Tag: Warner Bros.

  • Sumner Redstone steps down as CBS exec chairman; Moonves named chairman

    Sumner Redstone steps down as CBS exec chairman; Moonves named chairman

    MUMBAI: CBS Corporation has elected Leslie Moonves as the next chair of the CBS Board of Directors. Moonves was nominated by CBS Board vice chair Shari E. Redstone and his appointment was confirmed by a unanimous vote of the CBS directors. He also will continue to serve as president and CEO of CBS, positions he has held since 2006. 

    Moonves’ election by the Board follows the recent resignation of the 92-year old Sumner M. Redstone from his position of executive chairman, which was effective 2 February, 2016, and his appointment to the role of CBS Corporation chairman emeritus. Shari Redstone, Sumner Redstone’s daughter, will continue to serve as vice chair of the CBS Board, a position she has held since 2005.

    “I am honoured to accept the chairmanship of this great company,” said Moonves. “I want to thank Sumner for his guidance and strong support over all these years. It has meant the world to me. I am particularly grateful that Shari Redstone has agreed to continue in her role as Vice Chair of the Company. Her business acumen and knowledge of the media space remain very important to me as we move forward, and I greatly appreciate her support and invaluable counsel. I would also like to thank our excellent board of directors, who have contributed so significantly to our success. The people of CBS have achieved much together and I believe the best is yet to come.”

    Moonves joined CBS in 1995 after a career at Warner Bros. Television and Lorimar Television. He has held positions as president of CBS Entertainment (1995-1998), president and CEO of CBS Television (1998-2003) and chairman of CBS Television (2003-2004). In 2004, Moonves also became co-president and co-COO of Viacom and remained so until CBS’s separation from Viacom in 2006 when he became president and CEO of CBS Corporation.

    Before electing Moonves, the CBS Board offered the position of non-executive chair to Shari Redstone, but she declined in light of her other professional and personal responsibilities, and in recognition of her confidence in Moonves. Shari Redstone serves as co-founder and managing partner of Advancit Capital, a venture capital firm that invests in early stage companies focusing on media, entertainment and technology. She also serves as vice chair of Viacom, and as president of National Amusements, Inc., which is the controlling shareholder of Viacom and CBS, and owner of the international chain of Showcase and Cinema de Lux theaters.

    “I have been fortunate to work with Les and he has clearly established himself as a creative and effective leader who understands both the challenges and the opportunities that are shaping today’s media landscape,” she said. “I am sure he will make a great chair and I look forward to working with him for many years to come.”

  • Sumner Redstone steps down as CBS exec chairman; Moonves named chairman

    Sumner Redstone steps down as CBS exec chairman; Moonves named chairman

    MUMBAI: CBS Corporation has elected Leslie Moonves as the next chair of the CBS Board of Directors. Moonves was nominated by CBS Board vice chair Shari E. Redstone and his appointment was confirmed by a unanimous vote of the CBS directors. He also will continue to serve as president and CEO of CBS, positions he has held since 2006. 

    Moonves’ election by the Board follows the recent resignation of the 92-year old Sumner M. Redstone from his position of executive chairman, which was effective 2 February, 2016, and his appointment to the role of CBS Corporation chairman emeritus. Shari Redstone, Sumner Redstone’s daughter, will continue to serve as vice chair of the CBS Board, a position she has held since 2005.

    “I am honoured to accept the chairmanship of this great company,” said Moonves. “I want to thank Sumner for his guidance and strong support over all these years. It has meant the world to me. I am particularly grateful that Shari Redstone has agreed to continue in her role as Vice Chair of the Company. Her business acumen and knowledge of the media space remain very important to me as we move forward, and I greatly appreciate her support and invaluable counsel. I would also like to thank our excellent board of directors, who have contributed so significantly to our success. The people of CBS have achieved much together and I believe the best is yet to come.”

    Moonves joined CBS in 1995 after a career at Warner Bros. Television and Lorimar Television. He has held positions as president of CBS Entertainment (1995-1998), president and CEO of CBS Television (1998-2003) and chairman of CBS Television (2003-2004). In 2004, Moonves also became co-president and co-COO of Viacom and remained so until CBS’s separation from Viacom in 2006 when he became president and CEO of CBS Corporation.

    Before electing Moonves, the CBS Board offered the position of non-executive chair to Shari Redstone, but she declined in light of her other professional and personal responsibilities, and in recognition of her confidence in Moonves. Shari Redstone serves as co-founder and managing partner of Advancit Capital, a venture capital firm that invests in early stage companies focusing on media, entertainment and technology. She also serves as vice chair of Viacom, and as president of National Amusements, Inc., which is the controlling shareholder of Viacom and CBS, and owner of the international chain of Showcase and Cinema de Lux theaters.

    “I have been fortunate to work with Les and he has clearly established himself as a creative and effective leader who understands both the challenges and the opportunities that are shaping today’s media landscape,” she said. “I am sure he will make a great chair and I look forward to working with him for many years to come.”

  • NBC stations renew ‘The Ellen DeGeneres Show’ through 2020

    NBC stations renew ‘The Ellen DeGeneres Show’ through 2020

    MUMBAI: Multiple Emmy Award-winning daytime talk show The Ellen DeGeneres Show has been renewed by the NBC Owned Television Stations in a deal with Warner Bros. Domestic Television Distribution through summer 2020 (the 2019-20 television season).

     

    The series, from Telepictures Productions, will continue to air on 10 of the NBC-owned stations, including WNBC (New York), KNBC (Los Angeles), WMAQ (Chicago), WCAU (Philadelphia), KXAS (Dallas-Fort Worth), KNTV (San Francisco Bay Area), WRC (Washington, D.C.), WTVJ (Miami-Fort Lauderdale), KNSD (San Diego) and WVIT (Connecticut).

     

    NBCUniversal Owned Television Stations president Valari Staab said, “For more than a decade, Ellen has anchored the daytime lineups of the NBC-owned stations, offering our viewers a great afternoon show, delivering a strong lead in for our early evening newscasts and helping to launch new hits. We’re proud of our partnership with Ellen, her fabulous team and our friends at Warner Bros., and we are thrilled to extend our relationship with them.”

     

    Warner Bros. Domestic Television Distribution president Ken Werner added, “There’s a very simple explanation as to why Ellen is number one. Day in and day out Ellen delivers the best show on television. Ellen and her team produce a completely unique and exciting hour, which is appointment television for viewers everywhere.  We are thrilled to continue our 13-year partnership with the NBC Stations, which delivers to their communities the entertainment and inspiration of Ellen.”

     

    The Ellen DeGeneres Show continues to be the daytime destination for laughter, generosity and fun, highlighting Ellen’s one-of-a-kind humor, warmth and generosity, and featuring the biggest stars from television, film, music and more. The show has now earned an impressive total of 55 Daytime Emmy Awards. The Ellen DeGeneres Show premiered on 8 September, 2003 and was the highest-rated freshman syndicated show of the 2003-2004 season.

     

    Originating from Warner Bros. Studios in Burbank, The Ellen DeGeneres Show is produced by A Very Good Production and WAD Productions, Inc. in association with Telepictures, an industry-leading and Emmy Award–winning producer of syndicated programming, and is distributed by Warner Bros. Domestic Television Distribution. Ellen DeGeneres, Mary Connelly, Ed Glavin, Andy Lassner and Kevin Leman serve as executive producers.

  • Warner Bros. Home Entertainment to debut UHD Blu-Ray titles in 2016

    Warner Bros. Home Entertainment to debut UHD Blu-Ray titles in 2016

    MUMBAI: To coincide with the availability of Ultra HD Blu-ray players in the marketplace in early 2016, Warner Bros. Home Entertainment will be offering four titles on Ultra HD (UHD) Blu-ray at initial launch showcasing 4K Ultra HD resolution with High Dynamic Range (HDR), offering consumers a sharper, brighter and more colourful home entertainment viewing experience than ever before.  

    The first available titles will be Mad Max: Fury Road, San Andreas, The Lego Movie and Pan.

    Following quickly will be theatrical new release titles available day and date with their initial home entertainment release as well as a selection of catalog titles throughout the year including Man of Steel and Pacific Rim.

    By the end of 2016, Warner Bros. will have over 35 titles available on Ultra HD Blu-ray. To complement the disc releases, Warner Bros. will also expand the titles available on 4K Ultra HD with HDR via digital retailers. Dolby Atmos will also be included on select titles for a truly immersive home theater experience.

    “We are excited to take this next technological leap which will allow us to bring our audiences the best possible home viewing experience with crystal clear images and immersive audio. Ultra HD with HDR is the next, and most exciting, advancement in home entertainment, and with the anticipated proliferation of Ultra HD televisions in the coming years, our Ultra HD Blu-ray product offerings will truly complement the stunning capabilities of this new generation of home entertainment hardware.  Warner Bros. is fully committed to releasing a wide range of Ultra HD Blu-ray titles, including both new release titles and offerings from our vast catalog,” said Warner Bros. Worldwide Home Entertainment Distribution president Ron Sanders.

    Warner Bros.’ Ultra HD Blu-ray Discs will feature 4K resolution, High Dynamic Range for enhanced picture vibrancy and colour contrast, a wider range of available colours, smoother colour transitions, and immersive audio on select titles.

  • Star Plus to launch 2 new shows; Balaji’s ‘Kuch Toh…’ to go off air

    Star Plus to launch 2 new shows; Balaji’s ‘Kuch Toh…’ to go off air

    MUMBAI: Hindi general entertainment channel (GEC) Star Plus is all set to add a fresh breath of air to its programming with the launch of two new shows namely Silsilla Pyaar Ka and Swadhinta in the new year. These shows will replace two of the channels’ existing shows.

     

    Balaji Telefilms’ show Kuch Toh Hai Tere Mere Darmiyaan, which was launched on 28 September, will be going off air in January. The show airs at 8:30 pm from Monday to Saturday.

     

    A source close to the development informs Indiantelevision.com, “The show failed to generate sustainable ratings, and therefore it’s going off air. It might be replaced by Silsila Pyaar Ka produced by Rashmi Sharma Telefilms, which is slated to launch in first week of January.”

     

    The promos of the show have already been released. Silsilla Pyaar Ka revolves around a possessive mother, her son and the girl in his life.

     

    On the other hand, the Hindi adaptation of Warner Bros’ Everybody Loves Raymond – Sumit Sambhal Lega is also in its final phase and is slated to go off air in the last week of January. Produced by DJ’s Creative Unit, the show was launched on 31 August and airs at 10 pm from Monday to Saturday.

     

    Another source added, “The show might get replaced by Farhaan Salaruddin headed Fortune Production’s upcoming show Swadhinta. Based on courtroom drama, the show will focus on the bureaucracy in our nation. The show is slated to launch on 1 February.”

     

    Additionally, Star Plus’ Aaj Ki Raat Hai Zindagi hosted by superstar Amitabh Bachchan will soon reach its final phase. Launched on 18 October, Aaj Ki Raat Hai Zindagi airs on Sunday at 8 pm. The last episode of the show is slated to air in the second week of January.

  • LeBron James’ Uninterrupted gets $15.8 m investment from Time Warner

    LeBron James’ Uninterrupted gets $15.8 m investment from Time Warner

    MUMBAI: Uninterrupted, the multimedia network for exclusive sports lifestyle content created by international icon LeBron James and business partner Maverick Carter, has aligned with two Time Warner companies namely Warner Bros. Entertainment, and existing partner Turner Sports, to raise $15.8 million in new financing.

     

    The additional capital will allow the growing athlete point-of-view platform to develop exclusive content, elevate the brand, expand to additional platforms, and further engage potential partners.

     

    “The best thing about Uninterrupted is there are so many creative opportunities for athletes to tell their stories. I’m excited to be partnering with important, innovative companies like Warner Brothers and Turner to keep building ‘Uninterrupted’ as a place for athletes to go to connect with fans and share their stories in a different way,” said James.

     

    “With the unique Uninterrupted platform, there is a real opportunity to create a special business that athletes, brands, and media partners can come together to create and distribute creative content,” added Uninterrupted CEO Maverick Carter. “Whether it’s through real-time videos, original digital series, or documentaries, Uninterrupted provides that creative outlet for athletes to share their stories in a way they can’t anywhere else.”

     

    “LeBron and Maverick bring incredible energy, focus and creativity to everything they do and are excellent partners with us in TV, film and digital,” said Warner Bros. Television Group president business and strategy Craig Hunegs. “Joining forces with LeBron, other world-class athletes and Bleacher Report to aggressively build Uninterrupted was an easy decision that’s great for fans and great for Warner Bros.”

     

    In addition to having an equity stake in the company, Turner Sports will now serve as the primary sales arm for the newly expanded Uninterrupted venture. Building on its existing role as the platform’s original content host, Turner’s Bleacher Report and Uninterrupted will have a preferred content relationship.

     

    “In collaboration with Warner Bros., Turner Sports is thrilled to expand its relationship with Uninterrupted as a leading platform for influential athletes to share unfiltered messages directly with their passionate fans,” said Turner Sports president Lenny Daniels. “Uninterrupted has been a perfect fit with Bleacher Report’s mission to provide compelling, mobile- and social-first content that drives engagement with sports fans in an authentic way and we look forward to further growing the reach of this popular multimedia platform.”

     

    Part of Uninterrupted’s planned long-term growth includes expansion onto new platforms, with the venture today announcing a new multi-year deal with go90, a mobile-first platform, to provide content, original series, and exclusive athlete point-of-view videos. The go90 platform becomes Uninterrupted’s third distribution stream following the multimedia company’s presence on Turner’s Bleacher Report and the recently announced partnership with Facebook to host 360 videos including the five-episode Uninterrupted original series Striving for Greatness, featuring exclusive behind-the-scenes footage of James’ unparalleled preparation for his pursuit of another title in his 13th NBA season. Access go90 by simply downloading the app in the App Store or Google Play.

     

    “Bringing audiences closer to what they love is what go90 is all about, so to team with the creators at ‘Uninterrupted’ makes a ton of sense,” added go90 SVP of consumer products Brian Angiolet. “If you have seen any of these rare, real-time videos and have taken in a few of the interesting athlete perspectives, then I have no doubt you’re excited about what’s coming next from Uninterrupted.”

  • Time Warner revenues up 5% to $6.6 billion led by HBO & Warner Bros

    Time Warner revenues up 5% to $6.6 billion led by HBO & Warner Bros

    MUMBAI: Time Warner Inc’s revenue in the third quarter ended 30 September, 2015 was up five per cent to $6.6 billion. The revenue growth was led by Home Box Office (HBO) and Warner Bros, which was partially offset by higher intercompany eliminations and a decline at Turner. 

     

    Adjusted Operating Income grew 85 per cent to $1.8 billion due to growth across all operating divisions, reflecting the absence of programming charges incurred in 2014 at Turner and lower restructuring and severance charges across all segments, partially offset by higher intercompany eliminations.

     

    Revenues and Adjusted Operating Income included the unfavorable impact of foreign exchange rates of $290 million and $160 million, respectively, in the quarter. Operating Income increased 89 per cent to $1.8 billion.

     

    Time Warner chairman and CEO Jeff Bewkes said, “We had another very good quarter, with revenues up five per cent and strong growth in Adjusted Operating Income, which totaled $1.8 billion. Our revenue growth was led by Warner Bros. and Home Box Office, and illustrated how our investments in great content have been paying off in our traditional television businesses, as well as in newer areas such as video games. In September, HBO received a record 43 Primetime Emmy Awards, the most of any network for the 14th  consecutive year. That included 12 awards for Game of Thronessetting a record for a series in a single year,” he added.

     

    The company posted Adjusted Diluted Income per Common Share from Continuing Operations (Adjusted EPS) of $1.25 versus $1.22 for the prior year quarter. Excluding a net tax benefit of $639 million, programming charges at Turner and restructuring and severance charges in the prior year quarter, Adjusted EPS would have been $0.97 in the prior year quarter. Diluted Income per Common Share from Continuing Operations was $1.26 compared to $1.11 in the prior year quarter.

     

    For the first nine months of 2015, Cash Provided by Operations from Continuing Operations reached $3 billion and Free Cash Flow totaled $2.9 billion. As of 30 September, 2015, net debt was $21.2 billion, up from $19.8 billion at the end of 2014, due to share repurchases, dividends and investments and acquisitions, partially offset by the generation of Free Cash Flow.

     

    Segment Performance

     

    Time Warner’s segments performance for the third quarter of 2015 is as follows:

     

    TURNER

     

    Revenues decreased two per cent ($48 million) to $2.4 billion, due to declines of 15 per cent ($18 million) in Content and other revenues, one per cent ($17 million) in Subscription revenues and one per cent ($13 million) in Advertising revenues.

     

    Content and other revenues decreased due to lower subscription video-on-demand (VOD) revenues. The decline in Subscription revenues was due to the impact of foreign exchange rates and a decline in domestic subscribers, partially offset by higher domestic rates and local currency growth at Turner’s international networks. Advertising revenues decreased due to the impact of foreign exchange rates and the absence of NASCAR programming, partially offset by local currency growth at Turner’s international networks. Domestic advertising was flat in the quarter.

     

    Adjusted Operating Income increased 206 per cent ($721 million) to $1.1 billion, as the decline in revenues was more than offset by lower expenses, including decreased programming costs and lower restructuring and severance costs. Programming costs decreased 45 per cent primarily due to the absence of the prior year quarter’s $482 million of charges related to Turner’s decision to no longer air certain programming. Excluding these charges in the prior year, programming costs decreased in the high-single digits mainly due to the absence of NASCAR programming.

     

    Operating Income increased 218 per cent ($735 million) to $1.1 billion.

     

    TNT’s NBA Opening Night doubleheader averaged 2.9 million total viewers, up 24 per cent over last year, and generated double-digit growth across all key demographics. TBS’ Major League Baseball postseason coverage averaged 6.3 million total viewers, up close to 50 per cent compared to last year, and was the network’s most watched postseason ever. For the 30th consecutive quarter, Adult Swim was ad-supported cable’s #1 total day network among adults 18-34, and it was #1 among adults 18-49 in the third quarter. CNN’s recent coverage of the Republican presidential debate garnered over 23 million average viewers – making it CNN’s most watched program ever – and the Democratic presidential debate reached over 15 million average viewers – making it the most watched Democratic debate ever on cable. CNN continued to grow primetime ratings across all key demographics, up 39 per cent and 35 per cent for adults 18-49 and 25-54, respectively, in the third quarter. Cartoon Network was once again the only top 3 kids network to grow ratings in the quarter, and ranked as the #1 ad-supported cable network in total day ratings among kids 6-11.

     

    HOME BOX OFFICE

     

    Revenues increased five per cent ($63 million) to $1.4 billion, due to increases of four per cent ($44 million) in Subscription revenues and 13 per cent ($19 million) in Content and other revenues. Subscription revenues grew primarily due to higher domestic rates, partially offset by lower international revenues, which included the impact of the transfer to Turner of the operation of HBO’s basic cable network in India. The increase in Content and other revenues primarily reflected higher domestic licensing revenues.

     

    Adjusted Operating Income increased 37 per cent ($139 million) to $519 million, reflecting higher revenues and lower expenses. The decrease in expenses was mainly due to lower restructuring and severance costs as well as decreased distribution and programming costs, partially offset by higher marketing and technology costs. Programming costs decreased six per cent primarily reflecting lower acquired theatrical programming costs. The higher marketing and technology costs related to HBO NOW, HBO’s stand-alone streaming service.

     

    Operating Income increased 37 per cent ($139 million) to $519 million.

     

    WARNER BROS.

     

    Revenues increased 15 per cent ($415 million) to $3.2 billion, reflecting higher video games and television licensing revenues, partially offset by the impact of foreign exchange rates, the absence of revenues from a patent license and settlement agreement in the prior year quarter and lower theatrical revenues. The increase in video games revenues was primarily due to the releases of LEGO Dimensions and Mad Max, as well as carryover revenues from several titles, including Mortal Kombat X and Batman: Arkham Knight. Television licensing revenues benefited from the initial cable and off-network availability of 2 Broke Girls and the initial cable availability and subscription video-on-demand licensing of Person of Interest.

     

    Adjusted Operating Income increased 61 per cent ($147 million) to $388 million, due to the increase in revenues, lower theatrical and video games valuation adjustments and decreased restructuring and severance costs, partially offset by higher print and advertising costs.

     

    Operating Income increased 62 per cent ($148 million) to $385 million.

     

    Season-to-date among adults 18-49: Blindspot and Supergirl ranked as the top two new series, The Voice ranked as the #1 non-scripted series and The Big Bang Theory ranked as the #1 comedy and #2 series overall in primetime on broadcast television. For the first nine months of the year, Warner Bros. ranked as the top US video game publisher, and Mortal Kombat X was the #1 videogame.

     

    CONSOLIDATED NET INCOME AND PER SHARE RESULTS

     

    Third-Quarter Results

     

    Adjusted EPS was $1.25 for the three months ended 30 September, 2015, compared to $1.22 in last year’s third quarter. The increase in Adjusted EPS primarily reflects higher Adjusted Operating Income and fewer shares outstanding, offset in part by higher taxes as a result of the $639 million net tax benefit in the third quarter of 2014 mainly related to the reversal of certain tax reserves in connection with an audit settlement.

     

    For the three months ended 30 September, 2015, the company had Income from Continuing Operations of $1 billion, or $1.26 per diluted common share. This compares to Income from Continuing Operations attributable to Time Warner common shareholders in the third quarter of 2014 of $966 million, or $1.11 per diluted common share.

     

    For the third quarters of 2015 and 2014, the company had Net Income of $1.0 billion and $967 million, respectively.

  • Fox renews ‘The Real’ through 2018

    Fox renews ‘The Real’ through 2018

    MUMBAI: The Fox Television Stations have renewed the talk series The Real for the 2016-17 and 2017-18 seasons on stations in a deal with Warner Bros. Domestic Television Distribution.

     

    The series is posting ratings growth in its second season – a modern-day rarity in first-run syndication. The Real is up +14 per cent with W25-54 nationally. The series is also one of only two talk shows seeing national rating gains year-over-year. Looking at the past 10 years, The Real is one of only four talk shows that have posted national ratings gains in their second season. 

     

    Additionally, The Real is building in its recruitment in the advertiser-coveted Women 18-49 and 25-54 demos.

     

    On the Fox Television Stations, The Real continues to post strong numbers. This season to date, the series (0.9 W25-54 rating) has maintained its solid ratings, matching the prior year rating levels (0.9 rtg – Nov/Feb/May avg). Paired with Wendy Williams in 16 of the top 25 LPM markets, The Real is proving to be the perfect fit with Wendy Williams, retaining 100 per cent of its Wendy Williams lead-in share this season to date with all key Women demos.

     

    Fox Television Stations senior vice president, programming Frank Cicha said, “The Real has been an important piece in building our growing daytime lineup. In fact, in our universe, it often beats or tiesThe View. That alone is worth two more years in my book.”

     

    The Real in its second season has expanded on its promise of connecting with the diverse daytime television viewers and is delivering substantial ratings growth in the process. The series did not invent this genre of television program, nor are they the only talk panel on television, but what ‘The Real’ has done is differentiate itself from the others, quickly becoming an original, distinct and entertaining hour that has given viewers a reason to make an appointment each and every day,” said Warner Bros. Domestic Television Distribution president Ken Werner.

  • CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    MUMBAI: The annual CASBAA Convention kicked off today in its new home at the Intercontinental Hotel, Hong Kong. The two-day convention, with the theme ‘Making Waves’ brought together key industry players in the broadcast, cable and satellite industry to discuss and debate the hottest topics and latest developments in the industry today. With the introduction of OTT and digital broadcast services now an established fact, key themes of the day focused on creating quality and relevant content, as well as localization, agile distribution and protection of content.

     

    To kick-start the day, Hong Kong SAR Government chief secretary for administration Carrie Lam, gave an introductory speech where she underscored that the rule of law and freedom of expression were vital to the fundamental strength of the HK broadcast industry. She also highlighted that the HK SAR government believes that investing in creative talent is key to driving growth of the creative industries and so launched the Create Smart initiative which supports students in tertiary education focusing on TV or media studies.

     

    The AOL Digital Prophet David Shing, then looked at content consumption from the audience perspective, highlighting how humans were at the heart of everything and that “technology changes behavior not needs” when looking at the key developments in the digital landscape. Also in a world where people are creating and publishing their own content, it’s important to note that “creativity still rules over technology” as content is now competing with popular culture. China Media Capital Chairman Li Ruigang, commented how there was huge demand from China for premium content yet “while content is important, there is the need to build up a sustainable system to continue to be able to create more content”. Ruigang also discussed how key global partnerships such as Warner Bros, Dreamworks, and Legoland were central to CMC’s strategy of establishing a solid content ecosystem. He also took the opportunity to announce that his company is buying the China Soccer League to further advance the company’s content and distribution strategy.

     

    New content platforms in Asia were discussed when Janice Lee from PCCW gave more detail on the company’s new global Viu OTT platform, announced just yesterday. She mentioned how the company had to become extremely agile in turning around their content in multiple languages to stay competitive as well as beat illegal content, “Windowing has become very important, we get our content out in multiple languages in just eight hours. Historically this didn’t happen, which gave room for piracy.” Mike Hyun-dong Suh of CJ E&M discussed how partnerships were also key to distribution of content, citing a recent collaboration with Japanese app Naver as an example. He also illustrated how taking content offline through events was also important to engage fans. Greg Beitchman from CNN International discussed the need to have content that worked across all their screens and that this was meeting with success. “Digital touchpoints are enhancing our appeal rather than cannibalizing what we do on TV,” he commented. CNNI also commented on localization, highlighting how it had helped make them “more, not less, relevant.”

     

    Alon Shtruzman from Keshet Media, creator of Homeland and other key global formats, maintains that content is, as ever, ‘king’. His company is starting to look further afield for content and he believes ‘Asia is a goldmine for content’ though not without some heavy legwork in understanding what does and doesn’t work in the market.

     

    How to engage with fans with content was discussed by Victorious CEO Sam Rogoway,  who believed their creation of a community of superfans would “change the way fans interact and engage with content.” The inception of the ‘passion graph’ would bring together like-minded individuals that would help drive deeper engagement of content, even when there was no new content available. Distribution of content was discussed by SpaceX President and COO Gwynne Shotwell, who’s company is investigating the feasibility of launching 4,000 satellites into space with a view to connecting people in remote areas throughout the planet.

     

    SeaChange CEO Jay Samit took a hard line on the future of the pay TV business “the pay TV business as we know it is dead. The majority of content is not linear and we need to adapt quickly or die.” With content now being accessed increasingly online, it’s possible to work out who’s watching what at home and provide relevant content based on that. “Pay TV will be completely data driven,” he added. “With social analytics now shaping content offers, the bottom line is you will go out of business if you don’t know who your consumer is.”

     

    Piracy of content was next on the agenda with Mark Mulready of Irdeto showcasing just how difficult it is to distinguish legal from illegal content sites. The Police Intellectual Property Crime Unit example from the UK, where an infringing website list of illegal websites is published and flagged to advertising brands, was flagged a great initiative to disrupt pirate sites. “Through working with the advertising industry, we can remove the incoming revenue to these illegal sites,” commented Det. Chief Supt. David Clark of City of London Police. It was also agreed that it was everyone’s responsibility – whether channel or creator – to protect the value of content. Are Mathisen from Conax AS encouraged all content owners to embrace new technology to combat content theft.

     

    With piracy followed the issue if regulation where Ajit Pai from the US Federal Communications Commission and R.S. Sharma from the Telecom Regulatory Authority of India both agreeing that governments should take a less restrictive approach to regulation to allow new business models to take shape.

     

    A video note from UK actor and writer, James Corden, now host of the US The Late Late Show, concluded today’s session at the convention. Corden discussed how he saw his task was making a brilliant hour of TV every night. “All we really want to do is make a show that is different and feels fresh every night. If you think about it from the internet first then you will come unstuck.” He emphasized the importance of a great creative team and how they try to innovate with new features constantly to be as entertaining as possible. Finally when asked if he was tired doing 44 shows a year, he commented “It’s a luxury to be tired from doing something you love and always dreamt of.”

     

    Sponsors for the CASBAA Convention 2015 include: ABS, Accedo, Akamai, AMC, APT Satellite, AsiaSat, Asia Television Limited, Brightcove, Conax, ContentWise, CreateHK, Discovery Networks Asia-Pacific, Eutelsat, France 24, Ideal Group, InvestHK, Irdeto, ITV Choice, Kantar Media, Letv, Lightning, MEASAT, MediaExcel, One Championship, Patron Spirits, PCCW, PwC, RTL CBS Asia, Scripps Networks Interactive, SES, TIME NOW, The University of Chicago Booth School of Business, Time Warner, True Visions, Turner, TV5Monde and Victorious.

  • Warner Bros, Legendary plan ‘Godzilla,’ ‘King Kong’ trilogy

    Warner Bros, Legendary plan ‘Godzilla,’ ‘King Kong’ trilogy

    MUMBAI: Following Legendary’s and Warner Bros. Pictures’ 2014 success with the global reinvention of the Godzilla franchise, the companies have come together to create an epic, new shared cinematic franchise.

     

    The initial trio of films are 2017’s Kong: Skull IslandGodzilla 2 in 2018; and then Godzilla vs. Kong, arriving in theaters in 2020.

     

    All-powerful monsters become towering heroes for a new generation, revealing a mythology that brings together Godzilla and Legendary’s King Kong in an ecosystem of other giant super-species, both classic and new. Monarch, the human organization that uncovered Godzilla in the 2014 film, will expand their mission across multiple releases.

     

    While Legendary maintains its new home at Universal Pictures, the Godzilla films remain in partnership with Warner Bros., who will now also distribute Kong as a part of this franchise. Production on Kong: Skull Island begins 19 October.

     

    Warner Bros. and Legendary released Godzilla in May 2014 with an agreement to release Godzilla 2 on 8 June, 2018. Both films feature the human Monarch organization. Shortly following Legendary’s pact with NBC Universal, Legendary acquired rights to additional classic characters from Toho’s Godzilla universe, including Rodan, Mothra, and King Ghidorah. This paved the way for developing a franchise centered around Monarch and anchored by Godzilla, King Kong, and other famous creatures.

     

    When Legendary announced films centered on Godzilla and Kong, fans all over the world speculated these two characters might one day meet in the same film. Classic Toho monsters including King Ghidorah, Mothra, and Rodan, as announced at Comic-Con 2014, may also join the Legendary pantheon of giant monster mayhem going forward.

     

    Legendary CEO Thomas Tull said, “Audiences really responded to Godzilla. Today, I’m excited to reveal that film was only the beginning of an epic new entertainment universe. As a lifelong fan of these characters, I’ve always wanted to see the ultimate showdown, and today we’re pleased to be announcing that and more.”

     

    “Working with our partners at Legendary, we enjoyed tremendous creative and commercial success with Godzilla. It’s great to be able to revisit these characters and help create a franchise with so many creative possibilities for filmmakers. Fans love these big, globally iconic films and it doesn’t get any bigger than this,” added Warner Bros Chairman and CEO Kevin Tsujihara.

     

    Kong: Skull Island stars Tom Hiddleston, Sam Jackson, Brie Larson, John Goodman, Tian Jing, Corey Hawkins, Jason Mitchell, John Ortiz, Shea Whigham, and Toby Kebbell. Directed by Jordan Vogt-Roberts and written by Max Borenstein, John Gatins, Dan Gilroy, and Derek Connolly, Kong: Skull Island will fully immerse audiences in the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island. Legendary’s Thomas Tull and Jon Jashni will produce with Mary Parent. Alex Garcia and Eric McLeod will executive produce. Warner Bros. will distribute the film in 3D and IMAX 3D on 10 March, 2017.

     

    Godzilla 2 will be written by Max Borenstein and directed by Gareth Edwards. Legendary is producing with Parent, and Garcia will executive produce. The film is set to be released by Warner Bros. on 8 June, 2018.

     

    Godzilla vs. Kong will be released in 2020.