Tag: Warner Bros.

  • Warner Bros lines up three Lego movies till 2018

    Warner Bros lines up three Lego movies till 2018

    MUMBAI: Building a strong slate of animated tentpoles that extends well into 2018, Warner Bros. Pictures has announced the release dates of three much-anticipated Lego movies. 

     

    The next Lego film to open will be the as-yet-untitled Lego Batman feature, which will come to theatres earlier than planned, with the global launch starting in North America on 10 February, 2017.

     

    The second movie Ninjago, which had been slated for release in fall 2016; will now release on 22 September, 2017 in the North American market, with international dates to follow. The release has been pushed as the film is still under construction.

     

    The Lego Movie Sequel, the follow-up to The Lego Movie, will open one week earlier than originally slated, on 18 May, 2018 in North America.

     

    Warner Bros. Pictures president, domestic distribution Dan Fellman said, “We are very excited about dating our upcoming Lego animated features, which already have a worldwide fan following, built on the foundation of the first film. These three films already in the pipeline are just the beginning of a creative and diverse animation slate that will be delighting audiences for years to come.”

     

    Warner Bros. Pictures president, international distribution Veronika Kwan Vandenberg added, “We are looking forward to expanding the Lego film franchise globally with these three incredibly imaginative movies, each offering something different to appeal to a broad range of audiences around the world.”

     

    The Lego Group vice president of licensing and entertainment Jill Wilfert said, “We are so pleased to continue our creative partnership with Warner Bros. on these upcoming projects. It’s truly amazing to see how the big screen lends another dimension to the rich Lego world, and offers new ways for fans to be engaged and entertained by these characters.”

  • Relativity EurpoaCorp appoints Candice McDonough as EVP – theatrical publicity

    Relativity EurpoaCorp appoints Candice McDonough as EVP – theatrical publicity

    MUMBAI: Relativity EuropaCorp Distribution has appointed Candice McDonough as executive vice president, theatrical publicity.

     

    McDonough will oversee publicity for the distribution company, which supports EuropaCorp’s film releases in the United States and Relativity’s slate.

     

    McDonough joins Relativity EuropaCorp Distribution following 14 years at New Line Cinema and Warner Bros. Entertainment, most recently serving as senior vice president of publicity and communications at New Line. During her tenure, she worked on such films as Wedding Crashers, Horrible BossesWe’re the Millers and The Conjuring franchise. Prior to New Line, McDonough worked at Creative Artists Agency (CAA) and in development at HBO Films.

     

    “Candice has a terrific reputation with a long history of success working with top talent on renowned film publicity campaigns. We are thrilled to welcome her to the RED team as we look to continue to creatively raise the visibility of our films,” said Relativity EuropaCorp Distribution president of theatrical marketing Tommy Gargotta.

     

    Relativity’s upcoming films include the 2015 Sundance Film Festival hit The Bronze(10 July), Masterminds (7 August) starring Zach Galifianakis, Owen Wilson and Jason Sudeikis, Kidnap (9 October) starring Halle Berry and Autobahn (30 October) starring Nicholas Hoult, Felicity Jones, Anthony Hopkins and Ben Kingsley.

     

    EuropaCorp’s upcoming films include The Transporter Refueled (4 September), Shut-In (19 February, 2016) starring Naomi Watts, The Lake (15 July, 2016) starring Sullivan Stapleton and JK Simmons and Nine Lives starring Kevin Spacey.

     

    McDonough begins her new role later this month.

  • Warner Bros. unveils 12 new show formats at MIPTV

    Warner Bros. unveils 12 new show formats at MIPTV

    MUMBAI: Warner Bros. International Television Production (WBITVP) has unveiled 12 all-new primetime formats at MIPTV. These include Repeat After Me (ABC, U.S.), The Gift (BBC One, UK), Weight for Love (in development at NBC),Backyard Survival (RTL4, Netherlands) and Our First Home (TVOne, NZ).

     

    The company will also be previewing its all-new event game show format 500 Questions (ABC, U.S.) from executive producer Mark Burnett and creator Mike Darnell at MIPTV.

     

    Inspired by a highly successful signature segment from the Emmy-winning daytime talk program The Ellen DeGeneres Show and produced by Ellen’s A Very Good Production in association with Warner Horizon Television, Repeat After Me sees Wendi McLendon-Covey instruct superstar talent, via a remote earpiece, to interact with everyday people in high-energy, comedic hidden-camera situations. Guests include Harry Connick, Jr., Usher and Justin Bieber, whose sketch reached more than 800 million users on Twitter.

     

    From the makers of worldwide success Who Do You Think You Are? comes The Gift for BBC One. This unique factual entertainment series follows the unexpected and heart-warming personal stories of ordinary people given the extraordinary opportunity to be reunited with someone who changed their life forever. The Gift premiered in February on BBC One and is the highest rated new factual format series at 9 pm on the network in 2014/15.

     

    From 5×5 Media in association with Warner Horizon Television, Weight for Love sees the emotional and physical transformation of overweight couples who commit to separate for a long period of time in order to regain their health. The couples will be documented and united in an emotional reveal, as they begin to plan the next part of their new lives.

     

    Coming soon to RTL4 (Netherlands) is Backyard Survival, from the creators of Adam Looking for Eve. The show challenges four famous faces to live and survive without shelter and food in the wilds of the nation’s countryside, revealing personal and touching stories of the stars as they attempt Backyard Survival.

     

    From the producers of The Bachelor New Zealand is Our First Home for TV One (NZ). Currently outperforming all international formats in its primetime slot, the show is feel-good and competitive. Part observational documentary and part soap opera, parents sacrifice everything for their kids, as they buy a ‘do-up’ and work together to help them with their first step on the property ladder. Competing against the clock to win big – families will be pushed to the limit in TV’s most exciting new property renovation show.

     

    The new format slate also includes the market debut of Adoption Stories (Nelonen, Finland), Bring Back Borstal (ITV, UK), Back in Time for Dinner (BBC Two, UK),Ellen’s Design Challenge (HGTV, U.S.), Push The Red Button (RTL4, Netherlands),Soundtrack of Love (YLE, Finland) and Wanted – A Very Personal Assistant (BBC Three, UK).

     

    Warner Bros. International Television Production includes new productions worldwide for The Bachelor, produced in 30 territories including ABC (U.S.) and RTL (Germany); the recently launched Adam Looking for Eve, produced in seven countries including RTL (Germany) and Cuatro (Spain); and First Dates, the top rated format created for Channel 4 (UK) and recently commissioned by NBC for a primetime US version produced by Shed Media (part of the unscripted/alternative programming department at Warner Bros.).

  • Warner Bros & ProSiebenSat.1 extend licensing deal

    Warner Bros & ProSiebenSat.1 extend licensing deal

    MUMBAI: In a major licensing deal, Warner Bros. International Television Distribution and ProSiebenSat.1 have extended their existing licensing deal.

     

    Thus ProSiebenSat.1 will continue to hold the exclusive free TV rights to Hollywood blockbusters and successful television series produced by the US studio for years to come. Movies such as Batman vs. SupermanTarzan and King Arthur are among the highlights of the deal that have already been announced.

     

    Furthermore, the trilogy Fantastic Beasts and Where to Find Them, which is based on the novel of the same name by J. K. Rowling, will be aired by the broadcasting group. German movie productions like Der geilste Tag with Matthias Schweighofer and Florian David Fitz are also part of the deal.

     

    The agreement will also enable ProSiebenSat.1 to significantly enhance its range of TV series: The latest Warner Bros. productions are among the highest-rated series aired on ProSiebenSat.1 stations. The Big Bang Theory and Two and a Half Men regularly obtain above-average market shares.

     

    The extension of the agreement also gives ProSiebenSat.1 continued access to the extensive Warner library including the fantasy trilogy The Lord of the Rings, the Harry Potter movies, the cult movie The Hangover and the superhero movies Batman Begins and The Dark Knight.

     

    ProSiebenSat.1 Media AG executive vice president, group programming acquisitions Rüdiger Böss said, “Movies and series from Warner Bros. are among the best of our industry. We have been collaborating for many years and Warner productions are regularly rated highly by our viewers. I am therefore delighted that we have managed to continue this extraordinary partnership and thus to secure many attractive film and series productions for the coming years.”

     

    Jeffrey Schlesinger, President, Warner Bros. Worldwide Television Distribution: “We have long enjoyed a mutually-beneficial relationship with ProSiebenSat.1, which provides a terrific platform for our series and films. This latest agreement between our companies speaks for the quality of our films and television series as well as for the healthy appetite of German TV viewers for good programming.”

     

    Licensing acquisitions across all platforms from free TV to video-on-demand and mobile is getting strategically more and more important for ProSiebenSat.1. Therefore, the division Content Acquisitions has been part of the executive department of Conrad Albert since 1 January, 2015. Conrad Albert continues also to be responsible for the areas Legal, Distribution and Regulatory Affairs.

  • Warner Bros, DC Comics aim to set Super Hero world record

    Warner Bros, DC Comics aim to set Super Hero world record

    MUMBAI: Warner Bros. Consumer Products (WBCP) and DC Entertainment (DCE) plan to set a world record for the largest gathering of people dressed as DC Comics Super Heroes held at multiple venues around the globe within 24 hours. The DC Comics Super Hero World Record Event – to take place on 18 April, 2015 – will kick off in Queensland, Australia with a celebration at Movie World Australia theme park, and come to a commemorative close in Los Angeles, CA, USA at Hollywood and Highland.

     

    “Warner Bros. Consumer Products is thrilled to team up with partners around the world to set the world record for the most people dressed as DC Comics Super Heroes. We invite fans of all ages to come out for this exciting family event and don their capes, cowls and masks to represent their favorite DC Comics Super Hero,” said Warner Bros. Consumer Products president Brad Globe.

     

    At each event, fans dressed as DC Comics Super Heroes will gather to celebrate with interactive games and activities inspired by the famed world of DC Comics before formally attempting to set the world record. The DC Comics Super Hero World Record Event cities unveiled, include: Birmingham (UK), Cardiff (UK), Kaohsiung (Taiwan), Lille (France), London (UK), Los Angeles (USA), Lyon (France), Madrid (Spain), Manila (Philippines), Mexico City (Mexico), Paris (France), Queensland (Australia), Rome (Italy), Sao Paulo (Brazil) and Warrington (UK).

     

    To participate in setting this heroic world record, DC Comics fans must dress from head-to-toe as an instantly recognized Super Hero that has been featured in a DC Comics published book, television program or film. The DC Comics Super Hero universe includes Batman, Superman, Wonder Woman, The Flash, Green Lantern, Batgirl, Supergirl, Aquaman, Cyborg, Robin, Green Arrow, and many more. Both homemade costumes as well as official costumes from licensees and official event retail partners will be considered as long as they are a full representation of the Super Hero and are as close to the original DC Comics’ Super Hero’s costume as possible.

     

    The world record will be set once fans gather in the assigned area at each local event and stay there for a full five minutes to be counted towards the record. WBCP will be working closely with retail and licensing partners in each market to offer exclusive merchandise, promotional support and more, to bring fans this exciting global event in each participating city.

     

    Leading up to the one-day event, WBCP and DCE, together with local sponsors and organizers, will present DC Comics’ most ardent fans with the opportunity to demonstrate their fandom by entering into various photo contests and sweepstakes, including the “Best Super Hero Post” photo contest and the “Best Super Hero Photo Bomb” contest. DC Comics enthusiasts will also be able to compare and preview their costumes with a “Costume Preview Polling” contest presented by event organizers on social media. Follow #DCWorldRecord on Facebook and Twitter for more information on the contests.

  • Director Guy Ritchie’s new King Arthur movie goes on floors

    Director Guy Ritchie’s new King Arthur movie goes on floors

    MUMBAI: Acclaimed filmmaker Guy Ritchie brings his dynamic style to an original King Arthur epic, a sweeping fantasy action adventure starring Charlie Hunnam for Warner Bros. Pictures and Village Roadshow Pictures.

     

    Principal photography has begun at Warner Bros. Studios Leavesden, UK.

     

    The bold new story introduces a streetwise young Arthur who runs the back alleys of Londonium with his gang, unaware of the life he was born for until he grasps hold of the sword Excalibur – and with it, his future. Instantly challenged by the power of Excalibur, Arthur is forced to make some hard choices. Throwing in with the Resistance and a mysterious young woman named Guinevere, he must learn to master the sword, face down his demons and unite the people to defeat the tyrant Vortigern, who stole his crown and murdered his parents, and become King.

     

    Starring with Hunnam is Astrid Berg?s-Frisbey as Guinevere; Oscar nominee Djimon Hounsou as Resistance leader Bedivere; Aidan Gillen as Goosefat Bill; Oscar nominee Jude Law as Vortigern; and Eric Bana as Arthur’s father, King Uther Pendragon.

     

    Ritchie will direct from a screenplay by Joby Harold. Ritchie will also produce the film, alongside producers Lionel Wigram and Steve Clark-Hall, Akiva Goldsman, Joby Harold, and Tory Tunnell. David Dobkin and Bruce Berman will executive produce. Max Keene will serve as co-producer and James Herbert as associate producer.

     

    The creative team joining Ritchie behind the scenes includes two-time Oscar-nominated director of photography John Mathieson, Oscar-nominated production designer Gemma Jackson, editor James Herbert, costume designer Annie Symons, makeup and hair designer Christine Blundell, and Oscar-nominated VFX Supervisor Nick Davis.

     

    The film will shoot primarily at Warner Bros. Studios Leavesden, and on location in Wales and Scotland.

     

    Slated for release on 22 July, 2016, it will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

  • “2020 is when digital will command one third of all media spends & that is a significant market to go after”: Rajiv Dingra

    “2020 is when digital will command one third of all media spends & that is a significant market to go after”: Rajiv Dingra

    Even before many knew about social media, let alone analyse the medium’s power, Rajiv Dingra at the age of 22 knew he was entering into something which was only going to grow bigger. Dingra, who founded digital and social media agency WATConsult in 2007 with four employees has today built up a team comprising 160 people across four cities: Mumbai, Delhi, Bengaluru and Kolkata.

     

    Acquired by Dentsu Aegis Network in January 2015, Dingra is looking at not just expanding the business, but also aiming to be one amongst the top tier digital agencies by 2020.

     

    In a span of seven years, the agency has worked with over 100 brands like Warner Bros, PVR, SAP, Nikon, Tata Salt, Godrej, Bajaj Allianz and Mahindra & Mahindra, and others across the world.

     

    In conversation with Indiantelevision.com’s Seema Singh, Dingra talks about the evolution of digital space, life after the Dentsu acquisition, his future plans and more.

     

    Excerpts:

     

    How did you start WATConsult? What gave you the idea to start a digital agency way back in 2007?

     

    I was a blogger first. I used to run a blog called WATBlog. But, I wasn’t making much money through that. Soon after, people started coming to me asking how they could engage with bloggers, so from there, I started the side business of blog consulting. This went on to social media consulting and all of this happened within a couple of months. It wasn’t a revolution of sorts, it is just that one thing led to another.

     

    The initial idea was to create a social media consulting company. WATConsult was formed when I got Rediff onboard, which gave me an advance cheque of  Rs 4 lakh. This was the seed capital for the company.

     

    When I started the company, we were just four people, which included two interns. Today, we are about 160 people, with four offices across country: Mumbai, Delhi, Bengaluru and Kolkata.

     

    One client led to another client, and it kept growing. It took us a lot of time to take off ground in 2007-08, but by 2009 I was pretty clear that we wanted to make this big. It was in 2009 when we started getting retainer client and building a team.

     

    We started moving office, every six months, because we were growing that fast. In the five years from 2009-2014, we doubled our growth, in terms of people, revenue and profits.

     

     

    When you started in 2007, except for the interns, did you have any other partner?

     

    For a long time I had no partner. In fact I registered the company in 2008 alone with my father being the dormant director. So it was pretty much a single man company.

     

     

    How did the acquisition by Dentsu Aegis Network happen? Why did you think of partnering with the agency?

     

    Talks with Dentsu were on for the past two years. What worked for us was that over the past two years, they actually saw us growing. Moreover, we were actually doing whatever we were telling them that we would do. They became more confident in us, as they saw that we had the capability to perform.

     

    We were very confident in them as they have a differentiated model of operating in India with one P&L model, which is unlike any other network.

     

    They wanted to collaborate with us and that is what we liked. You can grow by collaborating, not by competing.

     

    It was very clear for us from the beginning that digital is a platform and not a skill. Eventually everybody will be digital savvy. Over time all advertising will be just advertising and will not be segregated on the basis of print, TV or digital advertising. More and more agencies will be integrated. This could take anywhere between five to 15 years.

     

    We started social media, when people didn’t even know what social media was. We have done the deal with Dentsu when we see the future as integrated. We may be five years early for that, but then that’s fine. The way we look at it is that it will happen eventually and so we wanted to prepare ourselves with the network that works collaboratively to be in the best position to take advantage of that eventuality.

     

     

    Has it impacted the work culture at WATConsult? Has your role changed?

     

    It hasn’t impacted the work culture but it has definitely increased the amount of work we are expected to deliver. The good news is that the group has a lot of opportunities for WATConsult. We are being invited to pitches. They are business and client focused and so are we.

     

    As for my role, it is still the same. While I was initially talking to external clients, now my role is to also talk to stakeholders within the network.

     

     

    Are you looking at expanding your office or employees?

     

    We were always looking at expanding our office. That has got nothing to do with the acquisition. We will be moving into a larger office for close to 250 people. Our vision is to have 300 – 350 people in the next two – three years. We plan to expand in Delhi and Bengaluru since we are winning a lot of clients there.

     

    Beyond people, we would want to work with larger clients with larger mandates. We are currently participating with Dentsu Aegis Network on global pitches as well. We are very excited.

     

     

    What do you look for people when you hire them?

     

    I would hire a humble person anytime. There is a very clear reason for that: if you are not humble, you don’t think you want to learn too much. If you don’t want to learn, you can’t be a part of a growing organisation, which we are. The next quality I see is the person’s passion to learn.

     

     

    How have you seen the digital space change and grow since 2007?

     

    I remember in 2007, we had to think before putting a budget in lakhs in our presentations. Today, client comes and says that they want a plan in one week for Rs 1.5 crore. So, number wise it’s mind boggling.

     

    I have to, at times, unlearn what I had learnt when I started my career. Beyond the numbers, it is just the breadth of the space. Today, we are doing digital video commercials, shoots, websites and social media, all for the same client. What I am seeing is that clients are embracing digital and once you start embracing the medium you start spending as well.

     

    Digital is starting to get a lot of respect and attention even at the CMO level, which is a big difference from 2007-2011. Today, I have not seen a pitch where the CMO is not present for signing on the digital agency.

     

    The future is coming from digital. According to reports, digital advertising currently is at Rs 3500 crore. In another five years, another Rs 6000 crore will be added, thus making it a Rs 9500-10000 crore market. It is a 150 per cent growth in next five years.

     

     

    What is the ROI on digital?

     

    People have been advertising on TV, even without knowing the exact return on investment. Just because you can calculate numbers in digital doesn’t make that a scapegoat, which it has been for very long. I think a lot of marketing is gut and feel. Yes, there are surveys, analysis, TRPs and numbers to back the feel, but I have known marketers who know this as an art.

     

    Digital is going to grow. So either you do more of it and figure out the ROI mechanism or you sit at the fence and wait for the ROI. And maybe when the ROIs come, you will be too late in the learning curve. The earlier you start, the better asset you can create for your product.

     

     

    GroupM estimates digital growth at 37 per cent. Do you agree with it?

     

    I think every year it is between 30-40 per cent, but agencies like ours, which is focused on social, mobile and video, will be growing at at least 80-100 per cent. In fact what is pulling down this growth is search and display.  

     

     

    Is there a set format for digital advertising? What works on digital?

     

    There is no format. Even advertising, which is a 100 year old profession, has no format of making a creative or TVC. As a brand you want to elicit a certain response from the audience so you create content, videos, infographics etc.

     

    Format doesn’t matter. What we know is video, social or mobile is going to through the roof. So what we are trying to find is how we, as an agency, can integrate all this in our campaigns while keeping true to the brand requirement and brief and the creativity on that.

     

    As for what works on digital, it is storytelling and novelty. If you haven’t seen or heard something before, it works on digital. Getting good storytellers is a struggle, but then as the space evolves gems come up.

     

     

    Is there a research, which is done to find what clicks with the TG? What is the duration?

     

    We do closed group research, online team monitoring and also create our own dashboards to understand the working for the brand, comparing against other competitors.

     

    Quantitative research, which is driven by digital happens within a week. But qualitative could take 10-15 days.

     

     

    What do you feel about the ‘Digital India’ campaign launched by Prime Minister Narendra Modi?

     

    Growth of internet is going to help our business tremendously. With internet connectivity, several clients’ rural budget will go up. The reason for collaborating with Dentsu is that they have a rural agency and they have a huge footprint in rural India. We, over the five years, are making the bet that the change will happen sooner rather than later.

     

    I want to take WATConsult to top tier of digital agency in the next five years. I see 2020 as a big year where digital will be closer to one third of all media spends and that is a significant market to go after.

     

     

    How has pitching to a client changed over the years?

     

    Clients do not look at us as just an execution agency anymore. Earlier, the brand would only think of the campaign and digital leg had to be set up just a day or so before the launch of the campaign. This has changed now. We are now being called when the idea brainstorming is happening collaboratively with mainline agencies. We are planning on the digital campaign two months prior to the launch of the campaign.

     

    Money wise also there is a lot of change, but for me this is a significant change.

     

     

    The year started on a good note for the agency. How do you see the year panning out for you?

     

    2015 is a key year for us as we are looking at a bigger office, investing in talent, setting into gear our achievement of vision 2020, which we have internally set. It is also a year where we look to more closely collaborate with Dentsu and become a part of the family and leverage that to grow WATConsult.

     

    I genuinely feel that the vision that we had independently, both in terms of achievement of numbers and clients, we have surpassed that this financial year. We are seeing some great positive response from our clients for our work. I am extremely bullish and for me the GroupM’s 37 per cent digital growth prediction looks a little small. We would like to look at 50 per cent or more growth this year.

  • Sony Pictures Entertainment appoints Matt Milam as VP – creative productions

    Sony Pictures Entertainment appoints Matt Milam as VP – creative productions

    NEW DELHI: Sony Pictures Entertainment has appointed Matt Milam as vice-president of creative productions.

     

    Prior to this, Milam was with Skydance, where he served as vice president of production. He has earlier also been with Warner Bros.

     

    “We are tremendously excited about Matt joining the Columbia team. We have followed his career from Warners to Skydance and have been utterly impressed with both his talent and his taste,” Sony Pictures Entertainment president of production Michael De Luca.

     

    Milam most recently worked on the Dean Devlin project Geostorm at Skydance. Earlier at Warner Bros, he had handled projects that included Clash of the Titans, Wrath of the Titans, Terminator Salvation and The Informant.

     

    Prior to Warner Bros., Milam acted as creative executive at Mandate Pictures, helping oversee Harold and Kumar Escape From Guantanamo Bay, The Grudge 2 and 30 Days of Night. He was co-producer on Boogeyman 2, for which he oversaw the development, production and post-production.

  • Sony Pictures, Warner Bros & Singtel ink JV for video streaming service in SE Asia

    Sony Pictures, Warner Bros & Singtel ink JV for video streaming service in SE Asia

    MUMBAI: Sony Pictures Television, Warner Bros. Entertainment and Singtel inked a joint venture – HOOQ – start-up, to offer a regional over-the-top (OTT) video service in Asia.

     

    HOOQ will deliver both Hollywood blockbusters and television series, as well as popular local movies and programmes to customers anytime, anywhere by enabling them to stream and download their favourite shows on their device or platform of choice.

     

    HOOQ will be rolled out progressively in the Singtel Group’s Asian footprint, including Indonesia, the Philippines, India and Thailand, from the first quarter of 2015.

     

    The studios provide access to their premium content and know-how. The Singtel Group provides market access with its customer base of over half a billion mobile customers. HOOQ will also use the Singtel Group’s billing capabilities, a crucial enabler in developing markets where credit card ownership is limited.

     

    Warner Bros. Entertainment chief digital officer and executive vice president, strategy and business development Thomas Gewecke said, “We’re thrilled to partner with Singtel and Sony Pictures Television to help grow the OTT video business across Asia. The combination of Singtel’s expertise and our world-class content is a winning combination for entertainment fans in the region.”

     

    “Consumers expect premium entertainment content to be available to them at their convenience and as a result, over the top delivery has become an important part of our business. Through this partnership, we hope to create a service to meet that demand as it grows in Asia,” added Sony Pictures Television executive vice president – networks, Asia-Pacific George Chien.

     

    Singtel Group Digital L!fe CEO Jonathan Auerbach said, “HOOQ is an important part of Singtel’s digital strategy. We have unique assets that give us a right to play in this space, and with our partnership with Sony Pictures Television and Warner Bros. Entertainment, we will achieve our vision to be the largest OTT video service in the region.”

     

    Auerbach added, “Demand for OTT video has been growing and is poised for higher growth in these markets fuelled by better data networks and the growing supply of affordable devices. This is a more than S$1 billion opportunity in our markets. Video transmission requires significant internet bandwidth, which greatly affects customer experience. With HOOQ, we are bringing together key elements of technology, service and content to deliver the full internet experience to customers.”

     

    At launch, HOOQ will have a catalogue of over 10,000 movies and TV series including titles from partners Sony Pictures Television and Warner Bros. Entertainment.

     

    The service will offer customers a wide variety of programmes ranging from blockbusters such as Spider-Man and Harry Potter to TV favourites such as Friends and Gossip Girl.

     

    Customers can also look forward to an extensive selection of Indian, Chinese, Thai, Filipino, Indonesian, Korean and Japanese movies and TV series.

     

    Peter G. Bithos has been named CEO of HOOQ responsible for overseeing day-to-day operations of the standalone operation based in Singapore, and expanding the operation. Bithos was previously the chief operating advisor of Globe Telecom in the Philippines.

     

    Bithos said, “We are starting this venture to change the way people across Asia view entertainment. Today, across developing markets, there is limited access to quality entertainment, streamed directly to the screen of one’s choice. It’s either illegal, high cost or difficult to get. We aim to fix that. HOOQ will deliver a new form of entertainment that combines the best of Hollywood with the depth and richness of local Asian video content, across all devices at an affordable price.”

  • Tom Hardy drops out of ‘Suicide Squad’

    Tom Hardy drops out of ‘Suicide Squad’

    MUMBAI:  Directed by David Ayer, the all-star comic book movie, Suicide Squad, produced by Warner Bros. was slated to star Tom Hardy reprising the role of Rick Flagg, the leader of the group that consists of Batman villains- Deadshot, Joker, Harley Quinn, Boomerang and Enchantress.

     

    According to sources Hardy unfortunately had to make an exit due to date problems. The actor is currently shooting for The Revenant, co-starring Leonardo DiCaprio, and that shoot is now looking to last longer than initially planned.

     

    Upon hearing this, Warner Bros. has decided to cast Jake Gyllenhaal in replacement of Hardy. Gyllenhaal, who has gained popularity for his performance in the Nightcrawler, has previously worked with Ayer on the acclaimed police thriller, End of Watch. It is however unclear whether or not the actor will take it on.

     

    Based on DC Entertainment’s, the cast of Suicide Squad includes Will Smith, Margot Robbie, Jared Leto, Jai Courtney and Cara Delevingne. The film is due to begin shooting mid-April in Toronto and is scheduled to release on 05 August 2016.