Tag: Viacom18

  • Vineet Jain, AroonPurie, Uday Shankar and CVL Srinivas bag top honours at 3rd IAA Leadership Awards

    Vineet Jain, AroonPurie, Uday Shankar and CVL Srinivas bag top honours at 3rd IAA Leadership Awards

    MUMBAI: The International Advertising Association’s (IAA) India Chapter today announced the winners for the 3rd IAA Leadership Awards at a glittering ceremony held in Mumbai. The event, presided by Honourable Union Minister of State for Finance Sri Jayant Sinha, brought together the most creative and strategic minds from the world of Marketing, Media and Advertising industry as they competed against each other for the coveted awards.

    The 3rd IAA Leadership Awards celebrated the hard-work and efforts put in by professionals from across industries that have enabled their brand promise and message to further their respective brands’ propositions with consumers.

    Congratulating the winners, Chief Guest for the evening, the HonorableUnion Minister of State for Finance Sri Jayant Sinha said, “It is an honour to be present in a room full of achievers. Politics much is like marketing in many ways. In my experience I have learnt that Indian consumers are a very different lot, very different from consumers internationally. They are emotional, relational and definitely need value for money – paisa vasool is a must. So when we are speaking to the Indian consumers as marketers, much as we in politics do, we need to keep these aspects in mind. Having said that, I would like to congratulate the winnerstonight, and hope they celebrate their success over years to come.”

     

    Speaking on the occasion, Srinivasan K Swamy, President of IAA’s India Chapter said, “It is wonderful to be in the amidstof a collection of individuals who are seekers of excellence. I am humbled and proud at the same time. Humbled, because I am in the midst of a distinguished audience and proud, because this is only the third year of IAA Leadership Awards and it has already established itself as an industry standard. I would like to thank for the support I received from Raj Nayak for putting steam behind an award that the industry looks forward to.”

    The 3rd IAA Leadership Awards were presented by COLORS. Speaking about the initiative, Raj Nayak, CEO – COLORS said, “IAA is undoubtedly the best platform in the industry bringing together creative minds, and the IAA Leadership Awards celebrates the leaders who empower like-minded individuals to push their boundaries with great campaigns and hard work. Associating with the event is an absolute honour and we would like to extend our heartiest congratulations to the winners for their contribution towards the development of the industry. We look forward to further our association with IAA and continue to applaud the efforts put in by professionals on this national platform.”

    Kaushik Roy, President – Brand Strategy & Marketing Communication, Reliance IndustriesLimited, announced the Hall of Fame award to I Venkat – Director, Eenadu Group along with the Srinivasan K Swamy and the Chief Guest – Jayant Sinha. He ended the proceedings by thanking all the winners, the judges and the hosts and the Chief Guest for gracing the occasion and making it a memorable evening.

     

  • Post revamp, Colors Bangla looks at expanding footprint in West Bengal

    Post revamp, Colors Bangla looks at expanding footprint in West Bengal

    KOLKATA: Viacom18, which recently rebranded the ETV’s five regional channels under the Colors brand name, has now unveiled the new logo of the Bengali entertainment channel – Colors Bangla (erstwhile ETV Bangla).

     

    Post the revamp, Colors Bangla is looking at drawing broader synergies under the Colors brand name in order to expand its footprints in West Bengal. 

     

    As part of the revamp, not only did ETV Bangla shed the ETV brand name and take on Colors’ identity, it will also be looking at inducting new programming, going forward.

     

    When queried as to whether the Bengali channel will see Hindi serials from its sister channel Colors in the future, Colors Bangla and Colors Odiya channel head Sujay Kutty said, “While we debate on borrowing content internally, I believe broader synergies will definitely be drawn in order to grow the channel’s footprint.”

     

    The transformation of the identity of the Bangla regional channel ETV Bangla into Colors Bangla coincided with the Bengali New Year. “We had planned a grand gala themed, “Tomar Sapner Rong” on 12 April, where superstar Jeet unveiled the Colors Bangla logo,” he said.

     

    When asked if the Colors brand name will help increase the channel’s viewership, Kutty said, “Colors is an established mass general entertainment brand, synonymous with unparalleled entertainment. The ETV general entertainment channels that have undergone the brand transition have been pioneers in regional entertainment, reflecting the rich cultural heritage of the region, with differentiated and innovative content. The rebranding of the Bangla regional GEC will augment the Colors franchise while also holding higher relevance for Colors Bangla in terms of competition,” he said.

     

    Speaking about branding and marketing activities the channel has undertaken, Kutty said, “To generate awareness amongst the people in Bengal, the marketing and communication initiatives for the launch of Colors Bangla have been designed to extend its interactivity with viewers across various platforms. The rebranding is supported by a 360 degree marketing and communication campaign that includes TV, cable, on-ground, radio, outdoor as well as the digital platform. Various marketing initiatives such as name plate engagement at high populated slums of Kolkata and ROB – a prefabricated tram with the Colors Bangla branding can be seen.”

     

    The channel will also air the world television premiere of popular movies like ChatuskoneOpen Tee Bioscope and Buno Haas. “The three week long marketing campaign will run across West Bengal and Kolkata creating buzz around the launch. The Bengali New Year spells new beginnings – and what better than this auspicious occasion to reveal the fresh new identity of Colors Bangla? It is our way of celebrating the festival of the people of West Bengal with them, for them, and of them,” he concluded.

  • Colors celebrates new age talent in ‘India’s Got Talent 6’

    Colors celebrates new age talent in ‘India’s Got Talent 6’

    MUMBAI: With a number of adrenalin pumping performances, Colors is back with sixth season of its reality show – India’s Got Talent.

     

    This season, India’s Got Talent will celebrate new age talent like never before and revel in highlighting the quirkiest hunarzaades that reside in the country.

     

    Slated to go on air from 18 April, the show will be aired over the weekend at 9 pm.  Talent gurus Karan Johar, Kirron Kher and Malaika Arora Khan will return for the third consecutive season together. Produced by FremantleMedia, the show will be hosted by Nakuul Mehta and Bharti Singh. The channel believes that talent resides in every individual; it is the multiplier for energy, determination and hard work and Colors provides a platform for people to flaunt their hidden flair.

    The channel has roped in a volley of sponsors including Maruti Suzuki as the presenting sponsor, OLX as the powered by sponsor, whereas Amul Macho, Layyer Wottagirl and Ultratech Cement have come on board as the associate sponsors.

     

    With the Golden Buzzer up for grabs gifting the hunarzaade’s a direct entry into the semi-finals, talent will go beyond the four walls of the studio and explore the outer landscape to showcase newer elements including an ‘underwater’ act, a rustic ‘mela’ setup amongst others to bring out the vivid and vibrant colors of life and create the perfect backdrop for oodles of drama touching unparalleled peaks of entertainment.

     

    Colors programming head Manisha Sharma said, “Our focus, this season, is to highlight the hunarzaades – whose talent have the ability to enthral viewers but who have been largely unacknowledged in their growing years. The talent we have seen are those, which have had the courage to follow their heart and vie for success. Karan Johar, Kirron Kher and Malaika Arora Khan are the three jewels in the India’s Got Talent crown, which have sieved out the best of the best talent over the years, and we are pleased to see them raise the bar this year as well. Be it the Golden Buzzer or just leaving the judges spellbound, this edition of India’s Got Talent will feature new-age and techno talent that will leave viewers awe-struck.”

     

    Judging gets tougher, as talent speaks volumes about itself through acts that go beyond convention as they raise the degree of difficulty to create mind-boggling moments.

     

    Touted as the tough-to-please judge, Johar said, “Talent needs to inspire while creating a certain level of thrill in the mind of the viewer. And of course, any good talent needs to entertain. As a judge, I choose to utilize the India’s Got Talent platform to give performers a creative opinion about the degree of complexity they add to their performances. This is my third year judging this show and I am looking forward to seeing how the participants this year surpass the benchmarks set by those who have rocked the stage in the past. They say talent speaks for itself and I am waiting eagerly to see what the talent has to say this year.”

     

    Kher, who has been the part of the show since its inception six years back, added, “It feels wonderful for having been associated with India’s Got Talent for its entire tenure because there are so many new and exciting elements, which ensure that there is never a dull moment on the sets. It feels like home to me. India’s Got Talent is known to encourage new kinds of talent every time. For me, it is an opportunity to truly understand the real and aspirational India through this show. It is the first-hand connect with the viewers that I enjoy the most about this show. It is going to be yet another exciting season and I am really happy to be back.”

     

    Khan opined, “India’s Got Talent is such a larger than life show that it is a challenge for us as judges because inevitably we are caught in moments where one participant is better than the other. We get to see exceptional performances every year. This season, too, I am looking forward to having some fun with many more such mind blowing acts. Bring it on, India.”

     

    As new age talent takes the forefront, the look of the show will adopt a similar flavor. The techno and grunge feel of the sets will highlight the raw appeal of the hunarzaade adding to the overall viewing proposition. Adding a personal touch to the show, home videos of the contestants showcasing their journey of talent discovery will also be aired. Colors will also have a ‘Khulasa’ segment, which will reveal some personal quirks of the judges.

     

    FremantleMedia MD Anupama Mandloi said, “India’s Got Talent has evolved over the years to become a show that defines talent in its true form. This year, our approach is to focus on talent and their ability to transcend thought boundaries to present the unexpected. With talent and an element of challenge being the spotlight, we are looking forward to defying traditions and welcoming a new wave of talent that will be India’s answer to the world.”

     

    Marketing push

     

    To enhance engagement and involve viewers at every stage of the show, an integrated marketing and digital campaign has been chalked out incorporating multiple mediums including television, mobile and cinema amongst others.

     

    The digital campaign will have a fun-filled ‘Challenge Pappu Campaign’ wherein the character of Pappu will throw challenges at the viewers and in the process bring out some of the most outstanding talents to the fore on social media.

     

    With extensive mobile penetration in smaller towns, the promos of the show will be pushed via MMS across key markets along with YouTube. The show will also be promoted during the Indian Premier League (IPL) through  Starsports.com and Hotstar.

  • Colors Bangla to launch ‘Great Music Gurukul’ from 13 Apri

    Colors Bangla to launch ‘Great Music Gurukul’ from 13 Apri

    KOLKATA: Bengali general entertainment channel (GEC) Colors Bangla (erstwhile ETV Bangla) is all set to launch a non-fiction musical show called Great Music Gurukul. Premiering on 13 April, the show will air every Monday to Wednesday from 9-10 pm.

     

    The development comes in light of the ETV regional general entertainment channels being re-branded as Colors by Viacom18.

     

    On the day of the show’s launch, 32 contestants, who have already proved their mettle, will come together for the year’s biggest musical face-off. Four renowned singers have been roped in as mentors to guide the contestants in their battle to win the show.

     

    The mentors including Hariharan, Kavita Krishnamurthy, Javed Ali and Bengal’s music composer and singer Jeet Ganguly will guide 24 singers, who will make it to the main rounds.

     

    The show has been produced by Frames.

     

    The top 24 will then be selected by the mentors to represent their respective ‘Gharanas’. With elimination each week, the top 10 contestants will be then vying for public votes for the winning title. 

     

    Colors Bangla and Colors Odiya channel head Sujay Kutty said, “A musical show that resonates with Bengali music lovers is an apt marker to flag off this journey. Great Music Gurukul is sure to strike a chord amongst Bengali viewers of all ages.”

  • Alt-Rock sensation Switchfoot to tour India with Vh1 Rock Rules

    Alt-Rock sensation Switchfoot to tour India with Vh1 Rock Rules

    MUMBAI:  This March, Vh1 is all set to bring international alt-rock sensation Switchfoot to India with Micromax Vh1 Rock Rules.

     

    This tour marks the debut performance of the California-based, Grammy award-winning band in India. Alt-Rock fans will get a chance to witness the band perform live in India in Mumbai, Pune and Gurgaon at Hard Rock Café on 25, 27 and 29 March respectively.

     

    After the release of nine studio albums, Switchfoot is geared up to finally take Indian fans down a nostalgic lane with their three-city tour. Being their maiden trip to India, Switchfoot promises to entertain fans with the best hits of their eighteen years.

     

    Viacom18 EVP and English entertainment head Ferzad Palia says, “Switchfoot has created a rage amongst the Indian audience with their super-hit tracks and albums for several years. We are immensely delighted to present the band’s maiden tour in India through Micromax Vh1 Rock Rules.”

     

    Switchfoot member Jon Foreman added, “I had the chance to visit India on my own a few years back, and it blew my mind. Ever since, I’ve been begging for the chance to bring my bandmates back with me to play some shows. We can’t wait to bring these songs to India.”

     

    Switchfoot became a sensation with their popular tracks in ‘A Walk To Remember’. The band then commenced their journey to success with hit singles such as ‘We are One Tonight’, ‘Need To Live’ to name a few. The band comprises singer/songwriter Jon Foreman, his younger brother (and co-writer) Tim Foreman on bass, drummer Chad Butler and multi-instrumentalist Jerome Fontamillas.

  • Viacom18 rebrands ETV franchise to Colors

    Viacom18 rebrands ETV franchise to Colors

    MUMBAI: In a cutthroat competitive world of regional television viewing, what is essential for those in the business is to constantly keep rebranding in order to keep in touch with its existing viewers, while adding new ones. 

     

    In an attempt to do the same, Viacom18 has decided to licence its existing brand name Colors to Prism TV, which runs the five regional general entertainment channels namely: ETV Marathi, ETV Bangla, ETV Oriya, ETV Kannada and ETV Gujarati. As part of this, the channels will not only shed the ETV name, thus donning the Colors identity, but will also see induction of new programming. 

     

    The rebranding of the regional GECs will augment the Colors franchise while facilitating higher resonance for the regional channels vis-a-vis competition.
     

    “The strategic pillar of the success for the network has been sharper segmentation,” said Viacom18 Media group CEO Sudhanshu Vats.

     

    According to Vats, one of the logical pieces in segmentation is looking at geographical, regional and linguistic segmentation, which is what the network plans to do with the rebranding exercise.

     

    Putting forth some statistics, Vats said that 59 per cent of India speaks in regional language and 41 per cent speaks in Hindi. “It is important that we develop our footprints in the regional space as well. As we go forward, I feel that the viewership in regional will only grow upwards,” he said. 

     

    The Hindi entertainment viewership is currently at 44 per cent, comprising about 29 per cent of Hindi general entertainment and 14-15 per cent of Hindi movies, whereas the regional viewership is at about 30 per cent. The third is kids channels with 8-9 per cent. So between them, it constitutes about 85 per cent of viewership in India. “This underlines the importance of regional, which is also growing faster than any other segment,” he informed.  

     

    Vats also feels that as India develops, the pride in regional language will only get strengthened. “The viewership will grow, and when this grows, the ad dollars will follow,” he added.  

     

    Rebranding exercise

     

    The teaser for the rebranding was launched on 3 March. The network plans to undertake the transition of the ETV franchise to Colors in a phase-wise manner. The first to rebrand is ETV Marathi, which will turn to Colors Marathi on 22 March. For the same, the communication will begin from 6 March, after which for almost two weeks, viewers can see the flip happening from ETV to Colors Marathi and then, on 22 March, on the occasion of Gudi Padwa, the final logo of Colors Marathi will be launched.

     

    The transition for all the five ETV channels will take place over a period of two months. “We are staggering the transition across two months because we want to bring alive the new identity with the agrarian new year of each of the regions we are present in. All the channel logos will be unveiled in an unique way, keeping the culture of the region in mind and taking roots from the place they come from,” informed Vats. 

     

    Apart from the logo, a few channels have also undergone a change in its tagline. The new tagline for Colors Marathi is ‘Saaz Nava, Rang Nava.’ The new programmes launched on the channel include: Marathi International Cinema and Theatre Awards on 22 March, Majhiya Mahera on 23 March and Sakhi on 23 March.

     

    Colors Bangla, with its new tagline ‘Tomar Sapner Rong’ will launch on 12 April. The new show Great Music Gurukul will air on 13 April.  Colors Gujarati with its new tagline ‘Dil Thi Gujarati’ will launch between 13 – 18 April. As for the new programmes, the channel will air Kumkum na Pagla Padya and Preet, Piyu ane Pannaben. Colors Kannada will launch with two new shows on 26 April and Colors Oriya will rebrand on 14 April. 

     

    The logos have been created in-house by Prism TV, which currently runs the five regional channels. 

     

    Talking about the new shows, Vats said, “As this rebranding happens, we will look at a lot of synergies. This will include new shows, both fiction and non-fiction, events and combination of both. This is necessary for people to understand and recognise the journey we are undertaking.”

     

    The network has a big history. “Each of the channels run by Prism TV command a certain level of trust and loyalty from their viewers.  The rebranding exercise of Colors will bring  a new wave of freshness to the channel. In an ideal way, we want to have the best of both worlds: so while we continue to have the heritage, with rebranding and new shows, we look at injecting modernity to the channel,” opined Vats.  

     

    The network through the exercise is looking at getting in new viewers and retaining the old ones. “Rebranding will increase the viewership footprint of Colors, which is important, thus extending our brand in the regional space was the most logical way forward. Also from the viewer’s perspective, ETV has a heritage, loyalty and trust. However the channel started 15 years back and the viewers of ETV have aged with the channel. It is therefore important that we get a reappraisal of the channel and get the youngsters in,” said Vats.

     

    When queried on whether the rebranding of regional channels would see any change in the programming of Colors, Vats said, “With time, it would be a two way process. While we our flagship GEC could share best practices and insights with the regional counterparts, the regional brands will also help the brand experiment with new content ideas.”

     

    He further added, “Subject to regulatory approvals, the regional channels could become a part of Viacom18, and once that happens there could be certain experiments that go well in the regional space, which could be brought to Colors as well. Therefore there is scope for learning to both sides.”

     

    The network undertook two to three rounds of research over a period of six to nine months before finalizing the new logo. The research highlighted that:

     

    * Colors has a strong positive imagery around high production values, bold themes, innovative non-fiction and programming that drives change/social programming.

     

     * Colors is the only channel that has achieved superlative success and ratings across both fiction and non-fiction shows. It is regarded by viewers as an “all rounder” and an “activist”. In summary a rebel with a cause.

     

    * Colors does not shy away from taking risks and placing big bets e.g. 24   

     

    * Merging the strong legacy and rich cultural roots of ETV channels with the positive imagery and entrepreneurial DNA of Colors shall result in:

    – Potentially the best of both worlds. Continually delighting viewers and exceeding their expectations

    – A quantum leap for regional content which is contemporary and progressive yet rooted firmly in a bedrock of rich values and tradition

    – Development of the ecosystem spurring the creation of jobs and emergence of writers, producers, directors, actors etc

    – Cost effective and targeted solutions for advertisers 

     

    Revenue Jump 

     

    The purpose of rebranding to Colors, according to Vats, is for the Prism team to be able to exploit the opportunity in its entirety and that would mean increase in viewership and ad revenue. 

     

    “Viacom18 has been growing in strong double digits. We have been growing at about 17 odd per cent, so I will expect the regional space to grow faster than that,” he informed.  
              
     

    Marketing buzz
      

    The channel rebranding is scheduled to coincide with regional festivals that mark new beginnings. 360 degree marketing and communication campaigns encompassing TV, cinema, cable, on-ground, radio, outdoor as well as digital platforms, customised to individual regional markets, will amplify the change.

     

    “We will bring alive the rebranding of the regional general entertainment channel cluster through enhanced packaging and an integrated marketing approach,” informed Vats.

     

    Campaigns for each regional brand will leverage the distinct fervour of the corresponding state or region through region specific events and / or on-ground activations involving popular local influencers.
     

    Each campaign will run for approximately four-five weeks, beginning with Colors Marathi on 22 March 2015. Coinciding with the Maharashtrian New Year – Gudi Padva, a high decibel event will unveil the new face of Colors Marathi.

     
    Similar extravaganzas will also celebrate the unveiling of the new brand identities of Colors Oriya, Colors Bangla, Colors Gujarati and Colors Kannada.

  • Decision on Nick proposal for buying entire holding in Prism TV deferred

    Decision on Nick proposal for buying entire holding in Prism TV deferred

    NEW DELHI: The Government today deferred approval to a proposal by Nickelodeon Asia Holdings Pte. Ltd., Singapore for purchasing the entire holdings of Shinano Retail Private Limited, India.

     

    Nickelodeon Asia Holdings plans to purchase the holdings of Shinano in Prism TV Private Limited.

     

    The Finance Ministry on the recommendation of the Foreign Investments Promotion Board (FIBP) approved a proposal of Viacom 18 Media Pvt. Ltd. for the deletion of one condition in the amendment.

     

    However, this does not involve any foreign direct investment (FDI).

  • ‘The mantra of new age loyalty is employability’: Abhinav Chopra

    ‘The mantra of new age loyalty is employability’: Abhinav Chopra

    Abhinav Chopra is a people’s man. At Viacom18 as executive vice president – human resources – he is responsible for talent engagement, talent acquisition and training and development initiatives across the organisation.

     

    An HR practitioner since 1998, he has held several key positions within the domain at Taj Hotels, Resorts and Palaces, previously, where he began his career. He joined Viacom18 in 2006, making a transition from the hospitality industry to the media and entertainment sector.

     

    An alumnus of the Tata Institute of Social Sciences (TISS), Chopra hopes to infuse fresh energy and thought brought in by young talent that yields innovation. Recently, the organisation returned to campuses across the country with the third edition of its Future Leadership Program.

     

    Indiantelevision.com’s Meghna Sharma spoke to the man to know how he searches for the ‘right’ talent and what makes an organisation an ideal place to work at.

     

     

    Excerpts…

     

    What makes Viacom18 a dream company to work for? Could you illustrate with examples?

     

    At Viacom18, just as we pride ourselves on our disruptive and differentiated content, we’re also proud of our differentiated and progressive people practices.

     

    The levels of dedication sought from employees blurs the boundaries between the professional and personal space. Creativity lends itself to the most unexpected spaces and times and it is tough for an employee to switch on and off his role in the professional capacity. Therefore it is necessary that the workplace is at least as inspiring, supportive and comfortable as the home environment.

     

    We facilitate success of our employees by constantly connecting and engaging with, and responding to employee needs through our comprehensive practices which are not just for them, but also by them, and of them.

     

    After every heart to heart conversation with a Viacom18 employee, I reflect upon the steps we have taken over the years to evoke so much passion that it is infectious. On every floor, in every bay, one is met with compelling energy and high positivity, which sets the tone for all the endeavours we undertake at Viacom18. Individual and organisational aspirations find a common expression in this electrifying environment. We not only forge strong bonds with our colleagues, but also with the organisation.

     

    We have worked towards nurturing this unique space by reversing some age old concepts like a boss transcends the formal relationship into being a friend here; the workplace is more a playground where fun and profitability go hand in hand; the high possibility of one’s ideas seeing the light of day is far more precious than just pay here; initiatives at Viacom18 respect the uniqueness of an individual; every opinion is considered before arriving at a conclusion, to which we are rewarded with a lot of passion, dedication, integrity, ingenuity, and hard work.

     

    How different are your HR policies from the others?

     

    Viacom18’s people policies are tailor-made to offer the unique proposition to our employees. They are progressive, in that they are flexible and move with people’s needs and allow space for reactions and opinions to evolve them.

     

    We try and implement this feedback by ensuring that individual needs are catered to while addressing career needs as well, leveraging every employee’s circle of influence.

     

    At the individual level, we have best in class policies in place for rewards, employee benefits such as insurance, leaves etc. We also present our employees with avenues for growth via the internal careers opportunity policy, which allows for people within the ecosystem to apply for vacancies internally. And finally, a set of perks and services are on offer to the employee, which helps them reach out to their loved ones as well as the things they love to pursue in their leisure.

     

    We also pride ourselves in our ability to communicate employee benefits of our HR policies creatively across the organisation. Creative minds are exposed to and constantly bombarded by highly entertaining stimuli. We realize that their attention spans are limited and block out anything that does not captivate them within a few seconds. Our innovative communication channels therefore engage all senses – visual, auditory, kinesthetic – ensuring that the right messages reach the right employees in the right manner.

     

    For instance, we invited employees to donate through the annual charity initiative – the Viacommunity Day. The quirky emailer, made and disseminated internally, backed up with charity boxes on every floor brought out the giver in every individual. We concluded the finale with a sale that provided people the chance to buy from non-profit organisations that support a cause.

     

    Do employees enjoy any special benefits or incentives? We’ve heard of incentives like a tattoo and pet allowance…

     

    In the hectic world of media and entertainment industry, where most of our businesses run on a 24×7 schedule, we take special care to ensure that employees are made to feel cared and valued, as well as they get enough quality time with their loved ones. This message is practised by employee-centric policies that accommodate flexible time schedules, provide facilities that lessen the burden of day to day personal tasks of the employee, provide special interests/hobby/fitness facilities on-site as well as a continuous connect with the employees and families by sharing and celebrating their significant life events with them. Therefore, we came up with a list of benefits that would make their everyday life easier and give them extra time to spend with their loved ones.

     

    Our Viacom 18 Employee Benefit Manual – the Greed Guide is a bundle of 38 extraordinary series of benefits and services to offer a world of perks in celebration of our employees and their loved ones:

     

    * For the employee, we have one of a kind unique perks, which range from creative perks such as an allowance to get a tattoo or buy a musical instrument, weight loss allowances, to wellness related perks such as reimbursements for yoga/kickboxing classes, on-site counsellor, doctor and nutritionist, free annual health check-ups. We also have a concierge service to help our employees better balance their work-home responsibilities.

     

    * It’s not all work and no play for our employees as our Greed Guide also includes fun perks that they can share with their co-workers such as sending a bad day at work gift to cheer up a colleague, a time out allowance to party with their team or a favourite co-worker day where we send out gifts to their best friend in office. We have perks that extend to friends outside office as well with the Viacom18 Coup Card – a shareable perk, which gives our employees and their friends up to 15 per cent discount at restaurants and clubs.

     

     

    How well-functioned is the grievance cell?

     

    At Viacom18, core HR functions are performed by our Centres of Excellence, who are custodians of people processes and responsible for driving these processes in the organisation. Recognising the fact that we need to create more touch points for candid and informal interactions with our young, intelligent and articulate employees, we have a dedicated HR partner for each business. Since HR partners interact with employees day-in and day-out to understand their needs, they represent the ‘voice of employees’ in the truest sense. This proximity that they share with the employees allows them to pre-empt their concerns and address them even before they become grievances.

     

    We believe in developing the organisation to help itself. It is our constant endeavour to empower our managers to connect with their teams and address their concerns.

     

    We realise that many concerns arise due to lack of information. To manage this, we ensure that our policies are transparent, well communicated and easily accessible. Our people polices have been made available on our Intranet, designed in-house as a social, information sharing platform, which won Bronze in web category at the Indian Digital Media Awards 2012.

     

    However, we understand that some concerns are confidential where the employees are not comfortable in using an open platform. As part of our Whistle Blower policy, we provide a 24*7 dial-in service that is operated by a third party, where employees can voice their concerns in complete confidence.

     

    And on an average, how long does an employee stay with the organisation?

    Over the last five years we have had an industry beating attrition of about 10-12 per cent. We currently stand at six – seven per cent, which is far below the industry average.

     

    With our strong brand positioning and innovative work practices, Viacom18 gained the status of the preferred employer of choice in a short span of time. In 2010, Viacom18 participated in the Great Places to Work survey which recognizes organisations that create and sustain great workplaces. We competed with the best across industries and attained top ranking in Media and 26th across industries followed by 7th position across companies with employees less than 1000 in 2012.

     

    In the recent Aon Hewitt All India Best Employer Survey, we surpassed the Global Media Top Quartile score.

     

    What are the various capability-building initiatives undertaken by the organisation? What is the frequency of such initiatives?

     

    Our capability building initiatives operate on two levels: one at an individual and team level to and second at an organisational level.

     

    At an individual and team level, the focus is on enhancing knowledge and understanding of the business environment, developing functional skills and maximising leadership potential.

     

    All learning and development initiatives at Viacom18 are anchored under the umbrella of “Bodhi Tree” – Viacom18’s Learning Academy, a one shop stop, integrated learning and development academy that includes select Standard Programs that every employee of Viacom18 has to necessarily go through including the Business Orientation program, which helps a new joiner understand how the media and entertainment industry functions, our Foundation Program, which prepares individuals to become wholesome media professionals to many Innovative and Differentiated Programs starting with Business Focused Interventions such as the Production Workshop for Content and programming teams, Script to Screen workshop for deeper understanding of how to evaluate and appreciate a script and Self-Learning Platforms in the form of Back to School that enables employees to pursue higher education and Base Camp which is a self-study centre consisting of a physical library and an online library.

     

    We nurture leaders at every level – whether among fresh entrants, or those who bring with them a body of experience – through our various leadership development initiatives. From Entry-level Programs to Structured Leadership Development Programs conducted year on year for leaders across levels, we provide opportunities to our leaders to become top notch global media professionals in the creative and business domain.

     

    We have a specially designed Future Leadership Programme for fresh Graduates and post Graduate Creative Trainees called ‘Unlife’ and ‘What’s Your Story’ respectively.

     

    The Young Leadership Development Program is specifically slated as the first step of climbing the leadership ladder at both management and personal level. It is focussed on the leadership skills for first time leaders.

     

    The Senior Leadership Development Program is devised specially to focus on enhancing overall strategic leadership capabilities of the Leadership Team at Viacom18.

     

    We will also launch a Leadership Development Program for functional managers soon.

     

    At an organisational level, we drive a set of key change initiatives to enhance the effectiveness of the organisation that would thereby enable achievement of our goals in the long term. Whether it is about articulating and cascading our Organisational Values or deploying our People Promise, we plan our efforts systematically to build a future ready organisation.

     

    How do you select talent?

     

    At Viacom18, the priority is to build upon existing talent. As a result, we ensure we have searched for a relevant vacancy within the organisation first, promoting existing talent.

     

    We hire fresh talent from top colleges across the country through a rigorous selection process as well as laterals who fit the bill from across industries. We ensure a healthy diversity of backgrounds and experiences to inject fresh thought and energy in the organisation.

     

    In addition, we also seek cultural fits, for Viacom18’s own culture is unique. People with an attitude of openness, edge to excel, high energy and passion thrive here. Our selection process is intuitive as well as backed by scientific insight to select individuals with these traits.

     

    Any examples of people who started their career with Viacom18 and still continue to work with the organisation?

     

    It is a matter of great pride for us here at Viacom18 that more than half our leadership team has been associated with the organisation since the inception. They have partnered the organisation’s exponential growth story over the last seven years, and also provided the opportunity to several leaders in their teams and the wider organisation to boast of soaring careers. Most of our Function heads too began their careers with Viacom18 and, over time, have grown to drive important functional synergies in the organisation apart from sustained profitability.

     

    In today’s world when there are too many opportunities available, how do you retain talent?

     

    The mantra of new age loyalty is employability. At Viacom18, we enhance this very virtue of our talent pool through learning and development initiatives – whether for entry level or veteran employees.

     

    That said, novel opportunities are not the exclusive domain of places outside the company. We appreciate the wish of our talent to seek change. An exciting world of new learning on the job awaits within the organisation as well. As a growing organisation, we constantly offer new and challenging opportunities to our talent who wish to pursue something new.

     

    How does the appraisal system work in the organisation?

     

    Building a high performance culture has been a constant area of focus for us over the years. Performance appraisal system is an effective instrument that allows us to offer a fair, transparent, equitable system to evaluate the efforts of employees and provide transparent linkage to rewards.

     

    However, there are two sides to Performance Management: the system that drives it, and the intent that makes it work.

     

    We have shifted significantly towards a more objective and measurable performance management system. Driven primarily by a uniform scorecard approach as its fundamental building block, the system presents a unique proposition in a creative business like ours. The approach allows for clearly defined responsibilities, demarcating role accountabilities and performance indicators.

     

    What is the one HR policy at the company that you are really proud of and why?

     

    Having been around since inception, it would be a task to pick and choose one policy that triumphs over others, especially because we have constantly tried to evolve each one to suit the organisation’s larger growth objective.

     

    The very philosophy of this organisation that governs our policies fills me with immense pride – we respect the ‘I’ in You. Individuality is the cornerstone of the nature of our business. As the very germ of creativity, we recognise that it is the reason for our success. Every policy we evolve therefore carries this ethos forward.

     

    According to you what is the biggest HR issue at present?

     

    The big issue in the area of human resources revolves around skills development. However, this issue is multifaceted.

     

    It is a widely acknowledged fact that skilled manpower is hard to come by in India. While a large section of the youth population is qualified, most remain unemployed. On the other hand, several vocations await vacancies to be filled. However, much social stigma is attached to these vocational skills, and very few institutions of education are dedicated to imparting skill development training. These last two factors demand redressal at the earliest.

     

    In addition to this, as much as it is important for a HR personnel to keep their ears to the ground, it is equally imperative that decisions are led by hard analytics-driven insight and not just the gut.

     

    What is your take on – HR policies need revision to cater to employees’ needs? Have any of the policies changed to suit the employees?

     

    The key question to ask about revision of HR policies is not so much whether or not they should be revised, but when. They need to suit the requirements of the lifecycle of the business just as much as those who contribute to its progress.

     

    At Viacom18, our people practices are agile, responsive and constantly evolving. We ensure that they cater to the changing needs of the business as appropriately as the employees. An obvious example is our rather quirky Greed Guide, which we review year on year. With unique perks and services that offer flexibility to our employees to expand their circle of influence through the year.

  • Viacom18 partners with Film Heritage Foundation

    Viacom18 partners with Film Heritage Foundation

    MUMBAI: Viacom18 has partnered with the Film Heritage Foundation to save India’s cinematic heritage. As a step towards this cause, the Film Heritage Foundation will be setting up a week-long school from 22 – 28 February, 2015 at Films Division Mumbai. 

     

    This is for the first time that an academic initiative of this nature focused on film preservation and restoration is being conducted in India. The school will consist of lectures, presentations and practical classes on film preservation and restoration that will be conducted by international experts in the field. There will also be a daily screening of a restored classic preceded by an introductory talk on the restoration. This is in line with the vision to create an indigenous resource of film archivists and restorers that will work towards preserving India’s legacy of cinema.

     

    With over a 100 years of cinematic heritage, India is the world’s largest producer of films. India produces more than 1700 movies a year in over 32 languages. However by 1950, the industry had lost 70-80 per cent of the films including India’s first talkie Alam Ara due to lack of proper preservation. Understanding the importance of creating awareness to safeguard India’s unique cinematic history, Viacom18 has pledged its support to the Film Heritage Foundation, mobilizing the film fraternity and industry veterans to come forward to join this initiative.

     

    Extending support to this unique initiative, Viacom18 Media group CEO and CII National Committee on Media & Entertainment chairman Sudhanshu Vats said, “At Viacom18, we don’t just create entertainment but also believe in preserving our cultural heritage for the benefit of our audience. Our partnership with the Film Heritage Foundation is an indication of how we truly support and honour the hard work that goes behind the making of a film. Our objective for this partnership is to create awareness about the importance of preserving our glorious cinematic past because if we don’t restore films, we will lose the opportunity to document the creativity of the golden age of Indian cinema. We invite each one of you to join this movement to help restore our legacy of cinema for generations to come.”

     

    Film Heritage Foundation founder director Shivendra Singh Dungarpur added, “Most people are not aware that India has an endangered cinematic legacy. We have lost a colossal amount of our cinematic heritage and we continue to lose more every day — even recent films dating from as late as the ’90s. We need to recognize that cinema is an integral part of our social and cultural heritage that must be preserved and restored like any other art form. The idea behind the Film Preservation & Restoration School India was to create awareness about the importance of film preservation and restoration and to take the first step in training future archivists and restorers to save our cinematic heritage. Sudhanshu Vats of Viacom 18 was the first person from the film industry who had the foresight to recognize the importance and urgency of our cause and to offer his support for this pioneering educational initiative.”

     

    The Film Heritage Foundation has collaborated with Martin Scorsese’s Film Foundation, Cineteca di Bologna, L’Immagine Ritrovata and FIAF for this course, which is certified by FIAF – the International Federation of Film Archives. Pre-registered participants from across India, Sri Lanka and Nepal will be part of this course.

  • A new ‘Cloudwalker’ in the virtual world

    A new ‘Cloudwalker’ in the virtual world

    MUMBAI: As the digital ecosystem in India is set to expand, the market for Video on Demand (VOD) platforms is only growing. A new kid on the bloc is Half Ticket, which claims to be India’s first curated VOD megastore.

     

    Launched 45 days ago by CloudWalker Streaming Technologies, the company researched for seven months before giving a go ahead to the beta version of the site. CloudWalker founder Jagdish Rajpurohit says, “We call ourselves as an enabler of one’s content in the digital world. If one has content which has a strong demand, and if people watch this content, then one will earn money.”

     

    But how different is Half Ticket from its competitors? Rajpurohit says as a matter of strategy they decided to curate content across the internet and bring it to the platform. They see themselves as digital exhibitors at par with brick and mortar multiplexes. “The difference between YouTube and other VOD’s is that one has to search content while in our case we make the content available to the audiences with ease,” says Rajpurohit while adding that they didn’t pay for the content.

     

    Besides curating, the company is also creating digital content. Explaining the same he says, “We are offering pre-marketing digital services. If one is making a film, one also shoots a lot of the making of the film which is useless. By using this and adapting our own scripts, we make customised content for producers to use for promotions.” It is also making a digital comedy serial in Hinglish of which the IP will rest with CloudWalker.

     

    The platform is also creating a space for independent cinema which will give them an opportunity to earn revenue for a longer time. “Half Ticket is not a video platform but it’s a digital distribution platform. It works on the strategy to help producers’ monetise better,” he says.

     

    While low bandwidth is one of the biggest challenges, according to Rajpurohit, the biggest opportunity will come when 4G enters the space. He further goes on to say, “Compared to the last five years, I see better days ahead. But the biggest challenge will be to make people aware that premium content is available digitally and one has to pay for it.”

     

    A 12 member team looks after curation of the content. “Our crucial point was that the internet today is uploading close to 220 hours of content every minute. In this scenario there is a 99 per cent chance of one missing the content they wish to see until and unless there is curation involved; one will not be able to choose the best,” the executive informs.

     

    So what is the checklist followed to select the content? Firstly, the content sourced is strictly family oriented. Secondly, the ratings and reviews based on film websites are taken into account before filling the content deck.

     

    The total team strength of the company is 32 and is based in Mumbai. The first level of funding came from the seven promoters of CloudWalker, who have invested a total of Rs 7 crore. It is in talks with two to three more funding companies who have expressed interest in the platform.

     

    The portal, which follows an advertisement driven model, is also reaching out to regional cinema makers. “We are telling regional cinema filmmakers that if they want to reach out to audiences worldwide, it will become much cheaper to bring the new content to a digital platform and release it. And as far as revenue is concerned, it is the same. If a film sells two to four lakh tickets across the world, then the production house can easily earn Rs 4 to 5 crore which is not possible theatrically,” he informs.

     

    The company plans to soon announce a Master Class for film distribution in the independent cinema.

     

    While content from channels like Colors, MTV, Nick, Viacom18, YouTube, History TV18, Dailymotion among others is already available on the platform, it is also in talks with two GECs. “The platform has 23,000 to 24,000 hours of content currently and is attracting a traction of 75,000 to 80,000 users every day. An app released four days ago has so far received 150 to 200 downloads,” boasts Rajpurohit.

     

    As part of its promotions, the platform tied up with My French Film Festival India and had a special screening at PVR wherein celebrities like Digamanshu Dhuliya, Ketan Mehta and Anurag Kashyap were present.

     

    Chalking the road ahead, Rajpurohit concludes, “We are in talks with new film distributors and will continue bringing festivals like ‘My French Film Festival’ to India.”