Tag: VOOT

  • Voot unveils five new short films

    Voot unveils five new short films

    MUMBAI: Deviant desires, wicked love, and tangled truths, VOOT Originals ‘SHORTCUTS’ Produced by Tipping Point, a Viacom18 Studios Production, has unveiled the next set of five short films. The originals started streaming from 8 February with the first set of five clutter breaking shorts.

    After a successful run of its first showcase of films such as Derma, Googly, Joy Ride, Bauma and Chacha and Cheetah’s trip on the platform, Voot is now streaming the second set of films Teaspoon, A(U)nusual day, Maya, Grey and Glitch.

    The show Teaspoon is all about a couple that lives with a paralytic father-in-law who has a habit of calling Kavita by tapping a teaspoon against the bedpost. Frustration is triggered as he never does this when her husband is at home. A series of incidents become ingredients for a Molotov cocktail ultimately leading to a disturbing end.

    AUN A(U)nusual day showcases a photographer’s trials with a tribal man who lacks the wisdom of human interaction. The show Maya explores various facets of her life and relationship but takes a twist when the mother goes missing. The story ends by uniting past lovers through a tragic trail of events. Yet another show, Grey, is Inspired by true events, this unique story will portray characters of an autistic man and an inane cop and their quirky take on murder and investigation with amazing sound effects. The show Glitch entails a 12-year-old enters his bathroom to take a shower only to discover the tap which takes him back in time. His curiosity encourages him to travel back in time several times and solve a quarrel between his parents over a lost ring.

  • This Valentine’s Day, VOOT asks you to share the love and ignore the drama

    This Valentine’s Day, VOOT asks you to share the love and ignore the drama

    This Valentine’s Day, Voot’s all set to interest its viewers with some love, some slips, and all the drama that comes with the two by means of a cheeky video series. The ‘Day of Love’ is celebrated with some short, quirky and admittedly real videos that show all that goes down if you address your loved one by a wrong ‘name’. We’d watch these rather carefully before that Valentine’s dinner this year.

  • Voot’s target is the entire 250-300 million video viewer base: Akash Banerji

    Voot’s target is the entire 250-300 million video viewer base: Akash Banerji

    MUMBAI: When digital platforms emerged, long-form content got a boost. But given today’s limited attention span of people, short form content is also in vogue. Spotting the need, media conglomerate Viacom18’s digital arm Voot has forayed into original short films segment. The OTT platform has come up with 12 short films under Voot Originals 'SHORTCUTS' label produced by Viacom 18’s in-house digital-focused studio Tipping Point.

    Five short films Derma, Googly, Joy Ride, Bauma and Chacha and Cheetah’s Trip already went live on 8 February. Four other short films – Glitch, Grey, Aun and Teaspoon will go live on 15 February which will be followed by Maya, On the Road and Red Velvet on 22 February. All the content pieces will be available for free for consumers since Voot till now works on AVOD model only.

    Talking about the new property, Viacom18 Digital Ventures marketing and partnerships head Akash Banerji said that any decision to keep them behind a paywall will be taken later. Earlier Viacom18 group CEO Sudhanshu Vats said it is working on Voot’s premium model.

    “We still believe and are strongly of the opinion that this country with the kind of appetite it has to watch content, is still very clearly in the category creation phase at this juncture and this category creation phase is very important to make content available and accessible in the most hurdle free manner. Hence, content that is free on AVOD platform is very surely here to stay and we will continue to double down our efforts on that,” Banerji also added.

    On the sideline of the launch, he spoke to Indiantelevision.com on several topics including marketing and the target audience of the new label, the platform’s ambitious plan for 2019 and other industry issues. Here are the edited excerpts from the interview:

    What is the target audience of the new short films?

    Gone are the days, when you will define this target audience based on certain demography, geography or gender. We are targeting the entire 250-300 million odd video viewer base in this country that has a huge appetite to watch great storytelling. We are a story-first OTT brand, we are not an 18-24 age first brand, male first brand, we clock close to 7-10 billion minutes of watch time. That certainly can’t come in on the back of a certain TG. We believe in scale.

    Will digital dominate your marketing effort?

    We are also going to do outdoor marketing for this specific content piece. What it allows us to do is to drive immediate perception and draw the attention of the consumers that is supposed to drive a lot of awareness and consideration. On digital, the focus will be to drive conversions to our platforms. It is going to be a blend of outdoor, networks promotion along with huge focus on digital.

    Why did you pick up this genre? Did you notice any particular trend?

    We are not a copier of a trend, we are a trendsetter. Not everything that’s out there needs to be replicated by us. Our bigger focus is always to create such interesting things so that it gets copied by others. We believed that we have a vast library of long-form content on our platform. That has a huge advantage because on the back of that we get massive watch time. This made us the number one OTT platform in the country with respect to the average time spent per day per viewer which is close to 50 minutes. We also believe this is a fast world where a consumer may not have all the time in the world to watch longer form content and to stay committed to a content piece that is episodical. Hence, we are experimenting with this format which is not the episodic but standalone content piece but also snacky in nature so we are able to get that kind of consumers whose behaviour and need may be very different from the kind of consumer we may have acquired before.

    How does the year 2019 look like for Voot?

    Maddening, crazy and exciting. We are doubling down our efforts in terms of blockbuster content, hero content pieces that are supposed to drive massive acquisition for us. We are doubling down our strategy to go very deep in vernacular markets because at Voot if we are seeing 3x growth in Hindi content, vernacular content gives us 6x growth. There is a huge demand but the supply still is actually limited. By partnering and collaborating very closely with Viacom18 network whether it’s Colors Kannada, Colors Marathi, Colors Bangla, we can very clearly unlock the little need that’s there. The other big thing which we will continue to do is invest heavily in the product experience. In today’s world, a great piece of content may not be enough to get sticky consumers or to drive retention. What is equally important is to double down on the product experience so that consumers are able to discover the content of their choice without thinking about technical issues.

    Voot’s UK launch was supposed to take place last November. If you could share the update..

    We are getting a firmer date. Between this month or next month at best we will be doing a big press announcement. Formally the international launch will start off and we are closer than ever to launching into the UK market.

    Will OTT platforms be benefitted from TRAI’s tariff order?

    It remains to be seen how consumers eventually respond to this tariff order, whether it finally ends up changing their deep habit of having access to 300 or 400 odd channels suddenly overnight. These are TV watching and having access to so many different channels is a long form habit that has developed over the years. And it would be naive on our part to start thinking and predicting that it will change and OTT platform per se will start building quick result out of it. The only thing that we need to be clear of and that we are preparing for if this change happens, we should be ready to give an equally good experience to a lot of new consumer acquisition that will happen on OTT. As a network, our ambition, of course, will be very to ensure that the watch time and the consumer size and the scale do not go down at a network level and only keeps growing up.

  • VOOT Original presents “Signature Shorts” produced by Tipping Point to unravel 12  Short Films with 12 Twisted Endings

    VOOT Original presents “Signature Shorts” produced by Tipping Point to unravel 12 Short Films with 12 Twisted Endings

    MUMBAI: Have you sent a risky text to a wrong number and gotten a positive answer? Ever found money in your jeans pocket? Bit into a chocolate to discover a spiked center?

    Remember how it felt to experience all those twists in your life? Get ready for some edge of the seat and twisted entertainment with VOOT Original “Signature Shorts” produced by Tipping Point (a Viacom18 Motion Pictures Production) – A series of 12 Short films with 12 twisted endings.  The unconventional films will take you through a roller coaster of emotions, intrigue and drama. The first 5 films will see riveting stories Derma, Joyride, Bauma, Chacha and Cheetah’s trip and Ishq Ki Google providing a mesmerizing taste of forbidden fear, deviant desires, wicked love , tangled truth, corrupted innocence and so much more unravel on VOOT on 8th February, 2019.

    · DERMA – The story of a man whose life turns upside down after he gets a tattoo made by a mystical man in the mountains.  The intriguing saga is a unique take on the circle of Karma.

    · JOYRIDE – A road trip that takes Raunak amid the wilderness on an unusual road trip, ignoring the perils of a menacing folktale as challenged by his friend. What follows is an extraordinary tale of the unforeseen.

    · BOUMA (Bengali) – Set in the heart of Kolkatta, Bouma is the story of a middle-aged couple in the 1960s, living their mundane lives. A nagging husband is diagnosed with cancer and the wife agrees to donate his organs to his scientist friend after he dies. What she does with her husband’s still-conscious head after death culminates to a climax, which is both funny and dark.

    · Chacha and Cheetah’s trip will take the protagonists on an adventure of a lifetime. It is a story of two marijuana enthusiasts who after smoking the mythical and legendary windmill joint take an unusual trip.

    · Ishq Ki Googly – A story of a husband who plans to murder the illicit lover of his wife, but things go bizarrely out of plan, thereby compelling him to play this game of love.

    VOOT Originals “Signature Shorts” produced by Tipping Point( A Viacom18 Motion Pictures Production) promises to present some engaging, intense, edgy and captivating shorts. Catch the first look & trailer of the first tranche of movies under VOOT Originals, ‘Signature Shorts’

  • Viacom18 to have 360-degree play for e-sports: Sidharth Kedia

    Viacom18 to have 360-degree play for e-sports: Sidharth Kedia

    MUMBAI: Esports is at an early stage of development in the country. It is expected to be the future of entertainment and holds an upcoming opportunity for brands and media to promote, reach digital natives and develop new content concepts.

    Viacom18 EVP & head corp strategy, M&A, data science and deputy chief commercial officer Sidharth Kedia said, “While e-sports is a youth phenomenon today, its growth pattern will reflect the trajectory it has followed in other parts of the world and we will see people starting to play e-sports at a much younger age group. Other OTT players just have e-sports content but we are doing a whole 360-degree play including live, TV and digital.”

    Nodwin Gaming MD Akshat Rathee said, “In about a five-year time, we will be close to the music industry and definitely bigger than all the other industries including comedy.”

    Kedia thinks that e-sports on television doesn’t exist. Though all OTT players including Hotstar, SonyLiv and Voot have delved into some kind of e-sports on digital, the industry cannot be defined because the numbers are too small. “We know the number of people that engage in e-sports. About 90 million people play PUBG in India and 30 million people play cricket game every month. These numbers will start translating into this phenomenon which will be on digital, TV and live,” he added.

    All youth focus brands and technology brands show interest in e-sports. Voot currently has some 100 hours of e-sports content out of which ESL has 40 hours of content.

    “We don’t have an end date to DreamHack since we just started. We believe no one in this country understands both kids and youth better than Viacom does and while television and digital are passive engagement platforms, e-sports is an active immersive engagement platform,” said Kedia.

    The state of sports industry over the next three to five years is estimated to grow by 5.3 per cent in Asia and 9.4 per cent in Middle East and Africa (ME&A) according to PwC Sports Survey 2018. Despite the growth in Asia and ME&A, globally the industry will witness a drop by 10.2 per cent. This is because the market conditions across the industry are stabilising as it transitions from traditional to digital media consumption, with sports leaders continuing to predict healthy growth in absolute terms.

    Viacom18 on television is experimenting and conceptualising with some interesting formats and that will not be just U Cypher that we saw on MTV. “We believe there are 150 million potential viewers of e-sports on digital and that number is only here to grow,” Kedia concluded.

  • Voot to stream ‘It’s not that simple’ S2

    Voot to stream ‘It’s not that simple’ S2

    MUMBAI: Voot is all set to roll out its original series, It’s Not That Simple—S2, starting 14 December 2018. The series is produced by Victor Tango Entertainment and directed by Danish Aslam.

    His vs Her. Whose ambition is bigger? Are her choices easier than his? Is her affair worse than his fling? Is her truth more complex than his reality? Divorced and determined to rise, Mira Verma has everything at stake – her career, her love, her very identity! Fighting for her rightful place in a world where men and women are judged differently, Mira's story in Voot Original – It’s Not That Simple answers the age-old question: does sex matter? 

    Voot head content Monika Shergill said, “Timely and relevant, our new Voot Original takes the current gender conflict head on with a powerful female character and four alpha males each with their ambitions, truths and choices! No one is entirely right or fully wrong and the answers are as complex in a gender debate as the questions. Voot has always told nuanced, thought provoking stories and It’s Not That Simple will force you to have a point of view.” 

  • Vidnet2018: Regionalisation, localisation the way forward for the OTT industry

    Vidnet2018: Regionalisation, localisation the way forward for the OTT industry

    MUMBAI: Over the top (OTT) is no more a baby. The ecosystem has been eating and growing slowly, taking centre stage in several media and entertainment related scenarios.

    On the stage of Vidnet 2018, hosted by Indiantelevision.com, experts from India’s leading OTT platforms were present. ZEE5 India CEO Tarun Katial, Amazon Prime Video India business director and head Gaurav Gandhi, YouTube India entertainment head Satya Raghavan, Voot head marketing and partnerships Akash Banerji and Hotstar consumer and revenue lead Prabh Simran Singh shared their key learning in a session named ‘Lessons from Battlefronts’.

    Moderator of the session, Indiantelevision.com founder, CEO and editor in chief Anil Wanvari made the prelude of the session saying that it has been few years since the OTT ecosystem started in India and how it has been challenging since then. He also mentioned YouTube has been a pioneer much before any other platform. Another leading platform Hotstar came in later. He started the discussion asking market leader YouTube's Raghavan what have been the lessons over the years in terms of consumers, consumption and the way the market is playing out.

    While asked what the industry has learnt, Raghavan mentioned a very important point that is obviously putting consumer the “queen” before anything. He shared how consumer taste and presence dictate the core of content.

    “Second is that it takes a whole village to build this entire ecosystem. It was only when accessibility opened up and all of us saw that it’s not just that 100 or 150 million people who are out there to consume a content. The depth is just amazing that this country has as evident by television. So when we saw access open up, when we saw consumers coming up from every part of the country, creation started to follow. Today, there are creators on YouTube who are uploading content from over 400 locations in the country,” he added.

    Gandhi, now with Amazon Prime Video India, saw the OTT industry very closely since a nascent stage. According to him, people are hungry for good stories and Prime Video goes bigger with every original show. Added to that, he thinks going regional is essential for streaming services given the diversity of the Indian market. He also highlighted the fact that adding value to service makes customers want to pay.

    “I think given how diverse we are for streaming, regional is essential. The more you go regional, the bigger counts you get. We have now six languages of content. We have seen tremendous growth there. We have introduced Hindi UI, we will be following up it with Tamil and Telugu very soon. So, regionalisation and localisation is the second big thing,” Gandhi commented.

    Agreeing with Gandhi, Katial also highlighted the importance of going more regional and adding more languages to the library. While tech giant Google has been promoting voice search lately, Katial also believed that both in the top and bottom end of the market, searching by ‘type’ is not the way to go. Considerably, ZEE5 has voice search available in 12 languages.

    Voot’s Banerji added to these insights that delivering a good viewing experience for consumers is essential along with good content. Banerji also added that as a platform Voot believes that the depth of content in the library is important along with the width.

    For Hotstar, live sports has been very critical in building its business. Breaking the myth that sports is a large screen experience, Prabh Simran Singh commented that consumers also love to watch it on the small screen. Rather than screen, moment matters. He also added that uni-dimensional focus on business model helps as Hotstar built both SVOD and AVOD category side by side.

    All the experts also agreed on the polarised nature of the Indian market. While there are consumers wanting low bandwidth video, there are plenty of them wanting HD quality video. One segment may fit into AVOD business model, another one for high-end subscription. Smart TVs are emerging as an important device for consumption at the same time with feature phones priced at Rs 1500. While young audience still dominates digital space, consumption of spiritual content in older age group, educational content among kids are likewise prevalent.

    “There is no one type of customer, there are so many kinds of customers and it is how we fulfill their desire. The biggest challenge we have is how our storytelling can keep pace with people’s desire and provide the kind of content they want,” Gandhi commented.

    However, a comment from Raghavan sums up the most unique nature of OTT industry here. According to him rather than a battlefront, the Indian market is an amazing place to partner and collaborate with multiple players in the entire value chain.

  • Viacom 18 adds ThinkAnalytics personalized multi-language recommendations to VOOT

    Viacom 18 adds ThinkAnalytics personalized multi-language recommendations to VOOT

    Pay-TV and OTT content discovery and viewer analytics vendor ThinkAnalytics™ today announced that Viacom18 in India has gone live with ThinkAnalytics on the ad-funded OTT service VOOT.  VOOT’s 37 million monthly active users now have personalized recommendations in seven languages on the home screen, making it quicker and easier to find content they want to watch.

    Viacom18 has also deployed the ThinkComposer UX engine and ThinkEditorial, integrated with the ThinkAnalytics Recommendations Engine, enabling its editorial team to automate and streamline content curation and promotions to better meet KPIs and business goals.

    The ad-funded VOOT service offers over 50,000 hours of original, domestic and international content for free. Content includes: COLORS TV, MTV India, Nickelodeon India, a wide range of Bollywood movies, and VOOT Original shows.

    The ThinkAnalytics Recommendation Engine uses machine learning and predictive analytics to understand individual viewer preferences and broader viewing trends in real-time and suggests new content, personalized to each viewer. As a result, operators see a substantial uplift in viewer engagement and loyalty.

    Mohit Srivastava, Head – Product and Engineering, Viacom18 Digital Ventures, said, “When we saw the data showing how much ThinkAnalytics boosts viewer engagement, we knew it was the right service for VOOT and for our viewers. Having ThinkAnalytics intelligent search and personalized recommendations on the main UI makes it easy for viewers to discover more exciting programs from the wealth of content available on VOOT.”

    Peter Docherty, Founder and CTO, ThinkAnalytics added, “ By adding ThinkAnalytics personalized recommendations to the VOOT home screen, Viacom18 is once again staying ahead of the innovation curve and offering its large and loyal customer base the ability to find suitable content fast. This represents the very best in personalized entertainment on a significant scale.”

    For over 15 years ThinkAnalytics has grown to become the leader in content discovery and viewer lifecycle management. By applying advanced machine learning technology and analytics to content discovery, editorial curation, ThinkAnalytics increases viewer satisfaction, boosts engagement across all TV and video content platforms and increases operator ARPU. Viewers’ interests and previous viewing behaviour are analyzed using advanced AI and machine learning techniques to help them find new content they want to watch quickly and easily.

    About Viacom18

    Viacom18 Media Pvt. Ltd. is one of India’s fastest growing entertainment networks and a house of iconic brands that offers multi-platform, multi-generational and multicultural brand experiences. A joint venture of TV18, which owns 51%, and Viacom Inc., with a 49% stake, Viacom18 defines entertainment in India by touching the lives of people through its properties on air, online, on ground, in shop and through cinema.

    About ThinkAnalytics

    ThinkAnalytics’ flagship solution is the ThinkAnalytics Emmy® award-winning Content Discovery Platform, the most widely deployed real-time, personalized content and recommendations engine worldwide. More recently, the company has broadened its reach with ThinkInsight, the industry’s first Viewer and Video Insight Platform built specifically to meet the needs of TV operators. ThinkInsight incorporates the ThinkAnalytics Content Discovery Engine, ThinkBigData, ThinkCpmposer UX engine, ThinkEditorial and ThinkVoice marketing suite of products. It gives TV players a holistic view of their business, with full viewer lifecycle management enabling them to better address key industry KPIs that will help to boost loyalty, ARPU, customer experience and develop new revenue streams.

    The company’s customer base of over 80 video service providers serves more than 250 million subscribers worldwide. Customers include: Liberty Global, BBC, Proximus, Cox, Rogers, Sky, Swisscom, Astro, Singtel, TataSky, Viacom18 and Vodafone. The ThinkAnalytics Content Discovery  Engine now serves over 3 billion recommendations per day and is available as a cloud service or on premise.

    ThinkAnalytics is a private, employee-owned company with offices in UK, USA, Singapore and India.

  • 60% ad inventory for ‘Bigg Boss’ 12 sold

    60% ad inventory for ‘Bigg Boss’ 12 sold

    MUMBAI: The launch of the festive season in India generally coincides with the start of the most popular reality show on TV – Big Boss. Produced by Endemol Shine and broadcast on Colors, the show is in its twelfth successful run.

    Bigg Boss 12 has retained Appy Fizz as the presenting sponsor and Oppo F9 PRO as the ‘powered by’ sponsor. Viacom18 COO Raj Nayak said that Panasonic, L’Oreal and Capital Foods have already signed up and two more brands are expected to come on board. “We have almost sold 50-60 per cent of the ad inventory and by this Friday we will sign two more advertisers,” he said.

    The channel says it has increased ad rates by 5-8 per cent. As far as last season is concerned, the channel had hiked of ad rates for new advertisers and had kept incremental cost between 12.5-15 per cent.

    This year too, the channel will make use of its OTT platform Voot. Nayak said, “We will surely have extra episodes, voting and full episodes on Voot. It will be on MTV as well because it is a youth channel and they love to watch such kind of shows. We had got traction even on the different time slot when we aired on the channel.” Last year, the channel re-broadcasted bits of the show on MTV at different time slots of 2-3 pm and 11.30 pm to 1 am which also ended up getting youngsters.

    Reports state that each episode costs anywhere between Rs 4-5 crore and is Colors’ most expensive show. Nayak, who was earlier heading Colors, knows Big Boss like his baby. For several years, Big Boss guzzled more investment than it gave revenue but all the sweat has started to yield fruits. He has always maintained that the show’s X-factor and buzz-creation ability is what sways the network.

    “Bigg Boss was obviously a loss-making venture at first and now we have broken even and of course it is also profitable. But the buzz that it creates and the different kind of viewership that Bigg Boss has, I don’t think any show other than this has the same. People will watch it even if we play it 365 days,” he said.

    This year’s theme is ‘jodis’ which means players will play in pairs which will be relevant to their identity as celebrities or commoners. The first episode will air on 16 September at 9 pm with regular episodes from Monday to Friday at 10.30 pm. Since the weekends are empty, the channel has lined up Khatron Ke Khiladi.

  • Sudhanshu Vats unveils Voot’s audacious plans in Viacom18 show of strength

    Sudhanshu Vats unveils Voot’s audacious plans in Viacom18 show of strength

    Viacom18 put on quite a show as it offered a peak into what’s in store for its OTT platform Voot at a five-star hotel in Mumbai on Thursday. Leading the charge was managing director Sudhanshu Vats with key colleagues Monika Shergill, Ajit Andhare, Ravish Kumar and Akash Banerji in tow. The company made a series of box-office announcements, throwing down the gauntlet to competition. Voot showcased the first bundle of its upcoming Voot Originals – 18 multi-lingual premium web series cutting across genres. Viacom18 Motion Pictures, the network’s movie studio, will now be producing web series for VOOT under the banner of Tipping Point Films. 

    In a bid to tap into the country’s regional markets, the regional broadcast entertainment cluster of company will produce multi-lingual Voot Originals. The streaming service will add news (16 live channels across 13 languages) to its diverse portfolio in partnership with Network18. Sprucing up its content and product play, Voot is set to go international, beginning with the United Kingdom in November this year.

    Driving synergies within the network, Vats’ vision is to build a future-ready Viacom18 that is screen, platform and pipe agnostic. In a bid take rapid strides, Viacom18 is bound to throw the might of all its media and entertainment properties behind Voot. Case in point, utilising Reliance Jio as a platform to showcase content and a carrier of the app’s services.

    To ramp up its engagement and user interactivity experience, Voot will be adding to the user search experience and facilitating easy discoverability will be the adoption of Google Watch Action, an industry first in APAC for premium OTT players. The introduction of dolby surround sound for all Voot Originals is a first amongst Indian OTT brands.

    Viacom18’s show of strength not only signals intent but also suggests that the company is building up ammunition in order to go the distance in the OTT warfare. Vats’ ambitious roadmap for Voot is likely to get the early entrants and leaders Hotstar, SonyLIV and Zee5 to sit up and take note.

    Vats, who was promoted last month, has seen the company transition from a joint venture with Viacom to one that is now majority-owned by Mukesh Ambani’s Reliance Industries. After he and his team made the big-ticket Voot announcements, the big boss of Viacom18 sat down to express his views on a range of subjects.

    International distribution

    If you look at the model, particularly the behind paywall model, there are two very important components, which we have to be careful about. One is the acquisition cost, and the other is the marketing. So, at this juncture in our journey as we try and test the waters in the international market, our thinking is that going with a telco partner will be a good thing to do. And the choice of the market is because we wanted to go to a diaspora market, which has got a reasonably good representation of India. It has also got a good mix of traditional Indian families and now the younger audience. It is also a market where we could also test out some of the appeal of the Indian content with youth, population outside of our own diaspora. So from all of those, it was a good mix. UK has got two million south Asian diaspora. Our brand has been there for some time. UK is a market where we have Colors, Rishtey, Colors HD, MTV Beats, and we have a movie channel as well now.

    Partnership with Jio

    We are going to build a deeper relationship with Jio as we go forward. Some of the stuff is already happening. We want to build a lot of interactivity as well. Jio is our both parent and partner. So it makes perfect sense for us to be together. Instead of worrying about other telcos, we focus on what VOOT can do for Jio, and vice-versa. We are strengthening and deepening this partnership. We have a very dedicated partner. Jio has revolutionised the market, they are a leader in any case in data. 

    Revenue model

    You saw few of them (originals). Especially the last one Feet Up With The Stars coming on the AVOD platform. So I think it will be a mix, some of them will be ahead the paywall, some of them may come behind the paywall. It will depend on the timing of our launch, on our strategy. What our product offering will be, it’s premature to talk about this. We are doubling down on original content. As we will go along we will decide what comes where. But as far as AVOD is concerned these originals will also come on AVOD after windowing even these go behind the paywall.

    Marketing mix

    It will be a classic marketing mix. They (Voot) will get right network support that is always there. In case of certain originals, you’ll see 360 degree marketing. Otherwise, network and digital support will be there for all of our shows and that works very well for us. We’ll bring 360 for some others depending on which one and when it is being released. It depends on program to program.

    TRAI’s tariff order

    Let me answer it in three ways. We are working on our response on the tariff order. It is premature for me to comment so I won’t comment on anything specifically. In terms of the order, it’s still sub-judice in some ways because there is a further hearing in Supreme Court on 5 September, and there’s also a Delhi high court case which is on the merits of the order, so those two things are happening in parallel. You will see our response as well and I think like the other players in the industry we’ll respond early September depending on how the Supreme Court case is closed. And I have always said about this tariff order, that at the conceptual level I think it’s a good thing to do but we have to find the right ways to operationalise it. Because in principal, giving more choice to the consumer, it’s the right thing to do especially when digital is also coming in. Having said that TV has had a different phenomenon of bundling and there is some merit in bundling and giving in a bundle. So, we need to find a right balance.

    Voot Kids and the freemium model

    As we go forward we’ll build a portfolio play which is basically what you see currently is an AVOD play. We are going to look at Voot international, which we have announced today already, we are going to look at Voot premium, which we are working on. We’ll also look at a dedicated Voot Kids service and you will hear very shortly about that. That’s a very interesting service, so that’s something we are working on in a very different space. 

    No sports offering

    We’ll continue to evaluate as I have said always about sports, we’ll continue to evaluate the opportunities which will come our way. Some of the big-ticket events are gone for sometime. So, they are locked out for another four-five years. Most of the cricketing properties  like IPL are out. Even the different series of Boards are also out, but we’ll continue to evaluate and we’ll continue to build this.

    Future of OTT industry

    Two or three things that will happen I can say. One is that there is a small section that will get into smartphones, that will be consuming content more digitally even on a television, for example how Netflix is consumed in the US. I think there is a lot of work happening on infrastructure and transportation if you look at it so I see a lot of commute consumption and that will be interesting. The good news is all of it will be incremental consumption. India will  have national scale OTTs, segmented OTTs and in both you may have some national players and some international players. India is a pretty large country for it to have eight to ten very robust OTT models. Among these, four may come from content players like ourselves, there could be one or two very dedicated international players like Netflix and Amazon, there could be also two to three telco players and also some of the telco models. I think India will go the China way, it’ll be a hybrid market, there will be a large AVOD play but there will be also substantial SVOD or premium model.