Tag: Webseries

  • “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    Mumbai: Niddhish Puuzhakkal, a creative dynamo hailing from Mumbai, has carved an inspiring path in the world of filmmaking that speaks volumes about the power of experience-driven education. While his journey took him through renowned institutions like NYFA, ZIMA, and Washington Film Institute, DC, Niddhish’s true mastery stems from the richness of his hands-on encounters with the art of storytelling, his profound understanding of human psychology and absolutely child-like curiosity.

    With a diverse portfolio spanning TV series, music videos, advertising, and Bollywood, Niddhish is making waves with his gripping narratives. Beyond filmmaking, he’s a thought leader in creativity, performance coaching, and a boundary-pushing contemporary artist.

    In an insightful conversation with multi-faceted Niddhish Puuzhakkal, Indiantelevision.com had a chat on his recent directorial achievement, upcoming projects and more…

    Edited Excerpts:

    On your recent directorial achievement in the Vivo mobile ad film and your upcoming Sprint ad project

    Vivo Mobile Ad Project: The Vivo mobile ad project was an exhilarating opportunity for me as a director. The central product feature of this film is photography, and I wanted to do justice to it. My creative treatment focused on crafting visually stunning imagery that would not only capture the audience’s attention but also leave a profound and lasting impression.

    To achieve this, I delved deep into the details of photography, playing with elements like light, shadow, depth, and composition in each frame. The result was a narrative that transcended the ordinary realm of advertising. Every shot was meticulously curated to evoke emotions and tell a compelling story. I produced this under my banner Light Seeker Films, and it was an absolute pleasure to work on this project, with the great team at FCB Ulka and I’m incredibly proud of the final product.

    Upcoming Sprint Energy Drink Project: Sprint Energy Drink project, is equally exciting. For this endeavor, I took a highly technical approach. I’ve completely embraced virtual production techniques for this one, leveraging my background in 3D and unreal engine.

    The entire project was shot within the virtual production environment. We’ve harnessed the power of VFX to enhance the visuals, and what’s particularly unique is that I’ve personally handled the execution of these visual effects and unreal engine details. This hands-on approach has allowed us to create a visual that pushes the boundaries of traditional advertising.

    While I can’t divulge all the specifics just yet, I can assure you that our creative approach for the project goes beyond the conventional. We’re not merely promoting a product; we’re crafting a narrative that tells a visually distinctive story. Look out for this one – it’s going to be something truly exceptional!

    On approaching different mediums such as TV series, feature films, and advertising within your filmmaking journey in terms of storytelling

    When it comes to feature films, it’s all about my vision as a filmmaker. It’s an opportunity to tell a compelling story where I have complete creative control over every minute detail. As a writer-director, the film is a canvas for my aesthetics and storytelling abilities. I can shape every aspect to reflect my unique style and narrative vision. It’s a deeply personal and immersive experience.

    Whereas TV series offer a different dynamic. Here, I have the luxury of time to develop complex characters and intricate plotlines. It’s an opportunity to delve deeper into the nuances of storytelling, allowing characters to evolve over multiple episodes. The challenge is to keep the audience engaged and invested in the long-term journey of the narrative.

    Advertising: Advertising presents a unique challenge. It requires the ability to distill a message into a short, compelling narrative. It’s a collaborative effort where the creative team conceives ideas based on the brand’s needs. The priority is to meet and exceed the brand’s expectations while delivering a concise and persuasive story.

    On your background in psychology and your specialisation in creativity and performance coaching and this psychological knowledge influencing your approach to filmmaking

    Psychology has truly been a game-changer in my journey as a filmmaker. It’s not just a background; it’s a lens through which I view the world of storytelling. This understanding of human behavior, emotions, and motivations has a profound impact on my approach to filmmaking.

    First and foremost, it allows me to create characters that feel remarkably authentic and relatable. I can delve deep into their psyche, exploring the intricacies of their thoughts and feelings. This depth and complexity make the characters come alive on screen, connecting with the audience on a profound level. It’s about more than just telling a story; it’s about making the audience truly empathize with the characters.

    Moreover, my psychological knowledge becomes a powerful tool on set. When working with actors, it’s not just about giving them lines to recite; it’s about helping them become the character. I use psychological and even hypnotic methods to immerse actors in the character’s mindset and emotional state. It’s a transformative process that brings out genuine and captivating performances. I don’t get to use it as much in advertising as most scripts don’t need such depth of character – I use that more in long form content – I always look forward to doing advertising content with stronger character sketches and emotions as well .

    Beyond the actors, it influences how I foster a collaborative and creative environment on set. Understanding the psychology of teamwork and motivation allows me to lead a crew that is passionate, dedicated, and inspired. It’s about creating an atmosphere where everyone feels valued and invested in the project. You will find that energy of creative focus in my set, you will never find loud screaming matches or other such conflicts in my set no matter what challenges, or exhausting and how long a schedule may be. I ensure everyone is engaged and driven as a team.

    So,yeah, psychology is not just a part of my background – it’s a driving force that shapes the way I approach storytelling, character development, and the entire filmmaking process. It’s the secret ingredient that adds depth, authenticity, and impact to my work as a filmmaker.

    On your debut as a writer-director in Bollywood and your upcoming projects, including a web series and Bollywood and Malayalam films, and what can the audiences anticipate from these projects

    My journey into Bollywood as a writer-director was nothing short of exhilarating. It was a project that allowed me to collaborate with an exceptionally talented ensemble cast, including Arshad Warsi, Juhi Chawla, Divya Dutta, Anirudh Tanwar, Jitendra Joshi, Prakash Belawadi and Gauhar Khan, in a psychological thriller. This film delves deep into the fascinating realms of psychology and guilt, delivering a narrative that’s both distinctive and gripping. Viewers can brace themselves for an intellectually stimulating and emotionally charged cinematic experience. Arshad Warsi’s portrayal of a character like never before in Bollywood is a standout performance that will leave audiences in awe.

    As for what lies ahead, I’m currently immersed in the creation of a web series that promises to be a rollercoaster ride of emotions, sprinkled with humor and a unique slice of life. It’s a project close to my heart, and I can’t wait to share it with the world.

    In addition, I am also working on an exciting one of its kind Malayalam cinema. While I can’t reveal too much at this stage, I can assure audiences that these films will continue to push boundaries, challenge conventions, and offer a fresh take on storytelling. Expect the unexpected!

    On your approach to contemporary, abstract, and digital art as an accomplished artist alongside your filmmaking career and the intersection of your artistry your work in filmmaking

    My artistic journey began much like many others, as an outlet for expressing abstract inner feelings. Over the years, it has taken various forms, including filmmaking, design, and traditional art. I’ve even dabbled in music, so you might see something exciting on that front in the near future.

    My artistry and filmmaking often intersect in intriguing ways. They both rely on storytelling, albeit through different mediums. My experiences as an artist inform my visual style as a filmmaker, giving my work a distinct and captivating aesthetic. It’s all about finding new ways to engage audiences, whether through a canvas or a screen.

    On balancing roles as a filmmaker, psychologist, author, and artist and finding any common threads or influences that connect these diverse aspects of your career

    Well, the journey doesn’t stop there; I’ve recently ventured into e-commerce with a contemporary clothing brand, Just Younger, where I personally design the captivating collections. I’ve also launched a wellness organics store, VibeVeda, and I’m on the cusp of launching a creative community app in the coming month. And in the process of publishing my third book.  So, yes, it’s quite a balancing act, but it’s incredibly fulfilling.

    What ties all these roles together is the thread of creativity and human connection.

    It’s about resonating with their thoughts, feelings, and aspirations. And most importantly it also enriches my creativity in the process, constantly opening more creative neural pathways – allowing me to think in interesting ways.

    My background in psychology plays a pivotal role in understanding human behavior and emotions, which is crucial in all my endeavors. Ultimately, my diverse career allows me to explore different facets of creativity and storytelling, enriching each aspect along the way. It’s a journey I wouldn’t trade for anything else.

  • aha Tamil & Vetri Maaran’s Jallikattu-based ‘Pettaikaali’ to stream from this Diwali

    aha Tamil & Vetri Maaran’s Jallikattu-based ‘Pettaikaali’ to stream from this Diwali

    Mumbai: aha Tamil is all set to offer yet another engrossing series titled Pettaikaali based on the world of Jallikattu.

    Collaborating with the iconic Vetri Maaran, one of the finest storytellers and filmmakers in the Indian film fraternity, the premise of this series will take the audience deep into the never-seen-before world of Jallikattu.

    Besides, the title has created a massive sense of inquisitiveness about who’s that Pettaikaali?

    The web series has been crafted and created with the utmost craftsmanship by the cast and crew and will be an amalgamation of an engaging and gripping tale. While Vetri Maaran is the showrunner of this series. Pettaikaali is directed by his long-time assistant, Raj Kumar. Santhosh Narayanan composes the music, and Velraj handles the cinematography. GV Prakash Kumar launched the motion picture on 28 September 2022.

     

     

    Pettaikaali will be the first-ever web series based on Jallikattu. With promising technicians like Santhosh Narayanan and Velraj involved, the web series will offer an enthralling experience for the audience. The details about the others in the cast and crew will be revealed soon.

  • A+K is back with latest Breezer Vivid campaign in Europe

    A+K is back with latest Breezer Vivid campaign in Europe

    MUMBAI: Comedians Abish Mathew and Kenny Sebastian are back with the Breezer Vivid A+K Tour. Last year, after giving their audience major travel and friendship goals, with a hysterical first leg of the musical and comic escapade, the two piece band will be seen in their country-wide gigs and a Europe tour with full of pranks, mischiefs and impromptu activities as they promise song to show slices of their life in colour. Breezer Vivid A+K Tour, is a web series, takes its audience through an enthralling digital and on-ground experience of Abish and Kenny’s musical camaraderie and insane travel goals.

    The last season of Breezer Vivid A+K Tour saw Abish and Kenny be their crazy selves in San Francisco, Vegas, Miami and New York accompanied by their friends. From exploring the American countryside, riding a carousel to trying out surfing, their enthralling journey made the nation re-think their own travel plans. Their travelogue garnered more than 16 million views on YouTube.

    Breezer Vivid is all about to engage the millennials and provide epic experiences inviting them into a world where colour, laughter and music collide and the crazy fun never ends. Drawing synergies from the philosophy of “Living Life in Colour”, Breezer Vivid A+K Tour, a web series, takes its audience through an enthralling digital and on-ground experience of Abish and Kenny’s musical camaraderie and insane travel goals.

    Commenting on this, Sebastian says, “The Breezer Vivid experience has evolved to a whole new level and each year, our music tours combine our crazy on–stage energy while the travel show gives the audience a peek into our quirky comedic style. The Europe leg is going to be super exciting as it is my first time to Europe as well!’’

    Mathew added, “This season Kenny and I are more excited than before. We are literally challenging each other!”

    Bacardi India marketing head Anshuman Goenka says, “Breezer Vivid A+K Tour was crafted to bring fun, new experiences, to the show’s audience. Millennials today believe in the mantra of living in the moment and the show depicts this in a great way while also showcasing the fantastic dynamic and genuine friendship that Abish and Kenny share. Their camaraderie not only leaves the audience in splits, but also highlights how to truly ‘Live Life in Colour’ in a fresh and light-hearted way.”

    The series will go live with its first episode in June kick-starting the Europe tour with Abish Mathew and Kenny Sebastian. With this season’s debut in Budapest, they are ready to make everyone roll with uncontrollable bouts of laughter. Their comical camaraderie will take the audience on a journey of colourful experiences. These adventures are filled with moments of hilarity as Abish and Kenny battle out a series of tasks pitted against each other to emerge victorious at each destination, all while ticking off their bucket list.

  • YouTube web series to showcase road safety awareness across India

    YouTube web series to showcase road safety awareness across India

    MUMBAI: YouTube is launching a novel web series in India called That Good Ugly Day which it claims isn’t like any other in terms of creativity and disseminating social messages. The series is said to have shocking incidents with zero fiction plotting. The first episode which will focus on road safety awareness is scheduled to be launched in this coming month.

    The web series is lead by Ajay Rajpal who leaves no stone unturned to showcase how the road rage turns a good day into bad when something unusual, unexpected and unwanted happens all of a sudden, and how it becomes a turning point for the rest of our life.

    Rajpal says, “Road rage is a menace. Inconsiderate driving, bad traffic and the daily stresses of life can transform minor frustrations into dangerous road rage. Far too many drivers are losing themselves in the heat of the moment and lashing out in ways that could turn deadly. Through the first episode of the series, we have ensured that how critical road safety is, and we need deliverance from road rage.”

  • TVF, Ola Cabs & the Permanent Roommates association

    TVF, Ola Cabs & the Permanent Roommates association

    MUMBAI: One of India’s popular YouTube channels and digital producers, The Viral Fever (TVF), is back with the second season of its flagship web series Permanent Roommates . And how!

     

    Touting it as the best web series that TVF has put together so far, TFV CEO and founder Arunabh Kumar has high hopes from this ambitious project. The company is making this production in association with call taxi service Ola Cabs as of Permanent Roommates season 2.

     

    While Kumar refused to divulge any details, a source close to the development guesstimated that Ola has shelled out  an eye-popping Rs 2.5-3 crore for backing the production.

     

    Slated to go online on TVF Play and TVF’s YouTube channel on Valentine’s Day, the new season will consist of eight 30 – 40 minute long power packed episodes.

     

    It will take off from where season one left off — the drama in the lives of Internet’s most-loved fictional characters Tanya (Nidhi Singh) and Mikesh (Sumeet Vyas). The episodes are scheduled to air fortnightly. And the theme is “The Third Kind of Love.”

     

    Kumar expects viewership to touch four – five million per episode, which hardly comes as a surprise given last season’s success.

     

    Launched in October 2014, the web series grossed over 12 million views for five episodes that aired on YouTube, with every episode having more than a million views making it the (claimed) second most watched online long form content in the world.

     

    “Our target is to cater to and retain the three million viewers who already follow Permanent Roommates and maybe expand our viewership by a couple of more million. We have weaved the content so that it is not only a youth-based love story but also has elements of interest for the entire family. We have some surprises for all of them,” adds Kumar.

     

    What’s more, with a big chunk of sponsorship money in, the pressure is on the creative geniuses to up the ante now. Season One had CommonFloor as the brand partner; hence, the home was one of the main protagonists.

     

    Will season 2, see them going around in taxis or make mentions of them using the service like the duo does in the promo that released today?

     

    “We do work really hard in trying to integrate the brand’s value through the storytelling and send across the brand statement through the narrative rather than a product placement in a 10-second shot,” says Kumar.

     

     

    If the guesstimated sponsorship amount of Rs 2.5 crore to Rs 3 crore is right, then TVF has a budget of Rs 30-35 lakh per episode at its disposal, which is far higher than the commissioning fees for fictional TV shows on GECS which are in the range of Rs 7 to Rs 15 lakh per episode.

     

    “We generally take six to nine months to complete a production. We pay attention to detail and operate on a crew of almost a hundred people,” explains Kumar, adding that one can’t compare it to television as television mathematics work completely differently.

     

    The latest teaser released by TVF has already created a buzz amongst netizens with over a lakh views in just a few hours. Fans can expect a longer promo from 4 February onwards leading up to the show’s launch on 14 February.

     

    Surprisingly, with a scale this high, TVF continues to confidently depend on word of mouth and social buzz to increase its audience.

     

    “We don’t have any solid marketing strategy in place. We will do what we usually do, post messages on our respective social media accounts and our ever attentive fans will spread the word,” Kumar says confidently.

     

    Having said that, TVF is also looking at dabbling in conversational marketing by collaborating with several partners and maybe go beyond digital and make the shows presence felt offline.

     

    In the new content ecosystem, everything goes, doesn’t it?

     
  • TVF, Ola Cabs & the Permanent Roommates association

    TVF, Ola Cabs & the Permanent Roommates association

    MUMBAI: One of India’s popular YouTube channels and digital producers, The Viral Fever (TVF), is back with the second season of its flagship web series Permanent Roommates . And how!

     

    Touting it as the best web series that TVF has put together so far, TFV CEO and founder Arunabh Kumar has high hopes from this ambitious project. The company is making this production in association with call taxi service Ola Cabs as of Permanent Roommates season 2.

     

    While Kumar refused to divulge any details, a source close to the development guesstimated that Ola has shelled out  an eye-popping Rs 2.5-3 crore for backing the production.

     

    Slated to go online on TVF Play and TVF’s YouTube channel on Valentine’s Day, the new season will consist of eight 30 – 40 minute long power packed episodes.

     

    It will take off from where season one left off — the drama in the lives of Internet’s most-loved fictional characters Tanya (Nidhi Singh) and Mikesh (Sumeet Vyas). The episodes are scheduled to air fortnightly. And the theme is “The Third Kind of Love.”

     

    Kumar expects viewership to touch four – five million per episode, which hardly comes as a surprise given last season’s success.

     

    Launched in October 2014, the web series grossed over 12 million views for five episodes that aired on YouTube, with every episode having more than a million views making it the (claimed) second most watched online long form content in the world.

     

    “Our target is to cater to and retain the three million viewers who already follow Permanent Roommates and maybe expand our viewership by a couple of more million. We have weaved the content so that it is not only a youth-based love story but also has elements of interest for the entire family. We have some surprises for all of them,” adds Kumar.

     

    What’s more, with a big chunk of sponsorship money in, the pressure is on the creative geniuses to up the ante now. Season One had CommonFloor as the brand partner; hence, the home was one of the main protagonists.

     

    Will season 2, see them going around in taxis or make mentions of them using the service like the duo does in the promo that released today?

     

    “We do work really hard in trying to integrate the brand’s value through the storytelling and send across the brand statement through the narrative rather than a product placement in a 10-second shot,” says Kumar.

     

     

    If the guesstimated sponsorship amount of Rs 2.5 crore to Rs 3 crore is right, then TVF has a budget of Rs 30-35 lakh per episode at its disposal, which is far higher than the commissioning fees for fictional TV shows on GECS which are in the range of Rs 7 to Rs 15 lakh per episode.

     

    “We generally take six to nine months to complete a production. We pay attention to detail and operate on a crew of almost a hundred people,” explains Kumar, adding that one can’t compare it to television as television mathematics work completely differently.

     

    The latest teaser released by TVF has already created a buzz amongst netizens with over a lakh views in just a few hours. Fans can expect a longer promo from 4 February onwards leading up to the show’s launch on 14 February.

     

    Surprisingly, with a scale this high, TVF continues to confidently depend on word of mouth and social buzz to increase its audience.

     

    “We don’t have any solid marketing strategy in place. We will do what we usually do, post messages on our respective social media accounts and our ever attentive fans will spread the word,” Kumar says confidently.

     

    Having said that, TVF is also looking at dabbling in conversational marketing by collaborating with several partners and maybe go beyond digital and make the shows presence felt offline.

     

    In the new content ecosystem, everything goes, doesn’t it?