Tag: Vishal Anand

  • Toonsutra emerges as a Webtoon app, expanding with global publishers

    Toonsutra emerges as a Webtoon app, expanding with global publishers

    Mumbai: Toonsutra,  a homegrown webtoon comic app, announced today that in just a few months it has firmly established itself as the #1 comic app in India in both the Apple and Android stores. A position it has maintained for over two months with over a million downloads of the app already.

    Toonsutra’s mission is to bring together a community of passionate fandom and pop culture, catering to the largest youth market in the world – India’s 700 million+ mobile youth market. It is the only premium webtoon comics app in the region dedicated to catering to Indian audiences with Hindi, Tamil and Telegu language content offerings.

    The company has already locked up partnership deals with some of the biggest global publishers and creators to bring over 550 titles and 250,000 episodes of content into local Indian languages – the largest offering of premium, high-quality, webtoon comic content ever assembled for this market, in easy-to-read vertical scroll format optimized for mobile.

    As the excitement for the global webtoon market continues to grow with the US$2.7 Billion IPO yesterday by Naver’s Webtoon Entertainment, the medium and fandom around these new storytelling comic platforms is finding new audiences and territories. The global webtoon market is projected to reach a staggering $60 Billion by 2030, making it one of the highest-growing new categories for media and content.

    Toonsutra is founded by veteran media entrepreneurs, Sharad Devarajan who is the company’s executive chairman, and Vishal Anand, Toonsutra’s CEO.

    Devarajan is also the founder/CEO of the leading Indian character entertainment company, Graphic India and brings over 25 years of comic and fandom experience, having created over 200 episodes of animation and 300 comics. He created Spider-Man India with Marvel; created and produced the #1 hit show, Baahubali: Crown of Blood, with SS Rajamouli; created and produced The Legend of Hanuman series with Disney+Hotstar which remains the #1 animated project in Indian history.

    Anand is a serial digital media entrepreneur and was formerly CPO of Dailyhunt where he was part of the core initial team managing their product and tech teams to scale the business into one of India’s most successful media platforms (currently with over 300M users). Anand was also part of the product leadership team at Amazon Web Services.

    “Toonsutra is not just an app, it’s a fandom community and a pop-culture movement. We’re bridging the gap between global storytelling and local audiences, creating a new language of entertainment that resonates with India’s digital-first generation. Our rapid growth shows that Indian audiences are hungry for the highest-quality, premium webtoon comic stories made available in their languages and easily snackable mobile short episodes” commented Toonsutra co-founder & chairman Sharad Devarajan.

    “The initial success we are seeing for Toonsutra underscores a fundamental shift in content consumption patterns across the Indian youth. We’re not just riding the wave of digital transformation; we’re actively shaping it by combining cutting-edge technology with compelling storytelling. At Toonsutra we are creating an ecosystem where the biggest global creators and publishers can thrive by reaching entirely new regional language audiences, and Indian readers can discover new worlds with every scroll. Our mission goes beyond entertainment – we’re fostering a new era of creativity, community and creative expression in India,” added Toonsutra co-founder & CEO, Vishal Anand.

    Toonsutra has become a trusted source by global partners for bringing their top content to Indian audiences with the highest quality webtoon formatting and translation, ensuring that Indian language audiences can experience the very best of the world’s comic storytelling. International partnerships include Valiant Comics, Webtoon Factory, Kenaz, Archie Comics, and Boom! Studios, Top Cow Productions, Liquid Comics, and numerous others. 

    In addition to award-winning and bestselling comics from global creators, Toonsutra also has exclusive webtoon comics available based on some of the biggest Indian franchises, including the film sensation, Baahubali; and the hit streaming series, The Legend of Hanuman, and hundreds of Indian episodes from leading Indian comic publisher Graphic India.

    Toonsutra is also backed by a leading group of investors including the Sony Innovation Fund; Maiora Capital, Kun Gao (co-founder, Crunchyroll); Jeremy Liew (partner, Lightspeed); Kevin Lin (co-founder, Twitch); Patrick Lee (co-founder, Rotten Tomatoes); Holly Lui (co-founder, Kabam); Benjamin Grubbs (co-founder, CreatorPlus); Steve Chung (fmr. CEO of Americas, CJENM); and others.

    To learn more about Toonsutra and its exciting features, visit www.toonsutra.com

    The Toonsutra app is free to download on Android and iOS devices.

  • The comic & Webtoon app ‘Toonsutra’ is now live on Android & iOS

    The comic & Webtoon app ‘Toonsutra’ is now live on Android & iOS

    Mumbai: Toonsutra has launched the country’s biggest webtoon app that can be accessed and enjoyed by all Indian Android & iOS users. Webtoon platforms have become an explosive phenomenon across the world growing to US$4.7 billion in 2021 and projected to exceed US$60 billion a year by 2030. The digital media startup spun out last year from Graphic India – the country’s leading original character entertainment company. Validating the timing and the potential this opportunity presents for the Indian webtoon market, Sony Innovation Fund recently became an investor in Toonsutra.

    Through the Toonsutra app, comic fans can consume some of the best global and local comic content and stories in Hindi, Tamil, Telegu and English languages in an easy-to-read vertical scroll format optimized for mobile. Content in Bengali, Marathi, Malayalam and Kannada will also be available soon. Breaking the mould of traditional comic reading, Toonsutra provides readers with comics in bite-sized snackable episodes, each of which delivers an enticing narrative leaving the hooked reader anticipating the next thrilling episode.

    “Toonsutra plans to spark a new wave of pop-culture entertainment across India connecting millions and building the largest community of fandom across comics, webtoons, animation, genre and fiction,” commented  Graphic India co-founder and CEO Sharad Devarajan. “Just as we saw with the streaming video revolution, India’s entertainment audience is excited to experience and experiment with a wide variety of the best content from across the world, and also groundbreaking local originals from homegrown creators. Comics and webtoons are the next big visual storytelling medium for the country and Toonsutra is bringing the highest quality comic stories by the greatest global creators to India’s vernacular languages for the first time.”

    The app will offer episodes from different genres including fantasy, romance, mythology, superhero, sci-fi, action and more. Toonsutra’s new storytelling home will showcase the highest quality web-toon and comic stories from top Indian and global creators, including stories from icons Stan Lee, Grant Morrison, Ryan Pagelow, Shekhar Kapur, Jeevan J. Kang, Mounica Tata, Rohan Chakravarty, Alicia Souza. The platform will also promote emerging rising star creators from across India giving them a home to tell their stories.

    “The webtoon mobile comic space has taken off globally and is projected to exceed US$60 Billion a year by 2030. India’s massive 700 million youth market is looking for new, engaging, snackable, high-quality experiences. Toonsutra’s web-toon bite-sized format will appeal to this young consumer who consumes entertainment very differently today. A convenient vertical scroll is native to where everyone is on their phones 24×7!” said veteran mobile and media startup leader, Vishal Anand who recently joined as Toonsutra’s co-founder and chief operating officer. “With India’s media and entertainment market expected to grow from $23 billion to $100 billion by 2030, we believe web-toon comics are perfectly positioned to be one of the largest accelerants for that growth,” he added. Previously, as Chief Product Officer and part of the core initial team at Dailyhunt, Anand helped scale one of India’s most successful media platforms to over 100M active users and build and manage their product and tech teams. Most recently Anand was part of the product leadership team at Amazon Web Services.

    As readers dive deeper into webtoons, they will earn coins, unlock rewards, and discover hidden bonus surprises and community features. The more they read, the more they are rewarded, enhancing the excitement of their storytelling journey. Readers can seamlessly enjoy their daily dose of entertainment without having to pinch, zoom or scale pages, unlike other normal comic reader PDF apps. In addition to free daily content, fans can also purchase and binge on episodes for as low as INR 5, making comics finally accessible to everyone.

    The vast library available on Toonsutra includes exclusive content with numerous global partners, including:

    Graphic India’s leading Indian comic stories such as 18 Days, Devi, Shadow Tiger, Dragonfly, The Mighty Yeti and Chakra The Invincible; the epic comics based on Baahubali: The Lost Legends and more.

    The vast Archie Comics library will be made available in vernacular languages for the first time, featuring stories about Archie, Betty, Veronica, Jughead and the gang from Riverdale. Just in time to catch up on the original comics that inspired the upcoming ‘The Archies’ film coming in December to Netflix.  

    Superhero lovers in India can finally enter the world of Valiant Comics, one of the world’s largest superhero universes, and enjoy hit titles like X-O Manowar, Bloodshot, Harbinger, Ninjak and dozens more.

    Cinema lovers can experience the Liquid Comics library with original comics made by some of the world’s most iconic filmmakers including Wes Craven’s ‘Coming of Rage’; Barry Sonnenfeld’s ‘Dinosaurs vs. Aliens’; Guy Ritchie’s ‘The Gamekeeper; and John Woo’s ‘Seven Brothers’ to name a few.

    Manga fans can enjoy, stories from Kenaz, a leading South Korean-based studio that specializes in vertical manga series in popular categories such as love, romance, fantasy, and action with acclaimed titles such as Evil Hunter, Blood Type Love, The Distance between Us, The Scent of Love and more.

    Toonsutra will also be putting the spotlight on home-grown creators from India such as the inimitable Alicia Souza whose designs and comics have brought joy to millions; the amazing Mounica Tata who portrays life in India through an intelligent, satirical, and comic lens; and Rohan Chakravarty whose Green Humor comics highlight important environmental topics with hilarious wit; and new Indian creators being constantly added.

    Toonsutra’s early backers include some of the biggest names in tech and media such as entrepreneurs, Rotten Tomatoes co-founder Patrick Lee; Twitch co-founder Kevin Lin; Crunchyroll co-founder Kun Gao; Jeremy Liew partner Lightspeed Venture Partners; Rishad Tobaccowala, Fmr. chief growth officer, Publicis Group; Michael Maher, founder, Start Media; Benjamin Grubbs, co-founder, CreatorPlus; Holly Lui, co-founder, Kabam; Ray Chan, co-founder, 9GAG; Sandeep Kumar Sood, co-Founder, Junglee Games; and others.  

  • Dark clouds start to clear from theatres: Inox Leisure to witness double-digit growth

    Dark clouds start to clear from theatres: Inox Leisure to witness double-digit growth

    Mumbai: It’s good! The cloud seems to be clearing up for the multiplex operator Inox as it expects to grow by double digits for Q3 FY’22. The fear of covid strained the growth of all multiplexes in the country in the last two years, and Inox was no different. As theatres have opened up, the multiplexes are leaving their gloomy days behind and maintaining a very positive outlook for the future.

    Speaking to Indiantelevision.com, Inox Leisure COO Anand Vishal said, “The box office growth for Q3 FY’22 as compared to Q3 FY’19 will happen on two accounts. Inox screens are up by 20 per cent compared with the same period in 2019. We are now at 705 screens compared to 585 screens in 2019. The plan is to add three more screens during the festive season in Delhi, Mysore and Andhra Pradesh. Ticket prices have improved by 10 per cent. It is another matrix. And with the lineup that is there, we will see strong double-digit growth in this quarter (Q3 FY’22).”

    He emphasised that the overall multiplex industry will also witness good growth. Inox had posted its best-ever performance in Q1 FY’22 due to the theatrical blockbusters from the South and growth in strong audience footfalls. It has reported a consolidated net profit of Rs 57.09 crore for Q1 FY’22, led by rising footfalls at cinema halls.

    He also noted that comparing the Q3 FY’22 quarter with Q3 FY’21 would not be a fair comparison. That is because there were capacity restrictions. In Maharashtra, for example, theatres were operating with 50 per cent capacity restrictions via alternate seating arrangements. Now there are no capacity restrictions. 

    Inox Leisure’s ad revenue growth

    The multiplexes’ advertising revenue is yet to pick up momentum as compared to 2020. He said, enumerating his views on ad revenue growth, “Advertising revenue will be nearly the same as what it was pre-pandemic. The premium categories advertise with us as they want to talk to the relevant audience.” 

    He also stated that revenue from food and beverages has increased by 30 per cent. The expectation is that per-person spending will improve by over 30 per cent in Q3 FY’22 as compared to Q3 FY’19. “These are the broader matrix for revenue mapping,” he explained.

    Earlier, Inox Leisure’s CEO Alok Tandon said that the growth in ad revenue is expected to bounce back from the Q3 FY’22 and Q4 FY’22 due to the festive season.

    Inox’s ad revenue growth has shown a declining trend recently. In Q1 FY’22, it fell to Rs 30 crore as against Rs 47 crore in Q1 FY’20. 

    The market scenario during the festive season

    In terms of markets, Vishal expects the South to take the lead in terms of ticket revenue growth during the festive season. Viewing trends in the South are higher than in the Hindi-speaking market. “But having said that, in the pre-pandemic period, consumption was also higher in the South. We expect the Hindi market to improve. The South will also improve,” he said.

    He is confident about the Hindi movie market, though some films underperformed and disappointed in Q2 FY’22. “We do not control the software. But having said that, the line-up for Hindi films is looking very good. Look at Ram Setu and Thank God, which is a Diwali release. Tamil and Telugu content over Diwali is looking very good.” 

    Other movies he pointed to which could do well include Merry Christmas and Cirkus. On the Hollywood front, he said that Avatar: The Way Of Water was big. Also, there is Black Adam and Black Panther: Wakanda Forever.

    On the promotions front, he said that the aim is to boost the inclusive movie-watching experience as Diwali is a family-gathering season and demands splurges during this time. “We will make an inclusive plan for our consumers where we give them offers and benefits to come to Inox. You can expect a Diwali bonanza for families and people who have indulged in movies.”

    Talking about the success of National Cinema Day, he said that it was done to thank loyal patrons. The pandemic disrupted business and no regular operations happened. There were three waves of covid. Lower ticket pricing was the cinema industry’s way of saying thank you to customers. “The success of National Cinema Day showed that the cinema viewing habits of the consumer are still there.” This day, he said, brought in new customers to Inox as ticket prices were drastically lowered. “A lot of people came to Inox for the first time,” Vishal mentioned. 

    Dynamic ticket pricing

    Further, he added that ticket pricing is also based on the movie, not just the timing or the day. He noted that when Brahmastra was released, the ticket prices were higher compared with other movies. “It is a product that we pay for. Let me give you an example. If Avatar: Way Of Water is playing and another movie is also playing, then the two movies will be priced very differently. If Thank God is playing and another movie is playing, then the pricing will be very different. These three movies cannot be compared to other movies.” He also added that it is important to get the weekday pricing right as the aim is to get all segments of society to watch movies at Inox. This is how dynamic pricing works. Weekday prices for Brahmastra started at Rs 100 in some places.

    He also pointed out that the premium ticket pricing for Brahmastra was a maximum of 10 per cent compared to other movies. Seeing the demand, the consumer’s elasticity is important. The price elasticity ranges from Rs 100-500 depending on the day of the week and the audience segment being targeted. Of course, Insignia screens are expensive because one Insignia seat takes up three seats on a regular screen. “The Insignia experience and service are very different, and it comes at a cost. If a regular seat costs Rs 150, then an Insignia seat will be Rs 350.” Tamil Nadu, Andhra Pradesh, Telangana, and, to an extent, Karnataka are price-capped markets. Other markets are more price dynamic. In Delhi, there are price cards and pricing slots that are approved by the authorities.” Mumbai will have pricing from Rs 100-500 depending on the location. What you charge in Nariman Point cannot be charged in Dahisar. Pricing is also a function of the location, not just the film. You also have to see the pricing of the competition theatres.” 

    Content offerings beyond movies

    He said that beyond films, Inox also targets different consumer sets. For this, it focuses on sports, music, concerts, school contact programmes and e-sports activation. The plan is to do deals to show matches from the upcoming Twenty20 World Cup and the Fifa World Cup. The good news is that this does not cannibalise the attendance of the movie-going public. The consumer of a sporting event is different from the one who consumes film content. The idea is to create a market, not cannibalise it. Why not give people the opportunity to watch sporting events on a big screen? Sports are a very integral part of our marketing plan. Music is also important. Inox is doing a screening of Coldplay on 29 October. “For e-sports, the core target age is 18–25. Inox has a partnership with the E-sports Federation of India (ESFI). These games are healthy games that have been approved and are up to international standards. Matches are screened. The aim is to also find talent to represent India on international platforms.”

    In terms of in-cinema advertising, he said that premium brands use Inox and that avoids wastage. Cinema, he said, is the answer.

    These brands are not focusing on mass reach. It is about relevant reach. Otherwise, it becomes a waste of money. Inox provides relevance for brands like Manyavar, he explains.

    “More than eyeballs, it is the quality of the footfalls we provide that counts. A mobile phone advertiser with a Rs 20k product wants to target the person who has that spending propensity. The advertiser is only targeting a certain audience segment and so it cannot go to the television all the time.” These brands use cinemas, but they will only use premium cinemas like Nariman Point and Atria. They know the target group visits these locations. The likes of Audi and BMW only pick up Insignias and premium cinemas. “The aim is to talk to the direct and relevant consumer,” he added. 

    Licensing & merchandising

    The licensing and merchandising activities started in June 2022. This, he said, is building and is about targeting a community. “Fans who are loyal to franchises like Avengers, Marvel, sports fans, and people who love Inox as a brand can buy something. We wanted to get into this space. We knew it would take time, but traction is building. We hope to do Rs 4-5 crore in sales in the next 12-15 months.” It has a partnership with Macmerise, which supplies the merchandise. They have some Hollywood rights and also some sports rights like IPL. They also develop Inox-branded products like t-shirts, cups, mugs, headphones, and watches.

    Spending on food & beverage

    Talking about the food and beverage strategy, he explains, “These spends have shown a drastic improvement for us and the industry. People are indulging in eating more food items. That is a very healthy sign. It is about what the consumer wants. Inox does have offerings beyond popcorn and Coca-Cola. It is not a blanket offer. The offering in the South is different from Gujarat and in the North. We focus on what people in a region like to eat. For instance, people in the South like to eat puffs. Samosa is very strong in the West as a market.”

  • Mango signs Vaani Kapoor as first India brand ambassador

    Mango signs Vaani Kapoor as first India brand ambassador

    NEW DELHI: Spanish fashion brand Mango, along with its franchise partner Myntra, has roped in Vaani Kapoor as its first brand ambassador in India. The actor’s first campaign with the brand will be for its spring-summer collection.

    As part of this association, Myntra and Mango have launched their first campaign with the Befikre star across digital and social mediums, highlighting the new season collection centred around the theme- ‘Happy and I know it’.

    The 48-second film features a slice of life sequence where Kapoor is seen trying some cool summer dresses, relaxing, posing, playing and pampering herself with coffee and cake.

    Kapoor said, "I am excited to be associated with Mango as their first brand ambassador in the country. Fashion to me is a way of expressing yourself and exploring your individuality. I am happy to be a part of the brand's endeavour to strike a chord with customers from every pocket in the country."

    Myntra senior director Vishal Anand said, “Her (Kapoor’s) persona is a reflection of the attributes of the brand Mango, making her the perfect choice to connect with fashion forward consumers, across the country. We aim to strengthen our position in the evolving fashion space and attract new consumers.”