Tag: viewership

  • IPL 2024 viewership on TV crosses 40 crore for first 18 matches on Disney Star

    IPL 2024 viewership on TV crosses 40 crore for first 18 matches on Disney Star

    Mumbai: As per BARC, more than 40 crore viewers tuned in for the live TV broadcast of the first 18 matches of IPL 2024 on Disney Star network, marking the highest-ever cumulative reach for the live broadcast of 18 matches. The broadcaster has also recorded 12380 crore minutes of watch time, a growth of 15 per cent compared to 2023 edition. Additionally, the TVR witnessed a growth of 17 per cent compared to 2023 edition. The growth in viewership reflects fans’ unwavering support and love for IPL on TV. Star Sports will celebrate fans through a special week, starting 15 April, highlighting the ‘Ajab fandom of IPL’ and paying homage through various initiatives that highlight the distinct ways each fan engages with their favourite sport and teams.

    The inclusion of Indian Sign Language feed and AI technology in the TATA IPL 2024 broadcasts has met with positive response, attracting a wider audience, and fostering a more inclusive viewing experience. Shows like Cheeky Singles, feat. Carry Minati has further boosted IPL’s appeal by infusing fresh perspectives and diverse content into the coverage. Through an immersive broadcast, Star Sports aims to make IPL 2024 a truly unforgettable and personal experience for all.

    Source:

    BARC data for 2+U+R

  • Disney Star delivers biggest IPL with 35 crore viewers for first 10 matches

    Disney Star delivers biggest IPL with 35 crore viewers for first 10 matches

    Mumbai: Disney Star, the official broadcaster of TATA IPL 2024, has shattered all viewership records for the first 10 matches of the marquee tournament. As per BARC, 35 crore viewers tuned in to watch the live broadcast of the first 10 IPL matches, higher than any previous edition of the tournament including seasons played during the pandemic. The overall watch-time for the tournament has sky-rocketed to 8028 crore minutes which is 20 per cent higher than last year. Powered by a wide array of fan-centric initiatives, enriched programming, and a compelling marketing campaign, match ratings for season 17 of the tournament have also galloped 22 per cent compared to the last edition. With the Rivalry Week between 8 and 14 April, the broadcaster is geared to take the tournament buzz even higher.  

    Disney Star head – sports Sanjog Gupta said, “We are overwhelmed with the record-breaking viewing figures for TATA IPL 2024. Disney Star has started season 17 from where it left off last year, doubling down on fan-centred initiatives that seek to drive passion and fandom for the tournament. The unwavering support and love received from fans and audiences alike is an affirmation of Star Sports’ belief in the aggregative capacity of IPL on TV as well as its potential for further growth. The figures also reflect the success of our endeavour to enhance the IPL viewing experience through broadcast and programming innovations, including HDR-enhanced 4K, interactive services, and multi-platform fan engagement. We continue to remain committed to our vision of serving sports fans and recruiting new audiences.”

    Disney Star is broadcasting TATA IPL 2024 across 14 feeds in 10 languages with a special feed in Indian sign language for deaf, hard-of-hearing, and visually impaired fans. The marketing campaign for the edition 17 of the tournament – “AJAB IPL KE GAJAB RANG” – was based on the tournament insight that a fan’s true colours are seen through the ebbs and flows of one’s team’s performance in the tournament and that the same moment in IPL is experienced very differently by different viewers.

    Disney Star also launched several new programming initiatives including custom highlights catering to different cohorts of fans, shows like Cheeky Singles (hosted by Asia’s largest YouTuber – Carry Minati), and activations to collaborate with the content creator ecosystem across platforms. It has also introduced a special broadcast for kids every Sunday afternoon – Super Funday – to better serve 8-12 year olds and continues to power activations like Star Nahi Far, which bring fans closer to the superstars.

    *ALL BARC DATA 2+U+R*
     

  • TATA IPL 2024 on JioCinema sees 51 per cent surge in day one viewership over 2023

    TATA IPL 2024 on JioCinema sees 51 per cent surge in day one viewership over 2023

    Mumbai: JioCinema, the official streaming platform for the TATA IPL, made an incredible opening for the 2024 season as over 11.3 crore viewers logged in on day one, a 51 per cent increase compared to day one of TATA IPL 2023. As JioCinema commenced their second season on digital, over 59 crore video views were registered on the platform for the opening day of TATA IPL 2024 which led to 660 crore minutes of watch-time.

    The opening match on JioCinema was a spectacle to behold as fans were treated with unheard TATA IPL stories from their favourite heroes Sachin Tendulkar, Virender Sehwag. JioCinema turned it up in the commentary box as well, as cricket fans heard Sehwag commentate in Haryanvi for the first time. Style icon and singer Badshah dialled up the pop-figure quotient in JioCinema’s Punjabi and Haryanvi commentary box, calling the game with his swagger.

    Another driver of the record-breaking figures during the opening match was the latest edition of JioCinema’s free-to-play predict and win game, Jeeto Dhan Dhana Dhan. The opening night contest saw a viewer winning gold worth Rs 50 lakhs, while the first runner-up won gold worth Rs 10 lakhs. More than 50 participants won gold worth Rs 1 lakh each. Viewers will also be able to win a motorcycle, a smart TV, and plenty of vouchers for each game from second match onwards. 

    “We resumed where we left last year, and the numbers testify there is no better way to experience the TATA IPL than digital,” said a Viacom18 spokesperson. “India has completed its transition to being a digital-first sports consuming nation and the opening game record numbers validate this. We are going to see benchmarks reset and records re-written throughout the course of this season.”

    JioCinema took the opening match presentation to a whole new level with six leading consumer brands, Dream11, Charged by Thums Up, Parle Products, Britannia, Dalmia Cements, and HDFC Bank, debuting their TATA IPL campaign within the first six overs of the opening game under the newly introduced JioCinema Brand Spotlight. This season kicked off Friday night with a record 18 sponsors and over 250 advertisers.

    The new season of TATA IPL has given viewers lot to cheer about as fans can continue streaming the world’s biggest cricket league for free on JioCinema. In addition, fans will be able to catch the latest season in 4K, across 12 languages, including Haryanvi for the first time, with multi-cam options, including the much-hyped Hero Cam.

  • Disney+ Hotstar breaks records with 3.5 crore viewers during India Vs Pakistan ICC Men’s Cricket World Cup 2023

    Disney+ Hotstar breaks records with 3.5 crore viewers during India Vs Pakistan ICC Men’s Cricket World Cup 2023

    Mumbai: Disney+ Hotstar achieved an unprecedented milestone in the world of cricket streaming by recording a historic concurrent viewership of 3.5 crore during the ICC Men’s Cricket World Cup 2023 match between India and Pakistan. This is the highest peak concurrency number achieved across all formats of cricket. The clash of titans on 14 Oct marked a watershed moment for the platform and for digital sports viewership across the country. Asia Cup 2023 has already garnered an overwhelming response from fans, with 2.8 crore viewers for the India vs Pakistan match and 2.1 crore viewers for India vs Sri Lanka.

    Disney+ Hotstar India head Sajith Sivanandan said, “We would like to thank all the fans who tuned-in to watch the India-Pakistan match on Disney+ Hotstar. Your love for the game is what made it possible for Disney+ Hotstar to break all the previous records across all cricket formats and hit a peak concurrency number of 3.5 crore viewers. As the cricketing rivalries continue, we’ll continue to honour our commitment towards delivering an unmatched viewing experience to all our users. We look forward to many more such experiences as the ICC Men’s Cricket World Cup unfolds.”

    Tune in to Disney+ Hotstar to watch the upcoming ICC Men’s Cricket World Cup 2023 live and free on mobile. The tournament will also be broadcast live on Star Sports.

  • Who is winning the hindi news viewership race post-data resumption? A Report on Hindi News Viewership

    Who is winning the hindi news viewership race post-data resumption? A Report on Hindi News Viewership

    Mumbai: News channels in India have always been one of the most talked about genres when it comes to linear television consumption. While cord-cutting has severely affected the viewership of many genres, news has weathered the digital storm firmly. According to TV audience measurement body Broadcast Audience Research Council (BARC) ‘s data, the viewership of the news genre saw a 27% growth in 2020 compared to 2019. In contrast, the general entertainment channels (GEC) and sports genres experienced a dip in viewership.

    Indiantelevision.com, as part of its newly launched Knowledge Series, presents an in-depth study on the Hindi News Genre.

    Click here to Download the report

  • GUEST COLUMN: Five ways digital attribution can improve CTV & OTT advertising return on ad-spend

    GUEST COLUMN: Five ways digital attribution can improve CTV & OTT advertising return on ad-spend

    Mumbai: CTV/OTT viewership has exploded in India since the start of the pandemic, opening a new market of opportunities for advertisers. Combining the best of digital and traditional linear TV advertising, CTV/OTT advertising has become marketers’ favourites because of its ability to reach the right audience at the right time. These platforms provide advertisers with easy access to a vast pool of active buyers with high purchasing power.

    It is estimated that more than 500 million Indians are already consuming OTT content. The number of CTV (connected TV) users is expected to reach 80 million households or nearly 320 million users by 2025. As linear TVs continue to lose viewers’ attention, advertisers are scrambling to make the most of the rising CTV/OTT viewership. This has also led to an increase in the amount of money spent on advertising on CTV/OTT, especially by B2B marketers.

    In the OTT and CTV spaces, marketers have the advantage of clear targets, ideal buyer profiles, and clear-cut targeting strategies. While some other factors may affect the overall impact of CTV and OTT campaigns, these platforms also help in improving the return on ad spend (ROAS) through the right digital attribution.

    Here are five ways in which digital attribution can help improve the ROAS:

    Identifies customer touchpoints better

    Marketers have to engage with customers at multiple touchpoints for successful conversions. In video campaigns, it is not easy to identify the exact touchpoint at which the viewer decides to convert.

    Advertisers must have a comprehensive understanding of the customers’ journey for better ROAS. This issue can be mitigated by adopting multi-touch digital attribution for CTV/OTT, as it will enable the advertiser to locate the touchpoint that triggered the conversion. Such knowledge will empower them to reduce ad spend wastage.

    Filters out non-performing tactics

    Through conventional attribution, specific campaigns walk away with sales and conversion credit without giving an insight into what parameters actually worked. This technique fails to take into account that some of the sales may be due to repeat customers or old customers who may have restarted their services. For CTV/OTT, conventional attribution will fail to give the real picture as advertisers use multiple tactics to drive conversions. Digital attribution can help identify the exact ways that resulted in sales on CTV/OTT. It will enable advertisers to focus more on winning tactics and avoid unnecessary ad spending on non-performing strategies.

    Real-time optimisation

    CTV/OTT metrics provide real-time data on customer responses to ad campaigns, allowing marketers to make in-the-moment adjustments. If something is not working, advertisers can withdraw the campaign and launch its alternative or improved version in real time. Digital attribution plays an important role here by enabling advertisers to identify the highest-performing tactics and make adjustments in real time. For example, during live streaming of a new movie on CTV/OTT, if a 30-second video ad is outperforming a 60-second creative, the advertiser can use this data to allocate more budget towards the better-performing 30-second campaign rather than giving in to the length of a video campaign.

    Targets the right audience

    The CTV and OTT streaming markets have exploded since the pandemic. As a large part of the population was confined indoors due to lockdowns, the demand for new entertainment platforms and content also increased. The availability of cheaper data across the country further amplified viewership on OTT and CTV. The surge in OTT/CTV content demand gave advertisers access to a massive new audience.

    However, it has also become important to segment audience attributes for better targeting. With the right attribution, advertisers can easily segment customer databases to identify at which stage of the purchase the customer is actually converted.

    Identifies “buy signals” more accurately

    One of the most common differentiators between a successful and unsuccessful marketer is their ability to identify the “buy signal” from a prospective customer. The “buy signal” on CTV/OTT is an action or behaviour indicating a viewer is ready to become a customer. The actual sale often takes place much after the campaign is over. The right attribution can help in identifying the buy signal correctly. It will further enable marketers to match their strategy with sales insights to optimise the campaign for better results.

    To sum up

    Converting sales from a digital campaign requires slick digital attribution. This beats conventional ad-based tracking. It not only provides precise data points where the customer is most likely to convert, but it also provides insights into consumer purchasing behaviours. A modern world needs more contemporary digital attribution techniques, and we are already ready with one.

    The author is VDO.AI founder and CEO Amitt Sharma.

  • Bhojpuri GEC Zee Ganga hits new high with primetime viewership reaching 125%

    Bhojpuri GEC Zee Ganga hits new high with primetime viewership reaching 125%

    Mumbai: Bhojpuri GEC ZEE Ganga added a new milestone in its journey by achieving 125 per cent slot growth, alongside 39 per cent in TSV and 41  per cent in reach (BARC, B&J, CS2+, AMA000’s, Mon to Fri, 1900-2100hrs, Wk ’14-25′ 22), in its original content prime-time viewership this year. 

    The rare yet amazing feat is now the channel’s crowning glory, as it moves ahead with renewed vigor to continue its success story.

    Driven by their culturally rooted motto of ‘Har Pal Aviral’ ZEE Ganga has striven to form a deep connection with its audience and provide world class original Bhojpuri content to them. The channel’s prime-time content slate, with fresh, new, and interesting stories, is a prime example of that. The channel brings to its audience four unique stories that bring out the true Bhojpuriya spirit in all its glory. 

    The audience in these two hours get to witness the grit of Shyama, an extremely talented but a dark-skinned Kirtan singer, who with her talent, fights the social divide and challenges the notions of beauty and bias against color in the musical family drama Shyam Tulsi, (7 p.m). 

    This is followed by the romantic drama Mitwa, (7.30 p.m) an endearing story of compromise, finding companionship, support, and respect. It showcases the positive mindset of Ritu, its protagonist who stops at nothing to fight for her husband’s pride and profession, which is looked down upon by society. 

    Bringing to fore another social issue is the show Kanya Pradhan (8:00 p.m), a socio-cultural family drama. It’s an inspirational story of Aarti deciding to take matters in her own hands and smash the patriarchy on her path to discovering her true individuality, empowering herself and governing the village that she’s the Gram Panchayat of. 

    The prime-time entertainment ends with Bandhan Tute Na (8:30 pm), a family drama with a supernatural twist. It presents the rivalries and luxurious life of the zamindars with some paranormal elements, making the viewers cheer for the heroine and hope that she prevails at the end. Together, these shows, with intriguing plotlines and power-packed performances, have been an integral part of the household’s prime-time viewing, much to the delight of Bhojpuri speaking audiences.

    Also Read: Creativity is major factor behind the popularity of ‘Memsaab No 1’: Makers

    Speaking on the achievement, ZEEL chief channel officer – Bhojpuri cluster Amarpreet Singh Saini said, “Our shows have always showcased the true blue Bhojuriyat values, traditions, and way of life.  We want our audiences to feel a connection with the characters and the concepts that they are watching on screen. The completion of the 200 episodes of all our prime-time shows is a testament to the fact that we are on the right path. This achievement pushes us to bring to our viewers more such riveting yet relatable content in the near future.”

    ZEE Ganga has consistently upped the game of entertainment for its viewers through its offerings while also engaging with them. The channel is known for entertaining the audience with its unique content all around the year while adding value in their lives through family-oriented offerings, with more and more in the bucket to offer, the channel is redefining entertainment and original content for its regional audience through a Savaan special and few other upcoming special festive offerings.

  • ‘Memsaab No 1’ season 10 put Zee Ganga in pole position

    ‘Memsaab No 1’ season 10 put Zee Ganga in pole position

    Mumbai: Zee Ganga, the Bhojpuri GEC of Bihar, Jharkhand and Purvanchal region has added a new milestone to its journey. Within just a week of its launch, the latest season of its marquee talent-based non-scripted reality show “Memsaab No 1” has catapulted the channel into pole position in the primetime slot. 

    In the third week of 2022, the channel witnessed significant growth in viewership during the 6-7 p.m time-band. In its opening week of the show itself, the growth recorded in the time-band is 73 per cent over the last eight weeks (Source: Barc, BJ 2+, U+R Wk 47’21-Wk 03’22). In terms of the overall reach, the channel has also witnessed 36 per cent growth in its reach in the third week as compared to the last eight weeks (Source: Barc, BJ 2+, U+R Wk 47’21-Wk 03’22).

    Filled with high-octane drama, the show, in the span of a few weeks has enthralled audiences by going beyond old formats to present Bhojpuri entertainment’s very-first non-scripted reality show. Doing away with the song and dance seen in earlier seasons, “Memsaab No 1” season 10 shows a side of contestants in the midst of an epic battlefield that sees group equations and power dynamics change at every instant. Watching them tested over three stages – individual skills, family environment and social responsibility, in the exciting challenge to emerge as the ‘Sarv Gunn Sampann Babuni,’ has gripped the viewer’s attention that is well reflected in the viewership numbers. Furthermore, the show with its glamour quotient in the form of its eminent judges Pakkhi Hegde, Rinku Ghosh and its charming host Chintu Pandey and a star-studded line-up of celebrity like Kajal Raghwani, Rani Chhaterjee, Nissar Khan have made sure no one misses the telecast of the show every Monday-Friday at 6 p.m.

    The show is spread across 13 weeks, with each week bringing out competitive, intellectual and compassionate facets to the contestants. The show has been receiving tremendous responses since its first season. Given its high entertainment quotient, it generates high viewership and interest from both male and female viewers of the region.

    “It has been our constant endeavor to provide unique and engaging content to our viewers through shows with innovative concepts,” said Zeel chief cluster officer – East Samrat Ghosh. ”  ‘Memsaab No 1’ has been a hit among the audience. We renew it this year with another season that has a whole lot of surprises to further elevate the engagement and entertainment quotient. We witnessed great results in just the first week of its launch and we look forward to yet another remarkable season of a legacy show that will see audiences continue to shower their love and appreciation to us.”

    “’Memsaab No1′ is a marquee property for us,” stated Zeel chief channel officer – Bhojpuri cluster Amarpreet Singh Saini. “Given how we have had the love of our audience over nine seasons now, we felt it was time to reinvent. And that’s how the new format has been conceptualised and we’re able to invent Bhojpuri’s first non-scripted reality show. The opening thumping response is testament and evidence of the idea has resonated with the audiences and consumers.”

  • Sun TV regains top spot in week 40: Barc

    Sun TV regains top spot in week 40: Barc

    Mumbai: Garnering weekly AMAs of 2844.59 (‘000s), Sun TV emerged as the most viewed channel in Broadcast Audience Research Council (Barc) week 40 (2 to 8 October 2021). The Tamil GEC replaced Star Plus which had been ruling the position for the past two weeks. Star Plus slipped to the second spot with 2788.88 AMA.

    Star Sports 1 Hindi maintained its hold on the third spot with 2609.43 (‘000s) AMA. Star Maa, Star Vijay, Star Utsav, Colors, Sony SAB, Zee Telugu, and Zee TV followed in that order.

    The mega cities were also led by Sun TV at 493.9 AMA. Star Plus, Colors, Star Vijay, and Star Sports 1 Hindi grabbed the remaining four positions.

    With 2838.2 (‘000s), Sun TV was the leader in the South market as well. Star Maa, Star Vijay, Zee Telugu, and Zee Kannada were at the second to fifth spots.

    Among the regional markets, Maharashtra/Goa was dominated by Star Pravah with 1263.24 AMA. Zee Bangla was the top performer (1085.45) in West Bengal, Tarang (415.14) in Odisha, Zee Kannada (1401.55) in Karnataka, and Star Utsav (206.81) in Rajasthan.

    Clocking 291.14 (‘000s) AMA, Dangal made a surprise entry at the top position in UP/Uttarakhand, replacing long-time leader Zee Anmol which slipped to the third spot making way for Star Utsav as the second most viewed channel.

  • Star Plus maintains top position in week 39: Barc

    Star Plus maintains top position in week 39: Barc

    Mumbai: Hindi GEC Star Plus maintained its hold at the top position in Broadcast Audience Research Council (Barc) week 39 (from 25 September to 1 October). With a weekly AMA of 2802.45 (000’s), the channel garnered more viewership than last week when this figure stood at 2744.83 (‘000s) AMA. Tamil GEC Sun TV was the second most viewed channel, clocking 2727.68 AMA as against last week’s 2650.54 (‘000s), revealed the Barc data.

    Riding the IPL wave, Star Sports 1 Hindi which made a direct entry at the sixth spot in week 38, replaced Star Maa at the third spot. The Telugu GEC has been a consistent performer at second or third place for the past many weeks. While Star Sports 1 Hindi bagged 2725.57 (‘000s) AMA, Star Maa finished fourth at 2502.61.

    The remaining order was occupied by Star Utsav, Colors, Sony SAB, Star Vijay, Zee Telugu, and Sony Pal.

    Week 39’s Mega Cities list looked different with Star Sports 1 Hindi at the fourth position with a weekly AMA of 386.62 (‘000s). Sun TV led the tally at 473.73 AMA. Star Plus and Colors bagged the second and third slots respectively. Star Vijay finished last.

    Sun TV was the top performer in the South Market as well, where it recorded 2720.54 AMA. Star Maa, Star Vijay, Zee Telugu, and Zee Kannada followed.

    In the regional circuits, Star Sports 1 Hindi was among the top five most-viewed channels in UP, Odisha, West Bengal, and Maharashtra/Goa.

    Star Pravah led the Maharashtra/Goa market with 1419.85 (‘000s) AMA. Zee Bangla was the top performer (1041.27) in West Bengal, Tarang (390.25) in Odisha, Zee Kannada (1434.64) in Rajasthan, Star Utsav (253.6) in Rajasthan, and Zee Anmol (354.63) in UP/Uttarakhand.