Tag: Walt Disney

  • Disney appoints new creative officers for animation division

    Disney appoints new creative officers for animation division

    MUMBAI: Jennifer Lee and Pete Docter have been named as new chief creative officers (CCOs) for Disney’s animation division. While Docter will handle the Pixar Animation Studios, Lee will head the Walt Disney Animation Studios. 

    The appointments come after John Lasseter stepped down from his role last month as the CCO of Pixar and Disney Animation Studios. He resigned after admitting in 2017 that he had committed unspecified missteps that had left some employees feeling disrespectful and uncomfortable. However, he will continue to have a consulting role with the company until December 31.

    Announcing his resignation, Lasseter issued a statement, saying, “The last six months have provided an opportunity to reflect on my life, career and personal priorities. While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges. I am extremely proud of what two of the most important and prolific animation studios have achieved under my leadership and I’m grateful for all the opportunities to follow my creative passion at Disney.”

    Disney announced on Tuesday that Docter and Lee will have creative oversight of all films and associated projects of their respective studios reporting directly to Walt Disney Studios chairman Alan Horn.

    In announcing their appointments, Horn said, “Jennifer Lee and Pete Docter are two of the most gifted filmmakers and storytellers I’ve ever had the pleasure to work with. Pete, the genius creative force behind Up, Inside Out and Monsters, Inc., has been an integral part of Pixar almost since the beginning and is a huge part of its industry-leading success. Jenn, in bringing her bold vision to the boundary-breaking Frozen, has helped infuse Disney Animation with a new and exciting perspective. Each of them embodies the unique spirit, culture and values of these renowned animation studios, and I couldn’t be more thrilled to have them to lead us into the future.”

    While Lee and Docter will look into the creative affairs, Pixar Animation Studios president Jim Morris and Walt Disney Animation Studios president Andrew Millstein will continue in their roles. They will be responsible for the business side and report toDisney and Pixar Animation Studios president Ed Catmul.

  • Andrew Marshall joins HOOQ as general counsel

    Andrew Marshall joins HOOQ as general counsel

    MUMBAI: HOOQ, Asia’s first video-on-demand service, has appointed Andrew Marshall as the new general counsel. Marshall, who will be  based out of the company’s headquarters in Singapore, will bring his legal and regulatory expertise to the streaming platform.

    Speaking about his new role, Andrew said, “HOOQ presents an exciting opportunity, given the brand’s commitment to evolve in response to consumers’ needs and the promising growth of the industry overall.  I look forward to working closely with the management team to provide strategic, effective advice that will help HOOQ achieve its ambitions.”

    Marshall has got 20 years of experience in legal, regulatory, and public policy, and has worked with leading media companies like ESPN, STAR Sports and The Walt Disney Company.  This wealth of experience has fostered his deep understanding of the regulatory landscape for media and entertainment, protection and exploitation of intellectual property, and evolving disruptive technologies in Asia Pacific.

    He has served Disney as the regional counsel for all lines of business in Australia, New Zealand and South-East Asia with a focus on content licensing, including theatrical distribution, studio marketing, and home entertainment.  He has provided legal and business development support at Eleven Sports. 

    With deep experience in both technology and media companies, Andrew also has a unique perspective on evolving disruptive technologies in the media industry.

    Also Read :

    BBC Studios, HOOQ India sign content deal for three British dramas

    Hooq to maintain its Hollywood focus in India

    Zulfiqar Khan joins Hooq India as MD

  • UFC enters into distribution deal with ESPN

    UFC enters into distribution deal with ESPN

    MUMBAI: UFC and ESPN have entered into a distribution agreement this month according to reports. As a result of this deal, ESPN and its subscription-based broadband service, ESPN+, will offer mixed martial arts fans a new array of UFC matches and special programming under a new rights deal unveiled on Tuesday.

    ESPN+ will exclusively stream 15 live UFC events under the title of “UFC on ESPN+ Fight Night”. Each will deliver a full card of 12 UFC bouts.

    ESPN will make available an array of UFC content across its cable networks and digital outlets, including an exclusive 30-minute special on its linear networks previewing upcoming bouts and breaking down match ups leading up to each UFC pay per view event, along with hundreds of hours of UFC library programming and re-airs of current UFC PPV events.

    ESPN+ was launched on 12 April at $4.99 (Rs 336) per month with a mix of content, including select games from MLB, NHL and out-of-market MLS games.

    “I couldn’t be more excited to partner with The Walt Disney Company and ESPN on an agreement that will continue to grow our sport. UFC has always done deals with the right partners at the right time and this one is no exception,” said UFC president Dana White.

    Fox signed a seven-year television deal with UFC in 2011 and, late last year, put in a roughly $200 million bid to secure those rights.

    “We will now have the ability to deliver fights to our young fan base wherever they are and whenever they want it. UFC’s fan base is among the youngest in US professional sports, with a median age of 40 and an audience comprising 40 per cent millennials,” White added.

    In addition to the live events and content included in the ESPN+ subscription, fight fans will be able to purchase and watch the UFC’s own streaming offering, UFC Fight Pass, for a separate cost, via the ESPN outlet.

    Also Read :

    Former ESPN president joins rival Perform Group

    FuboTV raises $75 million from Fox, AMC Networks and Sky

  • The year of sex scandals

    The year of sex scandals

    MUMBAI: The year 2017 will be known for the open-to-the-public-eye exposure of the dark underbelly of the media and entertainment industry. And it did not happen just in Hollywood or in American prime-time news — the Indian entertainment ecosystem was not sequestered from it.

    No, no not all. Skeletons spilled out of the closet as allegations were hurled at TV hosts, journalists, on-screen talent, creative and business icons that they could not keep a check on their excessive libido and lust and keep their pants and zippers up. Accusations of sexual molestation and abuse saw them fall from grace.

    Several of them faced the axe. Some issued denials and protested their innocence. Some of them admitted to the excesses and misuse of their positions and apologised — their organisations stated that they were bringing in place processes to prevent recurrences.

    Amongst the major scandals that hit media-dom and entertainment-dom include:

    The Viral Fever gets a virus

    The Viral Fever’s (TVF) Arunabh Kumar had become a darling of the new-age digital content generation. Almost everything he touched on behalf of brand partners was lapped up by millions who had been starved for content for too long.

    And then an anonymous post was made by a woman online. In it, she alleged that Kumar had preyed on her. His company pooh-poohed the post, saying it was put up to discredit TVF. More women surfaced to complain. The denials continued and the same digital generation that swore by him came out in hordes and trolled and slammed his behaviour on various social outlets.

    A video production executive filed a first information report (FIR). Another FIR followed. The police swooped in, Kumar was questioned several times, and he was arrested and released on bail immediately. Under pressure from investors, the company decided to let go of Kumar, who, in his parting post, said that TVF was bigger than any individual.

    Shilpa Shinde’s long running feud

    Actor Shilpa Shinde—who is stealing the limelight on Colors’ happening show Bigg Boss—had been feuding with her Bhabhiji Ghar Par Hai producer Sanjay and Benaifer Kohli about an exclusivity clause for over a year that prevented her from taking up other assignments and the mental harassment it caused her. Benaifer Kohli, on her part, had highlighted Shinde’s unprofessional behaviour, which included throwing tantrums, leaving the show mid-way and also demanding a higher per-day fee. The channel supported Kohli and Shinde was let go. Both filed suits against each other; the Kohlis wanted Shinde to cough up Rs 12.5 crore for losses caused to them on account of her walking out; Shinde wanted Rs 32 lakh for alleged back payments not made.

    Shilpa approached the actors’ union, which did not support her. All was quiet while the two fought a legal battle behind the scenes.

    And then in March Shinde shocked the world by alleging that Sanjay Kohli had touched her inappropriately and even made suggestive statements to her. She filed an FIR while the couple filed a defamation suit. The husband-wife duo denied the allegations outright and questioned her motives having taken so long to hurl such accusations.

    Somehow, Shinde stopped mouthing the charges, the controversy seemed to have lost steam—probably, it did not have too much of it in the first place—and she then moved on to reality show Bigg Boss.

    Were her charges real? Or was she just gathering enough of a bad girl and controversial reputation to push her candidature and be considered for selection to the Bigg Boss house?

    These are questions to which answers will emerge when she emerges from the Big Boss house. But, for the Kohlis, it left an extremely bad taste in the mouth.

    Harvey Weinstein: A giant collapses

    Harvey Weinstein probably did not know what hit him. One morning, he was the toast of Hollywood–an Oscar-winning producer of the Weinstein Co and the next he was consigned to being a bad memory everyone wanted to forget. Almost 50 actors, and some of them top-notch A graders — right from Rose McGowan Gwyneth Paltrow to Angelina Jolie to Selma Hayek to Ashley Judd to Kate Beckinsale to Annabella Sciorra to Darryl Hannah — came out and alleged that Weinstein had made passes or propositioned them for sex or groped them or even raped them. He denied all allegations and initially announced he would sue The New York Times, which first broke the story.

    The furore against him grew. The greater his denials, the more Hollywood women stepped forward to reveal the violations that were made into their personal spaces by somebody they once revered like the almighty.

    As the scandal continued to grow, he was evicted from the board of the company he cofounded with his brother, from the Producers’ Guild of America, he was stripped of his membership to the BAFTAs, the Academy of Television Arts & Sciences, and the Academy of Motion Pictures Arts & Sciences, and then his lawyer and later his wife left him.

    What next, only time will tell. But his image has been tarnished forever.

    Weinstein continues to insist that most of the acts he was accused to have been involved in were consensual and that he unequivocally denies any allegation of rape.

    The amazing downfall of Amazon’s Roy Price

    He had close to $4.5 billion dollars to spend every year on content for Amazon’s video play. But Roy Price paid the price for allegedly giving in to his lusty nature and repeatedly propositioning Isa Dick Hackett, an executive producer of the popular Amazon show The Man in the High Castle in 2015. Within hours of her disclosures to The Hollywood Reporter, Price was told to carry his personal belongings and leave Amazon Studios forever. He had joined Amazon in 2004 and oversaw the launch of its digital video store and then its video streaming unit, Amazon Prime.

    Price was also allegedly linked to the Weinstein scandal when Rose McGowan, who first blew the whistle on Harvey, reached out to Jeff Bezos on Twitter telling him that she had told the head of Amazon Studios that the former had raped her. And before that she had also directed a message on Twitter at Price stating: “Remember when I told you not to do a deal with him and why?”

    Post his departure, Amazon also undid a few deals that the streaming site had signed with the Weinstein Co. They ran into tens of millions of dollars. Many say that the price both paid was not enough.

    Pixar’s Lasseter: Animation’s poster boy goes down

    Pixar’s John Lasseter was not kidding around when he announced that he was taking a leave of absence after confessing to certain missteps when building the company that is a part of Disney and has produced classics such as Toy Story.

    He was the poster boy of the animation industry, renowned as a creative genius who entertained hundreds of millions of kids the world over with Pixar’s 3D CGI movies.

    Then news began to trickle out about his alleged hugging and kissing and passing lewd remarks at women at Disney and Pixar and placing his hands on their knees and legs.

    In response, Lasseter sincerely apologised in his sabbatical announcement memo. “I especially want to apologise to anyone who has ever been on the receiving end of an unwanted hug or any other gesture they felt crossed the line in any way, shape, or form. No matter how benign my intent, everyone has the right to set their own boundaries and have them respected. My hope is that a six-month sabbatical will give me the opportunity to start taking better care of myself, to recharge and be inspired, and ultimately return with the insight and perspective I need to be the leader you deserve,” he said.

    With the Lasseter myth busted, his six-month leave might extend beyond that period considering the growing number of sexual harassment scandals that are hitting the limelight and the growing public outcry against them.

    Den of Vice

    The Shane Smith-headed firm has been living up to its name. It apparently is a den of vices with charges being filed against senior male executives who preyed on women employees and even bought off their silence in a few cases.

    This was revealed following an investigation by The New York Times, which stated in its report that more than two dozen women–mostly in their twenties and thirties–had been groped, kissed, and had advances made on them by males ranging in the ages of twenties to forties.

    Vice Media settled four cases of sexual transgressions or defamation against employees, including the current president Andrew Creighton, by making hefty payments. The latter had been accused by a woman executive of propositioning her for sex; he apparently bought her silence for $135,000. Vice, however, stated that the woman had initiated and pursued a sexual relationship with Creighton.

    Jason Mojica–an executive who led Vice’s documentary film units–was accused by two women of sexual abuse. Former Vice journo Abby Ellis disclosed that in 2013 he tried to kiss her against her will and she beat him off with an umbrella several times. Then Helen Donahue, a former employee, said that he groped her breasts and buttocks at a holiday party in 2015.

    Vice has since fired Mojica and another two employees, has brought in a new HR head, created a diversity and inclusion board, which includes social activist Gloria Steinem, and issued a ban on supervisors dating juniors.

    Both Vice founders, Smith and Suroosh Alvi, have admitted that there were problems at the $6 billion valued media firm. “From the top down, we have failed as a company to create a safe and inclusive workplace where everyone, especially women, can feel respected and thrive,” they said in a statement.

    There are many other media executives who have been blamed or implicated in scandals throughout 2017. Amongst these include:  Netflix House of Cards star Kevin Spacey and comic Louis CK, NBC TV journalist Matt Lauer, ABC TV journo Mark Halperin, Def Jam founder Russel Simmons, television host Charlie Rose, and director Brett Ratner. Even documentary maker Morgan Spurlock vlountarily disclosed that he had two questionable encounters with women and resigned from his firm. Probably to preempt any shaming that may have hit him had he not. According to a Time magazine report, the figure runs into hundreds.

    According to a Time magazine report, the allegations of sexual misconduct by people in positions of power in the media and entertainment ecosystem run into hundreds in the US. India, however, had just two pretty prominent ones in 2017. Hopefully, their tribe will not increase in 2018 and thereafter.

    Also Read:

    The year the telecom sector quaked

    The year of big switch in sports broadcasting

    Kids genre grows on TV despite digital onslaught

    Guest column: Taking Indian content to the global market

    Guest Column: How 2018 could become a landmark year for OTT entertainment in India

  • With Star India, Disney emerges as India’s largest M&E firm

    With Star India, Disney emerges as India’s largest M&E firm

    MUMBAI: Unlike the US, where the merger of The Walt Disney Co and 21st Century Fox’s entertainment assets is between two near equals, the scenario in India is totally different. 21st Century Fox’s India venture Star India is a $1.7 billion dollar media and entertainment behemoth while Disney India is a minnow with just about $150 or so million in sales, including its theatrical releases, TV businesses, and merchandising and licensing of the Disney characters and brands.

    For long, the mouse house has struggled to attain scale in India, like it has done in China with its $100 million box office theatrical releases and successful Shanghai Disneyland but it has not attained the success it would have wanted.

    Acquiring Ronnie Screwvala’s UTV half a decade ago gave Disney four channels—Bindaas, Hungama TV, UTV Action and UTV Movies, apart from a film production studio which it shuttered last year despite having
    a huge hit in the Aamir Khan starrer Dangal.  Other channels in its portfolio include Disney Channel, Disney Junior, Disney Channel HD, and Disney Junior HD.

    The acquisition of Star India with its 61 channels, stakes in DTH operator Tata Sky, VOD service Hotstar, and in-film production and distribution has in one fell swoop catapulted it to the number one media and entertainment company status in India.

    However, it’s most likely that Star India chairman & CEO Uday Shankar will be given the mandate to steer and drive the enthusiastic young and new management team in Disney India, in synergy with Star India.  Shankar has been focused on regional language entertainment channel expansion, sports and Hotstar at the powerful media firm–a portfolio he has grown since he took over in 2007.

    Disney India is run by Abhishek Maheshwari–who was elevated to that position recently–following the promotion of Mahesh Samat as executive VP & managing director for South Asia.  How Shankar will manage the operations and whether he will restructure the management there will become clearer over the next few months.

    Star India has lacked kids channels in its portfolio; the addition of the Disney channels will help complete that. 

    Its Hotstar service has the most complete international portfolio and has had exclusive access to fresh Disney content, shows from HBO, Fox, CBS, and Showtime. And with it, Disney India will get more than 70 odd million active users consuming a multiple billion minutes a month of content.  

    “It is going to be an unrivalled media and entertainment powerhouse,” says a media observer. “All other media companies pale in comparison in the country.”

    The Tata Sky stake immediately brings into the Disney fold a satellite TV distribution platform making it a first for the company. UK satellite TV distributor Sky will most likely be the second one if the Murdochs’ bid for it in the UK gets the go-ahead from local authorities in time. 

    Of course, the arrangement in India will give Disney access to the world’s most valued cricket league, the IPL, for which Star India bid aggressively this year–some say too much. Then there are other sports activities that it automatically gets, like the leagues for kabaddi, football, hockey, and badminton. But being a part of Disney will aid its larger partner, too; it will have the facility to dip into the former’s massive cash trove to aid Shankar’s aggressive growth and entrepreneurial urge whether on video-streaming expansion or in sports.

    Interesting times are clearly on hand for the media and entertainment business in India.

    Also read:

    Comment: The rise and rise of Uday Shankar

    Disney to buy 21st Century Fox assets for $52.4 billion

    Disney expected to announce 21 CF buyout tomorrow: media reports

    Now, Comcast in talks to buy 21st Century Fox

  • Walt Disney elevates Abhishek Maheshwari as country head

    Walt Disney elevates Abhishek Maheshwari as country head

    MUMBAI: The Walt Disney Company has announced the appointment of Abhishek Maheshwari as country head for India. 

    Maheshwari, who joined Disney in 2012, will now be responsible for all of Disney’s businesses reporting to Walt Disney International executive vice president and managing director South AsiaMahesh Samat.

    “Disney brands continue to grow across platforms and consumer segments in India,” said Samat. “Abhishek is an astute and transformative business leader. Since joining the company, he has championed and driven strategic changes that have positioned our businesses to achieve consistent significant growth.” 

    Maheshwari has held several leadership roles in corporate strategy and business development, consumer products and interactive and, most recently, as the head of Integrated Media Networks. 

    Prior to working for The Walt Disney Company, Maheshwari worked for Kubera Partners, and McKinsey & Co. at its US and India offices.

    “It is a privilege to lead Disney India and I am greatly encouraged by the talent, passion and commitment of our teams across the organisation. Together, our team will focus on bringing the best of Disney, Pixar, Marvel and Star Wars and our home grown brands of Hungama, Bindass and UTV to Indian audiences and provide great consumer experiences across all our businesses,” said Maheshwari.

    The company’s Indian business was recently consolidated under a South Asian hub integrating Singapore, Malaysia, Indonesia, Thailand, the Philippines and Vietnam under the leadership of Mahesh Samat.

  • Hooq partners Disney to bring Marvel series to South-East Asia

    Hooq partners Disney to bring Marvel series to South-East Asia

    MUMBAI: Hooq – a Video on Demand service in South-East Asia, has now got exclusive SVOD rights to bring three of Marvel’s latest series – Marvel’s Inhumans, Marvel’s Runaways and Marvel’s Cloak and Dagger – on the same day as the US telecast on their platform for the Philippines, Indonesia, Thailand and Singapore, via a newly inked deal with The Walt Disney Company South-East Asia.

    While the first chapter of Marvel’s Inhumans has been released last week worldwide in IMAX theatres, the following episodes will then be available on Hooq from the end of September with additional exclusive content, not seen in IMAX  theatres.  Next up will be Marvel’s Runaways which debuts on digital on November 21st, 2017.  Marvel’s Cloak and Dagger will be released later on in 2018.  All these will have all episodes screened same day as the US telecast.

    These 3 new series will join the collection of Marvel movies and series already on the Hooq platform – the recent Guardians of the Galaxy Vol.2, Agent Carter, Agents of S.H.I.E.L.D., Marvel’s the Avengers, Thor, Iron Man, Iron Man 2, and Captain America – The First Avenger.

    This exclusive deal comes shortly after Hooq announced their collaboration with Disney, earlier this year to bring their latest movies onto the platform via Transactional VOD (TVOD).

    “Hooq is always looking for new ways and partnerships to bring exciting and quality content to our viewers.  This tie-up with Disney, which now allows our viewers to catch their favourite series Inhumans, Runaways and Cloak and Dagger on the same day as the US telecast is something we are very proud of and brings the world of Marvel’s superheroes closer to Asia.  Marvel’s series’ now available on Hooq is the first of many things to come with this tie-up and we will continue to push boundaries, to evolve and stay committed to delivering unique, compelling and edgy stories to millions of our customers in the region,” said Hooq CEO Peter Bithos.

    “We are excited to extend our collaboration with HOOQ in bringing these iconic Marvel shows day and date with the US telecast to digital audiences across Southeast Asia.  We are pleased to offer our Marvel fans yet another platform to enjoy their favourite TV shows” said The Walt Disney Company Southeast Asia VP and GM of media networks Amit Malhotra.

    Marvel’s Inhumans is the latest series from Marvel Studios and its first chapter is shot completely in IMAX® cameras.  After the Royal Family of Inhumans is splintered by a military coup, they barely escape to Hawaii where their surprising interactions with the lush world and humanity around them may prove to not only save them, but Earth itself.

    Marvel’s Runaways will be the first TV adaptation of the Marvel comic of the same name, where a group of teenagers find out not only do they have superpowers, but that their parents are supervillains.  Torn between filial piety and being heroes, they will face adversaries like never before.

    Marvel’s Cloak and Dagger, also follows the characters of the Marvel comic of the same name.  Heroes Tyrone Johnson and Tandy Bowen share a symbiotic relationship as a crime fighting duo since they are Light and Darkness incarnate. These series are all set within the Marvel Cinematic Universe.

  • AT&T unveils live video streaming service, DirecTV Now

    AT&T unveils live video streaming service, DirecTV Now

    MUMBAI: To win over subscribers who avoid pay-television subscriptions, AT&T has launched its streaming service DirecTV Now. The service will launch at prices ranging from $35 a month for over 60 channels to $70 for over 120 channels.

    The company has also announced that, for a limited time, more than 100 channels will be available for $35. The video service joins competitors like Sling TV and PlayStation Vue in drastically undercutting traditional cable and satellite packages, which often cost more than $100 per month. Dish Network launched Sling TV streaming service more than a year ago, and Sony PlayStation has its own package called PlayStation Vue. Next year, online video service Hulu plans to offer its own bundles of TV channels.

    The platform’s content will include live and on-demand video from Walt Disney, Twenty-First Century Fox, Viacom Inc and Scripps Networks Interactive. According to reports, the company is actively working to bring CBS Corp programming to its service.

    AT&T is counting on the mobile video market for new revenue as most U.S. consumers already have wireless service and further growth is limited. AT&T acquired DirecTV for $48.5 billion last year, making it the largest U.S. pay-TV operator with 25.3 million video subscribers, in an effort to diversify into the media and entertainment business.

    AT&T is also at near talks to acquire Time Warner for about $86 billion. This deal would create a media behemoth that offers TV, wireless, and the content that goes with it.

  • AT&T unveils live video streaming service, DirecTV Now

    AT&T unveils live video streaming service, DirecTV Now

    MUMBAI: To win over subscribers who avoid pay-television subscriptions, AT&T has launched its streaming service DirecTV Now. The service will launch at prices ranging from $35 a month for over 60 channels to $70 for over 120 channels.

    The company has also announced that, for a limited time, more than 100 channels will be available for $35. The video service joins competitors like Sling TV and PlayStation Vue in drastically undercutting traditional cable and satellite packages, which often cost more than $100 per month. Dish Network launched Sling TV streaming service more than a year ago, and Sony PlayStation has its own package called PlayStation Vue. Next year, online video service Hulu plans to offer its own bundles of TV channels.

    The platform’s content will include live and on-demand video from Walt Disney, Twenty-First Century Fox, Viacom Inc and Scripps Networks Interactive. According to reports, the company is actively working to bring CBS Corp programming to its service.

    AT&T is counting on the mobile video market for new revenue as most U.S. consumers already have wireless service and further growth is limited. AT&T acquired DirecTV for $48.5 billion last year, making it the largest U.S. pay-TV operator with 25.3 million video subscribers, in an effort to diversify into the media and entertainment business.

    AT&T is also at near talks to acquire Time Warner for about $86 billion. This deal would create a media behemoth that offers TV, wireless, and the content that goes with it.

  • Unfair biz plaint against Warner Bros., Walt Disney, Fox Star; probe denial an error: Tribunal

    Unfair biz plaint against Warner Bros., Walt Disney, Fox Star; probe denial an error: Tribunal

    MUMBAI: The Competition Appellate Tribunal, for the second time in a year, has rejected the Competition Commission’s decision to dismiss a complaint of alleged unfair business ways made against Walt Disney, Warner Bros, Fox Star Studios and four other entities.

    The COMPAT, in a strongly-worded order, said that the CCI had committed serious error by declining to order an investigation.

    The complaint filed by K Sera Sera against the seven entities was rejected by the Competition Commission of India (CCI) after concluding that there was no prima-facie violation of competition norms, PTI reported. The watchdog dismissed the allegations twice, in April 2015 and June this year.

    The seven entities are — US-based Digital Cinemas Initiatives LLC, a joint venture, and its six stakeholder partners — The Walt Disney Company India, Fox Star Studios, NBC Universal Media Distribution Services, Sony Pictures, Warner Bros and Paramount Films India (respondents).

    “Rationally speaking, it would have saved time and efforts of all those involved in this matter if the Commission had ordered an investigation by the director general instead of once again more or less reiterating its earlier views,” the Tribunal said in the order.

    COMPAT said the “impugned order is set aside and the director-general is ordained to conduct investigation into the allegations contained in the information filed by the appellant (K Sera Sera)”. The investigation shall be conducted in accordance with the provisions contained in the Competition Commission of India (General) Regulations, 2009, the Tribunal noted.

    It was alleged that these entities indulged in anti-competitive practices in the digital cinema exhibition market, the PTI report added. It was alleged that Digital Cinemas LLC was formed with the aim of dominating and monopolising the market of digital cinema exhibition in India and elsewhere.

    In April 2015, CCI had rejected the allegations, and K Sera Sera approached the Tribunal, which asked the regulator to reconsider the matter.

    COMPAT stated: “on one hand, the respondents claim that their technology is voluntary, on the other, they create potential entry barriers by releasing their films only to those who opt for digital technology,” noting that it was “prima-facie anti-competitive.”