Tag: Vimal

  • Baba Nirala breaks the internet as Aashram S3 hits 250 million viewers

    Baba Nirala breaks the internet as Aashram S3 hits 250 million viewers

    MUMBAI: From crime to cult status, Aashram S3 Part 2 isn’t just streaming, it’s storming. The smash-hit series on Amazon MX Player has crossed a jaw-dropping 250 million viewers, becoming a full-blown digital phenomenon and topping Ormax Media’s most-watched originals list for a fourth straight week.

    In the land of cricket and cinema, it’s rare for a web series to stir the nation with the intensity of a blockbuster film. But Aashram has done exactly that, transcending genre stereotypes, turning marketing on its head, and transforming Bobby Deol into a full-time messiah of mayhem.

    Forget the old trope of male-dominated crime thrillers. Aashram is busting audience myths left, right, and centre. Over 20 per cent of its viewership comes from women, while its reach spans both urban metros and Tier 2/3 towns. The drama has travelled in multiple tongues too, with dubbed versions in Bengali, Tamil, and Telugu clocking impressive numbers.

    Even Amazon’s internal data is dishing out interesting clues: 77 per cent of viewers are tech-savvy, and 64 per cent are fashion-forward. Yes, Baba Nirala has fans who not only meditate but also accessorise.

    The show didn’t just ride on hype, it engineered it. Aashram’s trailer trended on YouTube for 23 days, raking in 24 million views. A clever collab with cricketer Yuzvendra Chahal, featuring a fictional blessing from Baba Nirala to let him open an innings, went viral with 6.3 million views and 850,000 engagements.

    Major brands were eager to hop onto the Baba bandwagon, Vimal served as presenting sponsor, co-powered by Lahori Zeera and Lux Nitro, with KEI Wires, Zandu Fast Relief and Kenstar also in the mix.

    Bobby Deol, reflecting on the overwhelming response, added, “Aashram has been a defining journey for me, and the love it continues to receive is truly humbling. This season, the stakes are higher, the drama is deeper, and the impact is greater than ever before. Seeing fans embrace Baba Nirala’s journey with such enthusiasm is incredibly rewarding!”

    National Award-winning director Prakash Jha expressed his gratitude, stating, “The journey of Baba Nirala continues to enthrall Indians. Every season, we push boundaries to make Aashram more intense, compelling, and relevant. I am deeply grateful for the unwavering love and enthusiasm of our audience.”

    Amazon MX Player director and head Karan Bedi shared, “Aashram is a tribute to Indian viewers. It’s phenomenal success reaffirms our commitment to delivering high-quality, free entertainment to audiences across India. The overwhelming response to Aashram S3 Part 2 has been extraordinary, driven by its gripping storytelling and outstanding performances. We are grateful to our sponsors for their support and helping us bring compelling stories to life.”

    And that’s the other key to Aashram’s stratospheric success: it’s entirely free. The series is available across Amazon MX Player, Prime Video, Amazon’s shopping app, Fire TV, Airtel Xtreme, and smart TVs, basically anywhere your thumbs can scroll.

    With its heady cocktail of social commentary, psychological manipulation, and pulpy thrills, Aashram has become more than a show. It’s a movement. A sermon with swagger. And by the looks of it, Baba Nirala isn’t done preaching just yet.

  • In memoriam: the passing of a lesser-known advertising legend, Walter Saldanha

    In memoriam: the passing of a lesser-known advertising legend, Walter Saldanha

    MUMBAI: Walter Saldanha passed away silently almost unknown to many in the advertising and marketing world over the weekend. For those who don’t know of him, he is the reason the creative shop Leo Burnett – which is part of the Publicis group today – is around in India.

    Actually, Leo Burnett was called Chaitra Leo Burnett for a long time and Chaitra Advertising for even longer even before that.

    Walter Saldanha and Brendan Pereira co-founded Chaitra Advertising in 1972, in the midst of “one of the worst recessions in advertising history.” Walter was this mild mannered, extremely slender, bespectacled man who looked more like a suited accountant than an advertising professional. He actually began his career as a typist in 1947 a little shy of 16. 

    Four years later somehow or the other he landed up at advertising agency J Walter Thompson and worked there in various roles before joining Aiyars  – an advertising agency –  where he and creative wizard Brendan formed a bond.  They worked together on many accounts, Brendan the creative type and Walter the client management guy who had to clean up after his colleague had an argument which turned wild with the client losing his top. 

    Walter rose to become MD of the agency which was owned by Aiyar and had some of the more prestigious accounts at that time. The owner had promised to give them equity but when it came to delivering on the promise he procrastinated every time, despite all the good work they put in. This was getting too much for both Walter and Brendan.  And they showed it. One day, Walter returned from one of his domestic client meetings only to find his office taken over by Aiyar and he was informed the board had decided to eject him as managing director. 

    This broke the soft spoken but tough-as-nails Walter who burst into tears in front of Brendan (he was offered the role to run the agency replacing Walter, which Brendan of course refused. In fact, it made him furious.)

    A lot of drama happened after that, but, to cut a long story short, the duo took along some of the gee-whiz advertising professionals of that time working at Aiyars who were livid at the treatment meted out to Walter. 
    Sheila Sista, Jean Durante, Prakash Deshpande, Shantaran, Julien Almeida, Eddie Myers, Arvind Gosavi, among others were taken on as shareholders of Chaitra. The agency was born out of this bond the two shared between themselves and 12 other team members, with no clients and out of Brendan’s flat in Colaba. 

    Amongst Chaitra’s first clients was this pan chewing businessman in white kurta pyjamas who wanted to promote his brand of polyester fabric. When both Walter  and Brendan met him at his office in Dhobi Talao (Mumbai) he kept on wiping his mouth with the towel as he chewed his pan. His brand was Vimal and he was going to launch his first retail showroom at Roxy cinema in Mumbai. Amongst the first questions Dhirubhai Amabni asked the two was  “So, what business do you have, who are your clients,?” Both Brendan and Walter told him they  had no clients. “Ha, so I’m going to be your first client. Very good. You take my business.” 
    He wanted invitation cards, bags, name boards, leaflets to be designed and a press  announcement to be made. He also gave Walter and Brendan a free hand to come up with something unusual. 

    Billings in year one for Chaitra were in double digit lakh. But the agency was unstoppable and it grew fast with many clients coming on board because of its outstanding creative. Brendan and he parted ways from Chaitra in 1983 when he returned after three months of  being away from the agency. Walter and the management informed him that they wanted to manage creative with Brendan offering creative guidance. The reason: clients were pretty miffed with Brendan refusal to cooperate with them on creative changes and adjustments, and the list was long. This was something that was unacceptable to Brendan.  For him that was it, and he left.
     

     

    Chaitra’s reputation had spread far and wide and it attracted Leo Burnett to become its affiliate in 1987 as most foreign agencies were beginning to expand internationally in order to be able to offer their international clients services in India. Leo Burnett entered India in 1992, when it invested in Chaitra which became Chaitra Leo Burnett. After around eight years, the Chaitra name was dropped and Leo Burnett India was born when Walter, as he liked to be called, gave majority to it. He retired but continued as chairman emeritus. Under his watch Chaitra had grown to be one of the top agencies of the country. 

    Walter went beyond advertising. After his retirement, he started the  Asian Institute of Communication and Research, a small business school he built in the hills of Matheran, in 2001 after retiring from Chaitra. The school has given birth to many advertising and marketing professionals who are in leading positions in leading companies today. 

    Walter was honorary treasurer of the Society for Eradication of Leprosy – something he was very passionate about – the care of those infected and eradicating it totally. He was also a trustee of the Sangeet Abhinay Academy, an organisation devoted to the development of musical talent and the Shanti Avedna Sadan (a home for terminally ill cancer patients). And yes, he  fought for the rights of  slum dwellers and he was the former Chairman of Slum Rehabilitation Society. 

    He remained extremely low key throughout his career seeking very little attention, instead focusing on bringing out great advertising for his clients and serving society in whatever manner he could. Brendan was the better known of the two, as he ran creative and was in the limelight, while at Chaitra and after that.

    I remember spending some time in Chaitra’s Kemps Corner office with Walter in the early nineties. He preferred to let Arvind Sharma – who later led the agency phenomenally well – to do most of the talking. He preferred to exchange stories about his social work, even when I spoke to him in later years – about his institute, his leprosy work and the problems slum dwellers face. Students of the institute he set up remembered him fondly when they learned of his passing  on Linkedin on how he helped shape their careers with his encouraging words and guidance. 

    11 years or so after setting up Chaitra, Walter and Brendan took their own paths. 

    Death, however, did not set them too apart. 

    Brendan passed on in July 2024, Walter on 28 December 2024., if I have got the date right. 

    May they both rest in peace! 

    (Some of the information in this piece was gleaned from Brendan’s book Changing  Faces. Any errors of information omission or inference are unintended. Picture of Walter lighting the lamp, courtesy  Vaishali  Nikalje on linkedin)

  • Kaun Banega Crorepati season 16 attracts top sponsors

    Kaun Banega Crorepati season 16 attracts top sponsors

    Mumbai: Kaun Banega Crorepati (KBC) continues to captivate audiences across India with its unique blend of knowledge, entertainment, and life-changing opportunities. As season 16 unfolds, the show’s enduring popularity is evident in the impressive lineup of top-tier sponsors it has attracted.

    With 12 sponsors onboarded there has been 100 per cent growth over the last year, Leading the way are ACKO and Aditya Birla Group as co-presenting sponsors, IDFC First Bank returns for the third consecutive year as the exclusive banking partner with Atomberg, Vimal and Sensodyne as co-powered sponsors, Veeba as the taste partner, Ultratech Cement and Kalyan Jewellers as partners. Raymond as the wardrobe partner, and Godrej Locks as the safety partner.

    The show’s innovative features, such as the real-time interactive KBC Play Along on Sony LIV, continue to enhance viewer engagement. The KBC Play Along feature allows audiences from across the globe to participate in real-time continues to offer advertisers unique and valuable opportunities to reach a highly engaged audience.

    KBC offers unique opportunities for deep and diverse in-show integrations. By embedding themselves within the show’s narrative, brands can forge meaningful connections with viewers and achieve measurable outcomes, making KBC a powerful platform for brand storytelling and engagement. 

    . ACKO: Partners with the KBC LIFELINES, leveraging contextual moments within the show to integrate the insurance category effectively.

    .  Aditya Birla Group: Sponsors the education of children equivalent to the number of questions asked, aligning with their corporate social responsibility.

    . IDFC First Bank: Acts as the banking partner with a presence across winning moments throughout the show.

    .  Atomberg Fans: First-time sponsor that rewards winners with hampers, enhancing the viewer experience.

    .  Sensodyne: Takes ownership of the “Expert Question of the Day” moment, aligning its brand with expertise and trust.

    .  Raymond: Onboarded as the wardrobe partner, contributes to the show’s style and presentation.

    .   RBI: Integrates the message “Jankar Baniye Satark Rahiye” within the bonus questions, promoting awareness and caution.

    .  Godrej Locks: Rewards contestants at the crucial ₹25 lakh “padav” and integrates their brand message around safety at the right moments.

    These points highlight how various brands are strategically integrating themselves within KBC, enhancing both their visibility and viewer engagement.

    The current season of KBC has already set new benchmarks for viewership and engagement.

    Kaun Banega Crorepati Season 16 is now streaming on Sony LIV, offering viewers and sponsors another season of extraordinary experiences.

    Sony LIV head ad sales revenue Ranjana Mangla said, “Large-scale reality shows like Kaun Banega Crorepati spanning across 142 days of activity (100 episodes) have finally been acknowledged to deliver value at scale in the digital ecosystem creating a paradigm shift in the market. Kaun Banega Crorepati stands as one of India’s most iconic shows, providing an unparalleled platform for brands to connect with audiences. We are thrilled to welcome esteemed 12 sponsors, whose commitment to KBC on Sony LIV  underscores the immense value of this collaboration. With growing advertiser interest, we are confident that KBC Season 16 will once again deliver exceptional benefits to both our viewers, sponsors and partners.”

    ACKO EVP marketing Ashish Mishra said, “KBC occupies an iconic position in the Indian reality show landscape, making ACKO’s decision to continue with our partnership a natural fit. The show’s widespread popularity across ACKO’s core target audience enhances the value of this collaboration. Additionally, we recognized a unique synergy between KBC’s lifelines and our insurance offerings. Just as lifelines offer crucial support to contestants, ACKO provides protection solutions for life’s uncertainties, spanning life, health, car, travel insurances and more.”

    Atomberg Technologies founding member & chief business officer Arindam Paul said, “As a home-grown Indian consumer durables brand started by two IIT-ians, being a co-sponsor of India’s leading entertainment show- Kaun Banega Crorepati, is a massive feat.  Atomberg has always been a brand that’s stood at the intersection of innovation and customer delight; solving unseen, unstated consumer problems, such as introducing energy efficient BLDC fans to India and more. KBC is a show driven by curiosity – as is our  brand, and so this seemed like an organic fit for us.”

  • Celeb endorsements of tobacco products- On whom does the onus lie?

    Celeb endorsements of tobacco products- On whom does the onus lie?

    Mumbai: With the ‘World No Tobacco Day’ well and truly behind us, it is perhaps time to chew on the undeniable reality that pan masala is among India’s biggest industries, with a market estimated at over Rs 40,000 crore. According to a recent report by Expert Market Research, aided by vigorous marketing campaigns by the industry players, the market is expected to witness further growth and is projected to reach well above Rs 70,000 crore by 2026. Despite an existing ban on direct tobacco advertisements, celebrity-led advertising is immensely popular among these brands that collectively spend hundreds of crore rupees on advertising via surrogate means, with several A-listers of Bollywood routinely featuring in pan masala ads.  

    The recent list of celebrity endorsers of premium pan masala brands includes names such as Amitabh Bachhan, Akshay Kumar, Ajay Devgn, Shah Rukh Khan, Ranveer Singh, Saif Ali Khan, Hrithik Roshan, Priyanka Chopra Jonas and Anushka Sharma, among others who currently or at some point endorsed brands like Vimal, Signature, Baba Elaichi and Pan Bahar. The association has drawn much censure for the actors from netizens & general public for promoting tobacco products via surrogate advertisements. Following backlash from fans, Amitabh Bachhan and most recently, Akshay Kumar withdrew their endorsements.

    Recently, a case was also filed against actors Shah Rukh Khan, Ranveer Singh, Ajay Devgn and Amitabh Bachchan for promoting these unhealthy tobacco products.

    In this scenario, the question arises: On whom does the onus lie? Is it on the celebrity brand endorsers who perhaps owe a moral/ethical responsibility to their fans? Or, is it on the policy makers for allowing such thinly veiled surrogate ads for tobacco products in the first place, by seemingly turning a blind eye? Should the laws be made more stringent on such advertisements, with perhaps a blanket ban on tobacco promotions in all forms- surrogate or otherwise- being the only solution? We asked some marketing and advertising industry insiders for their take on the matter, and this is what they said.

    According to Pulp Strategy founder and managing director Ambika Sharma, stars will get many offers but as part of their stardom, there is a responsibility toward the well-being of their fans. “The law does not prevent the advertising of surrogates, but the ethical compass should. In my opinion, the responsibility of the messaging lies with the delivery equally. Why just the stars, there is media also involved,” she says, adding that while the policy for surrogates is in place, the law should be changed based on the current needs and future assessments.” It should be expanded to cover all tobacco products including close monitoring of surrogates,” she believes.

    Surrogate advertising, for the unversed, is a form of advertising which is used to promote banned products, like cigarettes/tobacco and alcohol, in the disguise of another product. Pan masala is a generic term for modern areca nut products that fall under the category of smokeless tobacco commodities. The pan masala industry is known to spend huge amounts on the promotion of these tobacco brands by adopting various marketing tactics.

    According to Grapes executive creative director Priyank Narain, the very idea of surrogate advertising seems quite strange. “Everyone knows what’s being advertised. You may as well ban the brand being advertised or the actual product. This middle path is just a strange way for some people who want to earn money but also have a conscience.”

    While acknowledging that celebrity brand endorsers do owe a lot to their fans, Narain asks why should the onus lie on the celebrities alone? “Doesn’t the government also have a moral responsibility towards the health of the nation? And if they do, why allow the manufacturing and sales of such products in the first place?.” Adding that, “if the government is fine to have these products manufactured because it can earn some money, it should be fine for a few celebrities to earn a little more.”

    Citing Akshay Kumar’s example who initially made big promises of never endorsing a tobacco brand only to then appear in one, Narain says that it’s obvious “we are living in times where profits and economics make more sense than anything else and morals are low. Hence, it’s up to the consumer to be smart enough and make a conscious decision.”

    Akshay Kumar is the latest entrant in the Vimal universe. After the Bollywood actor featured in the pan masala brand’s latest ad, alongside Devgn and Khan, he was heavily trolled for going back on his earlier stance of never endorsing harmful products such as gutkha.

    Earlier last year, Megastar Amitabh Bachchan faced flak for featuring in an advertisement for pan masala brand, Kamla Pasand, following which the big B announced his withdrawal from the advertising campaign. Bachchan initially defended his stance, calling it part and parcel of the entertainment business that employs many but later backtracked. The move came after the national anti-tobacco organisation also requested him to refrain from endorsing pan masala as it could help prevent youngsters from getting addicted to tobacco.  

    Thought blurb Communications managing director and CCO Vinod Kunj, strongly believe, “there should be a blanket ban – not on the advertising, but the manufacturing and sale of all tobacco products. Until that decision is taken these futile debates and arguments will continue.” However, he feels that will not happen, “because, that would mean a huge drain on the coffers of the people who make these quixotic policies.” They compensate for that by making surrogate terms and conditions whose very purpose is for them to be circumvented, he continues, questioning, “why to blame hapless stars and starlets when our policies are dystopian in the first place.”

    On the flip side, Jigsaw Brand Consultants founder Rutu Mody Kamdar doesn’t think it is a lawmaker’s job alone to impose a blanket ban. Lawmakers are one stakeholder who can create guardrails but it is a multi-pronged approach to deal with this issue with various people committing to do their bit, she feels, adding that the onus lies on everyone. “On account of a flourishing industry, there are multiple stakeholders who are choosing to benefit. But on account of a larger societal and ethical issue which honestly is everyone’s responsibility, the brands, celebrities, media and consumers are all responsible for propagating it in some way or the other,” she explains.

    What does the law say?

    By law, tobacco advertising is not allowed. The Cigarettes and Other Tobacco Products Act, 2003 or COTPA, 2003 is an act of Parliament of India enacted in 2003 to prohibit the advertisement of, and to provide for the regulation of trade and commerce in, and production, supply and distribution of cigarettes and other tobacco products in India.

    The ad industry regulator Advertising Standards Council of India’s (ASCI) guidelines also clearly state that celebrities should not participate in advertisements for products that by law require a health warning in their ads or packaging.

    While this debate can go on and on, Zee Studios head marketing Neeraj Joshi believes that bans are not a solution. “Bans are usually against the grain of democracy and defeat the purpose of a competitive market. If the product is being sold, banning its communication is not necessarily going to curb consumption.” And product bans don’t achieve much and possibly cause more harm; as in the case of Bihar, he adds.

    According to Joshi, in an open market scenario, celebrity endorsements are bound to be aggressively pursued by brands. “Celebs endorse a range of products and services. Making them accountable for everything is a bit unfair.” Such a thought process also “infantilizes the consumers,” he concludes.

  • Hungama Artist Aloud launches app with Big FM India & Vimal

    Hungama Artist Aloud launches app with Big FM India & Vimal

    Mumbai: Hungama Artist Aloud, a platform that supports and promotes independent artists and content has partnered with Big FM India, alongside Vimal Bolo Zubaan Kesari as a special partner, to launch the Hungama Artist Aloud app. The app has been developed by D’Cafe.

    Spanning over 40 languages and 50+ genres such as pop, rock, hip hop, folk, indie, EDM, ghazal in music and multi-regional comedy talent, this hub for all independent artists across original content art forms will be available on Android and iOS and Hungama Artist Aloud Web.

    Right from its inception, Hungama Artist Aloud has endeavoured to present a platform for independent artists to showcase their talent and reach out to a wider base of listeners spread across the nation. With the genre’s popularity rising as independent artists carve their niche and fandom, the app, via the ‘Go Live’ feature will provide them with a democratic approach to perform live events anywhere, anytime and earn revenue, said the statement.

    “Right from the start, Hungama Artist Aloud has envisioned creating a tech-backed community for independent artists and their music to thrive. The idea behind the launch of the app is to promote independent talent globally, and to help them reach out to a diverse audience,” said Hungama Artist Aloud SVP Soumini Sridhara Paul. “Independent content has been on the rise and we are thrilled to present these talented artists with a platform that takes them to further heights. We are glad to take our vision forward alongside like-minded partners such as BIG FM India, Vimal – Bolo Zubaan Kesari, and the app developers, D’café. We thank them for their support as we look to create a wider fan base for independent content and the artists by leveraging their expansive reach and network.”

    With a view to fostering the relationship between artists and their fans, the ‘S2A’ (Subscribe to Artist) feature will allow users to buy a subscription to their favourite artist. In addition to receiving early access to content, these users will be the first to know, via notifications, when the artist whom they’ve subscribed to has uploaded new content. They will also receive one free live event pass that can be used anytime for any live event, within one month of the subscription.

    Apart from a platform to perform live and earn revenue, the Hungama Artist Aloud app will also aid independent artists with a host of marketing services.

    “Today, listeners are spread across platforms. Starting their day with radio, they subsequently move to other streaming platforms throughout the day. In such times, being ubiquitous is the need of the hour and we at Big FM, keep our listeners as the top priority,” remarked Big FM chief brand and digital officer Sunil Kumaran. “Our partnership with Hungama Artist Aloud is to expand our wings and venture into different avenues for our listeners and stakeholders. Through the new app, we will have a multi-format digital presence which empowers our listener base across 58 stations to engage with BIG FM in another fresh manner.”

    “It’s always fun to collaborate with a dedicated team. Hungama Artist Aloud made the experience all the more thrilling by being open to innovation. Being their technology partner has been an interesting journey for us. It has been a wonderful creative exchange that has fuelled our curiosity. We look forward to pursuing this partnership in the long run,” added D’café CEO Vineet Dhawan.

  • Indian advertising stalwart AG Krishnamurthy passes away

    Indian advertising stalwart AG Krishnamurthy passes away

    MUMBAI: An entrepreneur to the core… a creative disrupter who did not care about the establishment and the way it functioned in the late seventies and eighties. This perhaps best describes Atchyutani Gopala Krishnamurthy, fondly known as AGK, who passed away at the age of 73 in Hyderabad following a brief hospitalisation on 5 February.

    The founder, chairman and managing director of Mudra Communications, AGK was regarded by many in the industry as a legend — an adman, a creative genius, a pioneer in business and marketing, and an author — all rolled into one. His sudden demise after a brief illness came as a shock to many. Incidentally, 5 February, 2016 also marked the silver jubilee of MICA – the advertising institute, which Krishnamurthy established.

    Krishnamurthy had been an inspiration for many generations of advertising enthusiasts and veteran creatives in the country, and his ‘rags to riches’ story of setting up Mudra Communications from a Rs 35,000 and one client company to an empire worth millions, is one of the biggest success stories of our times.

    Born on 28 April, 1942 in Vinukonda, in the southern state of Andhra Pradesh, Krishnamurthy didn’t start off his career in advertising but chance and impromptu necessity led him in. In 1968 he joined the Calico Mills, a big textile name in the 60s and 70s, to assist Giraben Sarabhai. Later, he was commissioned by Reliance Dhirubhai Ambani to come up with “the best possible advertising in textiles” for Reliance’s in-house fabric brand, Vimal. And from him came the brand’s tagline – ‘Only Vimal.’ He was also the man behind the simple yet evergreen tagline – ‘I love you Rasna.’

    By 1980, AGK had christened ‘Mudra’ as an independent advertising agency while scouting for like minded business partners. With his insights and leadership, it didn’t take long for Mudra to become a full-service national-level advertising house.

    He later penned a biographical book titled Dhirubhaism on Dhirubhai Ambani’s business philosophy and the anecdotes that he shared with Krishnamurthy when they worked together, which is still referred to by many management and business students.

    Although his creative works are revered and celebrated even today, his biggest contribution to the advertising fraternity is no doubt, setting up of MICA or Mudra Institute of Communications, Ahmedabad as it was earlier called. It was the first of its kinds in all of Asia when it was established in 1991.

    AGK’s talent for starting new businesses and establishing its success in the market didn’t end there. After retiring from Mudra in 2003, he founded AGK Brand Consulting as ran it as chairman.

    A few ad men took to social media to express their grief.

    Cartwheel Creative founder Ramakrishna Desiraju, popularly known as Ramki tweeted, “Flooded by memories of AGK. What a remarkably atypical adman he was. MICA, perhaps more than Mudra, will be his lasting legacy. RIP. Much too late, I regret not staying in touch with AGK. His strange accent, his warm smile, and his earthy wisdom will always stay with me.”

    R K Swamy Hansa Group chairman SK Swamy tweeted, “Hardly 74 years Founder of Mudra Communications AG Krishnamurthy is no more. He changed the rules when he ruled….”

    Krishnamurthy is survived by his wife, three daughters and son. We at Indiantelevision.com express our heartfelt condolences to the family. May his soul rest in peace.  

  • Indian advertising stalwart AG Krishnamurthy passes away

    Indian advertising stalwart AG Krishnamurthy passes away

    MUMBAI: An entrepreneur to the core… a creative disrupter who did not care about the establishment and the way it functioned in the late seventies and eighties. This perhaps best describes Atchyutani Gopala Krishnamurthy, fondly known as AGK, who passed away at the age of 73 in Hyderabad following a brief hospitalisation on 5 February.

    The founder, chairman and managing director of Mudra Communications, AGK was regarded by many in the industry as a legend — an adman, a creative genius, a pioneer in business and marketing, and an author — all rolled into one. His sudden demise after a brief illness came as a shock to many. Incidentally, 5 February, 2016 also marked the silver jubilee of MICA – the advertising institute, which Krishnamurthy established.

    Krishnamurthy had been an inspiration for many generations of advertising enthusiasts and veteran creatives in the country, and his ‘rags to riches’ story of setting up Mudra Communications from a Rs 35,000 and one client company to an empire worth millions, is one of the biggest success stories of our times.

    Born on 28 April, 1942 in Vinukonda, in the southern state of Andhra Pradesh, Krishnamurthy didn’t start off his career in advertising but chance and impromptu necessity led him in. In 1968 he joined the Calico Mills, a big textile name in the 60s and 70s, to assist Giraben Sarabhai. Later, he was commissioned by Reliance Dhirubhai Ambani to come up with “the best possible advertising in textiles” for Reliance’s in-house fabric brand, Vimal. And from him came the brand’s tagline – ‘Only Vimal.’ He was also the man behind the simple yet evergreen tagline – ‘I love you Rasna.’

    By 1980, AGK had christened ‘Mudra’ as an independent advertising agency while scouting for like minded business partners. With his insights and leadership, it didn’t take long for Mudra to become a full-service national-level advertising house.

    He later penned a biographical book titled Dhirubhaism on Dhirubhai Ambani’s business philosophy and the anecdotes that he shared with Krishnamurthy when they worked together, which is still referred to by many management and business students.

    Although his creative works are revered and celebrated even today, his biggest contribution to the advertising fraternity is no doubt, setting up of MICA or Mudra Institute of Communications, Ahmedabad as it was earlier called. It was the first of its kinds in all of Asia when it was established in 1991.

    AGK’s talent for starting new businesses and establishing its success in the market didn’t end there. After retiring from Mudra in 2003, he founded AGK Brand Consulting as ran it as chairman.

    A few ad men took to social media to express their grief.

    Cartwheel Creative founder Ramakrishna Desiraju, popularly known as Ramki tweeted, “Flooded by memories of AGK. What a remarkably atypical adman he was. MICA, perhaps more than Mudra, will be his lasting legacy. RIP. Much too late, I regret not staying in touch with AGK. His strange accent, his warm smile, and his earthy wisdom will always stay with me.”

    R K Swamy Hansa Group chairman SK Swamy tweeted, “Hardly 74 years Founder of Mudra Communications AG Krishnamurthy is no more. He changed the rules when he ruled….”

    Krishnamurthy is survived by his wife, three daughters and son. We at Indiantelevision.com express our heartfelt condolences to the family. May his soul rest in peace.  

  • Scarecrow Communication adds only Vimal to its kitty

    Scarecrow Communication adds only Vimal to its kitty

    MUMBAI: Reliance’s textile company ‘Only Vimal’, started by Dhirubhai Ambani with ‘dare to dream and learn to excel’ spirit. Scarecrow Communications has been appointed as the creative agency for the brand.

    According to the sources, the account size is Rs 30 crore.The creative agency has won the account in a multi agency pitch. The former agency on the account was Grey Worldwide.

    Scarecrow founder director Manish Bhat said, “Vimal is a truly iconic Indian brand. The brand pioneered lifestyle communication in India by using brand ambassadors like Sir Vivian Richards. In fact, with communication that was ahead of its times, the brand was a guiding light for the Indian advertising industry. Scarecrow is thrilled to contribute to the task of bringing back the brand’s iconic status.”

    Scarecrow Communication founder and director Raghu Bhat

    “It is interesting and challenging to reposition a strong Indian lifestyle brand in a scenario where Indians are constantly upgrading their lifestyles and global lifestyle brands are trying to penetrate the Indian Market,” added Scarecrow founder director Arunava (Joy) Sengupta.

    Scarecrow Communication founder and director Raghu Bhat said, “Winning the Only Vimal account is a definite landmark in the journey of Scarecrow. It is a brand we have grown up with and the task of re-launching it is a responsibility we shall do our best to live up to. We are thankful to the Vimal management for having reposed so much faith in a young agency like ours.”

    Officials have confirmed that the agency is working on the plans for TVCs.

  • Bang in the Middle launches in Kolkata

    MUMBAI: Gurgaon-based advertising agency Bang in the Middle (Bang for short) has started its Kolkata operations from today. This is the agency‘s fourth city office in six months with one each in Gurgaon, Chicago and New York.

    Bang in the Middle expects Kolkata to become a very important market in the coming months. The agency will offer its full suite of services to the clients in Kolkata and help open up global markets.

    The new-age communication agency driven by Prathap Suthan and Naresh Gupta started in May 2012 and serves clients like Dulux, VEEN Waters, Vimal, BigFlix, Hawktrack, Fabulloso, iYogi and PRestival. Bang offers a range of services ranging from traditional ATL advertising to BTL solutions to web advertising, online marketing and digital media.

    For the Kolkata office, Bang has brought on board Meenakkshi Sen as managing partner. She is a former model and has a long association with advertising and media business. She is an inspired first time entrepreneur in the communications arena.

    Bang in the Middle managing partner and CCO Prathap Suthan said, “Kolkata has some great brands that need fresher solutions; both traditional and digital. Whether we like it or not, the world of advertising, marketing, and communication is stepping outside traditional boundaries along with the help of technology. The world is no longer limited by geography, and every market of the world is accessible and open to even local businesses through the web and online advertising. I also have the pleasure of returning back to a city that gave me great memories, beautiful opportunities, and some wonderful campaigns.”

    Sen said, “I am super excited to bring Bang in the Middle to Kolkata. Kolkata has not been getting the attention it deserves from communication companies as a whole. Barring one or two agencies, I would think Kolkata gets back handed treatment. Along with scaling up regular advertising opportunities, I believe that digital marketing also has enormous potential for the brands of Kolkata. New avenues are calling Kolkata, and we better listen to them.”

    Bang in the Middle managing partner and CSO Naresh Gupta said, “Kolkata can add significantly to our growing band of clients. We believe digital marketing solutions work very well for the growing ambitions of home growing ambitions of home grown brands today, and along with our communication expertise we can offer highly relevant brand solutions.”