Tag: Warner Bros.

  • Bad Teacher crosses $ 200 million mark

    Bad Teacher crosses $ 200 million mark

    MUMBAI: This summer, Sony’s Bad Teacher has become the third R-rated comedy to cross the $200 million mark worldwide.


    The film that stars Cameron Diaz hit the milestone over the weekend, earning $2.2 million at the foreign box office for a new international cumulative total of $102.6 million.


    The film, also starring Jason Segel and Justin Timberlake, has grossed $98.1 million domestically for a world total of $200.7 million.


    The film’s better-than-expected performance means strong profit margins for Sony that made the film for under $20 million. The studio purchased Lee Eisenberg and Gene Stupnitsky’s script in 2008.


    Warner Bros.’ The Hangover Part II, that opened in theatres on 26 May has earned a whopping $581.2 million worldwide followed by Universal’s Bridesmaids that has grossed $272.9 million globally since its release on 13 May.


    The summer’s other notable R-rated comedy is New Line and Warners’ Horrible Bosses that has, to date, totaled $170.4 million worldwide.

  • Harry Potter film crosses $1 billion mark

    Harry Potter film crosses $1 billion mark

     MUMBAI: The last of Harry Potter films, Harry Potter and the Deathly Hallows – Part 2 has crossed the $1 billion mark globally at the end of the first week.


    The latest Potter film has earned $640.2 million worldwide. While the film has grossed $214.9 million domestically, it raked in an additional $425.3 million at the international box office, it is understood.


    The terrific opening of the film also pushed Warners‘ domestic box office take for 2011 to over $1 billion for the eleventh consecutive year.
     
    Commented Warner Bros president of worldwide marketing Sue Kroll, “Each film has inspired us creatively, and it has been exciting to watch the evolution through eight remarkable movies. It has truly been the movie event of a generation, as Harry Potter fans who were there from the beginning have been joined by new fans over the years, and their enthusiasm, as well as our own has never waned.”


    Even before the latest movie opened, the Potter franchise was already the highest-grossing franchise of all time beating out both the Star Wars and James Bond films, a status it has held since the sixth film Harry Potter and the Half-Blood Prince that released in 2009.


    Individually, the worldwide grosses for the previous films are: Harry Potter and the Sorcerer‘s Stone, $974,755,371; Harry Potter and the Chamber of Secrets, $878,979,634; Harry Potter and the Prisoner of Azkaban, $796,688,549; Harry Potter and the Goblet of Fire, $896,911,078; Harry Potter and the Order of the Phoenix, $939,885,929; Harry Potter and the Half-Blood Prince, $934,416,487; and Harry Potter and the Deathly Hallows Part 1, $955,417,476.
     

  • ‘2008 has been HBO’s best year in terms of quality and quantity of programming’ : Shruti Bajpai – HBO South Asia Country Manager

    ‘2008 has been HBO’s best year in terms of quality and quantity of programming’ : Shruti Bajpai – HBO South Asia Country Manager

    As the television landscape gets more crowded with new entrants, the challenge for existing players is to keep innovating. HBO, which has bought out the stakes of its partners in the Asia venture except Paramount, still has exclusive licensing arrangements with Sony, Universal, Warner Bros and Paramount/DreamWorks.

    Late last year, the English movie channel launched an anchor slot HBO Wicked Hour. The focus in this slot is on action, thrillers, suspense, sci-Fi and critically acclaimed movies for the late night male viewers. This is part of the channel’s strategy to create new programming blocks to cater to specific TGs.

    In an interview with Indiantelevision.com’s Ashwin Pinto, HBO South Asia country manager Shruti Bajpai talks about the challenges that confront English movie channels and the pressure to focus on content and branding.

    Excerpts:

    Why did HBO buy out its partners in the Asia venture except for Paramount?
    This was a management decision in keeping with HBO’s expansion plans across the world. HBO wanted to further build on its strong position in the US. The majority equity stake in HBO Asia is a further testament to this expansion.

    Does the channel now have to bid for new titles coming from its former partners?
    We have exclusive licensing arrangements with Sony, Universal, Warner Bros and Paramount/ DreamWorks. This arrangement continues uninterrupted. This is the reason why we have such a strong inventory.

    What are the challenges that are going to confront the English movie genre over the next few years?
    The last few months have seen a spate of launches in the Hollywood/International cinema and there are some more expected this year. There is an intense amount of clutter in the overall TV channel space and the viewer is spoilt for choice.

    I am of the firm opinion that channels with compelling and consistently ‘winning’ content will continue to flourish while the others will just about manage to survive at the periphery. Hollywood movies are beginning to grab a bigger chunk of India’s huge movie market, traditionally dominated by Bollywood.

    A larger Indian audience than ever before is viewing the Hollywood movies and the appetite for such content seems to be increasing. Breaking through the clutter and being able to hold on to the attention of the audience, which is usually short due to the ample choices available, will be a rising phenomena in this category.

    How has HBO fine tuned its programming strategy?
    HBO has been following the mantra of ‘Big, New, Most’ for Indian viewers. We have always devised innovative and topical themes around our movies, instead of fitting it in a “genre for each day” bracket. We do not believe in doing automatic repeats the morning after, like other channels.

    Has HBO spruced up the content this year because of new competition?
    It will not be wrong for me to state that 2008 has been HBO’s best year in terms of the quality and quantity of programming. We have a supply of blockbuster hits that take center stage every month like Superman Returns, Ghost Rider, Happy Feet and Mr. Bean’s Holiday.

    In addition, we also air critically acclaimed movies and blockbusters that anchor the Saturday primetime slot at 9 pm. These have included Munich, World Trade Centre, Memoirs Of a Geisha, Blood Diamond. Upcoming titles include Spiderman 3, Surf’s Up and The Pursuit Of Happyness.

    What is also important is our focus on entertaining themes. These are conceptualised for the channel every month. They target different TGs and advertisers. Some examples of these are HBO Animation Fest, Mad About Diamonds, Fast Cars and Gorgeous Babes, HBO Earth Day.

    Also playing a role are tentpole events. We did a Hollywood’s Best initiative which featured Oscar nominated/winning movies, HBO is Summer during May and June, which featured Summer of 60 Nights. Here, a blockbuster movie was shown every night. Moreover there were also mini-stunts under the HBO is summer umbrella like Entrapment, Martial Arts Specialists ‘Codename: SuperKids etc. All these have resounded with our target audience.

    To add to this, we have looked to raise the bar when it comes to quality programming with original series like Entourage, the third season of which has just begun on the channel and themes like HBO- Movies with a difference that showcases movies that make us sit and think.

    Have new programming blocks been created to cater to different TGs?
    Our most current anchor slot HBO Wicked Hour was launched late last year. It focuses on action, thrillers, suspense, sci-Fi and critically acclaimed movies for our late night male viewers.

    Right now, we are focussed on building this slot and also other key slots like It’s a Guy Thing, Midday Matinee, Family Sunday etc. We are always on the lookout for creating new programming blocks to cater to specific TGs.

    As the audience gets more fragmented in the metros, the challenge for English movie channels is to reach out to the smaller cities as well. How is HBO targeting these viewers who are aspirational?
    Television is one of the biggest sources of entertainment for people across categories in India. Where the audiences have evolved, programming has also seen a huge turn around on the small screen. With the choice and variety on offer for the Indian audiences, the television industry today is booming. It is not only in the metros but also the smaller towns where there are potential viewers. What matters ultimately is the content that is shown – if the content is different and unique, it is well appreciated by the viewers.

    The increase in multiplexes in smaller towns and the increase in global travel by Indians from all across the country have added to the familiarity with Hollywood movies and shows. HBO is a global brand and this helps in the affinity towards the channel.

    How has the channel fared on the ad sales front?
    The ad revenues are growing year-on-year. Turner, our ad sales partner, has done an excellent job to maximise revenues and also retain a number of advertisers exclusively on HBO.

    ‘DTH is growing, but the format is still the classic ‘one price for all channels’ rather than specialised packages. This is expected to change as the market matures

    Has perception among clients about this genre improved?
    HBO is perhaps one of the few channels that is more than just a channel; the brand gives a big boost to the channel’s perception.

    Also, English movies is a genre that our ad clients consume on a regular basis.

    What are the kind of packages you offer clients that go beyond the 30-second spot?
    We have different packages that are tailor made for different clients. One of our packages is the brand integration package where we seamlessly integrate the positioning of the brand that is being advertised into the theme for the month. We also have a lot of contests that we do for the advertisers that go beyond the 30-second spot.

    Channels have started advertising on rival bouquets. Does HBO accept ads from other channels that are not part of Zee Turner or is there a conflict of interest?
    We do accept advertising from other channels, but are careful in picking those that have the right fit. Some of the channels that have recently advertised on HBO are BBC Entertainment and English business channel UTVi.

    Is HBO looking to boost its content around news shows to add variety to filmed content?
    HBO has always believed in giving its Indian audiences the best of international programming and content across genres. We already have a diverse mix of blockbusters, all time favourites and original productions. In fact HBO is the only channel to have both the raters and the differentiators.

    The third season of the show Entourage just premiered in late June and we have Big Love coming soon. Also, the recently-aired two part mini-series in the US, The Andromeda Strain, which is based on the best-selling novel by Michael Crichton, is going to be on our channel soon.

    Does HBO do a lot of marketing and promotional activities to create awareness?
    HBO’s marketing and promotional activities have always looked to be innovative and clutter breaking. This year we have had many multimedia campaigns to announce our Summer line-up, our mega blockbusters and our shows.

    We have a well planned strategy for the rest of the year, especially during the festive season of October-December. As we speak, we are running a multimedia campaign that includes a contest, to promote Spiderman 3.

    The hope is that addressability will get a push this year with DTH (direct-tohome) seeing new launches this year. How do you see the distribution scenario evolving?
    As new launches increase, distribution becomes critical. We are also hoping that addressability gets implemented in the right manner.

    DTH is also growing, but the format is still the classic ‘one price for all channels’ rather than specialised packages and introduction of new tiers. This is expected to change as the market matures.

  • Warner Bros India forays into regional film production, sews deal with Soundarya Rajnikanth

    Warner Bros India forays into regional film production, sews deal with Soundarya Rajnikanth

    MUMBAI: Warner Bros Pictures India is set to foray into regional film production. The Hollywood major has stitched an exclusive multi-movie deal with Soundarya Rajnikanth’s Ocher Studios to get a footprint across the four southern languages.

     

    According to the terms of the deal, Warner Bros will be involved in funding the film projects. The pact covers the production and distribution of Live-Action South Indian language films to be released by Warner Bros.

     

    Soundarya Rajnikant, the daughter of superstar Rajnikant, said that it is a great privilege for her company to associate with a world leader in the entertainment industry. “Ocher Studios has always strived towards achieving high standards in quality content creation, and with Warner’s expertise in the marketing and distribution space this association will definitely create an impact in the film industry,” she added.

     

    While Warner Bros specializes in the creation, production, distribution, licensing and marketing of all forms of entertainment and their related businesses, Ocher Studios offers its services ranging from VFX, digital film lab, non-linear editing, CGI, and pre-production.

     

    “We are thrilled with this opportunity to expand our local production business across all four southern languages by getting into a strategic alliance with Soundarya Rajnikant of Ocher Studios. As is our practice, we will work closely with our partners to impart our experiences and expertise in a collaborative way,” said EVP Warner Bros International Richard J Fox.

     

    Added Warner Bros. Pictures India country head Blaise Fernandes: “We are excited and proud to be working with Soundarya Rajnikant who is extremely talented, has good insight into film making and knows the pulse of the southern market. Given Soundarya and Ocher Studios’ creative skills combined with our marketing and distribution network, this is a perfect synergy between the two companies to come together.”

  • Hungama Mobile ties up with T-Series for music download

    Hungama Mobile ties up with T-Series for music download

    MUMBAI: Hungama Mobile in association with T-Series launched the Kar Le kar Le Koi Dhamaal music for mobile. This is the first time in Asia that the music will be available for downloading on mobile before it is available in music stores.

    Several other add on features like ‘Full Music’ monophonic ringtones, polytones, ringback tones wallpaper will also be available, suitable for every type of mobile phones.

    The star at the launch of the music was ofcourse Shah Rukh Khan who has performed in the music video. Talking about the product he said, “When I personally downloaded the music it was a great experience hearing it on my own phone. Hungama Mobile is providing a new platform by giving a new experience to the audience. The Gen X is definitely going to be excited with such exciting features and I can say now mobile will be the next new destination, for music.”

    Hungama Mobile managing director and CEO Neeraj Roy said, “We sincerely appreciate the support of Shahrukh, who in his own way encouraged this step. Experiencing the success and looking at the potential in mobile content market, we are delighted to partner with T-series. Through this initiative we can reach out to a vast audience across the globe.”

    Speaking on the occasion T-Series managing director .Bhushan Kumar said, “Considering our long association with Hungama Mobile, we are delighted to take it one step further for the mobile content industry. Seeing the success of previous projects like the Krrish, added to which this time we have SRK himself. This combination makes us confident of this initiative being a great success!”

    Hungama Mobile also owns Bollywood portal, www.indiafm.com and has worked on over 1000 films on the mobile and the online space.

    To download the music one can SMS SRK to 4646 and it will be made available through Hungama Mobile distribution network with over 77 Wireless Carriers in 30 plus countries.

    Hungama Mobile has exclusive worldwide rights to India’s largest music label T-Series and in addition has over 100 content alliances with companies as diverse as Warner Bros, Sony Pictures etc.

  • Warner’s revenues for the year rise marginally

    Warner’s revenues for the year rise marginally

    MUMBAI: US media conglomerate Time Warner has announced that its revenues rose four per cent over 2005 to $44.2 billion, reflecting increases at the company’s cable and networks segments.

    Time Warner chairman and CEO Dick Parsons said, “I am delighted that 2006 proved to be a good year for Time Warner. Taken together, our businesses performed well, and we achieved all of our announced financial objectives. We successfully executed on our strategy – enabling us to lead our industry and lay the foundation for creating significant new value. At the same time, we returned billions of dollars directly to our shareholders through dividends and stock repurchases.

    “We expect 2007 to be another superb year for Time Warner. Our businesses are well positioned to generate strong operating and financial performances. On the strategic front, we aim to create substantial incremental value by completing the integration of our recently acquired cable systems, further developing AOL’s online advertising business, and driving digital initiatives across the entire company.

    “In addition, we will continue to allocate our capital effectively, including the expected completion of our current $20 billion stock repurchase programme during the first half of 2007.”

    Fourth-quarter revenues climbed by eight per cent over the same period in 2005 to $12.5 billion, driven by increases at the cable and networks segments. In its networks division which comprises of Turner Broadcasting and HBO revenues for the year rose by seven per cent ($703 million) to $10.3 billion, benefiting from growth in subscription, ad and content revenues, including the consolidation of Court TV ($253 million) from January 1, 2006.

    Subscription revenues climbed nine per cent ($498 million), due to higher rates and, to a lesser extent, increased subscribers at Turner and HBO, as well as the consolidation of Court TV ($84 million). Included in the prior year results was a $22 million benefit from the resolution of certain contractual agreements at Turner. Ad revenues were up four per cent ($111 million), led by a 13 per cent increase at Turner, including Court TV ($164 million), offset primarily by the cessation of The WB Network’s operations in September 2006.

    Content revenues increased seven per cent ($70 million), due mainly to higher sales of HBO’s original programming, including the domestic cable sale of The Sopranos, offset partially by lower syndication sales of Sex and the City and the prior year licensing revenues from Everybody Loves Raymond, which ended its broadcast run in 2005.

    At AOL revenues for the year declined by five per cent ($417 million) to $7.9 billion, due to a 14 per cent decrease ($971 million) in Subscription revenues, offset in part by a 41 per cent increase ($548 million) in ad revenues.

    The lower subscription revenues resulted mainly from a decline in domestic AOL brand subscribers, which related partially to AOL’s strategy, implemented in August 2006, of offering its e-mail, certain software and other products free of charge to Internet users. Ad revenues reflected strong growth in display advertising, advertising run on third-party Web sites generated by Advertising.com and paid-search advertising.

    In the film segment revenues decreased by 11 per cent ($1.3 billion) to $10.6 billion, due to difficult comparisons to the prior year record performance at Warner Bros. In 2005, Warner Bros. finished number one in worldwide theatrical box office, driven by the success of Harry Potter and the Goblet of Fire, Charlie and the Chocolate Factory and Batman Begins.

    In addition, a strong theatrical slate contributed to a record performance at Warner Home Video during 2005. These difficult comparisons and the lower performance of the theatrical slate in 2006 led to a decline at Warner Home Video in 2006.

  • Warner Bros. Interactive Ent. to launch ‘Looney Tunes: Acme Arsenal’ videogame on Xbox 360 & Wii

    Warner Bros. Interactive Ent. to launch ‘Looney Tunes: Acme Arsenal’ videogame on Xbox 360 & Wii

    MUMBAI: Warner Bros. Interactive Entertainment will launch an action-packed Looney Tunes : Acme Arsenal videogame in fall 2007, starring the animated characters in a next-generation adventure for the Xbox 360 video game and entertainment system from Microsoft and the Wii.

    “Looney Tunes : Acme Arsenal is updating the classic characters in engaging ways that will appeal to new generations of fans as well as the loyal fans of these enormously popular cartoons,” said Warner Bros. Interactive Entertainment Senior Vice President Jason Hall. “The game captures the great irreverence of the Looney Tunes’ humor and allows players to take the characters where they have never gone before with next-generation gameplay and graphics.”

    Published by Warner Bros. Interactive Entertainment and developed by Redtribe, Looney Tunes : Acme Arsenal is an action-adventure game featuring seven playable Looney Tunes characters, including Bugs Bunny, Daffy Duck, Tazmanian Devil, Foghorn Leghorn, Marvin the Martian, Gossamer and a special secret character, all rendered in high-definition, next-generation graphics.

    Engaging in one or two player co-operative gameplay, fast-paced combat, puzzle solving challenges and vehicle-based action in environments inspired by cartoon tales. Players will command an arsenal of Acme melee and projectile weapons in outrageous battles and travel to various locations such as Camelot, Ancient Egypt, Mars, the Wild West, the trenches of World War II, informs an official release.

    Xbox 360 version will allow players to fully utilize real-time physics and animation blending and Xbox Live online entertainment network will allow for two player co-operative game play. Players will also be able to take full advantage of the gesture controls in fighting, spin attacks, smash attacks and driving on the Wii version.

  • Scooby Doo creator Iwao Takamoto passes away

    Scooby Doo creator Iwao Takamoto passes away

    MUMBAI: Cartoon artist Iwao Takamoto who created the mystery-solving Great Dane, Scooby-Doo passed away at the age of 81.

    Takamoto who suffeerd a heart attack was VP of special projects for Warner Bros. Animation until his death. Most recently, Takamoto storyboarded the 2005 Tom and Jerry animation short The Karateguard, and was instrumental in the design of many characters in the current Cartoon Network and Kids’ WB! animated series Krypto the Superdog in the US. He also served as a consultant on Warner Bros. Animation’s ongoing Scooby-Doo direct-to-video series, including the 2006 release Scooby-Doo! Pirates Ahoy! and the upcoming Chill Out, Scooby-Doo.

    Warner Bros. Animation president Sander Schwartz says, “Iwao Takamoto was not only a tremendously talented designer and artist, he was a beautiful human being. Iwao was always ready with a wide smile, a firm handshake and a warm welcome. Iwao’s designs will be his legacy for generations to come. Those of us who had the privilege of working closely with him will miss his mentoring presence, his good counsel and his unparalleled talent and spirit.”

    Disney hired him as an apprentice in-betweener in 1945 – just two months before the end of World War II.

    Takamoto trained under Disney’s legendary ‘nine old men’ including Ollie Johnston, Marc Davis, Milt Kahl, Ward Kimball, Frank Thomas and Eric Lawson. While at Disney, Takamoto worked on short animated cartoons as well as full-length films, including Cinderella, Peter Pan and Lady and the Tramp.

    In 1961, Takamoto moved to Hanna-Barbera Studios, where he helped reinvent cartoons for television. Virtually all the characters and cartoons released by Hanna-Barbera over the following four decades were touched by the design and artistry of Takamoto. As a character designer, it was his job to create the look and images of the characters based on an idea for a proposed cartoon show.

    Takamoto designed Scooby-Doo, Shaggy and the rest of the Mystery Machine crew. He named the Great Dane after the late crooner Frank Sinatra’s Strangers in the Night rendition where, at the end, Sinatra sings “Scooby Dooby Doo.” At a recent chat with Cartoon Network Studios personnel in Burbank, Takamoto offered some tidbits regarding his approach to creating the Scooby-Doo design.

    He said, “There was a lady at (Hanna-Barbera) that bred Great Danes. She showed me some pictures and talked about the important points of a Great Dane, like a straight back, straight legs, small chin and such. I decided to go the opposite and gave him a hump back, bowed legs, big chin and such. Even his color is wrong.”

     

  • Warner, LG look to resolve confusion in HD DVD arena with hybrid offerings

    Warner, LG look to resolve confusion in HD DVD arena with hybrid offerings

    MUMBAI: Right now high definition (HD) DVDs have not taken off in the US due to the prevailing system of two incompatible formats.

    One is blu ray which has the backing of Sony and the other is HD DVD which has the backing of Toshiba. Now however there could be some light at the end of the tunnel.

    Warner Bros. media reports state will introduce a high-definition DVD that can hold films and TV shows in rival and incompatible formats. Warner said that it developed the Total HD Disc.

    Warner Bros. will place both formats of movies on a single disc. This though shows that there is no resolution on a single format.

    Meanwhile LG Electronics is planning to market a dual-format DVD player. Other electronics makers are expected to do the same.

    Warner Bros. has also patented a disc that can hold three versions of a film — one in each of the rival high-def formats and a third that can be viewed on standard-definition players. This eliminates the need for the consumer to upgrade his DVD if he/she does not want HD in the first place. Reports add that from a technological standpoint this could be as groundbeaking as when LP records were introduced in the late 1940’s.

  • Warner Bros. to buy stake in SCi

    Warner Bros. to buy stake in SCi

    MUMBAI: Warner Bros. Entertainment Inc. will make an investment in SCi Entertainment Group plc, the parent company of publishing label Eidos Interactive Ltd, representing 10.3 percent of the company’s enlarged share capital.

    Additionally, Warner Bros. and SCi have entered into an agreement for licensing and distribution of games based on select Warner Bros. Entertainment properties, asserts an official release.

    A part of the Warner Bros. Home Entertainment Group, Warner Bros. Interactive Entertainment (WBIE) has granted the licenses to SCi for the comic book version of Batman, the Looney Tunes, select titles from the Hanna-Barbera catalog and television properties The OC, Monster Allergy, Loonatics Unleashed and Legion of Super Heroes.

    In addition, Eidos and Warner Bros. have entered into a primary distribution agreement under which Warner Bros. will provide warehousing, logistics, merchandising and media buying services in the United States to Eidos. Eidos will continue to run, through its US publishing office, all other aspects of its US operations including manufacturing, sales, marketing and PR, adds the release.

    Warner Bros. President Kevin Tsujihara said, “Investing in SCi further solidifies our commitment to the rapidly growing interactive and gaming space. This deal is consistent with our core strategy of delivering high quality entertainment based on some of the world’s best-loved brands for all formats and channels. We look forward to working with SCi to build games the fans of these brands will truly enjoy.”

    SCi chief executive Jane Cavanagh said, “These agreements represent a further step in SCi’s development as one of the world’s leading publishers of interactive entertainment. The licensed properties extend and strengthen our product portfolio through globally recognised titles such as Batman, Looney Tunes including brands such as Bugs Bunny and the classic Hanna-Barbera catalogue including brands such as Tom and Jerry.

    “The additional investment provides us with the firepower to accelerate growth initiatives such as increasing our development capacity and our new media and online strategies,” she added.

    Warner Bros Interactive Entertainment has licensed the rights for selected intellectual properties to SCi. SCi’s publishing label Eidos will develop videogames based on the properties. The licenses are:

    – Batman. The license enables Eidos to create games based the on comic book version of the DC Comics’ renowned super hero.

    – Looney Tunes. Eidos will create games using the library of Looney Tunes characters, including Bugs Bunny, Daffy Duck, Road Runner and Speedy Gonzales and more, for handheld platforms.

    – Hanna-Barbera catalog. Eidos will develop up to twelve games based on a number of individual characters in the classic Hanna-Barbera catalogue including Tom and Jerry, The Flintstones, Wacky Races, Yogi Bear and Huckleberry Hound.

    – The OC. The license is for the interactive rights to the long running global TV series The OC, based around the lives of teenagers in Orange County, California.