Tag: VOOT

  • Voot launches first OTT season of Bigg Boss Kannada

    Voot launches first OTT season of Bigg Boss Kannada

    Mumbai: Viacom18-owned, Voot, is all set to exclusively launch its first-ever OTT season of Bigg Boss Kannada on 6 August 2022.

    Kannada superstar Kiccha Sudeep will host the OTT season.

    For the six-week digital exclusive season of Bigg Boss OTT Kannada, Voot welcomes Vimal Elaichi as ‘co-presenting’ sponsor and Paytm as ‘special’ partner.

    Comprising shows and movies like ‘Humble Politician Nograj’, ‘Badava Rascal’, ‘Honeymoon’, ‘Dear Vikram’ etc., the platform has successfully amplified its regional content repertoire to reach out to its Kannada viewers.

     
     
     

     
     
     
     
     

     
     

     
     
     

     
     

    A post shared by Voot Select (@vootselect)

    Following the overwhelming success of its reality show Bigg Boss OTT Hindi last year, Voot will once again unleash over-the-top entertainment and drama for all its Kannada viewers, starting 6th August 2022. With six weeks of unprecedented access, engagement and interactivity, viewers will get a chance to watch exclusive cuts, round-the-clock content drops, and a fully interactive 24*7 live feed from the house.

    Talking about bringing Bigg Boss OTT to its Kannada viewers, Viacom 18 digital ventures chief operating officer Gourav Rakshit said, “Kannada has been an important market for us at Voot, and our recent movie slate has helped us consolidate our leadership in the market. Voot’s success with Bigg Boss OTT Hindi in 2021 proved to be a game-changer in the digital entertainment space, and we’re excited to launch Bigg Boss OTT Kannada, reinforcing our commitment to bringing fresh and engaging shows to Voot audiences across the country.”

    Speaking on the maiden edition of Bigg Boss OTT Kannada, Viacom18 business head of Kannada cluster Param said, “Year-on-year, Bigg Boss has been delivering outstanding and ground-breaking editions across languages, both on television as well as digital. The Kannada market has always stayed ahead of the curve and the launch of Bigg Boss OTT Kannada will further create an immersive and engaging experience for all our Kannada viewers. We are hopeful that the upcoming digital edition will take the show’s fandom a notch higher and engage and interact with viewers like never before.”

    Adding to it, Kichcha Sudeep said, “It’s really exciting to see the growing anticipation for the first OTT season, and the new avatar will surely live up to this craze. As the promo suggests, the OTT season will be a dream come true for the Bigg Boss fans to see 24×7 live action with entertainment, drama, and a lot more that will certainly keep our viewers hooked for 6 weeks. The madness has just begun. Stay tuned.”

  • Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Launched back in 2014, Voiro is a revenue management product suite for media houses and digital publishers. It consolidates diverse technologies & multiple sources of revenue. A data technology company, Voiro brings automation and intelligence to media organisations across the world, enabling them to make data-driven business decisions.

    Currently, Voiro cpowers many OTT players, digital publishers & media houses in India. The company says that it is trusted by prominent OTT players and publishers such as Disney+ Hotstar, Voot, BookMyShow, Zee5, OLX, Flipkart, and DSTV (South Africa).

    Co-founded by Kavita Shenoy & Anand Gopal, Voiro Technologies positions itself as being India’s first definitive revenue analytics and technology stack for content, media and publishing. Voiro’s engineering products that power revenue optimization & workflow automation for ad-led companies. Its SaaS based product harnesses the power of data to track ad inventory in real-time and gives their customers instant access to actionable intelligence.

    The company’s technology has driven colossal live events year after year such as the IPL, the Oscars, Bigg Boss and Big Billion Day. The company has already raised ₹2.5 crore in a pre-Series A round from crowdfunding platform 1Crowd’s investor community and angel fund. The funding has propelled it to grow ~4x in the last year, pushing the annual recurring revenue (ARR) towards the ~$1mm mark that helped the company to bag its first international customer.

    An ex-googler and a tech-aficionado, Shenoy heads business strategy and development at Voiro. She is one of the few Indian women entrepreneurs who has carved out her niche and solidified her position in the tech and SaaS space. She believes that technology is an enabler and has the power to revolutionise & drive business, which is Voiro’s core strategy. She is devoted to solving problems faced by media houses, digital publishers and top OTT players in India, which is bringing the digital/operational transformation as well as helping to become future-ready.

    She is an undergraduate major in Economics from the University of Mumbai and began her career in advertising, with Lowe Lintas where she managed some of the country’s largest consumer brands. At Tirage Worldwide, she handled media consultancy & experiential marketing for various businesses. She proved her prowess in the content analytics domain by spearheading the launch of Doubleclick YouTube in India & South East Asia.

    At Google, she conceptualised & delivered compliant launches & programmes in media platform policies through advocacy and governance frameworks. Having worked intensively with large advertiser programs for Google, she used her deep understanding & knowledge of the space to identify gaps that existed between advertisers & publishers. Armed with this insight, she founded Voiro which was at the intersection of data meets technology, which is a strong central need in the market currently.

    At Voiro, she has been working hard to scale up the company and to build a dominating presence not only in India but also in the overseas markets. She has been leading a lean, agile, expert team towards steady growth over the past six years. She envisions Voiro being the SaaS partner of choice to all the major content companies in the world. 

    Indiantelevision.com caught up with founder & CEO Kavita Shenoy to find out more on the company’s plans.

    By Ashwin Pinto

    Excerpts: 

    On the market gap she witnessed in 2014 when Voiro was launched

    Voiro was built to address a gap on the publisher side of the advertising industry. That was a time when the use of data in digital advertising was only just beginning to proliferate, but a large part of the evolution was on the advertiser side. We realised that publishers were going to grapple with new data-related problems, and we set out to solve some of those. 

    The company evolved its offerings over the years

    The core problem that Voiro solves has always been to help publishers understand and manage their revenue better. And what has changed is that more & more sectors face similar challenges, so our product has evolved to serve not just media / OTT businesses, but also e-commerce, telecom and potentially gaming. Essentially, anyone who makes money from digital advertising.

    On the product front, we have been able to go deeper into our problem space every year. For example, we began with just revenue reporting, but have moved into workflow automation, as well as insights and recommendations. In short, anything to help publishers make more money from their ad inventories.

    On the goals for this year

    Our focus for this year is growth. We see the industry expanding, our target customer is growing, and we know that the problems we solve are problems that every publisher faces at some point in their growth journey. Our goal for the year is to ride this wave and take our products to more customers and geographies. 

    On how Voiro is leveraging growth in the OTT space

    OTT has for many years been our core focus, and we work with nearly all of India’s large OTT players. Our goals are to grow our presence in the OTT space abroad, while also ensuring that we take our product to other promising sectors such as e-commerce.

    On the challenge that media & entertainment companies face in being data first

    Today, collecting data is never a problem, especially for any business in the media space. Putting that data to good use is a completely different problem. We see businesses across our target sectors struggle to organise their wealth of data, ask the right questions, and put the data to use in a way to help drive growth. It is because growth is the only thing that matters to these businesses; just having data is not enough.

    On Voiro’s recently launched revenue reconciliation product

    Revenue reconciliation is at the heart of what Voiro does, and is built to answer a single crucial question for publishers: “How much have I earned so far?”

    Digital advertising is incredibly dynamic, and advertising campaigns are subject to extensions, truncations, changes in targeting, and several other situations that affect the delivery of these campaigns. For a media business to understand the state of delivery of several hundreds of parallel campaigns can be challenging, and borders on impossible at a large enough scale.

    Revenue reconciliation automates this process for publishers, helping them understand how much money they have made at any point in time, where it came from, and what they should do to grow.

    On finding the right product market fit in a rapidly evolving media & entertainment industry

    Although media and entertainment businesses are rapidly evolving, the core problem that Voiro solves are the revenue visibility and management – is constant. A business could make money via direct sales or programmatic, from India or abroad, via their website, app or streaming platform. As long as they sell ads, we can help them. And to that extent, product-market fit has not been a challenge to find. 

    On the evolution of ad tech from where it was a few years ago

    As with the broader industry, adtech is constantly evolving. Products have appeared that solve all kinds of problems on either side of the advertising equation.

    But for both publishers and advertisers, the challenge is this: building an adtech stack is easy. Getting the most out of the stack, making sure all the parts work together, and building the right organization around that stack, are the most important questions about adtech today.

    OTT platforms need to be more innovative in terms of offering solutions to advertisers

    OTT platforms are constantly experimenting with the solutions that they offer advertisers. In fact, to use a prominent example, the growth of IPL ad revenue over the years is due in large part to Star’s willingness to experiment & innovate.

    Advertisers are always looking for new ways to reach their customers, just so long as the value is clear. Therefore, OTT platforms are always going to continue to look for new ways to earn their next marketing dollar.

    On whether the lack of single currency measurement for digital is hurting the revenues that OTT platforms get

    Measurement is an essential aspect of advertising. Advertisers have been willing to accept a variety of measurement metrics for digital marketing, which led to the growth of performance marketing. So on the contrary, this has probably helped grow digital ad revenues, rather than hurt them. However, all publishers (including OTT platforms) must be aware that advertisers will always seek a balance between brand and performance spends. The publishers will always have to look for better and more accurate ways to demonstrate outcomes, even more so as ad rates rise and if businesses are under economic pressure.

    On platforms needing to improve the ability to deliver ads in the right context

    The challenge here is to achieve micro targeting in a cookie-less world. And inevitably, the answer is for publishers (including OTT platforms) to make use of first-party data. A platform that is able to truly leverage their first-party data will outperform the one that does not, and should be able to command a significant premium for their ad inventory.

    On the role of augmented reality (AR) and virtual reality (VR) when it comes to content & advertising on OTT platforms

    AR and VR, at this point, are very nascent technologies, even more so in markets like India. It may be a while yet before we see commercial-scale content and advertising making use of AR and VR, but smart advertisers and publishers are always going to keep an eye out for opportunities.

    On how she observes Viacom18 faring with the digital rights of the IPL in the next five years.

    The bids for IPL rights, as expected, were significantly higher than the 2017-22 auction, and the winners are going to find it challenging to make a profitable business of it. Regarding the digital rights, it is clear that Viacom18 will have to explore all possible monetisation routes: subscriptions, advertising and transactions.

    We see their road ahead in three parts: first, ensuring that they win over all the viewership that Hotstar has amassed over the last five years; this will by no means be automatic. Second, building the infrastructure to deliver advertising at scale to this audience. And finally, pulling out all the stops to maximize their ad revenue over five years. This last part will be hard; Viacom18 will have to really innovate to create more ad spots, formats and properties to monetise, as well as demonstrating real value to advertisers so as to command premium rates.

    On whether it is mainly going to be a subscription play

    It is hard to see the winners being able to monetise their rights solely via subscriptions. India has been a hard market to win over from a subscriber point of view; this is most easily seen in Netflix & Disney’s performance over the last two years. These companies, both running massive and successful global subscription businesses, have both struggled to match that success in India. For the winners, the next five years has to be about a combination of advertising & subscriptions.

  • Voot Studios, Deutsche Welle renew content partnership

    Voot Studios, Deutsche Welle renew content partnership

    Mumbai: Streaming service Voot’s brand solutions arm Voot Studios has renewed its partnership with German broadcaster Deutsche Welle for a second year. Voot will showcase various content on its platform starting 17 June with Choices.

    A seven-episode series starring encouraging mentors such as Padma Shri awardee Sakshi Malik, pathbreaker Prashasti Singh and artistic director Ashley Lobo, ‘Choices – Dare 2 Dream’ will showcase young Indians get challenged by these role models to live their fantasy life for a few days. The series aims to highlight the inspiring journey of these role models who with pure passion have created their own path and pursued their calling outside of societal norms.

    “At Voot, it is our constant endeavour to provide our users with content that is diverse in nature while at the same time relevant along with a universal appeal,” said Viacom18 Digital Ventures head AVOD (Voot) Chanpreet Arora. “Our partnership with Deutsche Welle, last year, successfully struck a chord with our viewers, thereby helping us to widen our content library and meet the growing content demands. Unique in its concept, Choices successfully captures the increasing aspirations of the millions of ambitious and enterprising Indians who are given an opportunity to live their dreams, away from the notions of age or gender, making it extremely relatable and intriguing for our viewers. We are happy to associate with them and look forward to exploring and deepening this existing relationship once again.”

    “It has always been our intent to make our content widely accessible and our partnership with Voot last year provided us with this excellent opportunity,” said DW in Asia distribution manager Daniel Schulz. “We are once again excited to collaborate with them and reach out to India’s diverse audience with our fresh, relevant, engaging and universally appealing content. With shows like Choices, we aim to bring forth stories that deserve to be narrated and manage to strike a chord with viewers on Voot.”

    “India has always been a key market offering tremendous opportunities to narrate stories that deserve universal attention. Through Choices, we at DW, aim to showcase content that encourages and inspires viewers to acknowledge and appreciate the tough life of India’s young role models who have excelled in their fields and carved their own path,” said DW distribution representative for India, Sri Lanka, Afghanistan, and Bangladesh Jaya Oberoi. “We are thrilled to launch Choices on Voot and look forward to reaching out to our target audience through a long-term fruitful association.” said Jaya Oberoi, DW Distribution Representative for India, Sri Lanka, Afghanistan, and Bangladesh.

  • Neeraj Pandey, Voot Select unveil upcoming web series ‘Bandon Mein Tha Dum’

    Neeraj Pandey, Voot Select unveil upcoming web series ‘Bandon Mein Tha Dum’

    Mumbai: Voot Select on Wednesday launched the trailer of its upcoming web series, titled Bandon Mein Tha Dum. The series will show the nail-biting journey of the 2020/21 India tour of Australia. Directed by Neeraj Pandey the web series will soon premiere exclusively on Voot Select.

    The trailer was unveiled at a grand launch in the presence of ace cricketers Ajinkya Rahane, Ravichandran Ashwin, Mohammad Siraj, Cheteshwar Pujara and Hanuma Vihari and director Neeraj Pandey.

    Coupled with a powerful script, behind-the-scenes footage, candid narratives from the winning squad like Ajinkya Rahane, Ravichandran Ashwin, Cheteshwar Pujara, Mohammad Siraj, Rishabh Pant and Hanuma Vihari, their coaches, as well as journalists who covered the series, Bandon Mein Tha Dum sheds light on the trials and tribulations that the Indian cricket team had to navigate ahead of their unforgettable victory against team Australia at their home ground of Gabba, where they hadn’t lost a Test match for 32 years. The web-series focuses on how the team played extraordinarily high-quality cricket and simultaneously redefined the concept of hard work, perseverance, determination, and commitment, setting the highest standards of sportsmanship while breathing new life into the fading format of Test cricket!

    Talking about how Bandon Mein Tha Dum came about, Neeraj Pandey said, “Bandon Mein Tha Dum is an epic tale that outlines ‘Miracles do happen’ and it happened in the India-Australia Test series 2020/2021 which culminated in India’s stunning defeat of the world no.1 test side at their hallowed home turf of Gabba where they hadn’t lost a test match for 32 years. The series was won by India in such a manner that it not only captured the imagination of the entire nation but also provided tremendous joy to the cricketing and wider sporting community all over the world at a time when people were still trying to come to terms with the devastation Covid-19 had brought in their lives. The human stories in this cricketing fairy tale elevated the series beyond a cricketing audience and created huge euphoria across all segments of Indian society. The nation was gripped and it was therefore befitting for us to bring the story to the people of India of one of the greatest comebacks in the history of sports and cricket.

    Nothing excited me more than retelling this story which went beyond high-quality cricket, hard work, perseverance, determination, commitment, sportsmanship and decoding the x-factor through the mind of the players which repeated the David Vs Goliath story!”

    Talking about the series, Viacom18 Digital Ventures chief operating officer Gourav Rakshit said, “At Viacom18 Digital Ventures we have successfully built an ecosystem that caters to the evolving needs of our viewers. With a strategy to create an everyday consumption proposition, we have consistently brought forward entertainment that is high in quality and binge-worthy. Our robustly curated content mix and our success with digital-first is a testament to our commitment to providing viewers with game-changing experiences. ‘Bandon Mein Tha Dum’ is the first of the many such narratives and we will continue to explore new genres and avenues that are in sync with our audience’s core values.”

    Further Viacom18 head- SVoD and international business Ferzad Palia added, “Bandon Mein Tha Dum is a story that every Indian deserves to know, and re-live. The series is based upon the unheard stories and the real struggles behind the victory of the Indian cricket team during one of it’s toughest times. Neeraj is a storyteller par excellence and we are honoured to have him create this special event series for our members. This is the first among many of an entertainment slate like never before. We’re certain that the series will set a new benchmark in special event storytelling.”

  • PlayboxTV appoints Rannvijay Singha as their first brand ambassador

    PlayboxTV appoints Rannvijay Singha as their first brand ambassador

    Mumbai: Recently featured on Shark Tank India, Indian actor, TV personality and video jockey (VJ) Ranvijay Sigha has been appointed as the brand ambassador for PlayboxTV.

    PlayboxTV is a super OTT Aggregator and economical entertainment app aiming to give every Indian easy access to online content. It aggregates noteworthy OTT platforms including but not limited to VOOT, Amazon Prime, SonyLIV, ZEE5, ShemarooMe and EPIC ON into a single app at an affordable price. Given Rannvijay’s extensive experience in television and media distribution, he is agreeably the most compatible fit as the company’s premier brand ambassador.

    PlayboxTV’s mission is to partner up with the best OTT platforms and consolidate their shows and movies to serve a unified community of consumers who are always on the lookout for good content.

    Regarding this exciting partnership, Ranvijay stated, “I’m extremely delighted to join the PlayboxTV family as a brand ambassador and investor. Having spoken to Aamir behind the scenes of Shark Tank India and having understood the product in-depth, I am confident that this collaboration will last for years to come.”

    The PlayboxTV app allows you to watch multiple OTT platforms and Live TV channels, on both TV and mobile devices. It customises your interests and choices and gives you recommendations based on your viewing history. With over 1,00,000 movies, 350+ Live TV channels and your favourite shows, the app makes sure that you can view your favourite content anytime, anywhere.

    PlayboxTV founder and CEO Aamir Mulani said, “We are beyond delighted to have partnered with Rannvijay and hope to disrupt this OTT industry. This partnership also opened a new horizon to the business with his expertise in media & Content IP Creation for the last 20 years.”

  • Viacom18 takes criminal action against digital piracy

    Viacom18 takes criminal action against digital piracy

    Mumbai: Viacom18 Media is working with Maharashtra Cyber Crime Cell, Mumbai to fight against digital piracy and infringing usage of content.

    The Cyber Crime Cell arrested Subhanjan Kayet for his involvement in the pirated websites/platform named Thop TV. He was accused for the development of software, technical manipulation, illegal streaming and telecasting of the contents from Viacom18’s channels and its OTT platform Voot.

    On 23 May, Kayet was sentenced by Esplanade Court to five days of police custody after considering the severity of the offence and upon the request of the counsel appearing for the state.

    The Maharashtra Cyber Crime Cell has frozen his bank account in which he purportedly received the illegal proceeds of his unlawful activities. He was prolonging his arrest for the last few months after his bail applications were rejected by the courts in Kolkata and Mumbai.
    “Special anti-piracy unit MIPCU (Maharashtra Intellectual property Crime Unit) arrested accused Subhanjan Samiran Kayet from Gobardanaga Harbra, 24 Paragana, West Bengal on 22nd May 2022 as he appears to be the lead developer of the THOP TV app,” said Superintendent of Police Maharashtra Cyber Mumbai Sanjay Shintre. “We have sufficient evidence regarding this.”

    “We are thankful to Maharashtra Cyber for continuing this action against piracy,” said a spokesperson from Viacom18. “It is important to make the message clear that operating or abetting a business of infringement is a serious offence which affects the creative community at large. The perpetrators will be found and brought before law.”
    In the recent past, the efforts of Viacom18 together with Maharashtra Cyber Crime Cell had led to the arrest of the founder and CEO of Thop TV.

    “Viacom18 has always been at the forefront in addressing and curbing piracy of their content and channels,” said the statement. “Viacom18 and the TV18 network will continue to fight market threats associated with piracy and will protect their channel’s content using all legal methods available.”

  • Programmatic is enabling the transition of OTTs to open internet: Tejinder Gill

    Programmatic is enabling the transition of OTTs to open internet: Tejinder Gill

    Global technology platform The Trade Desk helps marketers advertise on the ‘open internet’ i.e., outside the ecosystems of Google and Facebook. The Trade Desk can deliver campaigns across a multitude of devices such as computers, mobile devices, OTT, connected TV (CTV) to reach quality audiences at scale via video, audio, display and native ads.

    Founded in November 2009, the company launched in India almost a year ago, setting up their leadership teams in Delhi and Bangalore. It immediately integrated with leading OTT players including Disney+ Hotstar, Zee5, SonyLIV, MX Player and Voot and publishers to enable programmatically-driven advertising and bring transparency to the purchase of online inventory.

    The Trade Desk is only a demand-side platform, meaning it optimises and solves for advertisers only. It helps them understand the break-up of their media investments at scale in a complicated supply-side ecosystem that has up to seven to eight partners. Its most important USP (unique selling point) is that it offers marketers more choices to advertise outside the established walled garden ecosystems.

    Helming The Trade Desk’s business in India is Tejinder Gill who is responsible for the business growth strategy, executing the company’s vision and long-term goals and leading the product development. He is spearheading the expansion of programmatic across digital, audio, video and connected TV for Trade Desk. Gill has more than 17 years of experience, starting his career in 2008 with Yahoo, he was later part of LinkedIn’s leadership team for six years and Truecaller’s executive management team for nearly five years.

    In conversation with IndianTelevision.com, The Trade Desk India general manager Tejinder Gill spoke about the challenge that the company is trying to solve, online advertising trends, growth of advertising video-on-demand (AVOD), moving away from third-party identifiers and more.

    Edited excerpts:

    On the challenges addressed by The Trade Desk

    We are all about open internet which means anything outside the walled gardens. The biggest keyword missing in India, when it comes to digital media buying, is choice. Marketers want to get a certain reach and scale that you can only get within the walled gardens. So, the vision we saw was how to build an open internet advertising platform at scale.

    Let’s say, $100 is spent on advertising. Almost $53 goes to Google, $28 goes to Facebook and the remaining $19 is shared among the rest of the players which includes any player other than these two. The biggest reason that marketers are looking for a third choice is that these platforms make their own rules. They withhold data and the inability to measure performance in these walled gardens has led to a lot of frustration among marketers.

    I have observed that 70 per cent of the time spent by a user is on the open internet while 70 per cent of marketer’s budgets are spent on walled gardens. This is disproportionate. The biggest challenge for me is to educate marketers and partners about the benefit of the open internet and how we can solve for reach and scale.

    Think about the open internet as a bunch of different islands and walled gardens as continents. However big you are, you will always remain an island. Our platform makes these islands come together, and talk to each other so that everything is more accessible. The future will see all publishers come under the open internet umbrella. And programmatic is enabling this transition.

    Publishers still have direct sales teams to sell their premium inventory and sponsorships but the bulk of their inventory is now available on programmatic. That means all their pipes are connected to us. We’re building a marketplace where advertisers can pick and choose any inventory they want. They can use any measurement tool or any data partner that they want.  Individually, you can never win the game of scale, but together the open internet is a very strong value proposition for marketers to move away from walled gardens.

    When I joined the company 16 months ago, and the next month we complete a year of launch in India, programmatic talent was a big issue. We addressed this with Trade Desk-Edge Academy certifications, and interestingly, 40 per cent of members who have taken the certification in Asia-Pacific (APAC) are from India. I have built a diverse leadership team across Delhi and Bangalore since then.

    We’ve done strategic partnerships with publishers, OTTs and connected TV manufacturers to be the platform of choice for marketers. This includes partnerships with Samsung TV, OTT platforms such as Disney+ Hotstar, Zee5, SonyLIV, Voot and MX Player and audio streaming services such as Gaana, JioSaavn, and Spotify.

    On the rise of programmatic video advertising

    The OTT consumer base has gone up in the last two years. There are new players entering the global and local markets creating more competition. While linear TV has been there for many years, consumer trends are changing. Some consumers are opting for cutting the chord as a result of the adoption of OTT platforms. OTT offers a seamless viewing experience across devices making it the preferred platform for consumers and building an attractive reach and scale for marketers.

    Online curated content platforms (OCCs) are offering premium high-quality content. An OTT platform attracts a large and diverse audience. The biggest difference between a user-generated content platform and an OCC platform is brand safety. Since curated content will be safer and more positive in nature, brands will want to invest in it. It also helps that you can put a data layer on top of it that delivers better performance, measurement and offers real-time insights to marketers.

    The biggest difference between linear and OTT platforms is the application of data intelligence. Linear TV has always relied on third party intelligence. The impact of an OTT campaign is measurable and you can take the insights and apply them to any other campaign.

    It is also more controlled. For example, suppose you want to target a consumer only three times a day then you can apply a frequency cap. If you want to target him once on Disney+ Hotstar, Voot and SonyLIV then you can adjust your parameters accordingly. This translates to a better consumer experience.

    The one thing that marketers love about programmatic is optimising their media dollars and talking to the same user across the media funnel. This means that whether I’m watching TV, mobile, laptop, OTT or audio, the same message will be played in a different format across.

    A study we did last year in partnership with YouGov found that 55 per cent of Indians prefer to see an ad versus paying for content. This indicates that the future business model for OTT platforms will be one that will be supported by subscription and advertising.

    Our founder Jeff Green predicted three years ago that Netflix will embrace advertising. Today, international players such as Disney+ and Netflix are planning to launch ad-supported models.

    On moving away from third-party cookies

    Third-party cookies are a three-decade-old technology and a shrinking part of the internet. Now, we have to think of a more sophisticated solution and we’ve created our own identifier called UnifiedID 2.0. It is a string of numbers and letters that cannot be reverse engineered to reveal the identity of the user, say for example his email ID.

    If third-party cookies go away, what are the scenarios that marketers arrive at? Walled gardens get more control over the internet. Paywalls keep consumers from accessing content. Consumers having to login multiple times to access the internet.

    That’s why the future will have multiple identity solutions that will be interoperable, meaning that these identity solutions will work across the ecosystem and will need to talk to each other. Our identity solution has got a lot of adoption in the Western market and we’re hoping APAC will start running it soon.

    On the trends in programmatic video advertising

    There are a few trends that I see.

    Connected TV (CTV) will drive the next phase of growth. We expect CTV to hit 40 million devices in the country in the next two years. This means that budgets will start moving from linear TV to connected TV.

    Marketers will start asking everyone about more real-time business outcomes. Marketers will move away from metrics such as CPA (cost-per-action), CPC (cost-per-click), CPM (cost-per-mile) and start measuring in more detail. For example, in-store footfall.

    A cookie-less future is good. It is happening for the benefit of the entire industry. Advertising will be able to target with more precision enabling brands to present different ad opportunities at different points in time. I think this is a new approach for the future.

    Five years ago, when we launched programmatic the idea was to automate the entire paperwork also known as programmatic guarantee. That’s not the real advantage of programmatic. Programmatic is all about decisioning i.e., it is about choices. If a marketer wants to buy audiences who may reside on OTT, mobile, CTV then he can find them across channels and devices. That’s the biggest trend that will drive programmatic in India over the next two years.

    Decisioning is different from upfront media buying. In upfront media buying, an advertiser blocked the front page of a Times of India or a 15 sec slot on a channel. The advertiser would pay upfront and get the ad displayed.

    In a real-time environment, the advertiser wants more control. He wants to pick up the right audience, at the right time and at the right price. The advertiser can control whether that ad should reach 1000 or one million consumers and pay for the reach that he wants. The journey of the ad needs to be mapped. That’s why I say decisioning will take precedence over the existing programmatic guarantee.

  • Voot adds new titles to April content slate

    Voot adds new titles to April content slate

    Mumbai: Viacom18’s AVOD service Voot is expanding its content library with “Brochara S2” and “Baked: S3” exclusively streaming on the platform on 18 and 25 April, respectively.

    “With these new additions to its content slate, Voot aims to reach out to male audiences across metros, as well as the tier 2 and 3 cities,” said the statement.

    “Brochara S2” is a slice-of-life comedy exploring the nuances of male bonding and friendship in a long-distance relationship. “Baked S3” follows the reunion of three friends after seven years of an unfortunate incident.  

    “At Voot, we have recognised the changing entertainment needs of our viewers and have constantly innovated to deliver content that appeals to all,” said Viacom18 Digital Ventures head –AVOD Chanpreet Arora. “Keeping up the momentum and strengthening our libraries with a focus to appeal to the younger audience, with web series like ‘Brochara’ and ‘Baked,’ we continue to expand our content offerings to bring delightful and relatable content for our existing users, while also attracting new ones. ”

  • Poker Sports League S4 to be livestreamed on Voot

    Poker Sports League S4 to be livestreamed on Voot

    Mumbai: The fourth season of Poker Sports League (PSL) will be live streamed on Viacom18-owned streaming service, Voot. Fairplay News is associated with the tournament as the ‘powered by’ partner.

    PSL season four started on 29 March and will go on till 13 April with six to seven matches every week. This year’s league is in phygital format with Deltin Royale and Adda52 as venue partner and online partner, respectively.

    The season finale will be hosted live on-ground from 20-24 April for the first time since the pandemic.

    “We are thrilled to partner again this year with Voot for our upcoming season,” said Poker Sports League CEO and founder Pranav Bagai. “As our majority of the audience are tech savvy and shifting towards OTT platforms to consume various modes of entertainment, partnering with Voot for streaming was a prudent option. Through this association we endeavour to provide our users with the finest experience of poker possible.”

    The focus of this season are the upcoming qualifiers along with key pro- players, with high investment biddings and significant retainers. There are six teams representing six different Indian provinces, namely Delhi Czars, Deccan Aces, Goan Nuts, Gujarat Falcons, Mumbai Anchors, and Kolkata Kings. A total of 36 qualifiers, 12 pro-players are going to be a part of this season. In addition to these it has six spots for women and six for substitutes.

    “Given the substantial shift in content consumption to digital platforms in India, and the dynamicity of the Indian online poker industry, we decided to reach a wider audience and encourage them to play in every season,” Bagai further said, adding, “Our partnership with Voot will screen an exclusive behind-the-scenes reality show ‘Poker Mantra’ in addition to the live streaming of the league.”

    “At Voot, we strive to ink partnerships that add value to our platform, and we are thrilled to once again partner with Poker Sports League,” stated Viacom18 Digital Ventures head – AVOD (Voot) Chanpreet Arora. “Through this partnership, Voot’s appeal to the young audiences will create a strong fan base for Poker in India and will provide us with an opportunity to captivate poker enthusiasts and provide them with a rewarding experience.”

  • Voot Select set to stream ‘Apharan 2’ on 18 March

    Voot Select set to stream ‘Apharan 2’ on 18 March

    Mumbai: OTT service platform Voot Select is set to stream the second season of “Apharan 2” on 18 March.

    Produced by Ekta R Kapoor and Jio Studios, the show features a stellar cast Arunoday Singh, Nidhi Singh, Snehil Dixit Mehra, Saanand Verma and Sukhmani Sadana and spans across 11 episodes. The show is directed by Santosh Singh, and it is written by Siddharth Sengupta, Umesh Padalkar, Anahata Menon.

    “Apharan is a cult series that was a runaway success,” said Viacom18 Digital Ventures head SVOD and international business Ferzad Palia. “We couldn’t be happier than to bring the second edition exclusively to Voot Select members and play home to this popular franchise. Apharan Season 2 marks the start of a heavy line up of top-quality Originals with probably the most robust slate that India will witness in 2022.”

    A special screening was held for the launch of the show attended by industry honchos on Wednesday. The star-studded affair was attended by Ekta R Kapoor along with the entire cast of the show.

    “This is my first collaboration with Jio Studios and Voot Select and I am thrilled to associate with them for an unconventional show like Apharan,” said Kapoor. “After the overwhelming response received from the audience for the first season, it only made sense for us to take them by surprise with Season 2 by steering away from the mainstream action-thriller genre.  With never-seen-before plot twists, the sequel is sure to make many jaws drop. Be ready – Kyunki Sabka Katega Dobara!”

    Set against the backdrop of India and Serbia, “Apharan 2” follows the story of a cop Rudra who sets out on a journey to kidnap an intelligent criminal Bikram Bahadur Shah who wants to eliminate India from the world map. The trailer of the show on YouTube crossed 35 million views over 12 days, according to the streaming platform.

    “The Apharan 2 trailer has risen viewers’ curiosity for the sequel, but the wait is not too long now,” said actor Arunoday Singh. “Playing the character of Rudra Srivastava has been an unforgettable experience for me. The entire cast has kept every minute detail in mind while getting into the skin of our respective characters. We embodied their physical as well as emotional traits. All I can say is that it will leave you at the edge of your seat. Hoping that you guys like it.”

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