Tag: War Chhod Na Yaar

  • Boss collects only Rs 38.2 crore

    Boss collects only Rs 38.2 crore

    MUMBAI: The mid week release to cash in on a festival has backfired on Boss (second film to suffer so in recent times after Besharam). Released on Eid day (Wednesday), it opened to lukewarm response earlier to consolidate by evening shows at single screens. However, the first day figures barely managed to touch Rs 12 crore. The Basi Eid was expected to help maintain steady collections but that did not happen as the collections dropped by nearly Rs 5 crore. The film went on to collect Rs 25 crore for the first three days and close its five day weekend at Rs 38.2 crore.

     

    Shahid found the appreciation but has not yet backed it up with the collections. This Mumbai-centric film faced opposition from the 15th Mumbai Film Festival as film buffs who would love such a film were drawn to the film fest. The film collected about Rs 2 crore in its first weekend.

     

    War Chhod Na Yaar has managed to see the week through. The film has collected Rs 6.25 crore for its first week.

     

    Besharam drops to less than 10 per cent of its first week figures. The film has collected Rs 4.35 crore in its second week (16 days) to take its two week total to Rs 54.65 crore.

     

    The Lunch Box has collected Rs 85 lakh in its fourth week taking its four week tally to Rs 20.25 crore. It was revealed during the 15th Mumbai Film Festival that the Irrfan Khan starrer will also be releasing in France on 11 December this year.

     

    Phata Poster Nikhla Hero has added Rs 55 lakh in its fourth week taking its four week total to Rs 35.95 crore.

     

    Grand Masti has collected Rs 60 lakh in its fifth week, just about ending its eventful run at the box office and taking its total to Rs 91.8 crore.

  • ‘War Chhod Na Yaar’ collects Rs 4.4 cr; ‘Besharam’ inches past Rs 50 cr mark

    ‘War Chhod Na Yaar’ collects Rs 4.4 cr; ‘Besharam’ inches past Rs 50 cr mark

    MUMBAI: Navratri is not the best period to release a film as visiting a cinema hall is last thing to do on people’s mind as the observance of this nine day festival with Garba and Dandiya raas in Western India, Pujo in the East and Ramleela in Hindi belt keep the people busy. Despite this, four films released last Friday to disastrous results. While Baat Ban Gayee, Kya Hua Achanak and Paapi were lost without trace, War Chhod Na Yaar starring Sharman Joshi, Javed Jaff and Soha Ali Khan survived but just barely. The film collected Rs 4.4 crore for its opening weekend.

    Besharam managed a nine day first week of Rs 50.3 crore of which Rs 18.5 crore came from the unsuspecting opening day audience; the film went on sliding down on days that followed as its bad reports caught on. This was Ranbir’s second outing for this year after Yeh Jawaani Hai Deewani which was a major box-office blockbuster raking in close to Rs 185 crore.

    Warning 3D/2D has run out of steam adding just Rs 15 lakh in its second week to take its two week total to Rs 3.35 crore.

    The Lunch Box has collected Rs 1.55 crore in its third week taking its three week tally to Rs 19.4 crore.

    Phata Poster Nikhla Hero has added a symbolic Rs 65 lakh in its third week taking its three week total to Rs 35.4 crore.

    Grand Masti has collected Rs 1.4 crore in its fourth week to take its four week total to Rs 91.2 crore.

  • ‘War Chhod Na Yaar’ collects Rs 4.4 cr; ‘Besharam’ inches past Rs 50 cr mark

    ‘War Chhod Na Yaar’ collects Rs 4.4 cr; ‘Besharam’ inches past Rs 50 cr mark

    Navratri is not the best period to release a film as visiting a cinema hall is last thing to do on people’s mind as the observance of this nine day festival with Garba and Dandiya raas in Western India, Pujo in the East and Ramleela in Hindi belt keep the people busy. Despite this, four films released last Friday to disastrous results. While Baat Ban Gayee, Kya Hua Achanak and Paapi were lost without trace, War Chhod Na Yaar starring Sharman Joshi, Javed Jaff and Soha Ali Khan survived but just barely. The film collected Rs 4.4 crore for its opening weekend.

     

    Besharam managed a nine day first week of Rs 50.3 crore of which Rs 18.5 crore came from the unsuspecting opening day audience; the film went on sliding down on days that followed as its bad reports caught on. This was Ranbir’s second outing for this year after Yeh Jawaani Hai Deewani which was a major box-office blockbuster raking in close to Rs 185 crore.

     

    Warning 3D/2D has run out of steam adding just Rs 15 lakh in its second week to take its two week total to Rs 3.35 crore.

     

    The Lunch Box has collected Rs 1.55 crore in its third week taking its three week tally to Rs 19.4 crore.

     

    Phata Poster Nikhla Hero has added a symbolic Rs 65 lakh in its third week taking its three week total to Rs 35.4 crore.

     

    Grand Masti has collected Rs 1.4 crore in its fourth week to take its four week total to Rs 91.2 crore.

  • Chhod na yaar… this is not comedy

    Chhod na yaar… this is not comedy

    War Chhod Na Yaar is an attempt at making a war comedy. We don’t make too many war films and a comedy at that; this is the first such attempt at cross-pollination. Since a comedy will need one of the two countries involved as stupid and since it can’t be India or the Indian army, it is the Pakistani army which will have to look inefficient and stupid. It also shows Pakistan as being totally dependent on Chinese arms which are not effective.

    A wire fence separates sandy terrain with the Indian army on one side, led by Sharman Joshi, and a bunch of ragtag Pakistani army soldiers on the other, led by Sanjay Mishra and Javed Jaaferi. At nights, both Sharman and Javed meet at the fencing and play cards, with Sharman always carrying a bottle of alcohol as a gift for his Pakistani counterpart. The army on both sides also play antakshari across the wires. However, the playing sessions, antakshari and bonhomie are not going to last as a Pakistani minister manipulated by the Chinese and an Indian minister under influence of an American politician (both played by Dalip Tahil) are planning a war between both the countries. The Pakistani general, Manoj Pahwa, has little interest in what his minister is indulging in and is addicted to a game on his cell phone.

    The Indian minister takes Soha Ali Khan, a TV reporter, to the border post under Sharman’s command, where she can shoot his speech which he wants her to telecast the day war starts to make it look as if the minister braved the war and visited the soldiers on the border. The Pakistani minister chooses to send his message shot in a studio but makes it look like he is on border. It is all about the politicians creating tensions though the public may not want it. Even the soldiers don’t want war and want to coexist in peace.

     

    Producer: AOPL Entertainment P Ltd.
    Director: Faraz Haider.
    Cast: Sharman Joshi, Soha Ali Khan, Javed Jaaferi, Dalip Tahil, Sanjay Mishra, Mukul Dev, Manoj Pahwa.

    While Soha and Sharman share romantic vibes, she also thinks that as a media person, she can make the world aware of the people’s feelings on both sides which may force politicians to backtrack, bringing an end to the war. A bunch of young people also exchange notes with their friends across the border through social networks. Soha crosses the fence with the help of Javed and interviews Pakistani soldiers, she also interviews the Indian side and asks her channel to telecast live the whole story from the minister confiding in her about the war to the views of the army on both sides.

    Comedy has not been the forte of Hindi makers and War Chhod Na Yaar also falls short on being an outright comedy. There are some funny scenes but consistency is missing. There is also repetition. For example, Pahwa and the Chinese leader do the same thing throughout and can’t be expected to be entertaining every time they appear. Also, the end part becomes boring when sermonising begins. Direction is fair. The film has a hummable number in Main jagu aksar….Cinematography is good.

    War Chhod Na Yaar not only lacks in face value but its release period is also not conducive to good box office results.