Tag: YouTube

  • Punjabi most popular regional language, Korean leads international: Iplix

    Punjabi most popular regional language, Korean leads international: Iplix

    Mumbai: Punjabi is the most popular regional language, while Korean takes the lead as the most preferred international language in India, revealed Iplix Content Consumption Survey. 52.5 per cent of respondents spend an average of two-four hours per day on social media. Among the platforms, maximum time was spent on YouTube, followed by Instagram and Snapchat, the study further revealed.

    With the growing affinity for regional languages, Punjabi emerged as the most preferred regional language with 24.3 per cent of users opting for it. Marathi was at 9.9 per cent. Among popular international languages, Korean took the top spot, validating K-Pop’s craze in India. Comedy was the most popular category, followed by travel and technology. Infotainment (43.3 per cent) and gaming (31.1 per cent) were the most-consumed categories.

    52.5 per cent of respondents spend an average of two-four hours per day on social media. YouTube took the lead in ‘time spent on platforms’ (87.5 per cent), followed by Instagram and Snapchat. In further bifurcation, 57.3 per cent of people consume 5-15 minutes-long content on YouTube, and 54.3 per cent consume short-form content (reels) the most on Instagram.

    Influencer marketing and talent management agency Iplix’s Content Consumption Survey was carried out with over 14600 respondents, the majority of which came from metro cities (40.6 per cent), followed by Tier-II cities at 35.2 per cent. 86.8 per cent of the respondents were Gen-Z (less than 25 years of age).

    “Creator Economy is growing at a scale which none of us could have imagined and content is the biggest contributing factor behind it,” stated Iplix Media LLP co-founder Neel Gogia. “We at Iplix Media believe in the power of content and are constantly working with brands and content creators to bring the best quality content to the audience. This content consumption survey is an initiative towards furthering the same vision and mission. We came up with it to help our stakeholders- brands and content creators, understand the audience and their changing preferences better.”

  • Presidential Fleet Review ’22: DD deploys multi-camera setup on land & sea

    Presidential Fleet Review ’22: DD deploys multi-camera setup on land & sea

    Mumbai: Doordarshan came up with several innovations to undertake the coverage of the Presidential Fleet Review of the Indian Navy this year. President Ram Nath Kovind reviewed the Indian Navy’s fleet at a ceremonial event at Visakhapatnam on Monday. 

    The event witnessed the participation of nearly 60 vessels of the navy, including ships from the Indian Coast Guard and Indian Merchant Marine, aircraft from the Navy and the Coast Guard. The Review also commemorated the 75th year of Independence with the theme ‘Indian Navy – 75 years in Service of the Nation.’

    Doordarshan’s coverage of the event this year included a vast array of multi-camera set up on land and water with at least 30 cameras in place. Drones with special lenses were used to streamline the broadcast from land and sea while ensuring seamless connectivity. Various elements of the Fleet Review consist of anchorage, a steam past in a mobile column, a flypast and parade of sails, different formations of large columns of vessels etc. All of this was captured by DD cameras deployed on land and sea.

    Doordarshan and All India Radio had been preparing for this mega coverage since October 2021. Teams did extensive site surveys and carried out recce around the venue prior to final deployment on land and sea.

    Multi-camera setup included special vantage points on the hills, high-rise buildings and near the shorelines of Visakhapatnam. DD crew was positioned at five such critical points to provide Live visuals. The entire coverage was done in HD format.

    Grappling with the challenging environment at the sea, the team of DD Engineers by identifying multiple and critical camera positions brought to life the Indian Navy’s full might and prowess. DD crew was deployed on five ships to provide live shots of the president’s yacht during the ceremony. Drones, backpacks, wireless, signal streaming, and satellite uplinks were done at the sea to ensure a seamless live broadcast of the event.

    HD camcorders and PTZ cameras were deployed on the President’s yacht. To enhance viewers’ experience, specialised lenses and state-of-the-art high-resolution PTZ cameras were installed.

    The grandstand master control room was set up at All India Radio Visakhapatnam to receive all the camera sources from the land and sea using RF, backpacks, data links and satellite down-linking.

    The high-definition visuals were made more engaging through graphics and a battery of professional commentators who elaborated upon every detail in Hindi and English as the event unfolded, from the AIR control room.

    Uninterrupted live coverage running for almost three hours was broadcast on DD National, DD News, DD India and multiple regional channels of DD, starting from 8.30 a.m on 21 February till the end of the events. The entire coverage is also available through live-streaming on DD’s YouTube platforms.

  • DD’s 2022 R-Day coverage garners 4.9 cr views across TV & digital

    DD’s 2022 R-Day coverage garners 4.9 cr views across TV & digital

    Mumbai: Doordarshan has garnered 2.6 crore views on YouTube and 2.3 crore views on its TV network on Republic Day 2022. The event also clocked 3.2 billion TV viewing minutes across 180 channels across the country which aired DD visuals from 9:30 a.m till noon.

    Through its Republic Day coverage, Doordarshan also registered a manifold increase in its global viewership together in more than 140 countries including US, Canada, Germany, Japan, France, Australia, New Zealand, Saudi Arabia, Pakistan and UAE.

    “That Doordarshan’s broadcast has no parallel when it comes to 360-degree coverage of gigantic events of national importance has been well established multiple times in the past. But DD has outdone itself this time through unprecedented coverage of Republic Day 2022, with never seen images of fly-past by Indian AIR Force in its full glory and much more,” said the ministry of information and broadcasting in the statement.

    The public broadcaster also received much praise for its coverage of Republic Day on social media channels such as Twitter.

     

     

     

     

     

     

  • Samya Deb joins YouTube as head of brand creative studio-APAC

    Samya Deb joins YouTube as head of brand creative studio-APAC

    Mumbai: Samya Deb has joined YouTube as head of brand creative studio, as per his LinkedIn profile. Deb, who is a co-founder of Northeast Edit, has moved from Airbnb as regional creative director, APAC.

    “Looks like the trial subscription to my early-retirement plan has come to an end. I have recently joined YouTube as Head of Brand Creative Studio, APAC. The mandate is to create an unprecedented stream of culture defining brand work to celebrate the most diverse creative community on the planet,” he wrote in a LinkedIn post.

    Deb has over a decade’s experience in leading creative studios. In his over six-year stint at Airbnb, he helmed multiple roles such as creative consultant, regional creative director and head of design for the APAC region.

    Prior to Airbnb, Deb worked with companies like Bates CHI & Partners, Matrix, DY Works, Cowan and Superunion.

  • Rusk Studios and Fyp join hands for new web series ‘Tuition Ke Baad’

    Rusk Studios and Fyp join hands for new web series ‘Tuition Ke Baad’

    Mumbai: Rusk Studios in collaboration with the Fyp app have announced the launch of “Tuition Ke Baad,” a new rom-com and drama web series. Starting 28 December, the first episode of this flagship launch is now streaming on the YouTube channel of Rusk’s entertainment vertical, Binge.

    With some of the freshest talent on board, “Tuition Ke Baad” promises the much-needed light-hearted entertainment with a relatable plot that revolves around the love and the lives of five school-going teens who find themselves in comic situations. The series will air its fifth and final episode in the first week of January.

    From bunking tuition to getting into a fight with rival groups, “Tuition Ke Baad” captures relatable scenarios centered on the life of four friends, all of whom are crushing on the female lead, Sneha. Helping their friend in pursuing his first love, they find themselves in comical situations. Rusk has onboarded a cast of Instagram influencers and YouTube personalities like Abhishek Kapoor, Mugdha Agarwal, Sanyam Sharma, and Ritik Ghanshani who play the roles of Shole, Sneha, Jhatarburg, and Aashiq respectively.

    “Fyp App enables the teenagers to get easy access to money anytime from their parents or siblings in their Fyp Wallet and have their own Fyp Card for online and offline purchases,” said Fyp CEO Kapil Banwari. “The series ‘Tution Ke Baad’ has captured those moments that are relatable and close to the hearts of school kids.”

    “At Rusk Studios, we bring together a smart blend of entertainment and brand integrations by creating relatable IPs that drive immense value for advertisers,” said Rusk Studios head of revenue Karanvir Sofat. “Delivering across an omnipresent network of platforms and multiple formats: long format on YouTube, short snackable bits on Facebook and Instagram; our content reaches its viewers no matter where they choose to view it.  Targeting 6 million views on ‘Tuition Ke Baad’ over the course of next 10 days across Rusk’s multiple platforms, we aim to amplify brand’s connect with its TG.”

  • GUEST COLUMN: What’s new in Web 3.0 for content?

    GUEST COLUMN: What’s new in Web 3.0 for content?

    Mumbai: The very genesis of the internet was to be decentralised, and that’s partly true even today. You can send an email from your Gmail to an Outlook address or you can have your own domain and server to send an email to anyone. The ability to host, ring-fence, and interact independently has always existed but along the way, large corporations came in to organise the internet and make it available to people in an easy scalable manner.

    This was the beginning of what we now know as Web 2.0. Users thus explored these spaces and started building communities. Email and social media platforms made it easy to interact with people using a common space. Users can easily jump on to the bandwagon of Facebook, Gmail, Twitter, or Instagram, and more recently to Tik Tok and a plethora of newer short video platforms. And inevitably, people milling around a common space gave way to the proverbial soapboxes that we all love to like, share, comment on and become ardent followers of.

    The Evolution of the Content World

    Meanwhile, in the content world, the internet moved from solely being a marketing tool to being the home of all content consumption. Content creation moved from being the job of actors, studios, production houses, and writers to casual commentators and regular people who explored their creative side. Today, we have platforms like TikTok, Instagram, Spotify, and Youtube that give professionals and amateur creators a path to reach their audiences.

    In 2020 alone, Instagram recorded an estimated two billion users and $24 billion in revenue, while Tik Tok had an estimated one billion users and $1.9bn in revenue. The sheer number of users, signals that the momentum that we have built up around these companies has a life of its own. As things stand, the internet still needs centralised players to allow for discovery. We have spent the last two decades discovering and recognising different platforms to listen to music, watch a video, or share photos. And that is not about to change anytime soon.

    Embracing Web 3.0

    If Web 3.0 is to bring about a wave of change, it is the application of blockchain technology in enabling transactions and in the actual value of the material. This development is especially interesting in the content space. It seems benign from the outside because we are already transacting at a price for content: whether via direct subscriptions or via ad-subsidized models that appear free to users.

    Users and brands, however, pay centralised platforms for the content, not the original producer of the content. This is largely because it is the platforms that take on the trials of hosting, security, and content distribution, all of which are expensive propositions. These platforms do share a part of their earnings from ads and subscriptions with creators, but this share tends to be small and at predetermined prices where creators have little or no say.

    When you look at how the content industry is progressing, we have legitimate jobs like “Instagram Influencers” and “Tik Tokkers” who have an enviable set of audiences that follow the original content they created day on day to entertain, inform and influence purchase.

    Predictably there is a huge spike in “Influencer Management” companies that offer brands access to collaborate with influencers. As per an online report, there were more than 240 Influencer companies that were set up in 2021, and the Influencer Marketing Industry is set to grow to approximately $13.8 billion in 2021, up from 9.7 billion last year.

    The Future of Blockchain Technology

    The growth of influencer marketing will soon make it impossible for even these companies to keep up in basic terms of running a business. Blockchain is a perfect solution to help ensure the right creators are paid and transparent validation of the value of the content created.

    For instance, TikTok is planning to introduce Ghost Kitchens to give users the ability to order a recipe that went viral (remember the Dalgona coffee phase?), fulfilled by Tik Tok and paid for by the user. Their intention is to share the proceeds of the orders for that dish with its Tik Tok creator. One way for TikTok to actually ensure that the right creator gets paid for the recipe is by using blockchain technology to trace the true (first) owner of the recipe on the platform. The value of that token can be gathered with how much it was shared (indexed) so it can influence the price of the recipe created to be produced.

    In the same vein, video platforms can use blockchain technology to allow access to content in an almost peer-to-peer manner. Such platforms could payout tokens to users allowing other users to access their computing resources. And these tokens could be reused within the platform or exchanged for currency at a value determined by the market.

    In this kind of world, content creators can get paid directly by their consumers, and discovery platforms can transition to new business models, relieved of some of the stress of security, hosting, and distribution. We are seeing small but significant moves towards using blockchain technology in content monetisation and the industry is sitting up and noticing it. The amount of capital flowing into web3.0 and blockchain-based companies is off the charts. However, there are several challenges to making this technology commercially viable, and the jury is out on how well it will scale.

    There is no doubt that these are interesting times for the media sector, and blockchain will certainly have its part to play. But it will take a while before it becomes completely mainstream, if ever.

    (Kavita Shenoy is the founder and CEO of Voiro, a Bengaluru-based ad-tech start-up. The views expressed in this column are personal and Indiantelevision.com may not subscribe to them.”

  • Deep Money’s latest Punjabi song ‘Carrera’ crosses 1.5 million on Youtube

    Deep Money’s latest Punjabi song ‘Carrera’ crosses 1.5 million on Youtube

    Mumbai: After giving super-hit songs in the past like “Dope Shope,” “Heeriye,” “Blush” alongside others, Deep Money is back with his new song. Launched under the Fab Music Beats’ music label on 6 December, his latest Punjabi track “Carrera” has already crossed over one million views on Youtube.   

    Fab Music Beats has been garnering love and attention from its audiences for promoting local Indian musicians, singers, and artists who really deserve to be known by the world for their art and skills. The past releases by the label and have already crossed millions of views. This is their first launch with a renowned artist and has already started topping the music charts.

    “Carrera” is an up-beat Punjabi track with an urban and contemporary vibe to it. It has peppy music which leaves a lasting impression on the listeners’ minds. The hook line of the song is extremely catchy and groovy at the same time.

    The video for Carrera features the multi-talented Deepti Sadhwani alongside Deep Money. Deepti, who recently gave a hit music video “Butterfly Wale,” is also a great singer herself and a successful emcee.

    The music for this groovy track is provided by Deep Money himself, and the lyrics are penned by NS Chauhan. The song is streaming now on the official Youtube channel for Fab Music Beats as well as all other major audio streaming platforms.

  • Sunstone Eduversity’s maiden Content Day concludes, over 20 brands participate

    Sunstone Eduversity’s maiden Content Day concludes, over 20 brands participate

    MumbaI: Sunstone Eduversity concluded its maiden Content Day event, which witnessed participation from over 20 brands. The event was organised to shortlist the best Content ideas from top media houses, OTT platforms, production houses and youth-oriented content creators, from all over India.

    Apart from YouTube, MTV and MX Player, the event also saw Voot, Mirchi, Culture Machine, Jagran Group and Anugrah Madison competing with each other in a bid to impress the jury and bag a spot in Sunstone’s 2022 Marketing Calendar.

    Content Day is Sunstone Eduversity’s first self-curated mega event since the higher education platform bagged $28 Million in a Series-B round of funding, in October this year. It also marks the brand’s first manoeuvre towards its upcoming marketing and brand-building initiative wherein it plans to venture into fictional web-series content to engage with students and parents through OTT platforms and in-person/virtual interaction with students from various colleges across cities, in the form of Business Case Studies, Hackathon Competitions, and various other tools.

    Sunstone Eduversity co-founder & CEO Ashish Munjal said, “We plan to deploy a significant portion of our recent Series-B fundraise towards building cutting-edge learning & technology assets, that will help us communicate with our TGs upfront. Our Content Day event is a crucial step forward towards the creation of an adhesive communication strategy which will not only enable us to connect with our audience more effectively, but also educate them about the various exciting propositions in store.”

    Sunstone Eduversity head of marketing Alekhya Chakrabarty said, “This is the ideal time for the brand to go the extra mile and have active conversations with patrons that would help them make informed decisions. Given that parents are key decision-makers in their children’s higher education journeys, they deserve to be equally informed of India’s job market requirements and the skills necessary for one to make a mark.”

  • 9X Media to launch YouTube channel Loppipops on Childrens’ Day

    9X Media to launch YouTube channel Loppipops on Childrens’ Day

    Mumbai: Music television network 9X Media is all set for the launch of its kids’ learning channel Loppipops on 14 November. The channel will bring together learning and music through a specially designed and curated playlist of kids’ rhymes and videos, presented by the popular duo Bade-Chote and their gang of animated characters, it said in a statement.

    Loppipops is intended as a destination for preschoolers to learn with music. It will ease the learning process for them through the effective use of engaging audio-visual content, bringing together the best of factual knowledge and playful animation.

     

    In the colourful land of Loppipops toddlers will learn letters, numbers, phonics, sing-along songs, moral values, and manners with Bade-Chote and their friends in child-safe screen-time. Bade-Chote will help them in creating an emotional connection with the characters, thus boosting their powers of grasping and further building their interest in learning, said the statement.

     

    Loppipops will be widely promoted across 9X Media Network and its social media handles. The channel will also be available across all audio and video streaming platforms in addition to YouTube, it added.

    “Loppipops will captivate the interest of its young audience in a fun and memorable manner. Over the years, Bade-Chote and their friends have become iconic household names. Extending the IP into the kids’ space was a natural progression with the ever-increasing demand for kid’s content,” stated 9X Media chief programming officer Amar Tidke.

    “Music is the building block of early learning and as a music network, we have over the years experimented in various ways to entertain our audiences through music. The endeavour here is to entertain and make learning fun. The Loppipops gang will engage the kids in ‘Child-safe’ screen time by providing them with the right edutainment,” he further added.

  • Prime Video drops ‘Wheel of Time’ trailer; starts streaming on 19 Nov

    Prime Video drops ‘Wheel of Time’ trailer; starts streaming on 19 Nov

    Mumbai: Prime Video has released the official trailer of its upcoming fantasy series “The Wheel of Time” based on the best-selling book series.

    The first three episodes of season one will premiere on 19 November. New episodes will be available each Friday following, leading up to the season finale on 24 December, it said on Thursday.

    Prime Video debuted the trailer with an immersive experience that allowed fans to view the 2-D trailer in a virtual three-dimensional wheel on YouTube. “The Wheel of Time” will be streaming in English, Hindi, Tamil, and Telugu.

    Based on Robert Jordan’s best-selling fantasy novel, ‘The Wheel of Time’ was adapted for television by executive producer/showrunner Rafe Judkins. Larry Mondragon and Rick Selvage of iwot productions, Mike Weber, Ted Field of Radar Pictures, Darren Lemke, Marigo Kehoe, and Uta Briesewitz will also serve as executive producers, with Briesewitz set to direct the first two episodes. Rosamund Pike will serve as producer and Harriet McDougal and Brandon Sanderson as consulting producers. “The Wheel of Time” is co-produced by Amazon Studios and Sony Pictures Television.

    ‘The Wheel of Time’ books are one of the most popular and enduring fantasy series of all time, with more than 90 million books sold. They are set in a sprawling, epic world where magic exists and only certain women are allowed to access it, the story follows Moiraine (Rosamund Pike), a member of the incredibly powerful all-female organization called the Aes Sedai, as she arrives in the small town of Two Rivers. There, she embarks on a dangerous, world-spanning journey with five young men and women, one of whom is prophesied to be the Dragon Reborn, who will either save or destroy humanity.