Tag: WWM

  • Worldwide Media  gets going with Grazia Intern Diaries

    Worldwide Media gets going with Grazia Intern Diaries

    MUMBAI: For sometime now, publisher Worldwide Media has been churning out video content which has been making its way on television or on the web. Among the shows it has executed figure: The Good Homes show (in association with channel TLC and Hafele), Famously Filmfare  (Colors Infinity),  Nexa Journeys on AH1 (Discovery) and Secret Ingredients (for Michelin Tyres).

    And the latest to come out of its content studio (headed by Vidyut Patra) is the scripted reality web series Intern Diaries – an eight part show.  As the title suggests, it is all about the experiences of two young girls as they intern – where else but at Worldwide Media fashion title Grazia.  The first two episodes were released digitally on 15 May and with two being released every week, since then.  The last of the two episodes are slated to go out next week.

    “Given the current consumption pattern on digital, video content draws the maximum eyeballs and hence when it came to expanding Grazia’s audience base on digital, we thought of creating an original web series that would resonate its brand tonality – being young, easy chic, uber-cool and high street. Grazia , being a fashion and beauty brand catering to a younger audience and having interns working with the team round the year, the idea of Intern Diaries was formed,” Worldwide Media (Grazia’s parent) business strategy and special projects head Sunil Wuthoo explains, giving the backdrop to the series.

    To Worldwide Media’s advantage,  Lever brand Ponds BB+ latched on to the idea and agreed to associate with it. The reason: a similar target group of young female audience mainly into the world of fashion and glamour.

    The show features two girls – Tara and Anika, who are interning at Grazia and are aspiring to make a mark in the world of high fashion, style and Bollywood. And according to the Grazia website, the interns are seen working their way through tasks, completing them to the magazine’s standard. The web series  takes “the audience through a journey of real situations, fashion emergencies and challenges from a millennial’s point-of-view and is relatable.”

    Because it was shot in the Grazia offices, it features its editor Meharnaz Dhondy and members of the magazine’s  brand team. To add to the glam quotient, fashion  icons such as Manish Malhotra,   Anita Dongre, Masaba Gupta, Sonakshi Sinha  and Payal Singhal were roped in to interact with the Anika and Tara in scripted situations.

    Says Wuthoo: “We have shown them going through the daily grind like planning magazine covers or some or the other challenges like visiting a designer store to source clothes for a model shoot. And that’s where they get to interact with the star or the designers.”

    Line production was assigned to Bodhi Tree Multimedia. “The team was kept small to about 10-12 members so as not to disrupt the actual day-to-day functioning of the magazine and most of the shoot was done in all real locations across Mumbai,” reveals Bodhi Tree Multimedia co-founder Mautik Tolia.

    Promotion was in three phases – pre-teaser, teaser and promo. While the teaser phase was used to boost the excitement, pre-teaser phase saw celebrities talking about their own internship experience. Those videos were posted on Grazia’s social media pages as well as on the featured celebrities’ social media pages.

    This was further followed by the launch of the microsite that acted as a hub for this show, which not only hosted the episodes, but also a lot of ancillary content around the show including details about the characters and their fictional lives.

    “We also sustained the interest of the viewers by connecting them with the characters through Facebook live sessions and publishing key moments from the show on various platforms. All of this is also being cross promoted across various social assets belonging to brands like Filmfare, Femina, TopGear, Hello! India, which further helped reach out to a young demographic,” says Wuthoo.

    At the time of writing, Intern Diaries had manage to generate close to 10 million impressions, 2.5 million views, with a reach of 8 million.

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  • Times’ WWM steps into TV prod with Jio as Filmfare wows Punjab & Femina digitises

    MUMBAI: WorldWide Media (WWM) CEO Deepak Lamba had last year announced his company’s intentions to foray into TV production with a slew of productions. His wish has become a reality with the launch of the company’s first-ever chat show Famously Filmfare premiering on Jio TV today (12 May) followed by telecasts on Colors Infinity from 14 May. 

    Jio has created a seamless digital life experience for the Indian audience and we believe this premiere will present an exciting on-the-go experience for the movie fans. This innovation will also allow film enthusiasts to engage with their favourite stars on a variety of digital platforms, a Jio spokesperson said.

    Also, with Lonely Planet and TopGear, WWM is launching its first one-of-a-kind travel and adventure series ‘Nexa Journeys on Asian Highway 1’ in association with Nexa which will be telecast on the Discovery network come 21 May 2017.

    Says Lamba:  “At WorldWide Media, our strategy is to be the leader in lifestyle and entertainment content. As a result, our focus is on increasing our presence in the video content and intellectual property (IP) space through long-format content, and with, Famously Filmfare, we are bringing our first such show on digital and television platforms. Soon after this, we will also be launching other versions in Tamil, Malayalam, Bengali, Marathi and Punjabi.”

    Filmfare.com generates around 25 million page views a month, and Lamba has opted to partner Jio TV for all language versions of its chat shows. He reveals that preference is being given to the media firms’  previous partners such as Star network for all its southern India chat shows.  

    To a question, Lamba said that through digital business they aim at trebling its profits (from 5% at present) in the next financial year. “Sixty to 70 per cent of our reach takes place through mobile devices as observed by comScore and Similarweb,” Lamba added.

    The Bengali and Marathi Filmfare awards found a home on Colors Bangla and Colors Marathi while the Punjabi version was telecast on Mh1 on 28 April. He is hoping to spike Filmfare’s page impressions to 50 million impressions by the end of next year.

    Amongst the other WWM properties he is also looking at extending the iconic brand Femina into video content space, which generates close to 37 million page views a month. Under this umbrella, around 60 events are held — annually. And, Lamba is hoping to add to that number in the coming year.

    Says he: “We are seeking alternative revenue streams and looking for new media platforms to exploit the IPs that we have in a different way. There are different revenue streams which are traditional ad sales, event business, digital media, content syndication, TV and web shows and circulation revenue.”

    Also Read:

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    Top M&E industry honchos see no major benefit from Budget ’17

  • WorldWide Media pushes into TV content creation

    WorldWide Media pushes into TV content creation

    MUMBAI: In August 2011, Bennett, Coleman & Co Ltd (BCCL) aka The Times of India group bought out the remaining 50 per cent of World Wide Media (WWM) from BBC Worldwide, making it a wholly owned subsidiary of arguably India’s largest media company.

    WWM had started off as a joint venture between the two firms to publish speciality niche magazines. Titles such such as Femina and Filmfare and licensed titles like Lonely Planet, Top Gear, Grazia, Hello! and Good Homes came under its umbrella. Most of them these have grown courtesy a loyal reader base and are adding substantial revenues to WWM’s topline.

    Deepak Lamba – who was earlier the president of Bennett Coleman – was roped in to spearhead it in January 2015 and fine tune its strategy. The idea: take it beyond traditional print publishing. And Lamba’s focus has been to transform it into a complete lifestyle and entertainment outfit. A special internal projects team has been created, which works on providing holistic branding and marketing solutions to clients, including content for the TV and digital space. Amongst the brands it is looking to extend onto digital and TV include: Top Gear, Good Homes, Lonely Planet, Hello, and Femina.

    “Digital is seen as the medium of the future but television is already here. Therefore, we are looking at that how our brands can be put across television platforms,” says WWM CEO Deepak Lamba. “We have signed a deal with Maruti Suzuki for the travel show where five celebrities from different walks of life and their biggest fan will take a fanatistic journey in the auto maker’s vehicles from India to Bangkok on the Asian expressway. The seven part series is slated to launch in November. Hello has an upcoming luxury show on ET Now and Romedy Now which is slated to go live two months from now. Good Homes will talk about how you can beautify your home on a finite budget. We also want to do the GEC version of our Filmfare talk show which is in the pipeline.”

    It is also expanding the Filmfare Awards franchise in August 2016 to cover north Indian cinema with the Britannia Filmfare Awards Punjab.

    “It’s been 63 years now for the Filmfare Awards. The Hindi cinema awards are telecast on Sony Entertainment Television,” explains Lamba. “The South India awards are in their sixtieth year and are telecast on Star channels; the East Indian awards on Star Jalsa, even as the Marathi awards are on Colors Marathi. We are also launching three music awards with regional GECs in the South and with local partners in Punjab.”

    Short filmmakers will also be eligible to take a stab at winning the lovely black Filmfare statuette with the launch of an award for digital movies, discloses Lamba. “The short films have to be of 15 minutes and we will have a prominent jury just like we have for our main awards and the main gratification is that winners will receive the award on the same stage.”

    WWM is likely to reach out to other production houses to partner it on some of its brand extensions into video, especially those targeting broadcasters. For its digital initiatives, it has put together a full-fledged in-house team which is working closely with its editorial team to roll out its properties. On the anvil is a fun-filled 15 minute celebrity chat show with Filmfare editor in chief Jitesh Pillai as its host. The pilot is being shot with the official launch expected to happen in the next two to three months. Lamba says the move into digital has come because advertisers have been asking for it. “There was also an internal need as being a part of BCCL, scale does matter a lot. In the magazine space we are already the number one. Also if you listen to your consumers and advertisers you will not go wrong.”

    OTT and VOD players have come knocking on WWM’s doors and conversations are on with them too.

    A foray into fiction is planned under the Femina brand. “The show is about a fantastic girl who is a little plump. A Gujju girl whose boyfriend dumps her for a skinny girl,” points out Lamba. “The show will track what she decides to do with her life and how she comes out on top of the world. ”

    Will the strategy of stretching existing print titles to video work? Media observers believe it will.

    “Titles such as Top Gear, Filmfare, Good Homes have a pretty loyal following both from advertisers and consumers,” says a media expert. “The WWM team will have to do something really wrong or screw up to fail at this extension strategy. I am betting that they will do well.”

    And that is something Lamba is banking on too.

  • WorldWide Media pushes into TV content creation

    WorldWide Media pushes into TV content creation

    MUMBAI: In August 2011, Bennett, Coleman & Co Ltd (BCCL) aka The Times of India group bought out the remaining 50 per cent of World Wide Media (WWM) from BBC Worldwide, making it a wholly owned subsidiary of arguably India’s largest media company.

    WWM had started off as a joint venture between the two firms to publish speciality niche magazines. Titles such such as Femina and Filmfare and licensed titles like Lonely Planet, Top Gear, Grazia, Hello! and Good Homes came under its umbrella. Most of them these have grown courtesy a loyal reader base and are adding substantial revenues to WWM’s topline.

    Deepak Lamba – who was earlier the president of Bennett Coleman – was roped in to spearhead it in January 2015 and fine tune its strategy. The idea: take it beyond traditional print publishing. And Lamba’s focus has been to transform it into a complete lifestyle and entertainment outfit. A special internal projects team has been created, which works on providing holistic branding and marketing solutions to clients, including content for the TV and digital space. Amongst the brands it is looking to extend onto digital and TV include: Top Gear, Good Homes, Lonely Planet, Hello, and Femina.

    “Digital is seen as the medium of the future but television is already here. Therefore, we are looking at that how our brands can be put across television platforms,” says WWM CEO Deepak Lamba. “We have signed a deal with Maruti Suzuki for the travel show where five celebrities from different walks of life and their biggest fan will take a fanatistic journey in the auto maker’s vehicles from India to Bangkok on the Asian expressway. The seven part series is slated to launch in November. Hello has an upcoming luxury show on ET Now and Romedy Now which is slated to go live two months from now. Good Homes will talk about how you can beautify your home on a finite budget. We also want to do the GEC version of our Filmfare talk show which is in the pipeline.”

    It is also expanding the Filmfare Awards franchise in August 2016 to cover north Indian cinema with the Britannia Filmfare Awards Punjab.

    “It’s been 63 years now for the Filmfare Awards. The Hindi cinema awards are telecast on Sony Entertainment Television,” explains Lamba. “The South India awards are in their sixtieth year and are telecast on Star channels; the East Indian awards on Star Jalsa, even as the Marathi awards are on Colors Marathi. We are also launching three music awards with regional GECs in the South and with local partners in Punjab.”

    Short filmmakers will also be eligible to take a stab at winning the lovely black Filmfare statuette with the launch of an award for digital movies, discloses Lamba. “The short films have to be of 15 minutes and we will have a prominent jury just like we have for our main awards and the main gratification is that winners will receive the award on the same stage.”

    WWM is likely to reach out to other production houses to partner it on some of its brand extensions into video, especially those targeting broadcasters. For its digital initiatives, it has put together a full-fledged in-house team which is working closely with its editorial team to roll out its properties. On the anvil is a fun-filled 15 minute celebrity chat show with Filmfare editor in chief Jitesh Pillai as its host. The pilot is being shot with the official launch expected to happen in the next two to three months. Lamba says the move into digital has come because advertisers have been asking for it. “There was also an internal need as being a part of BCCL, scale does matter a lot. In the magazine space we are already the number one. Also if you listen to your consumers and advertisers you will not go wrong.”

    OTT and VOD players have come knocking on WWM’s doors and conversations are on with them too.

    A foray into fiction is planned under the Femina brand. “The show is about a fantastic girl who is a little plump. A Gujju girl whose boyfriend dumps her for a skinny girl,” points out Lamba. “The show will track what she decides to do with her life and how she comes out on top of the world. ”

    Will the strategy of stretching existing print titles to video work? Media observers believe it will.

    “Titles such as Top Gear, Filmfare, Good Homes have a pretty loyal following both from advertisers and consumers,” says a media expert. “The WWM team will have to do something really wrong or screw up to fail at this extension strategy. I am betting that they will do well.”

    And that is something Lamba is banking on too.

  • Vikatan Group picks Pravin Menon as national ad sales head

    MUMBAI: Vikatan Group has assigned the responsibilities of national head-ad sales to Pravin Menon.

    Menon joins in from Worldwide Media where he was working as GM (South) – ad sales.

    He will report to Vikatan Group MD B Srinivasan.

    Menon said, “Yes I have joined Vikatan Group. My first concourse will be the print diving and then the online print media.”

    Menon brings in over 17 years of experience in the ad sales and marketing industry. He had joined Worldwide Media in May 2007. Prior to joining WWM, he was WWM India Regional sales head for over two years. He had joined Times Group in 1998.

  • Devashish Sarkar quits BBC-Times JV

    MUMBAI: Devasish Sarkar, until now CEO of Worldwide Media Ltd (WWM) which is a BBC-Times of India joint venture, has decided to go back overseas to take up a new assignment.

    Sarkar was with WWM for about four years. He helped in re-launching Femina and Filmfare, the latter becoming a fortnightly and coming out in a German edition. Some new titles in India like Top Gear and Grazia were also launched. 

    Sarkar was elected General Secretary of the Association of Indian Magazines (AIM) at the Annual General Meeting last year. 

    Elder Pharmaceuticals with its product FairOne have signed a three-year deal to sponsor the annual Filmfare Awards. 

    Sarkar has worked earlier in various firms such as ITC and Tupperware and also for the Singapore Government.

  • Filmfare Awards in a new avtar

    Filmfare Awards in a new avtar

    MUMBAI: The 52nd Fair One Filmfare Awards for excellence in Hindi cinema will be held on 24 February. Filmfare announced the nominations for the popular awards categories.

    The awards event which started in 1954 has been a public event with performances by the stars until now. This year World Wide Media, the company which owns the title decided to make the event a black tie affair taking off from the Oscars. This year the annual awards night will be held at an indoor venue exclusively for the film fraternity.

    Speaking about the awards WWM CEO Devashish Sarkar said, “The event will be a black tie event held along the lines of the Oscars for the film fraternity. The dance and musical entertainment will be pre-recorded for the TV audience. This twin format will allow both the film fraternity and our film fans to enjoy the evening in the manner they ought to.”

    Commenting on the second year of its association with the awards, Elder Pharma director Dr. Anuj Saxena said, “Elder is proud to continue its association with the Filmfare Awards for yet another year. The Fair One Filmfare Awards function is to be very different than in the past – but yet equally spectacular. Elder welcomes the role of celebrating talent and beauty in any field, an undertaking that the company continues to support and encourage through all its ventures, one such initiative being the “Fair One Face of the year Award” category. We hope that this year the Awards will set a trend in the way award ceremonies are held”

    The Awards will be telecast on Sony television on 25 February at 7:30 pm. Speaking about the Awards, SET India Pvt. Ltd CEO Kunal Dasgupta said, “We are extremely proud of our decade long association with Filmfare- ‘the queen of all awards’. Our conviction in this partnership led to the inception of the ‘Sony Face of the Year Award’ and the growing popularity of this award category only strengthens our endeavor to applaud women with talent and proven records of excellence in their chosen fields”.

    The Fair One Filmfare Awards is sponsored by Elder Pharmaceutical, along with associate sponsors Bisleri and Ashrafi Finance.

  • Print media -survival of the fittest

    Print media -survival of the fittest

    MUMBAI: Though media baron Ruport Murdoch believes that digital is the future, Malayala Manorama executive editor Jacob Mathew believes that newspapers will put up a strong show and co-exist in the digital age.

    India Today Group CEO and editor-in-chief Aroon Purie also graced the occasion to speak on the Future of Print Media in a morning session at the Ficci Frames today.
    Mathew begins by narrating an experience he encountered recently with his editor friend. “I had always considered him a sober man but this time he had a wild look in his eyes, when I asked why? He said he was chasing skirts. As he had freshly entered his fifties, I thought it was a case of male-menopause. He brushes aside my instant diagnosis and explained that he was editing fashion pages and he was constantly working and thinking about skirts, frills and pleats.

    “He entered journalism with the idea of making a difference to society, but, there he was condemned to writing about frilly, silly nothings. I disrupted his ranting and pointed out that he was actually facing crisis of content. There are serious stories and entertainment stories to be told, but they go reported in a fizzle form of fashion.
    “It is all a matter of choice. Instead of digging for in-depth stories, editors like him are content with presenting ravishing visuals, of mass cloying words. This goes true not just for soft stories; fashion or glamour but also of hard stories; politics, economics, business, sports and human relationship,” he says.

    Citing that even stories of pathos and cruelty are put under the glittering glares of glamour. Content remains the greatest challenge in the newspaper industry today.

    Circulation being key, he says that it has saturated in many developed countries and advertising growth rate there is negligible. In contrast, India presents attractive windows of opportunities because of increasing literacy and purchasing power.

    “Indian newspaper industry has a turnover of Rs 12,000 crore in 2005. It is expected to touch Rs 13,500 crore. Indian’s figure is just five per cent of Asia pacific region, even the Koreans are double our size. Paradoxically our size is our strength. We have a tremendous potential to grow as we are small right now.”

    On the potential that newspapers have, he says, “India reaches only 35 per cent of our adult population even though adult literacy is about 65 per cent. To build this gap between readership and literacy, and due to the competition the publications kept its prices low and depended entirely on advertisers to subsidise the reader.

    “This model probably was viable in India because it simultaneously developed the vibrant advertisement industry. The industry aggregate for the years 2002 to 2004 indicates that 60 per cent of our revenues come from advertising sales. While the circulation revenue accounts for 38 per cent, other incomes account for about 2 per cent. This percentage varies between the English and the vernacular publications.

    “Circulation revenue covers about 70 per cent of our variable costs. The first 25 per cent of the advertising revenue goes towards covering the variable cost and the balance 75 per cent is available for fixed cost and profits. Obviously advertising drives the print media.

    “When the ad revenue grows at a healthy pace, publishers invest in increasing their circulations. With bigger circulations, they are able to command higher ad rates. This business model demands that the momentum be provided by growing ad revenues. Though some say that with lower cover prices, one chases artificial numbers of circulation to justify high ad rates.

    Asking if this model is sustainable and fair, he continues, “This is being debated as some believe that there is ample scope for further cover price increase. The expanding economy has brought into the market a host of new advertisers and this has made it possible for us to increase the ad rates as well.”

    Looking ahead, Mathew says, “The prospects to 2006 look fairly good. With the economy of the country continuing to grow at 7.5 per cent, we may reasonably expect at least 15 to 20 per cent growth in ad revenues. This will drive the circulation at an eight per cent growth in the turnover and then can be expected to grow by 12 to 14 per cent.

    “The main challenges come from Internet. Websites like Shaadi.dot come, Naukri.dot com have made major inroads for jobs and matrimonial. Real estates and second hand vehicles are two other classified ad category waited to be snapped by us webpreneurs. Baazi.dot com, now taken away by eBay has already proved its potential of internet shopping. Sensing this pattern, several newspaper publishers have forayed into the electronic media. Some have succeeded and some have bit the dust.

    “Eventually, major newspaper groups will emerge as multiple media enterprises combining the strengths of electronic and print media.”

    Mathew sums up, “We know the strengths of our medium, yet our challenge is to aggressively convey to our local markets nationally and internationally and in particular to opinion makers whose decision impacts our collective future.”

    Quoting US comedian Jerry Seinfeld’s accidental observation on newspaper as being bang on the dot, “It is amazing that the amount of news that happens everyday always just exactly fits in the newspaper.”

    Concurring with Jacob, the India Today Group CEO and editor-in-chief Purie had some interesting anecdotes as well as high points of the space and the future trends.

    Purie recalls an incident that took place thirty years ago at a printing conference in Venice, the questions asked were pertaining to the future of print and will print vanish. There were printers who raised their concerns on whether the business would last or not last, as computers had started creating its presence.

    Narrating the incident, Purie adds, “One of the speakers Robert Maxell, the owner of The Mirror Group in his opening statement said, “I know print will survive because you can’t take the computer into the toilet.” But now, of course, one can take the computer to the toilet.

    He says, “But still print survived, it actually prospered and thrived. The eternal question keeps coming up every few decades when new technologies comes, will print survive?”

    He points out an instance where Bill Gates offered his opinion on the Indian print media recently. Bill Gates, who is considered the biggest enemy of print and quoting him as saying, “I m sure, it will be more than fifty years, that somebody is still printing a newspaper and taking it to someone, somewhere.”

    He continues that Gates is fifty and in all probability, newspapers will out last him. He adds that surprisingly Gates in the interview stated, “Newspaper readership is still growing in India.” Purie remarked, “This is something when a man like him has obviously noticed and has not declared the demise of newspaper or print media.”

    Throwing some light on various figures, he says, “Last fifteen years, the ad revenue share in print of the total ad pie has shrunk from 70 per cent to a humbling 46 per cent due to the advent of cable and television. Internet and radio has compounded its misery. People thought that print has completely lost out. Any kind of change of this kind would have destroyed any other industry in my opinion.”

    “The readership grew by 28 per cent with newspapers leading the pack; Hindi newspapers grew by 68 per cent, Telegu newspaper 63 per cent, English newspapers grew by 36 per cent. Quietly, but clearly the new growth has been in the Indian language print media.”

    Citing a recent study conducted by an industry journal, he says that it estimated that the highest growing print media companies included Jagran Prakashan that grew at 26 per cent; Bennett, Coleman & Co at 17 per cent; Bhaskar publishing group at 16 and my own company Living Media at 12 per cent.

    Referring to growth in advertisement with respect to last year, he highlights that the ad business grew by 15 per cent to about Rs 12000 crores setting a new trend; the print share has increased 48 per cent from being 46 per cent while the television share remained at 42 per cent. Although television has grown but one can see that there is a slight change in the trend.

    “The print media has in fact staged a comeback to define all forecasts and international trends. The ad revenue growth can be attributed to the significant increase in ad spend by educational institutes, retail, real estates, consumer durables, automobiles. The revenue growth in television has been powered by FMCG sector,” says Purie.

    Speaking about growing consumerism, he says, this trends will throw up new opportunities for special interest publications. The mass circulated dailies and magazines will also benefit by adding special interest both genre wise and geographically.

    He cities the example of the India Today Group wherein, “We grew the topline circulation by 30 per cent from the previous year by using innovative marketing strategies including news focus offerings. The innovations included usage of digital media such as SMS and Internet besides, strong subscription campaigns.

    “At present, India Today has an add -on free magazine every week, from city magazines to lifestyle to education. All this has come on the back of the cover price increase from Rs 15 to Rs 20, a whopping increase of 33 per cent. And in just one year India Today English and Hindi editions over too The Times of India and Nav Bharat Times’ national readership by over 5 million.”

    Speaking on the future trends, he says, the print media will see an area of super fragmentation. It will virtually expand in every genre. While players will work towards super niche positioning, consumers will have to pay more for their newspaper and magazines. The trend may also see that the publishers will have to reduce their dependence on advertisement revenue to drive their successful models.

    But, with caution he also says, “While, it may not be the accurate predictions for India. It validates opinion that fragmentation may not affect mature medium like print to the extent it affects relatively newer medium like television.”

    Pointing another trend -the access to capital, he says, “The print media will be powered by many media companies tapping the financial markets, by ways of IPOs, inflow of capital by private equity and by going public enabling expansion and reducing any barriers that in the past were big constrains for any news entrants. The trend has already started and will become bigger for the businesses.

    At present, the government has permitted 26 per cent foreign direct investment in news and current affairs publications, which has led to Financial Times picking up stake in Business Standard, BBC and Times of India in a joint venture company WWM.

    But, Purie believes regulations are still too restricted and should be opened up and even the policy for facsimile editions and foreign publications coming here is really very confusing and unnecessary.

    Picking up on another trend is digital opportunities. He says, “The 300 pound gorilla, which I think publishers don’t know what to do with it. Internet does not have to be a competitor like radio and television. It can be partner to the print media. It can only supplement the distribution of content and leverage the print brand.

    Narrating yet another recent incident at Dow Jones where The New York Times publishers Sulzberger was asked, “aren’t you worried about the decline in readership and ad revenue being threatened by the Internet”.

    Sulzberger explains, “In the newspaper business there are basic costs– paper, distribution and people. If Internet comes, I will get ride of the first two as I do away with the problem of paper and distribution. I still have the brand, the content and the ability to sell the advertsiment. I’m not worried.”

    No wonder every newspaper may have an online presence, the challenges for the publishers is to monetise this and to appreciate unique qualities of the Internet interactivity and immediacy.

    He agree with the point made by the global media barron Rupert Murdoch who opines that today newspaper is just a paper, tommorrow it can be a destination.