Tag: Yash Raj Films

  • YRF’s Ishaqzaade to release on 18 May

    YRF’s Ishaqzaade to release on 18 May

    MUMBAI: Yash Raj Films’ upcoming offering, Ishaqzaade, has been scheduled to hit the silver screen on 18 May.

    Ishaqzaade is a love story about two people born to hate and destined to love. It is all about passion ignited by hatred.

    Produced by Aditya Chopra and written and directed by Habib Faisal, the film will see the launch of Arjun Kapoor, son of Boney Kapoor, along with Parineeti Chopra, in the lead role.

    This is Parineeti’s second film with YRF after having won six awards so far for her debut role in Ladies vs Ricky Bahl that released last December.

    Incidentally, Faisal has been credited of writing Band Baaja Baraat and directing the award winning film, Do Dooni Chaar.

  • Ladies vs Ricky Bahl a pretty average fare

    Ladies vs Ricky Bahl a pretty average fare

    MUMBAI: Ladies vs Ricky Bahl is one of those products from Yash Raj Films where the process of limiting the budget starts with the casting itself. The burden of drawing the audience falls on the lead pair, Ranveer Singh and Anushka Sharma, with the other three girls being little known: Dipannita Sharma, Parineeti Chopra and Aditi Sharma. For the main location you have Goa, much exploited in recent films but not so well exploited in this film.

     

    Producer: Aditya Chopra.
    Director: Maneesh Sharma.
    Cast: Ranveer Singh, Anushka Sharma, Dipannita Sharma, Aditi Sharma, Parineeti Chopra.

    Ranveer Singh is a conman who picks only on women, mainly playing with their emotional vulnerability. He gains the confidence of the girl he zeroes in on as well as that of her family; to them he comes across as perfect groom material. He talks the family into some attractive moneymaking proposal only for them to realise that Ranveer Singh had vanished and so had their money. In his list of victims he adds Parineeti Chopra, Aditi Sharma and Dipannita Sharma.

    Parineeti Chopra finds her gym trainer Ranveer Singh very attractive and falls for him in the blink of an eye. The only daughter, she has a moneybags of a father to whom Ranveer Singh sells a bungalow in upmarket Barakhamba Road in New Delhi. While the hero takes the first flight out of Delhi, Mr Moneybags lands in police custody for breaking and entering someone‘s property. The next target is a young widow in Lucknow, Aditi Sharma, cloth merchant. Her family is impressed by the zari work cloth material he shows them. He collects a huge order against a hefty advance before the girl and her family know they have been conned.

    The third victim, Dipannita Sharma, is an ambitious corporate executive busy decorating the company premises. Ranveer Singh sells her a dud MF Hussain painting. When her case is reported on a news channel, the three victims contact each other, eventually forming a brigade to play a counter con and get their monies back from Ranveer. To lure their target, they engage the services of a salesgirl from a mall, Anushka Sharma, who never lets a visitor leave without buying something from the mall.

    The film starts off on a promising note and does manage to hold interest until girls descend in Goa, where Ranveer runs his own small enterprise between conning victims. When the process of Anushka Sharma luring Ranveer into her trap starts the interest starts sagging. The three girls chasing as Anushka Sharma and Ranveer Singh do their thing is like kids‘ spying game! Whatever happens during this process is predictable and lacks twists and turns or exciting moments.

    With a linear script, the narration is sans challenges too; direction being just usual. Music, considering the theme, is a letdown. While there are no sad scenes, there is no trace of humour either and the dialogue is routine.
    Of the performers, Parineeta Chopra scores most points, playing her typical, rich, loud Delhi Punjabi girl; she fits the character to a T Aditi Sharma is mostly underplayed, that being her part. Dipannita Sharma is okay. Anushka Sharma is her natural self, not that her role offers any challenges. As for Ranveer Singh, it is very well to describe him as charming, handsome and smooth to establish his character but tough to convince the viewer.

    Ladies vs Ricky Bahl a pretty average fare.

     

    Lanka has no entertainment value

     

    Producer: ASA Production & Enterprises P Ltd.
    Director: Maqbool Khan.
    Cast: Manoj Bajpayee, Arjan Bajwa, Tia Bajpai, Yashpal Sharma, Manish Choudhary, Yatin Karyekar.

    Lanka is a film about a small town real life inspired story. The real life stories such as Lanka are one off affair and are not known to catch the fancy of all cinemagoer. Usually these stories are so bizarre, that they have no entertainment value and to make such a film and expect the urban multiplex audience to accept is foolhardy.

    Tia Bajpai is a medical student having come to Bijnour where her father is posted as CMO at the local hospital; Manoj Bajpayee controls the town and his word is the law here. When he sees Tia Bajpai, he wants her to be his.

    Soon he takes control of Tia Bajpai and her parents‘ lives; they are literally under house arrest, being watched 24 hours by Manoj Bajpayee‘s goons and the family is at his complete mercy, helpless as he comes at whim and fulfils his urge. The third angle is added with the entry of Arjan Bajwa, whom Bajpayee loves like kid brother and for whom Manoj Bajpayee is the ultimate idol; he does what is expected of him, generally play escort to Manoj Bajpayee and do the killings for him. Having noticed the plight of Tia Bajpyee, he can‘t stay indifferent for long; he is attracted to her and decides to go against Manoj Bajpayee and help her escape. The end is on expected lines. There are side tracks of rivalries between communities which are of little interest.

    The subject is dry and can be described as a documentary genre at best, providing no scope for dramatics, music or humour. Performances are routine with Manoj Bajpayee doing what he has been doing in several films earlier, Arjan Bajwa is fair while Tia Bajpai fails to involve the viewer in her plight.

    There is nothing to write about for the box office prospects of Lanka since none exist.

  • YRF launches production & financing outfit

    YRF launches production & financing outfit

    MUMBAI: Yash Raj Films has launched a Hollywood-based production and financing company ‘YRF Entertainment‘ that will focus on developing and producing feature films for the US and international marketplace.

    The new venture will be headed by Uday Chopra, who will serve as CEO. Chopra has hired Jonathan Reiman to head the development and production team.

    Chopra said, "My family has a deep commitment to making and distributing quality films that entertain and enlighten audiences. I share that passion, as well as a love for American films that I have had since childhood. It is that enthusiasm and my love of the creative process of filmmaking that drove me to start this new venture."

    YRF Entertainment is currently producing and financing The Longest Week, the shooting of which commenced last week in New York City. Written and directed by Peter Glanz, the film, produced jointly by Uday Chopra and Neda Armian, stars Jason Bateman, Olivia Wilde and Billy Crudup.

    The film tells the story of a bratty man-child (Bateman) who still lives with his parents in a chic Manhattan hotel but suddenly finds himself evicted, disinherited and hopelessly in love with his best friend‘s heartthrob.

    After the original financier abandoned the film, Chopra tracked down the project and immediately fell in love with the material. He arranged a creative and physical production meeting with Glanz and Armian in Mumbai and after a lengthy meeting, he committed to making the film, with his business and legal team closing the deal in less than two weeks.

    YRF Entertainment is also building a slew of projects that it will actively develop and produce, he said. The first project that the company will develop is an untitled action/comedy by Dan Ewen about two twenty-something‘s who run away from their podunk towns to pursue big dreams and become an unlikely but seemingly unstoppable duo after meeting serendipitously.

  • Major film production houses for Mumbai film fest

    Major film production houses for Mumbai film fest

    MUMBAI: The Mumbai Film Mart (MFM) will be held from October 15 to 17 under the aegis of the Mumbai Film Festival.

    With a special focus this year on the growing non-traditional markets for Indian films in China, Korea, Japan, Europe and Latin America, senior executives from IM Global (USA), Rapid Eye (Germany), Novo Films (France), Metropolitan (France), Top Films (CIS), Showbox (Korea), Nikkatsu (Japan), Happinet (Japan), Pioniwa (Japan) among others will attend the MFM.

    Leading personalities from a majority of leading Indian production companies, broadcasters, home video, buyers, sellers, exhibitors like Yash Raj Films, Reliance Entertainment, UTV Motion Pictures, Eros International, Balaji Motion Pictures, Viacom 18 Motion Pictures, PVR Pictures, Cinemax, Shemaroo, Cinergy, Shreya Entertainment, Superfine Films, A.P International and Magna Home Video among many others will also be in attendance at the MFM.

    The MFM will also provide a platform to acquire some of the outstanding films being screened at the 13th Mumbai Film Festival. Direct contact will be established with the World Sales Agents from companies like Wild Bunch, Match Factory, Films Boutique, Films Distribution, Beta Film, Elephant Eye Films, Memento Films, Norwegian Film Institute, Swedish Film Institute, Urban Distribution, Bavaria Film, Terramedia Online, Kinology, to name a few who are keen to entice Indian audiences with their line-up of stellar film titles.

    Said film producer and vice president Film & TV producers Guild Mukesh Bhatt, “Mumbai Film Festival is a very important festival for one simple reason this platform is created by people who are committed to the world of entertainment. Organizations such as – Film and TV Guild of India, Exporters Association and Reliance Entertainment at the helm of the Mumbai Film Mart will create the magic of a festival with business in tow which I feel is most apt.”

  • YRF’s Tiger provides shot in the arm for tourism in Ireland

    YRF’s Tiger provides shot in the arm for tourism in Ireland

    MUMBAI: With Yash Raj Films’ Ek Tha Tiger being shot in Dublin, tourism in Ireland has got a shot in the arm.

    Dublin will be portrayed as a modern and vibrant city, rich in history and culture; scenes are being shot in Trinity College, Temple Bar and other locations around the city.

    This is the first time that a major Bollywood production – featuring two of India‘s most celebrated actors, Salman Khan and Katrina Kaif – is being shot in the country.
     
    Tourism Ireland is confident that it will help to significantly boost awareness of the island of Ireland among India‘s growing middle-class that has the potential to visit the country in their holidays.

    Speaking of the announcement, Ireland ninister for Transport, Tourism and Sport Leo Varadkar said, "It‘s a genuine pleasure to see a major Bollywood film being shot in Ireland, but it’s also great news from a tourism point of view. This film will be watched by millions of people in India and around the world, providing a global platform for Ireland as a visitor destination. The Indian film industry is the largest in the world after Hollywood but this is the first film of its type to be made in Ireland."

    Tourism Ireland‘s chief executive Niall Gibbons added, "Bollywood is deep-rooted in the psyche of most Indians and the films have a considerable influence on Indian travellers when they are deciding on their holiday destination. We are confident that the footage shot here will help whet appetites and create a curiosity among Indians to come and visit the places where the colourful Ek Tha Tiger was shot."

    Tourism Ireland works closely with TV and production companies to facilitate the making of films and programmes on the island of Ireland.

  • Jo Hum Chahe to release on 18 November

    Jo Hum Chahe to release on 18 November

    MUMBAI: Aman Gill‘s maiden film Jo Hum Chahe will release on 18 November.


    The film is a modern coming of age romance that reflects the current urban landscape of contemporary India focusing on the aspirations of the youth and what they do to achieve their desires.
     
    The film has been written and directed by debutant Pawan Gill, earlier first assistant director at Yash Raj Films from 2005-2007.


    Jo Hum Chahe, shot in Mumbai, Goa, Pune and Ladakh, will see the acting debut of Sunny Gill and Simran Kaur Mundi.


    Gill used to earlier look after film acquisitions and domestic film distribution at Studio18.

  • Ormax predicts Bodyguard to net Rs 740 mn in opening weekend

    Ormax predicts Bodyguard to net Rs 740 mn in opening weekend

    MUMBAI: Ormax Media, which uses Moviescope predictive model, has forecast Atul Agnihotra’s Bodyguard to take a net opening weekend collection of approximatelyRs 740 million, assuming it releases across 1500 cinemas.


    The film will release on 31 August on the day of Eid.


    Salman Khan’s Dabangg that released on Eid last year had a weekend (3 days) net box office collection of Rs 487.5 million. His next film Ready, which released in June this year, was also a blockbuster collecting Rs 422.5 million in the opening weekend.


    Moviescope is a film research engine designed to take care of all the needs of a producer. This includes four components – Ad Pre-Test, Film Pre-Test, Awareness Tracking (Cinematix) and Exit Polls.


    Ormax Media partners with Yash Raj Films, Fox Star Studios, Viacom 18 Motion Pictures and DAR Media among others.

  • World premiere of Mere Brother Ki Dulhan in Dubai

    World premiere of Mere Brother Ki Dulhan in Dubai

    MUMBAI: The world premiere of Yash Raj Films‘ (YRF) Mere Brother Ki Dulhan will be held in Abu Dhabi on 7 September.

    YRF has tied up with Zee Aflam, a pan Arab Bollywood channel, in organising the event.

    Mere Brother Ki Dulhan, an upcoming romantic film set around a love triangle, marks the directing debut of Ali Abbas Zafar who has also written the film. It stars Imran Khan, Katrina Kaif and Ali Zafar in the lead roles, while John Abraham appears in a cameo role.

    The film will release on 9 September.
     

  • Salman Khan to make film on loopholes in education system

    Salman Khan to make film on loopholes in education system

    MUMBAI: Encouraged by the response he got from Chillar Party that he
    co-produced with UTV Movies, Salman Khan has decided to go more deep
    into the children genre by setting to highlight loopholes in the India
    education system.


    Khan has decided to produce and act in Mahesh Manjrekar’s Hindi remake
    of the Marathi film, Shikshanachya Aaicha Gho. Khan is likely to play
    the father of two kids in the film.
     
    Confirming the same, Manjrekar said, “Yes, Salman is very keen to
    produce the film. And I am going to make the Hindi remake in due time.
    Let him get free from his other assignments, after which we will sit
    together and work out details.”
    After the release of Bodyguard next month, Khan will start
    Yash Raj Films‘ Ek Tha Tiger followed by Sher Khan and Dabangg 2.


    The remake of Shikshanachya Aaicha Gho will be made under Khan’s Being
    Human banner and the proceeds of the film will entirely go towards the
    actor’s charity foundation.

  • ‘We want to be the No. 1 channel in two years’ : Sony Entertainment Television business head Ajit Thakur

    ‘We want to be the No. 1 channel in two years’ : Sony Entertainment Television business head Ajit Thakur

    Struggling to jump into the top Hindi GEC league, it was a year back when Sony Entertainment Television decided to undergo a complete overhaul. New programmes were introduced and a new association was inked with the biggest film production house, Yash Raj Films, to produce soaps that were different both in narration and production value. While not all could fetch the requisite numbers for Sony, they did help the channel cover quite a distance – from a 80 GRP mark to a peak of 180 GRPs.

     

    Now as Sony enters into its next phase of growth, it is betting big on the decade-old KBC, helmed by Bollywood legend Amitabh Bachchan. Sony believes that the property, infused with fresh innovations,will do more than just getting the numbers: it will help the channel change its fortunes.

     

    In an interview with Indiantelevision.com‘s Anindita Sarkar, Sony Entertainment Television business head Ajit Thakur speaks about the channel‘s programming plans at large.

     

    Excerpts:
     

    How challenging has been the last one year for you at Sony?

    Sony is a great brand but in the last couple of years it had not lived up to its potential. Now as I look back one year from the time I joined, we have achieved a lot and the credit goes to the brand. It has always been so strong that every time we do something that is targeted at our audience right, we always get results.

     
    So what has been the focus for Sony?

    The focus in the last one year has been on three things. The first one of these has been research. Audience taste in this country is shifting every 1-2 years and, therefore, we were very clear that everything that we do has to be supported by rigorous consumer testing and extensive research to enhance our consumer focus. And research is not just to track but also to forecast the future trends.

     

    The second focus for the channel has been to strengthen as pioneers in new programming. We got in a wide variety of shows ranging from the Yash Raj banner which were very diverse in terms of content and production value to something like Crime Patrol. We also made Aahat into a daily and Indian Idol, which had been traditionally a weekend property, was shifted to weekdays to give audiences a new experience. Also, no other channel has a daily thriller like CID.

     

    The third very important and conscious thing that we are concentrating on is to produce content that entertains the entire family – and is not just exclusive to women or men or kids. Also, the content should do more than just entertainment.

     
    But even after so many launches in the past one year, the channel is still perceived to be synonymous with CID while also deriving ratings from Indian Idol. Why so?

    Yes, CID is our flagship property and has been doing very well for us. So, if we have a strong property, why not build on it? We have extended the property to CID gallantry awards and we are thinking of CID comics towards the end of the year.

     

    Meanwhile, the growth has not come just from one property. We are slowly and steadily expanding on our properties. Now we have Indian Idol, then we will have KBC and we will be building one property at a time.

     

    Our other shows – Aahat, Crime Patrol and Boogie Woogie – are also fairing well for the channel. Baat Hamari Pakki Hai is picking up. And if you see, none of our shows is similar to the other. 

     

     
    But you still weak on fiction as compared to the rest of the competitors…

    Look, it has been a very conscious part of our strategy to give audience differentiated content. So, if you see, our programmes are very different from what is happening on all the other four channels. The fact is that from last June to this June we have seen an almost 100 per cent growth. Also, our primetime GRPs have grown from 40-75 GRPs. Meanwhile, in DTH households, we are the number two channel already. And DTH is a controlled environment where everything is in place and it is no more a Bombay-Delhi phenomenon. This shows that our content has future potential.
     

    Does that mean you do not want a successful soap on the channel?

    We do want to do a successful daily soap and build more on fiction but it has to be unifying and should be carrying a message. Also, we will not look at dragging a soap just for the sake of TRPs. We will look at finite properties that will help build the brand Sony and stand for it. We are expected to bring variety and target younger people. India has a lot more people below the age of 35 and Sony has a very high skew towards this audience segment. 

     
    ‘Now that it is time to enter the second phase of our growth, we want to kickstart it with KBC ‘

     
    Then why is it that even after bringing in young and differentiated content with the YRF shows and some other new ones too, it did not do much well for the channel?

    When we launched YRF, Seven and Mahi Way did fairly well. But all of them were not up to the expectations that the market wanted. However, when we went for it we actually knew that the content is ahead of its time in comparison to current television in terms of narrative as well as treatment. So we were the early adopters and the ratings did not come in the first season. But we have learnt that they will work if we be at it for some time and bring back new seasons.

     

    Also, another learning for us is that we shouldn‘t launch multiple properties together. Which is why this time we will bring back the shows one by one so that the audiences grow on them.
     

    When do you plan to bring back the new YRF shows?

    We will be launching two new shows from the YRF stable by the end of this year and the new seasons of two more properties will be launched next year. Apart from these, we will also be launching two other fiction properties by the year-end. 

     

    Why did you decide to bring back KBC despite it being an old property?

    The difference between reality shows and game shows are that reality shows are often very edgy and not suitable for the whole family. And since we are targeting the entire family, we knew it was time to bring back a game show on the channel.

     

    When we did our testing for KBC, everyone said that they would watch the show because it has knowledge, entertainment and Mr Bachchan. So they encapsulated the show for us very well and that has a huge implication for us. We are sure that apart from numbers, the show is going to generate huge eyeballs for the channel.

     

    Also, now that it is time to enter the second phase of our growth, we wanted to kickstart it with KBC. 

     
    What is your scheduling strategy? Which time bands do you concentrate on?

    Because a lot of our focus is on research, our scheduling strategy is pretty much about what is happening in the household. So we start our early primetime with soaps that are for the regular family and then as we go through the day, we move into non-fiction that is Indian Idol. Towards the end of the day, there is Crime Patrol, Aahat and CID as there is more of older audiences and men coming into the channel.

     

    Also, we are trying to keep as much of content on the channel to keep the family together. Earlier, it was just the weekends that would look at keeping everybody together – but now it‘s weekdays too.

     

    And the third thing is that while a lot of the channels are doing afternoons, we have opened up the late primetime at 11 pm as an original time band.

     
    What are your movie plans?

    We are actually looking at doing less and less of movies. About a year back, we were doing 4-5 movies a week. But now we are doing only two movies a week. And within this, we are looking at interesting titles. We have about eight programmes on the channel and we will repeat that during off primetime. We are also looking more at events.  
     

     

    What are the challenges and opportunities for Sony in this cluttered market?

    We want to maintain a steady growth curve upwards. We want to take optimal decisions in terms of investments and programming and don‘t want to take away the positioning of the channel. Our daily worry is what is the next new innovative programming that we need to bring in and what is the next new insight we need to catch from the consumers.

     

    The challenge for us will be to continue retaining our present viewers while getting in new audiences. We will also have to continue to build on our youth base – more from the smaller towns.
     

    So is there a GRP or position you have in mind?
    We want to be the number one channel in two years.