Tag: YouTube

  • Bajaj announces the launch of new Brooklyn Black range via Instagram, YouTube

    Bajaj announces the launch of new Brooklyn Black range via Instagram, YouTube

    Mumbai: Bajaj Pulsar prepared to add two new bikes to their roster – the P250 Brooklyn Black and N160 Brooklyn Black. The challenge – to create enough anticipation around the launch of the all-black range of bikes. 

    To captivate bike enthusiasts for the upcoming launch, the Ogilvy Content Force & Bajaj Pulsar emulated an eclipse across their Instagram page. For an entire week, Pulsar’s Instagram feed showcased a moon with phases of an actual eclipse. Amidst the shadow, a silhouette of a bike emerged, enticing viewers about a likely launch, soon to be revealed.  

    With each passing day the eclipse phased closer to completion, unveiling a clearer glimpse of the upcoming mystery bike. For the next two days, the audiences were kept eagerly waiting for the moon to be entirely eclipsed. Finally, after a week-long wait, the viewers were treated to the all-new N160  Brooklyn Black on 22 June and then the P250  Brooklyn Black on 24 June.  

    Continuing with the eclipse theme on YouTube, the brand also overshadowed other biking videos on the platform. On the launch day, YouTube mid-roll ads were placed to create an eclipse effect over the reviews and videos of other competitor bikes, with a provocation that an Eclipse has taken over the streets and their video. The CTA button would lead them onto the website that revealed the bike details and invited inquiries. 

    This activity spiked the engagement amongst the pulsarmaniacs – a fitting welcome for the Bajaj Pulsar P250 and N160 Eclipse. 

  • Xiaomi India partners with YouTube to provide free trials on eligible devices

    Xiaomi India partners with YouTube to provide free trials on eligible devices

    Mumbai: Xiaomi India announces its partnership with YouTube to offer extended free trials of YouTube Premium to eligible users on select current devices. 

    Eligible customers will receive up to three months of YouTube Premium free of charge, in a move to give users access to the best content ad-free and offline, wherever available. 

    YouTube Premium benefits include a subscription to YouTube Music premium where users can get unlimited, ad-free access to more than 80 million official songs plus live performances, covers, and remixes.

    Commenting on the partnership, Xiaomi chief marketing officer Anuj Sharma said ,”With content consumption on rise with each passing day, we believe that consumers want to experience quality content in an uninterrupted manner. We are happy to partner with YouTube and offer Xiaomi consumers an opportunity to watch their favourite content without any hindrance. We are hopeful that this will be the beginning of a long-standing relationship between YouTube and Xiaomi that will ultimately benefit our users.”

    The eligible consumers can redeem this YouTube Premium offer on eligible Xiaomi and Redmi products starting 6 June 2022 and valid till 31 January 2023. 

  • Layer’r Shot ‘apologises’ for offensive ads, invites further flak online

    Layer’r Shot ‘apologises’ for offensive ads, invites further flak online

    Mumbai: Following a social media backlash over its controversial deo ads, and after being called out by the ministry of information and broadcasting (MIB) and the Advertising Standards Council of India (ASCI), the Layer’r Shot brand issued a clarification statement, including an apology on Monday.

    The statement, however, judging by the responses it received on social media, appears to have done little to quell the outrage surrounding the brand’s films. If anything, it only seems to have fanned the flames of netizen’s outrage even further.

    Here’s the statement from the brand:

     

     

    The statement, while referencing the two recent advertisements from the brand on broadcasting platforms, informs everyone that the brand “aired the advertisements only after due and mandatory approvals.”

    It further added that it never intended to “hurt anyone’s sentiments or feelings or outrage any women’s modesty or promote any sort of culture, as wrongly perceived by some.”

    “However, we sincerely apologise for the advertisements that consequently caused rage amongst individuals & several communities and beg their pardon.” also read the letter, while adding that it has voluntarily informed all its media partners to stop the telecast/ broadcasting of both the TV advertisements from 4 June 2022.

    It may be noted that on the same day (4 June), the MIB had written to social media platforms -Twitter and YouTube to remove all instances of the two “inappropriate & derogatory” ads with immediate effect. The TV channel on which it appeared had already pulled it down on its directions, the ministry had tweeted

    The internet was scathing in its response to what several netizens termed as a poor and even fake attempt at apology. Most of the users took exception to the choice of words used in the apology, specifically the words “wrongly perceived” with regards to people’s perception of the offending ads.

    It wasn’t wrongly perceived, wrote a user, continuing: “It was perceived exactly the way you meant it to be perceived. Don’t try to pretend like you weren’t demeaning women and implying sexual assault in your ads. It was your whole hook.”

     

     

    Not wrongly perceived. What was the story, and what was the implied meaning? Why did the female lead expression change? Pls can you reveal.. @layerr_shot so we can be sure that it was wrongly perceived.

     

     

    Another user-determined: “This is not an apology. You know what you did. You know why you did it.”

    Yet another fumed at the alleged audacity of the brand to term the public’s response as wrongly perceived, further adding: It’s also kinda sickening that it went through several people who found it to be okay.

    A Twitterati called out the brand’s marketing department and corporate communication team, stating that they ought to be “case studies on how to spend money to earn infamy.”

    Accusing the brand to be still in denial of its wrongdoing, an apology with a comment of how the viewers “Wrongly perceived it.. Is not an apology.” And another added, “You need to apologise for this apology too!”

    “Pretty bad ad. The agency partners, brand team, approval team and conceptualization teams, are all at fault. A fake apology like this won’t help!” schooled another user.

     

     

    Another netizen was outraged against the brand for its attempt to blame the audience. “This reflects on the toxicity of the unevolved brains behind this ad. They are blaming the audience. Every script has an insight behind it; the girls’ disgusted face (reaction) when the group of boys say those uncouth words is a clear indication that u knew!,” she wrote.

    Some were severe in their indictment of the brand’s attempt at clarification, writing: Really? This is an apology? Didn’t the story in the advertisement cause rage among people in the meeting room when the advertisement was pitched. The ad has gangrape culture on full display and your product henceforth will smell like rape on the users. Shut it down.

     

     

    For the unversed, the outrage is against two recent ads promoting the Layer’r Shot brand’s deo. The ads can be viewed here:

     

     

    The first one of the offending ads features a couple getting intimate in a bedroom. Four of the guy’s friends barge into the room, sneering at the couple and asking a seemingly loaded and crude question. After a few moments of suspense, wherein the girl is seen visibly getting alarmed at what the guys’ true intentions are, the ad reveals that the friends were simply asking if they can use the Shot deo kept in the room!

     

     

    The second ad plays out along similar lines, where the four men are showcased indulging in an animated conversation at a supermarket. A woman is shown in the forefront, while they discuss who will take the “shot” since there are four of them and just one of “it”. Again, the ad plays on the fear factor of the woman, as she looks back in alarm at the four men, only to find that they are talking about the single bottle of the Shot deo left in the store, while the ad makes it look as if they are talking about the woman.

    Earlier, while referencing the action taken on the ads, ASCI CEO & secretary general Manisha Kapoor told Indian Television that: “An ad goes through many layers of discussions and approvals, and it is very disappointing that such ads were not weeded out.”

    Everyone in the ecosystem has a role to play, including the advertiser, agency, production partners, and endorsers, she further added.

    The ads, however Kapoor clarified, are not conceptualised by Triton Communications as several publications wrongly stated initially. In fact, the advertisements are an in-house creation.

    The ministerial action came after several netizens flagged the offensive video commercials, accusing them of promoting rape culture and trivialising sexual violence against women, and being plain creepy. 

    The advertising self-regulatory body, ASCI also suspended the ads after finding them to be in serious breach of its code and against the public interest.

  • Jim Henson’s Family Hub launches a kids safe YouTube channel

    Jim Henson’s Family Hub launches a kids safe YouTube channel

    Mumbai: Jim Henson’s Family Hub, The Jim Henson Company’s online community for celebrating, supporting and connecting all kinds of families, has launched a new YouTube channel featuring full episodes, fun clips, weekly updates, and more. This kid’s safe channel (HensonFamilyHub) showcases titles from the company’s catalogue including Fraggle Rock, Sid the Science Kid, Word Party, Dinosaur Train, Splash and Bubbles, The Wubbulous World of Dr. Seuss and more.

    The Jim Henson Company’s series Pajanimals is one of the new titles offering free full episodes on YouTube.com/HensonFamilyHub.

    On the launch of the channel, The Jim Henson Company VP global distribution Kerry Novick said, “Jim Henson’s Family Hub on YouTube provides the perfect place online for kids of all ages to enjoy the high-quality entertainment that has become synonymous with The Jim Henson Company. Parents can feel confident that these shows are appropriate for kids, as well as inspiring, engaging, and fun!”

  • Layer’r Shot deo ads accused of inappropriate content; MIB, ASCI take action

    Layer’r Shot deo ads accused of inappropriate content; MIB, ASCI take action

    MUMBAI: The ministry of information and broadcasting (MIB) on Saturday wrote to social media platforms -Twitter and YouTube to remove two recent controversial advertisements from deo brand Layer’r Shot for their alleged obscene content. The move came after several netizens flagged the offending video commercials, accusing them of ‘promoting rape culture’ and trivialising sexual violence against women, and of being plain ‘creepy’.

    The advertising self-regulatory body, ASCI (Advertising Standards Council of India) also suspended the ads after finding it to be in “serious breach of its code and against the public interest”.

    The ministry wrote to social media platforms – Twitter and YouTube to remove the offending video commercials of the deo brand for their alleged obscene content. The move came after ASCI found the ads violative of its advertisement codes.

    “An inappropriate & derogatory advertisement of deodorant is circulating on social media. The I&B ministry has asked Twitter & YouTube to immediately pull down all instances of this ad. The TV channel on which it appeared has already pulled it down on directions of the ministry,” the ministry tweeted.

    The ministry said the ads violate Rule 3(1)(b)(ii) of the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules 2021.

    The emails called the attention of the social media platforms to “certain videos which appear to be an advertisement of a company, and are being posted by several users on the intermediary platform Twitter” and the “video titled “Layerr shot Mall 15 Opt2 Hindi Sub HD” published” on 3 June.

    Following the ministry’s action, the channel Sony Ten 1 that originally aired the ad during a sports telecast has pulled it down.

    Coming right on the back of the ASCI updating its code to prevent new areas of possible discrimination or derision, the council was alerted to the offending ad for the deodorant product, on the morning of 3 June 2022, ASCI’s CEO Manisha Kapoor told Indiantelevision.com. After seeing the ad, which was in serious violation of Chapter II of the ASCI Code against offensive advertising, ASCI immediately invoked a special process called “Suspended Pending Investigation” (SPI).

    The body also wrote to the advertiser on the same day, informing them of the decision to suspend the advertising, and invited the advertiser’s response which would be tabled before the Consumer Complaints Council in the coming days, Kapoor further added.  

    One of the offending ads features a couple getting intimate in a bedroom when four of the guy’s friends barge into the room. They sneeringly ask the guy a seemingly loaded, crude question. After a few moments of suspense, wherein the girl is seen visibly getting alarmed at what the guys’ true intentions are, the ad reveals that the friends were just asking if they can use the Shot deo kept in the room!

    Layerr Shot deo ad #1:

    The second ad plays out along similar lines, where the four men are showcased indulging in an animated conversation at a supermarket. A woman is shown in the forefront, while they discuss who will take the “shot” since there are four of them and just one of “it”. Again, the ad plays on the fear factor of the woman, as she looks back in alarm at the four men, only to find that they are talking about the single bottle of the Shot deo left in the store, while she thinks they are talking about her.

    Layerr Shot deo ad #2 :

    Several users on Twitter called out the brand for being plain creepy and suggestive of sexual violence against women.

    “How does this kind of ads get approved, sick and outright disgusting. Is @layerr_shot full of perverts?” wrote one user.

    “Whoever ideated, wrote, produced, acted in and approved the new Layer’r Shot ads, shame on each one of you,” wrote another netizen.

    “@layerr_shot pull these ads. They perpetuate rape culture. Sony Liv pls stop broadcasting these #Layershot ads,” another Twitter user said.

    Another user wrote, “There have to be some regulations for ads man. That Shot deo ad is nothing short of disgusting. Even though I knew it was an ad and it wouldn’t happen. The fear for a second I felt was real. Imagine making an ad on the fears of millions of women,”

    “There have to be some regulations for ads man. That Shot deo ad is nothing short of disgusting. Even though I knew it was an ad and it wouldn’t happen. The fear for a second I felt was real. Imagine making an ad on the fears of millions of women! WTF!”, yet another tweeted.

  • Josh Talks appoints Darpan Sah as vice president–YouTube

    Josh Talks appoints Darpan Sah as vice president–YouTube

    MUMBAI: Regional content and upskilling platform, Josh Talks has appointed Darpan Sah as vice president–YouTube. In this role, he will be leading the expansion of Josh Talks’ content channels on YouTube, which are already present in 10 regional languages and three categories.

    In a career spanning over a decade, Sah has worked with various corporate brands across the industries. Before joining Josh Talks, he served as the chief sub-editor at new-age Hindi digital news brand, The Lallantop where he played an instrumental role to scale their subscriber base from one million to 20 million. He was recently awarded at the ENBA Awards 2021 for two shows that he produced at The Lallantop – Ek Naya Paisa and Kharcha Pani.

    On the appointment, Josh Talks CEO & co-founder Supriya Paul said, “Majority of our viewers come from Tier 2+ cities and have different content preferences. Our team closely monitors these needs, identifies gaps, and creates videos that then get 85 million+ views every month. Our goal for the next few months is to double down on this distribution by expanding into more regional languages, going hyper-local, and creating compelling content that seamlessly blends inspiration and information. I’m confident that with Darpan’s in-depth understanding and with his expertise in scaling video-first content, we will scale Josh Talks’ network of channels to new heights!”

    Darpan Sah said, “It has been incredible to follow Josh Talks’ journey and witness them build one of the largest regional content platforms in India. I am excited to join their team and look forward to leading their content expansion plans as they go deeper into every district and dialect of India. As part of this strategy, we will be launching a slew of new channels in the districts of Bihar and Josh Bhojpuri in the next quarter.”

    As a writer, Sah has created numerous pieces covering gender equality, the rights of women and the LGBTQ+ community, and other pertinent issues that form the bedrock of the Indian community. In 2016, he published his first book “Luka Jhanki”, an anthology of Hindi poems, and is currently working on his second book, which is a collection of short stories.

    With a subscriber base of over 16 million, Josh Talks has recorded more than 2 billion total views across its channels. In FY 2021-22, their revenue from YouTube has grown by 118 per cent on a year-over-year basis with Hindi, English, and Marathi, being a few of their top-performing channels, the company said in a statement.

  • UK SVoD growth up; people spending more time on streaming platforms: Omdia’s Research

    UK SVoD growth up; people spending more time on streaming platforms: Omdia’s Research

    Mumbai: According to a research report released recently at Connected TV World Summit, Omdia’s senior director Maria Rua Aguete said, “The number of people paying for video services in the UK has increased 11 per cent over the last year and quarter on quarter since April 2021.”

    According to Aguete, despite the UK cost of living crisis, UK people are tending to spend more and certainly no less in streaming video services. In terms of dealing with rising costs, consumers prefer to cut other expenses than their own home entertainment in order to deal with the rising cost. As the survey reveals, cuts in other spending has allowed them to subscribe to extra services.

    Currently, the average UK household has 2.6 pay subscription services at home, 2 Svod services and 0.6 Pay TV. Although the churn rate has increased significantly in the last 12 months.

    Despite Netflix results showing a decline in global subscriptions (200,000 in Q1 2022), Netflix remains the UK’s favourite video service. It is also still the most popular SVOD service in the domestic market, the USA.

    80 per cent of households in the UK have an online subscription. YouTube and BBC iPlayer tops the chart as most favourite online video services in the UK followed by Netflix. Netflix’s Svod service is still in the race with 15.5 million subscribers.

    Other most popular services in the UK are: Amazon Prime Video with 10 million subscriptions and Disney Plus with 7.5 million subscriptions.

    Churn has increased significantly in the last 12 months:

    45 per cent more subscription video services were cancelled in the last 12 months, while overall there were 20 percent more consumers cancelling their services compared to last year, but counteracting this trend, the number of services cancelled and re-subscribed to in the last 12 months has grown by 84 per cent meaning that although more people are churning, more people are subsequently resubscribing with 50 per cent more re-subscribers in the UK now.

    According to the reports, online video subscriptions will reach 2 billion in 2027. The biggest growth in the last six months comes from: Disney, Now TV, Netflix and Amazon Prime with 21 percent, 18 percent, 8 per cent and 5 per cent respectively.

    Those with four streaming video services per home are the ones churning less than those who took more than seven SVOD services are among the highest churners.

    Looking forward, Omdia expects that Netflix, currently in the lead in the streaming video race (Q1 2022), will still lead in five years’ time (2026) Aguete adds: “With the lowest churn rate across all streaming video services and highest lifetime value per customer, Netflix will continue and surpass Disney by 2026.”

  • Shemaroo FilmiGaane YouTube channel touches 60 mn subscribers

    Shemaroo FilmiGaane YouTube channel touches 60 mn subscribers

    Mumbai: Shemaroo FilmiGaane YouTube channel has hit the mega milestone of sixty million subscribers in the 60th year of Shemaroo. According to the data by influenex.com, Shemaroo FilmiGaane ranks third amongst the most popular music YouTube channels in India. The channel has a monthly viewership of five hundred million and it attracts around fifteen million views per day.

    The channel’s content appeals to people of all ages and is a treat for every Bollywood fan. The channel’s handpicked playlists undoubtedly generate nostalgic feelings that every individual can enjoy irrespective of their age.

    Shemaroo FilmiGaane has been an entertainer with its wide collection of finest classics and beautiful melodies across genres from different periods. It is one of the most loved YouTube channels from Shemaroo that has songs from almost every mood for every Bollywood lover. The eras of songs offered range from the golden era of 1950’s to the latest numbers of 2020’s. It has audiences across the globe with many Indian diasporas tuning in to enjoy their daily dose of Bollywood entertainment.

    Speaking of this milestone, Shemaroo Entertainment CEO Hiren Gada commented, “We are thrilled to have touched this double milestone at Shemaroo. We are celebrating sixty years of our journey in the entertainment ecosystem, and our FilmiGaane channel reaching a whopping 60 million subscribers is a landmark moment for us. The fact that even the younger generation is hooked on retro songs just goes on to show that our content is very relevant to all demographics. As an organization, we stride to entertain through our strong repository as we curate content to connect with the consumers.”

  • Ad spends are likely to get impacted if consumption reduces: Carat India CEO Anita Kotwani

    Ad spends are likely to get impacted if consumption reduces: Carat India CEO Anita Kotwani

    Mumbai: In March this year, India completed a year of double-digit wholesale price inflation (WPI inflation). This is the sixth occasion when inflation has remained over 10 per cent for a year or longer, and it came more than a quarter of a century after the last such episode — between March 1994 and May 1995.

    In an exclusive interaction with IndianTelevision.com, Carat India CEO Anita Kotwani noted that inflation is already impacting FMCG which is the broadcast industry’s highest ad spender. She offers her take on the impact of inflation noting that right now ad spend patterns are unlikely to be impacted and the market is recovering from Covid-19. But she warns that if the price of commodities significantly goes up, then that could impact consumption negatively. And ad spends are the easiest to cut back on when commodity prices rise. She offers the example of domestic aviation cutting back on TV ad spends in a significant manner so far this year. On a more positive note, she sheds light on the resilience of TV as an ad medium.

    Edited excerpts:

    There is talk about high inflation. How is this impacting companies especially FMCG?

    High inflation is likely to bite into the FMCG sector’s volume growth in 2022. Retail inflation in India rose to a seven-month high from 6.01 per cent in January, breaching the upper tolerance level. The rise was mainly on account of high food inflation, which jumped to a 14-month high of 5.43 per cent, along with a high base.

    A majority of FMCG companies have already reported a decline in volume growth in the third quarter of FY22. At this juncture, FMCG firms face the dilemma of choosing between margins and volumes. However, the analysts believe that protecting the margins will further impact volumes as consumers will hold back consumption.

    A recent Nielson IQ report suggests that demand in the rural segment has taken a hit, with volume growth declining by 2.9 per cent. Inflation in the price of fertiliser and diesel has impacted the disposable income of the farmers, thus, impacting the consumption in the rural regions.

    Some of the recent reports also suggest that consumers may have to pay more for their daily essential items. Since the FMCG companies are mulling over another round of price hikes, to offset the impact of an unprecedented level of inflation in commodity prices such as wheat, palm oil and packaging materials. A 10-15 per cent hike is expected across industries. The market is volatile as of now, therefore, brands will consider multiple factors before finalising the incremental in the price for their product.

    Do you see clients’ ad spending getting impacted in the coming quarters as consumer sentiment turns negative and spending slows down?

    Currently, the negative sentiments are not very strong and things are still volatile. Ad spends are likely to get impacted if consumption reduces. However, the impact on consumption will be determined by the increase in the cost of the product. Yes, the essentials are getting a bit expensive but that is largely due to the increased fuel cost led by the Russia-Ukraine conflict. Apart from that, the market has been steadily recovering from Covid and the advertiser spend patterns are unlikely to see any impact. Only if the price of commodities significantly goes up, then that could impact consumption negatively.

    Which are the sectors that you see coming under stress due to inflation?

    As per the Consumer Price Index (CPI) of March 2022, India stood at an inflation rate of 6.95 per cent.

    Amidst the hardening of fuel prices, India’s wholesale price-based inflation quickened to 14.55 percent in March from 13.11 percent in February. Retail inflation for March has also climbed to 6.95 per cent, a 17-month high. According to the country’s CPI-based inflation report, the spike in prices was led by food items.

    A continuous rise in fuel prices since March 22 has not been completely captured in the latest data, suggesting that inflation may remain elevated in the coming months. A surge in crude oil prices to a 14-year high has resulted in broad price pressures on Indian households.

    Among food items, the index for oil and fats recorded the largest sequential price hike, by 5.3 per cent in March. This may raise pressure on the government to make edible oils cheaper.

    The worst affected sectors include food (+1.4 percent over February), clothing and footwear (+0.9 percent over February), and fuel and light (+0.9 percent over February).

    Do you see urban and rural India both being equally affected?

    Since the beginning of 2021, inflation has started to see a gap between urban and rural geographies. For rural consumers, their basket has a higher weightage on food and essentials. Whereas, for urban consumers, the non-food items dominate their shopping baskets as well. Recreation (malls/cinemas) also impact urban consumers more than rural.

    While the inflation gap between urban and rural audiences is always going to remain, rural is also likely to see an impact in consumption due to increased prices of fertilisers and diesel. This impacts the disposable income of people in the rural region.

    The people who are most affected by rising inflation are the final consumers of goods. The prices of goods and services are constantly rising. However, the salaries and income of consumers do not rise proportionately. Hence, there is a lag leading to goods and services becoming less affordable to the final consumers. The CPI inflation witnessed significant and sustained moderation during 2012-13 to 2018-19, before rising thereafter.

    Rural and urban inflation exhibited a similar trend; the only difference witnessed was that urban inflation started rising from 2018 to 2019.

    Moreover, the annual average urban inflation which was ruling below rural inflation till 2017-18, moved above it during 2018-19 and 2019-20 (Chart 1a). Food and non-food inflation contributed to the divergence between urban and rural inflation (Chart 1b).

    The consumer food price inflation for rural areas was 3.94 per cent in March 2021. It went up to 8.04 per cent in March 2022. Similarly, the CPI for rural India has also gone up to 7.66 per cent in 2022, from 4.61 per cent in March 2021.

    The rural food inflation in March has also registered a steep hike in comparison to February 2022. It has gone up to 8.04 per cent in March, from 5.81 per cent in February.

    The Consumer food price inflation for India as a whole, including rural and urban, has gone up to 7.68 per cent in March 2022, from 4.87 per cent in March 2021. Given this understanding, yes, inflation will impact rural and urban consumers equally.

    What does the media industry need to do to prepare for growth potentially not being as smooth?

    Ad spends are the first and the easiest way to cut costs during times of high commodity prices. It is already evident. Hit by high aviation fuel prices, domestic airlines in the country have cut television advertising by as much as 27 per cent , during the first five months of the year.

    When companies try to reduce the ‘extra’ spending, the packages provided by marketers for consolidated marketing become way more lucrative for the brands concerned.
    It is imperative for brands to understand that the focus of cost-cutting should be on reducing wastages and not reducing activity that can generate future sales or build a brand.

    When a brand is in its growth phase, a reduction in ad spends is unadvisable, even during times of inflation. If a brand is sensitive to media ad spends, which consequently drives movement in business impact, then they too should not cut ad costs. This education to brands by media agencies and partners is imperative.

    360-degree media campaigns are the most lucrative campaigns. They combine the most effective and efficient mediums that drive business impact for the brand and further boost media outcomes to the best possible, depending on the category.

    Exploring newer advertising options like addressable TV, geo-fencing on digital, digital OOH and interactive print is not only more efficient but far much more sharp-targeted to the audience, avoiding spillage and minimizing costs.

    Is there a likelihood of revising the projected ad spend growth of  Rs 82,500 crore?

    As an industry we are keeping a close watch on how the media spends are progressing, advertisers and agencies have come to terms that things need to normalise despite rising in covid cases, we will have to co-exist with the virus and continue business as usual. We are hopeful that the situation will not deteriorate, and growth projections if needed will be upward only.

    It is a bit unclear right now if the projection for the ad spends will get changed. There has to be a situation as major as the 2020 Covid crisis for the ad spend projections to change significantly.

    Will print be the first medium to suffer if clients cut back on spends? What is your take?

    In a world wherein all media inputs are determined by ROI, print is the low-hanging fruit. It always witnesses cuts whenever there are budget cuts. A lot of marketing mix modeling (MMM studies) show that for a lot of FMCG brands, print has the lowest ROI, and hence print is always under the scanner.

    Dentsu’s ad forecast report mentioned TV being the most resilient. What is the reason for this?

    Linear television remains to be the most popular and resilient media in India with a 40 per cent share of spend. Linear television ad volumes continued to post a healthy growth starting H2 2021, as marketers leveraged the reach and power of TV to raise the profile of their brands.

    We have seen this in the past as well. In 2021, the TV spends were fully recovered and since TV is still the highest reach building media, brands must leverage TV for building equity and for the movement in top-funnel metrics. While there has been a shift in content viewing with some audiences moving from TV to OTTs and demand for OTT advertising is rising, the impact on TV spends is minimal.

    On TV which are the top five properties for an advertiser?

    The properties are bucketed under different genres and are listed below:

    ⦁ Cricket – IPL & CWC
    ⦁ Dance Reality Shows (“Dance India Dance,” “Dance+”)
    ⦁ Singing Reality Shows (“Indian Idol,” “SaReGaMaPa”)
    ⦁ Unscripted Shows (“Bigg Boss,” “Fear Factor”)
    ⦁ Fictions/Scripted Shows (“Anupama,” “Imli,” “KumKum Bhagya”)

    Will smaller genres like music continue to find the going difficult?

    Over the last couple of years, there has been a drop in the viewership of the music genre. A major reason is the movement of audiences from music to news and film genres, especially post Covid. Additionally, music listeners who also like to watch music videos have moved to YouTube to watch the videos of their choice. While the viewership for smaller genres will continue to remain low, relevant brands can still look at these genres for the right targeting. Brands targeting youth and females can look at this genre to build frequency.

  • YouTube announces free TV shows and films for US viewers

    YouTube announces free TV shows and films for US viewers

    Mumbai: Google-owned YouTube has announced that popular television shows and films from major studios will be available in the US for free, with ads, using smart televisions, mobile devices or web browsers. The video platform has over 1,500 films from Disney Media & Entertainment Distribution, Warner Bros, Paramount Pictures, Lionsgate, FilmRise, and more.

    The American audience will now have access to nearly 4,000 episodes of TV shows like “Hell’s Kitchen,” “Andromeda,” “Heartland,” and many more. New titles in March include “Gone in Sixty Seconds,” “Runaway Bride” and “Legally Blonde.”

    US users can access these films and shows and up to 100 new titles each week on web browsers, mobile devices, and most connected TVs via the YouTube on TV app.

    “More people are choosing to experience YouTube on the big screen with friends and family. In fact, according to Nielsen, YouTube reached over 135 million people on connected TVs in the US in December 2021. YouTube is at the forefront of the consumer shift to CTV viewership as the top ad-supported streaming platform with the content people enjoy and the creators they love,” YouTube said in a blog post.

    To enhance the viewing experience, the video platform is also unveiling brand new streamlined navigation and immersive banner art. The rich visuals and new menus will help users more easily find their favourite TV shows, whether they choose to rent, purchase, or watch for free with ads. Many of these titles are also now available in high definition 1080p with 5.1 surround sound audio on supported devices.