Tag: YouTube India

  • Aamir Khan takes ‘Sitaare Zameen Par’ straight to YouTube in a first-of-its-kind digital premiere

    Aamir Khan takes ‘Sitaare Zameen Par’ straight to YouTube in a first-of-its-kind digital premiere

    MUMBAI: Aamir Khan is ripping up the rulebook. In a landmark move, the actor-producer is releasing his blockbuster Sitaare Zameen Par directly on YouTube Movies-on-Demand from 1 August 2025, bypassing traditional OTT platforms and putting premium cinema within reach of every household.

    Actor-producer Aamir Khan stated, “For the past 15 years I have been struggling with the challenge of how to reach audiences who do not have geographical access to theatres, or those who are unable to make it to theatres for various reasons. Finally the time for the perfect storm has come. With our government bringing in UPI and India becoming no 1 in the world in electronic payments, with internet penetration in India having grown dramatically and growing everyday, and with YouTube being on most devices, we can finally reach vast sections of people in India, and a significant part of the world. My dream is that Cinema should reach everyone at a reasonable and affordable price. I want people to have the ease of watching Cinema when they want, where they want. If this idea works, Creative voices can tell different stories breaking geographical and other barriers. This will also be a great opportunity for younger creative people entering the field of Cinema. If this idea works, then I see this as a win-win for all.”

    YouTube India country managing director, Gunjan Soni highlighted the strategic significance of this partnership. “The digital launch of Sitaare Zameen Par exclusively on YouTube underscores a significant step towards democratizing Indian film distribution at a global scale. YouTube is already a key digital destination for premium content, and we’re excited to offer filmmakers and content owners not only our unparalleled digital reach but also the control and flexibility to meet their audiences where they are. Today’s launch is far more than a release – YouTube is laying out the red carpet for Indian cinema to stride onto the global stage.”

    The film, which has already grossed over Rs 250 crore worldwide, will be available in India for Rs 100 and in 38 international markets including the US, UK, Australia, Germany and Singapore, with localised pricing and subtitles.

    A spiritual successor to his 2007 classic Taare Zameen Par, the heartwarming drama stars Aamir Khan, Genelia Deshmukh and ten actors with intellectual disabilities, making inclusivity its emotional core.

    This YouTube-first strategy is a radical experiment that not only turns every screen into a theatre but also cements YouTube’s growing clout in post-theatrical film distribution. With YouTube already reaching 4 out of 5 internet users in India, this could reshape how films find their audiences.

    Directed by RS Prasanna and written by Divy Nidhi Sharma, the film will also be available in dubbed and subtitled versions for global audiences. Next up for Aamir Khan Productions: Lahore 1947 starring Sunny Deol and Preity Zinta, and Ek Din featuring Junaid Khan and Sai Pallavi.

    Cinema, it seems, just found its biggest digital stage.

  • Mad Influence, YouTube India, and Star Sports transform live-streaming landscape with #DostsLive

    Mad Influence, YouTube India, and Star Sports transform live-streaming landscape with #DostsLive

    Mumbai: In a historic collaboration, Mad Influence, YouTube India, and Star Sports have come together to pioneer a revolution in live-streaming, unveiling a remarkable, never-seen-before intellectual property (IP). This groundbreaking partnership has given birth to #DostsLive, an interactive YouTube livestream event held at the prestigious Star Sports Studios in Mumbai, marking a pivotal moment in the broadcasting industry.

    #DostsLive hosted the biggest watch party of top creators during the India Vs South Africa match in the CWC2023, delivering an unparalleled viewing experience to fans worldwide. The event, live-streamed on Star Sports’ official YouTube channel, captivated audiences for an impressive 6 hours, 49 minutes, and 30 seconds on November 5, 2023.

    Mad Influence CEO Gautam Madhavan expressed his excitement stating, “The creation of #DostsLive marks a significant milestone in the evolution of live-streaming. Our vision was to redefine the viewing experience, and the overwhelming response with 15 million+ viewership and 1.5 million+ engagement validates the success of our endeavour. This collaboration exemplifies the power of synergy in the digital age.”

    This collaborative effort brought together renowned YouTube content creators, including Gaurav Chaudhary (Technical Guruji), Tanmay Singh (Scout), Real Hit, RJ Mahvash, Thugesh, Chetan Monga, and others, showcasing the strength of collective creativity and influence in the digital space.

    The event commenced with a powerful announcement by Star Sports, followed by creators taking to their YouTube communities and Instagram stories to build anticipation among their vast audience.

    The creators not only brought energy to the livestream but also celebrated Virat Kohli’s birthday in style. Gaurav Arora, the famous doppelganger of Virat Kohli, cut the cake with Cricket experts Mohammad Kaif and Sreesanth, making it a memorable moment. Videos capturing the birthday celebration were shared on the creators’ profiles, adding a personal touch to the event.

    As part of the celebration, the creators also had the chance to create videos with cricket experts Mohammed Kaif and S Sreesanth, bringing insightful and entertaining content to their audiences. Behind-the-scenes glimpses of the studio shenanigans were also shared by the creators on their profiles, giving fans an exclusive peek into the making of #DostsLive.

    Despite the challenges posed by tight timelines, the successful execution of #DostsLive stands as a testament to the dedication and collective efforts of all teams and creators involved.

    The event generated immense buzz on social media, with fans contributing over 100 posts on #DostsLive and over 5916 posts on #WorldCupOnStar, highlighting the impact and resonance it had among audiences.

  • “Digital marketers need to lean into multi-format”: YouTube India head of consumer marketing Mansha Tandon

    “Digital marketers need to lean into multi-format”: YouTube India head of consumer marketing Mansha Tandon

    Mumbai: At The Advertising Club’s third edition of D:CODE, YouTube India head of consumer marketing Mansha Tandon spoke about shaping creativity with culture and trends in the digital space. She added that leaning into multi-format is important, while offering tips and tricks for digital marketers. She mentioned, “Trends are born from creativity that is no longer restricted to one digital video format.”

    Tandon said that years ago, success on YouTube was about a viral video like ‘Charlie Bit My Finger.’ The video represented a monolithic pop culture moment, a one-to-many phenomenon. The video gained immense views in a very short period of time.

    Today, digital trends are continuous, interconnected, and cumulative. The latest trend, ‘Choti Bacchi Ho Kya,’ from the movie “Heropanti,” released back in 2014 starring Tiger Shroff, is now popular due to a mimicry artist on the platform. It became a remix song. It became a gaming video on YouTube Shorts. It became a promotional video for “Heropanti 2.”

    The monolithic pop culture has become personally relevant fragmented moments based on the user’s tastes and preferences. It is not about one viral video at present. It is about how those viral videos go into different formats.

    The second tip she shared is that digital marketers should capitalise on community creativity. Communities are groups of people united by the same interests and passions. What YouTube is seeing today is that one of the most powerful forms of this community is fandom. For instance, K-pop. Then there has been an increase in professional Marvel fans in India. The way they create content is through short-form videos, episode breakdowns, and deep dive podcasts. The fact is that it is not niche. Many of these channels have millions of subscribers. The lesson is that marketers should not only demographically and psychographically do digital campaigns. They should tap into the shared passions and sources of fandom of very young consumers.

    Her third and final point was that marketers should truly represent regional creativity in their digital work. Marketers should not underestimate the kind of creativity going on in areas across the country. Localising creativity in the language and culture is important. But there are other interesting ways in which this is happening. International trends with regional nuance are being followed. Apart from hyperlocal, global into local, there is something being seen that she called interlocal. It is about pan-India content. So something from the North finds a huge fan following in the South. When trends go national, regional creators find the inspiration to create magic. She gave the example of the Badshah’s Jugnu Challenge, seen last year. It spawned many versions across the country. An absolute evolution in entertainment and creativity is being seen.

    She further noted that without entrepreneurs, creators, and users, digital would not be where it is today. She gave the example of Olympic gold medallist Neeraj Chopra, who was on-boarded as a creator on YouTube. It was not enough to just make a film about his story. The aim was to connect the dots. Now he has 1,00,000 subscribers. A short challenge, ‘JavRun,’ was done for GenZ users. It was so successful that a question on the ‘JavRun’ challenge made it to KBC. This is an example of a digital campaign seeping through pop culture and bleeding into offline touchpoints.

    She also spoke about Nike. It was about NFT sneakers and other stuff that makes young people excited. She also gave an example of Alexa, which is Amazon’s voice assistance software. Alexa was inserted into a YouTube talk show among humans. It showed the human and conversational side of Alexa. It is a strong example of how brands and creators can collaborate.

  • YouTube’s Satya Raghavan tells brands how to optimise their branded content

    YouTube’s Satya Raghavan tells brands how to optimise their branded content

    MUMBAI: Brands are aggressively producing branded video content and are willing to perform better in the dynamic environment, shared YouTube India director content partnerships Satya Raghavan during a fireside chat with Indiantelevision.com founder, CEO, and editor-in-chief Anil Wanvari at the recently concluded BrandVid 2019 conference.

    Even YouTube has seen a rise in the number of branded content briefs. Raghavan said, “Last year, my team used to get, probably, one brief a week, but now they are getting three briefs a day. It is purely because the number of advertisers has increased and so has the frequency at which brands want to do engaging content.”

    YouTube being a driver of the digital video content space is definitely benefitting from this increase in brands’ interest to connect with the audience in a more relatable and entertaining way. Raghavan shared that 2018 saw the platform reach amazing strengths. “The past two years before 2018 were literally a boom for anyone in the content space because of the reach they got through platforms like Jio and other telcos coming together. For us, it was really important because we saw it coming and started investing in content a little ahead of the curve. By the time that the initial tsunami settled down in 2018, we saw that our content was at an amazingly scalable place. Today, our platform has an active monthly reach of about 265 million people, who come here not just for entertainment but also for information and education.”

    Raghavan went on to add that an extraordinarily large part of these active monthly users is composed of daily active users.

    On being asked by Wanvari how the brands are leveraging this thriving ecosystem in terms of creativity, Raghavan mentioned that brands have become mature and are sensitive and smart to the needs of the people. They do not want to do the obvious or over the top brand integrations. They want the message to seamlessly fit into the content.

    Raghavan mentioned that FMCG category was the most active on YouTube, going beyond advertising. He cited the example of Colgate that sponsored YouTube’s original series Arrived, “When I walked into the first meeting with them, I was a little nervous about whether they would ask me to have one of the contestants hold the pack and say ‘this is Colgate’. But remarkably, the kind of brief that I got was actually evolved. It was not over the top integration but about sublime integration.”

    The other category that is creating a buzz on YouTube with its branded content is the category of brands that are digital-only. These brands focus on video advertising as their primary marketing tactic. He also added that most brands tend to add humour but they need to be smart about it.

    Raghavan added that brands are getting interested in telling slightly longer stories that resonate with their brand positioning. These brands avoid the staid route of placing their logos. “They want impact, salience and measurability. Content should be just laid and not dragged for a purpose,” he said. The one key point he highlighted for branded content is that they should think of the frequency or consistency of the uploads.

    Further, replying to Wanvari’s question around brands seeking paid visits to their content, Ragahavan noted that about 50-60 per cent of the views for an average content creator actually happens because of the YouTube algorithm in the form of ‘suggested videos’ or ‘up next’. “We tell brands that this is the place where you have to be; where the platform is working hard for you. So, you obviously will do advertising to reach out to a particular consumer but over time, any piece of content that a brand puts out should reach 70 per cent (organically).”

    He continued that while 30 per cent of the reach comes through marketing spends, it can decrease as creators optimise their content to be picked up by the algorithm.

  • YouTube to release first Indian original content soon

    YouTube to release first Indian original content soon

    MUMBAI: Streamers in India are about to get new delight. YouTube is bringing its first Indian original in the coming weeks called ARRived under an ad-supported model. The streaming giant has joined hands with music maestro AR Rahman for the show. Earlier also, YouTube global head original programming Susanne Daniels said that it is planning scripted series and original programming for international markets including India.

    “Affordable data costs are driving video consumption in India, data usage is about 8 GB a month per subscriber. This has pushed online video consumption as well, which is now about 75 per cent of all mobile traffic as per industry reports,” YouTube India entertainment head Satya Raghavan said.

    While in many countries YouTube offers its originals under the subscription model, in India it doesn’t have any premium model currently. According to some media reports, it will eventually come up with the premium service in India. YouTube’s international rivals Netflix and Amazon Prime have already released original shows in the country, some of which has been critically acclaimed too along with getting high popularity. The local OTT players are also eyeing the same pie in the growing video market. Players like ZEE5, Voot, ALTBalaji, Viu, Eros Now also have a pipeline of original shows to woo the audience. On the other hand, Hotstar has taken the top position among OTT players according to several reports.

    “Our DNA is built around partnerships, so a lot of competitors are our partners we work closely with, some of them are large advertisers of ours, some of them are large content partners. So for us, it is about growing the video pie not just for our own creators but for the entire online video industry for sure,” Raghavan commented.

    The company said it had run two sponsored shows as pilots, working closely with advertisers to test the market. It also claimed to have received a good response. Globally, YouTube Originals has released over 60 projects to date and plans to release more than 50 new shows next year.