Tag: X-Men

  • Fox gets David James Kelly to script next ‘Wolverine’

    Fox gets David James Kelly to script next ‘Wolverine’

    MUMBAI: Fox has roped in David James Kelly as scribe for the next installment of The Wolverine, the X-Men franchise spinoff that James Mangold will direct with Hugh Jackman reprising his signature role.

     

    The studio is eyeing a 3 March 2017, release. Kelly is also in line to adapt the Dark Horse graphic novel Mind Mgmt for Scott Free Productions and the original pitch Sentinel for Appian Way and Fox.

     

    The 2013 released The Wolverine made on a production budget of $120 million managed to make nearly $415 million in worldwide collections. 

  • Blockbuster Overdose: MOVIES NOW unveils Explosive Marketing Campaign

    Blockbuster Overdose: MOVIES NOW unveils Explosive Marketing Campaign

    MUMBAI: MOVIES NOW, India’s first High Definition channel brings you an explosive series of super-hit blockbusters, Hollywood’s biggest franchises and never seen before series all through March & April. Watch the complete series of Star Wars, Harry Potter, X Men, Matrix, Hangover, Ocean’s 11, 12 & 13, Lord of The Rings and a blockbuster Shaolin line up in stunning high definition. If you think this wasn’t enough, watch with the world, as MOVIES NOW brings to you the most anticipated series of 2014, the premier of CRISIS, a thirteen part series, simulcast with the US and also an exclusive showcase of Mr. Go for its viewers.

     

    Ajay Trigunayat, CEO of English Channels, Times Television Network said. “In a span of only three years, MOVIES NOW has been successfully taken the category by storm! MOVIES NOW has repeatedly proved that it is The Destination for high adrenaline and heart pumping blockbusters. The upcoming line up in the month of March & April will never get repeated in the English Movie Channel category, given the amalgamation of all the excellent box-office franchises being showcased one after the other. With the launch of our new pan India integrated promotional campaign, MOVIES NOW will engage with its viewers through different mediums. This campaign will help us to amplify the overdose of blockbusters across media. OOH is going to spearhead the campaign and we have activated OOH media on a large scale across all the metros which will be supported by Print, On-Air activations, Social media and PR.”

     

    To promote its mega line up, MOVIES NOW has unveiled a blistering 360 degrees marketing campaign across the 8 metros. Over 200+ high octane OOH units comprising of Billboards, Mall Media, Mobile Vans, Metro branding, Office branding and innovations are splashed across all 8 metros. The OOH is turbo charged with daily adverts in the Times Of India, City Times and Mirrors.

     

    The channel has also taken consumer engagement to another level On – Air and on Social Media with mega contests. MOVIES NOW will fly 2 winners to the Harry Potter world in the USA and all they have to do is watch their favorite Harry Potter movies! If that is not enough, MOVIES NOW will give 6 winners a once in a lifetime opportunity to party with Jackie Chan on his 60th birthday!!

     

    Blockbuster Overdose will keep viewers glued to MOVIES NOW throughout March, April & beyond.

     

  • Hugh Jackman to play Blackbeard in the upcoming film Pan

    Hugh Jackman to play Blackbeard in the upcoming film Pan

    MUMBAI: Hugh Jackman, the actor known for his portrayal of one the major classic X-Men characters in the X-Men and Wolverine movie franchise, has been signed on to play the role of the nefarious pirate Blackbeard in Warner Bros’ upcoming film on Peter Pan, based on J. M. Barrie’s classic character.

     

    Pan, scheduled to be released in the US on 17 July 2015, is to be directed by Joe Wright (Anna Karenina, Atonement, Pride & Prejudice) with a screenplay by Jason Fuchs (Ice Age: Continental Drift) and is being produced by Greg Berlanti (Green Lantern, Arrow, The Tomorrow People), Eric Fellner (Rush, Les Misérables) and Paul Webster (Salmon Fishing in the Yemen, Miss Pettigrew Lives For a Day).

     

    Hugh Jackman, last seen in the psychological thriller Prisoners with Jake Gyllenhaal, will next be seen in Chappie, a sci-fi thriller directed by Neill Blomkamp (District 9), and reprising the character of Wolverine in X-Men: Days of Future Past, which according to MTV, may be the last time he puts on the claws.

     

    According to the Internet Movie Database (IMDB), X-Men: Days of Future Past will be released in India on 23 May 2014.

  • Catch the Superheroes in action only on Movies Now!

    Catch the Superheroes in action only on Movies Now!

    MUMBAI: From comic books to the silver screen, these heroes have been role models for many. Starting 19th January, to entertain the audiences, MOVIES NOW brings back the lethal combination of science fiction andextraordinaryaction with Strike Force every Sunday at 9:00pm.

    Watch Bruce Wayne’s journey as the Batman, protector of Gotham City, in Batman Begins and catch a test pilot’s attempt to save earth when he finds himself as the first human to serve as the Green Lantern. One can’t imagine a world that doesn’t require superheroes! Likewise as Superman begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor and restore the life that was once his in Superman Returns.

    One of the most popular superhero teams in comic book history finally comes to the screen in this big-budget adaptation of the long-running Marvel Comics series – X-Men. Don’t miss watching the world’s most famous team of astronauts-cum-superheroes as they return in the effects-heavy sequel – Fantastic Four: Rise of the Silver Surfer.

     

    The Last Airbender, and action packed fantasy adventure film written, produced, and directed by M. Night Shyamalan, starring Dev Patel, will transport you in a world balanced on the four nations of Water, Earth, Fire, and Air. Watch this blockbuster as the hero embarks on an arduous quest to restore harmony among the four war-ravaged nations.

     

    Invincible, magnificent and downright incredible,these movies topped the charts all over grossing over $100 million dollars. Created by fascinating special effects, fabulous sets and visionary direction, watch these movies this January only on MOVIES NOW!

     

  • Twentieth Century Fox television distribution & Starz sign licensing pact

    Twentieth Century Fox television distribution & Starz sign licensing pact

    MUMBAI: A new multi-year licensing deal sees hundreds of movies from the Twentieth Century Fox Television distribution library airing commercial-free on the Starz and Encore premium channels.

     

    The agreement also includes associated HD, on-demand and authenticated online offerings. Titles included as part of the pact are Big Momma’s House, 2001’s Planet of the Apes, Cheaper By the Dozen, How Stella Got Her Groove Back, Fight Club and many others.

     

    “Consumers have long-subscribed to the Starz family of premium services thanks to the depth and breadth of its quality movie product. This agreement with Fox will fortify our pipeline of popular theatrical library content through the end of the decade and is a great complement to our exclusive originals, first-run movies, and other popular movie fare,” said business and legal affairs executive VP of acquisitions Michael Thornton.

     

    “Encompassing a deep collection of hundreds of films including such highlights as movies from the Ice Age, X-Men and Home Alone franchises, as well as There’s Something About Mary and Alien, these timeless hits will be a great addition for our loyal subscribers.” Thornton added.

     

    Twentieth Century Fox television distribution executive VP of worldwide pay television and SVOD Gina Brogi commented, “We are very pleased to extend our relationship with Starz and thrilled that they will have an opportunity to access so many great films from Fox’s extensive library.”

  • The Wolverine had plenty of bark at the box office, and just enough bite

    The Wolverine had plenty of bark at the box office, and just enough bite

    MUMBAI: The sixth installment of the X-Men franchise clawed its way to $55 million this weekend, according to studio estimates from box-office trackers Hollywood.com.

     

    While the debut was plenty to win the weekend – there were no other major newcomers as studios cleared a path for the comic-book adaptation – the opening fell short of analysts’ projections, which called for a bow of at least $65 million.

     

    Still, it snapped the string of high-priced live-action films that couldn’t claim the weekend crown. Last week, the $20 million horror flick The Conjuring opened to $42 million, crushing the $130 million supernatural film R.I.P.D., which debuted to a dismal $13 million. Similarly, Pacific Rim ($37 million), The Lone Ranger ($29 million) and White House Down ($25 million) opened well below projections, falling to cheaper movies and animated films.

     

    While Wolverine’s opening was solid for a sixth franchise installment, analysts wondered whether moviegoers are suffering mutant fatigue. The previous Wolverine film, 2009’s X-Men Origins: Wolverine, debuted to $85 million.

     

    But the new film resonated with viewers, which could help its run through a typically arid August at theaters. About 68 per cent of critics gave Wolverine a thumbs-up, and the movie scored an A-minus from moviegoers, says grading site CinemaScore.

     

    Among the holdovers, Conjuring took second with $22.1 million, followed by the animated comedy Despicable Me 2 with $16 million.

    The animated Turbo was fourth with $13.3 million, while Adam Sandler’s comedy Grown Ups 2 rounded out the top five with $11.5 million.

  • Helman to join the extensive mutant casting of Singer’s next, X-Men: Days of Future Past

    Helman to join the extensive mutant casting of Singer’s next, X-Men: Days of Future Past

    MUMBAI: After sparking the Marvel franchise X-Men in 2000, producer cum director Bryan Singer is all geared to set ablaze the box office come 2014 with a multi star cast sequel X-Men: Days of Future Past.

    Revealing more casting news for the high profile sequel, Singer has added the newcomer Josh Helman for an undisclosed role.

    X-Men: Days of Future Past reunites and blends the original‘s (X-Men) cast including Hugh Jackman playing the beastly Wolverine and Halle Berry (Storm), Anna Paquin (Rogue) and Ian Mckellen (Magneto) with X-Men: Fist Class‘s cast of Micheal Fasbender, James McAvoy and Jennifer Lawerence.

    The latest mutant addition, Josh Helman will join this extensive cast which also features newcomers to the franchise including Peter Dinklage, Daniel Cudmore, Fan Bingbing, Evan Peters and Boo Boo Stewart.

    The Australian actor, Helman was recently seen in Jack Reacher alongside Tom Cruise. He will also star in Mad Max: Fury Road alongside X-Men co-star Nicholas Hoult, Tom Hardy and Charlize Theron.

    The mutant mash-up is slated for a 23 May 2014 release and is already into production.

  • Iconic costumes set for auction

    MUMBAI: Hollywood‘s most iconic costumes including those of Christopher Reeve‘s Superman to Peter Mayhew‘s Chewbacca are set to be auctioned off later this month in Los Angeles.
    The costumes, including the original 1978 Superman outfit worn by Reeve, Michael Keaton‘s 1989 Batman ensemble and the hairy Chewbacca mask will be featured at the Treasures on the Hollywood Vaults auction on 28July, it has been reported.
    The original Superman: The Movie costume worn by Reeve will be auctioned for an expected price of between 60,000 to 80,000 dollars. Keaton‘s Batman costume with its rubber bodysuit, cape and cowl will sell for an estimated 30,000 dollars to 50,000 dollars while the hairy Chewbacca mask from Star Wars is expected to be auctioned off for 60,000 to 80,000 dollars.
    And finally, Hugh Jackman‘s Wolverine claws in the X-Men series could go for 20,000 to 30,000 dollars. Even Jim Carrey‘s costume as The Riddler in the 1995 film Batman Forever and Iam McKellen‘s Magneto costume from X-Men are expected to go for the same price.
    Russell Crowe‘s chest armour from the movie ‘Gladiator‘ will be auctioned for 15,000 dollars to 20,000 dollars.
    Also, Gene Wilder‘s very purple suit as Willy Wonka will also be featured at the Los Angeles event.

  • ‘India can become our number one market in Asia’ : Simon Phillips – Marvel Entertainment International president

    ‘India can become our number one market in Asia’ : Simon Phillips – Marvel Entertainment International president

    Marvel Entertainment is tapping the comics business in India. Holding the rights to iconic characters like Spiderman, X-Men and Hulk, it has appointed Kids Media India (KMI) as a subsidiary of Spacetoon Media to represent its licensing, merchandising, publishing and promotional rights in the country.

    Marvel superheroes will be immediately available for licensing on a wide range of consumer products including apparel, stationery, publications, toys and games, party goods and accessories.

    In an interview with Indiantelevision.com’s Ashwin Pinto, Marvel Entertainment International president Simon Phillips talks about the company’s plans for India.

    Excerpts:

    From a commercial standpoint, which are Marvel’s top five characters?
    The number one character is Spiderman. We have had three successful movies with Sony. An animated Spiderman TV series, with 26 half-hour episodes, is scheduled to come out next year. Then there is the comic book programme.

    Our number two character is the Hulk. The TV show in the 1980s, which played globally, grew this character. A movie comes out next year.

    Our number three character is the X-Men. This is a combination property and we have made three movies with Fox. A number of animated TV shows have been made around the X-Men.

    Ironman is another character and we are putting a lot of efforts in launching it as a film. This will be the first film that Marvel Studios has done and will star Robert Downey Jr and Gwyneth Paltrow.

    What is great is that Ironman is a superhero without superhero powers. While Spiderman got his powers after being bitten by a spider and Wolverine has claws, Ironman gets his strength from a suit.

    Tony Starr is also clever and can analyse situations very well. For us, it is about the relationship between the consumer and the character. The closer it is, the more chance there is to develop characters and create a broader licensing programme.

    The great thing is that our characters are flawed, and this makes audiences identify with them. Spiderman, for instance, has financial difficulties and so he has to take a job in a pizza parlour.

    Globally, is there is a difference in the popularity of these characters?
    Each country has different characters for comic books. In Australia, Elektra is a very popular character. Jennifer Garner played her in a film.

    The great thing about Marvel is that we appeal to a broad spectrum. Since we have 5,100 characters, we expose as many of them as possible. If you are a comic book fan, you would know that the Marvel storylines are all interlinked. Thus, you have comics where Hulk meets Spiderman and others where Ironman meets Hulk and Captain America. The more comics people read, the more familiar they become with our various characters.

    Marvel’s business is divided into four operating segments – publishing, licensing, toys and film production. How much does each contribute in terms of revenues?
    The break up changes every year. For example, this year we have had three very successful movies. We started off with Ghost Rider with Nicholas Cage, which, in India alone, generated $4 million. We followed that up with Spiderman 3, which was one of the biggest movies of 2007.

    We rounded off the year with Fantastic Four: Rise of the Silver Surfer. Although our roots lie in comic book publishing, our box office presence coupled with our publishing business meant that our licensing and merchandising programme grew significantly.

    How much of Marvel’s business comes from Asia?
    The global comic market is fragmented. What you have is traditional comics, and when you go to Korea and Japan you have Manga. We are breaking into that area. If you talk about traditional comics, Marvel is number one.

    Asia is a growing market for us. Japan, the Philippines and Singapore are our top three markets. However, I see this changing over the coming years.

    How does India fare?
    We entered India late last year. We had a successful merchandising programme for Spiderman 3. We have a successful publishing programme for Spiderman in India for many years with Gotham Comics. We have also published an Indian version of Spiderman.

    What I am learning is that while the market is a niche vis-?-vis the population, in terms of numbers it is huge. I would like to think that within four years, India would be our number one market in Asia. With Spacetoons, we will be on track to achieve this goal. We have already started working with Spacetoons in the Middle East.

    For India, why did you decide to go with Spacetoon?
    We went with Turner for Spiderman 3. However, Warner has DC Comics, and so we realised that continuing the relationship would not be beneficial for either party. We did research on the intermediate market. We are happy with the work that Spacetoons does in the Middle East for us. We are impressed with how they have invested and grown that market.

    Which are the key areas being looked at for India?
    We have three areas to develop our licensing programme. These are publishing, television and films.

    As far as publishing is concerned, we will work with Gotham comics. Over the next three years, they will be developing localised, Indian content around Marvel. It is not just about publishing in English; it is also about publishing in Hindi and regional dialects. We don’t want to create an elitist view of Marvel. The characters belong to everybody.

    Our movies have worked well in India. Ironman and The Incredible Hulk are slated for release next year. Another movie called The Punisher will also be released. In 2009, Wolverine with Hugh Jackman releases. It shows the origins of this X-Man.

    We follow this with television. The great thing is two of our animated shows are being made in India. Ironman is being produced by DQ Entertainment and Wolverine by Toonz. These will complement our film offerings.

    The emerging trend for us is movies, followed by animation and then merchandising. We are able to be consistent on air, and that is why the consumer has a better relationship with our characters on a continuous basis.

    We need to look at Bollywood and animation in India. We want to see how Indian storytelling can be incorporated into the Marvel world

    In terms of merchandising, what are the key categories being looked at?
    In India, apparel will be key. This wil include T-shirts, shorts, caps, etc. Back-to-school backpacks will also be there. But the main area for us is promotional tie-ups.

    India has challenges. Retail is fragmented. It is not as developed as it is in the UK or US. You do not have multiple stores yet. They are coming though. We have to look at the available channels and then decide what will work the best. Our aim is to develop programmes that will cater to consumers at all levels.

    We are looking forward to generating Rs 250 million in revenue from licensing in the first year. We are also keen on promotions as it will help FMCG companies cut through the clutter. For instance, two companies come out with mineral water. If one of them has the logo of Spiderman, that company gets an edge.

    In addition to Spiderman, which are the other characters well known in India?
    Hulk has a strong fan base as well. Ghost Rider was a bigger film than Shrek 3. In fact, it wasn’t far behind Pirates of The Caribbean 3. The aim is to benefit from the success of films to introduce characters to India. Then we develop merchandise and benefit also from animation shows that we will launch. Not just in India but in many other countries as well, Ironman is seen as a new character by kids. The film is a great opening for us to tell them about this character.

    Are you speaking to production houses regarding licensing your characters for film and TV?
    I haven’t looked at this yet. India has a strong animation business. I want to see Marvel find more production opportunities in India and in other countries. We need to look at Bollywood and animation in India.

    In every culture including India, you have stories of heroes. Some characters might have mystical powers. I don’t see those being too different from Marvel characters. Marvel characters live among us. Spiderman lives in New York. The X-Men characters are from San Francisco. We want to see how Indian storytelling can be incorporated into the Marvel world.

    ACK Media recently acquired Amar Chitra Katha while filmmaker Shekhar Kapur and Richard Branson did a JV last year. Is Marvel also looking at acquiring an Indian firm, which has iconic Indian characters in its portfolio?
    We would grow our business in different ways. I am always looking for the right deal, and if there are Indian characters that can enrich the Marvel portfolio, then we could consider it. But 5,100 characters give us a full portfolio.

    What do you feel about the quality of animation production available in India?
    When I see the two different types of animation shows being done for us in India, I realise that the technical quality is strong.

    I would like to see Indian companies not just being production houses but also being distributors. At the moment, they are a factory. I would like to see Indian companies come to us for licenses, develop the stories, produce the work and then distribute it globally. At the moment they are more a development resource. I would like to see them progress to a level where they become partners.

    How important are videogames globally?
    We have the biggest licensing programme of any comic book company for this category. We have multiple partners. Sega is launching the Ironman game, while Activision has the Spiderman franchise. We work across multiple platforms – PS2, PS3 Xbox, PSP, PC-based games.

    Is innovation important to keep the comics genre fresh?
    Innovation is key. Marvel recently launched the first digital comic website. You have a growing consumer base who want to own a product. It is something better than having just a printed comic which is wonderful in its own way.

    We launched virtual Marvel comics where you can read our offerings online. It is not just HTML text where you simply keep scrolling. We have created a technology whereby you zoom in on different parts of the comic.

    Key partners for Marvel include Sony for films, Sega for video games and Jakks Pacific for toys. How have these relationships evolved over the years?
    The relationships differ across the various segments. Our relationship with Sony has been for the Spiderman films. We are also doing a TV series with them. With Fox, we did the X-Men and Fantastic Four movies. Our biggest toy partner is in fact Hasbro. The innovation that Hasbro does and the marketing muscle that it puts behind our toys is important. Playskool is another partner. Our deal with Sega helps us embrace new technology and help kids and adults enjoy our offerings at new touch points. In Italy, we have a partner who makes toys, stationery and candy items. But they are not a big part of our US business.

     

    What is the revenue split for film between theatre, DVD and merchandise?
    It depends on the title. Sometimes merchandise contributes almost as much as the box office. In some markets, DVD is booming while in others it is giving way to VoD.

     

    Is Marvel nurturing ambitions of becoming a studio to be reckoned with a few years down the line?
    We have established Marvel Studios in Los Angeles. David Liezel heads it. He and his team are putting together the Ironman and Hulk movies. We want to bring the richness of our characters out into the market in a more effective manner. For Ironman, Paramount is our distribution partner, and for The Incredible Hulk, our partner is Universal.

     

    While Spiderman is a hero, The Punisher can be seen as a dark antihero. To what extent, has this affected his appeal?
    It appeals to a different audience. Spiderman is a crossover product. Everybody relates to Spiderman. The Punisher appeals to an older audience. Not every character can appeal to a universal fan base. The important thing is to remind them of the relationship they have through great content.

     

    There is also a trend in films like Spidreman 3 and Batman Begins where the superhero has a dark side. It is also getting more violent. Can we expect more of this going forward?
    Our characters reflect humanity. The dark side of Spiderman after he was infected with Venom was not an effort to do deep analysis. It is at the end of the day overcoming the dark side. Good must triumph over evil.

    In terms of violence, Marvel comics are violent. They are not U-rated comic books.

  • ‘Burgeoning distribution costs eating into money that should have been spent on content’

    ‘Burgeoning distribution costs eating into money that should have been spent on content’

    Marvel Entertainment is tapping the comics business in India. Holding the rights to iconic characters like Spiderman, X-Men and Hulk, it has appointed Kids Media India (KMI) as a subsidiary of Spacetoon Media to represent its licensing, merchandising, publishing and promotional rights in the country.

    Marvel superheroes will be immediately available for licensing on a wide range of consumer products including apparel, stationery, publications, toys and games, party goods and accessories.

    In an interview with Indiantelevision.com’s Ashwin Pinto, Marvel Entertainment International president Simon Phillips talks about the company’s plans for India.

    Excerpts:

    And while the arguments for and against regulation are many, the fundamental thing is that any attempt to legislate a free media has to be done with a great deal of care. It is at the heart of Indian democracy. And as the world acknowledges, we may have a myriad problems but we are a robust democracy despite all odds: it is too valuable to risk.

    On the Content Code there has been a discussion for well over a year, and the government has been open to dialogue, which is excellent. The broadcasters have offered to create their own Code for self-regulation.

    The government has welcomed the offer of the industry to develop its own Code, as it has accepted and notified the ASCI Code for advertising. ASCI is a voluntary body, so the government has encouraged self-regulation, which is great.

    The single biggest problem in the industry today is distribution. It is getting more and more competitive, as more and more channels come into business. The cost is enormous and growing wildly, and it is hurting every broadcaster from the biggest to the smallest, FTA or pay.

    In this battle MSOs and LCOs point fingers at each other, but either way it is costing the broadcaster. And money that could and should have been spent on content is getting spent on distribution instead, and it weakens the industry.

    And as that burgeoning cost is eating into money that could and should have been spent on content, in the end it is affecting the viewer, with no medium term solution in sight.

    Digitisation is the only real answer. Digitisation is slowly coming in the non-CAS areas, but the operative word is ‘slowly’. Anything that the government can do to accelerate digitisation will be for the good of all, mostly for the good of the consumer.

    The other important thing with growing competition is the issue of audience measurement. Periodically there is heated debate, and everyone has an expert opinion on the subject. But listen to what each broadcaster says, and you know how good their ratings are: why else are yesterday’s critics silent today and why were today’s critics silent yesterday, when the system has been the same for years?

    And even as broadcasters and agencies criticize the measurement system they continue to use the data to help in buying and selling Rs 5-6,000 crore worth of advertising, on the nonsensical plea that some data is better than no data.

    There have been impassioned complaints about how the broadcasters and production houses are victims of the rating system, how every Friday when those wretched numbers come in they have to slog overnight to fix the content according to what the numbers tell them.

    That’s like a hypochondriac taking his temperature and blaming the thermometer. No one is forcing anyone to use the data, much less what to do about it. If you choose to be tyrannised by it, that’s your choice.

    That is not to say the current system is perfect. That it needs upgrading is beyond doubt. The industry has taken the initiative in that, with the formation of the Broadcast Audience Research Council.

    Whatever the outcome, it can only lead to a better, more robust measurement system.

    The best thing that has happened this year?

    It may sound like a strange thing to say, but to my mind the best thing that has happened is the ongoing debate about the Broadcast Bill and the Content Code. It brings many issues to the fore, many things that we need to be more aware of and many that we need to engage with the government about.