a panel discussion on ‘Moving the needle from exposure to engagement: Still the challenge?’. The session saw L'Oréal India head of media Neel Pandya, Colgate-Palmolive associate director and head – integrated marketing communication and e-commerce marketing Priyanka Gandhi, Syska CMO Amit Sethiya, Mondelez India Foods Pvt. Ltd. sr. category manager – equity and activation: chocolate marketing Sameer Yadav, and ITC Limited head – consumer health care Sanjay Srinivas in a deep discussion on how effective branded content offers advertisers a chance to engage with consumers in a rather intimate manner, incentivising brands to build ongoing relationships and how its vulnerability stands as a challenge to the marketers. The session was moderated by Tonic WorldWide CEO Chetan Asher.

    The panel made the point that content marketers need to decide what does engagement mean to them; whether that is the number of likes and shares or beyond that. “Brands need to know how to integrate with authenticity. Your brand should not stick out. For this, first, there needs to be a purpose and then relevance,” said Gandhi. Pandya also added that brands need to realise that not every avenue can drive sales. The purpose of branded content is generally not to get more sales but to get engagement and visibility.

    The events of the day progressed with a panel discussion on ‘Driving Social’, with TVF global head content and business Rahul Sarangi, ISOBAR COO Gopa Kumar, Mastercard director marketing Puneeth Bekal, GoZoop director strategy Amyn Ghadaili, and Lokmat Media Pvt Ltd senior EVP and head of digital business Hemant Jain. The session moderated by Nirvana Digital CEO Pinakin Thakkar covered all the important aspects of using social media and related technologies effectively for telling memorable brand stories.

    TVF’s Sarangi said, “Brands need to have a personality for people to engage with them.” On the current trend of using influencers to drive sales and visibility, he pointed out that they themselves are content creators. While everyone is thinking of digital as the upcoming big medium, Ghadaili said, “Digital is not a medium. It is a space that has many mediums.” The panel also made the point that in this space what is important is that the product has value and the influencers also believe in it.

    The final session on the agenda was a panel discussion on “Understanding the audience: Data & tech in content creation (Brandfilm breakthrough)” spanning insights into how data can be better used to understand audience and what role can technology play in compelling storytelling.

    Part of the panel were Prime Focus Technologies VP creative services Bhaskar Sitholey, Shemaroo head of marketing Rahul Mishra, Byju's App marketing head Atit Mehta, Logicserve Digital co-founder and CEO Prasad Shejale, JioGenNext VP advertising Mohit Kapoor, and VDO.ai co-founder Arjit Sachdeva. The session was moderated by Qyuki Digital Media co-founder and managing director Samir Bangara.

    Mishra highlighted that digital had shifted the content creation balance. “Nowadays, consumers are creating content on digital and they are the content creators now,” he said. On the usage of data, Mehta felt that data inspires marketers to take bold steps. “If someone is spending on the world cup, then he is also spending on digital,” he said. To this, Shejale added the way forward is both data-driven and data inspired content.

    The event concluded with a gala awards event night, the first Indiantelevision.com BrandVid Awards

  • Merkle Sokrati achieves unique feat on YouTube for Performance

    Merkle Sokrati achieves unique feat on YouTube for Performance

    MUMBAI: Merkle Sokrati, the data-driven performance-marketing agency from Dentsu Aegis Network, has been recognized for its achievement on YouTube for Performance reaching a 100% client adoption rate.

    Over the last few years, YouTube has emerged as a strong performance platform, with the launch of several new formats including TrueView and Universal App Campaigns  (UAC). TrueView for Action uses prominent Calls To Actions (CTAs) and headlines, encouraging audiences to visit websites and explore the product or service, share their contact information, and take other actions valuable to the business. Through machine learning, UAC provides a simple and easy solution to reach the right audience across all of Google’s channels. Google can combine signals, data, and performance metrics to automatically make adjustments to campaigns quickly, and take advantage of buying opportunities.

    During the last four months, Google India and Merkle Sokrati combined efforts to accelerate adoption of YouTube for Action in the Indian market. Anubhav Sonthalia, CEO Merkle Sokrati added, “We are committed as always to lead the way in incorporating any innovation that can help our customers. Over the last year, we have seen YouTube emerge as a strong performance platform. As the leading performance agency in the country, we wanted to ensure that all our clients are leveraging the full power of innovative formats like TrueView for Performance, and we are excited to see 100% of our clients are already betting on this format.”

    Commenting on this, Aditya Swamy, Head of Agency Partnerships, Google India said, “We collaborated closely with the Merkle Sokrati team to set up integrated client onboarding with custom performance creatives from IgnitionLabs using the Search-Up approach, and bespoke measurement solutions. It’s exciting to see the speed at which Merkle Sokrati’s clients have adopted YouTube for Performance, and I am looking forward to seeing our teams redefining performance video advertising excellence.”

    Merkle Sokrati was also recently awarded the Google Premier Partner Award 2018 for Video Innovation.

  • USP Studios’ Kids TV receives Diamond Play Button from YouTube

    USP Studios’ Kids TV receives Diamond Play Button from YouTube

    MUMBAI: USP Studios' flagship channel, Kids TV, has surpassed the 10 million subscribers mark, creating a strong community of loyal viewers. To celebrate this achievement, the video-sharing giant YouTube has honoured USP Studios with the prestigious Diamond Play Button.

    The Diamond Play Button is a top honour conferred by YouTube, next only to the Ruby Play Button for the 50 million mark.

    USP Studios founder Uday Singh said, “It is a proud moment for us to receive the Diamond Play Button from YouTube and we couldn’t be happier. The button is a quality certification, a mark of the immense work that every member at USP Studios has put in to reach this subscriber base and an encouragement to keep striving for more. It is also a huge responsibility because our animations and our characters are reaching millions of people around the world. By working closely with our platform partners, we will continue to grow our global community and entertain new audiences from all around the world.”

    USP Studios received a letter from the YouTube CEO, Susan Wojcicki which stated – “The fact is, you’re no longer just a great channel. You’re a movement. You’ve clearly touched a nerve in the world, and you’ve found a legion of fans that expect – and receive – great things from you. You amaze us and inspire us every day. Keep it coming.”

    USP Studios has been constantly expanding its subscriber base through new content, partnerships, and collaborations making a strong foothold in the kids’ content industry