Tag: Viacom18

  • LCN issue: Viacom18’s Sudhanshu Vats lauds TRAI, validates trust in BARC

    MUMBAI: Industry observers were quite puzzled as to why India’s TV viewership monitoring agency – Broadcast Audience Research Council (BARC) – kept relatively mum during the entire multiple-LCN- placement-generating-unnatural-ratings fight between the English news channels and debutant the Arnab Goswami backed Republic TV. A couple of the English news channels went to court, hauled BARC, Telecom Regulatory Authority (TRAI) and the newcomer before the judge, and even stripped their signals of the viewership monitoring audio watermark.

    Each of them sent out a flurry of private messages to all and sundry, stating their point. BARC sent out only one official statement, during the entire spat.

    Was it shirking its responsibility?

    “No,” stated BARC executives in private conversation. “Our job is to simply monitor television viewing and report honestly with what we have. No matter what each player does on the distribution front. The regulator has to take action.”

    And the regulator TRAI did take action a few days ago by sending out a note warning distribution platforms against going the multiple LCN way for any channel, and ensuring that genre placement is adhered to.

    The move has drawn plaudits from BARC chairman Sudhanshu Vats (he is also the vice-president of the Indian Broadcasting Foundation and Group CEO of Viacom 18).

    “The recent note from TRAI on the LCN issue (titled ‘Listing of TV Channels on Electronic Programme Guide) is a welcome step in the right direction,” says Vats. “It provides all market players with much-needed clarity and clearly spells out the regulator’s view on the issue. Once again TRAI has taken the ‘consumer lens’ and ensured that she remains at the center of the discourse.”

    The BARC chairman further says: “As the dust settles on the matter, three key truths have been proven. The first pertains to BARC and its methods to measure what India watches. In that context, it is safe to say that watermarking is a modern, robust technology that has held the industry in good stead. In record time, BARC has earned a fair share of its currency of trust and all its stakeholders are committed to its mission, including the IBF which backs it in entirety. To be frank, it was wrong to drag BARC into the issue in the first place. The second truth requires us to introspect as an industry.

    It is unfortunate that some members have taken issue with the use of multiple LCNs when many have themselves set the precedent for it – either as a promotional or as a defensive tactic. While this should now abate given the recent direction from TRAI, moving forward, all market players must create consensus internally rather than squander away the valuable time of the courts.”

    He further cautions that the industry should work together to ensure that its shared credibility should not be dented, especially by the players’ own actions. He further explained that the multiscreen future is going to bring up its own challenges and everyone needs to prepare for it.

    “Total Audience Measurement’ (i.e. measurement of content consumption across devices including handheld, desktop, TV etc.) will become the norm. In such an environment, all content players will look at innovative ways to increase their reach and sampling while focusing on delivering winning content. This is the new normal that we all need to prepare for, ” says Vats. “I’ve always thought of our industry as a large family with members who often quarrel but eventually come together. This time will be no different.”

  • MTV India appoints Ryan Mendonca as head of creative

    MUMBAI: MTV India has appointed Ryan Mendonca as the head of creative for its youth business which includes MTV and MTV Beats.

    The recipient of multiple wards including Cannes Lions and the Young Achievers Awards by The Advertising Club in 2009, Mendonca will report to Viacom18 Youth and English entertainment head Ferzad Palia.

    With more than a decade of experience in the world of advertising, prior to joining MTV, Mendonca worked with Ogilvy & Mather where he developed campaigns for iconic brands from Unilever, Cadbury, Perfetti and more. Known for being a man who lets his work speak for himself, over the years, Ryan has not only worked to deliver exemplary campaigns for clients but has also won accolades both nationally and internationally. As he takes over the Head of Creative for MTV, Ryan’s primary responsibility will be to lead the team at MTV and MTV BEATS to push the creative boundaries with brand communication across the MTV universe of TV, digital and branded content.

    Palia said, “People are the biggest asset of our business and we are continuously looking for talent that believes in the power of MTV and are also hungry to push the envelope and challenge status quos. Ryan is one of the hottest young creative minds in the industry today and going by the work that he has been doing, I believe he is the perfect fit for our multi-platform business, the MTV universe. Now, as we are gearing up for some exciting launches and with multiple new initiatives in the pipeline, Ryan is going to have his hands full at MTV. All I can say is, welcome to the madness Ryan!”

    Discussing his new role, Mendonca said, “Like several others from my generation, I grew up on MTV. It showed us the way, it was our voice. Now I join that voice again. It’s a privilege to be working alongside the brightest minds in the industry. I look forward to the ride.”

    During his stint with Ogilvy & Mather, Ryan handled creative duties for brands like Mondelez (Bournvita), ICICI Bank and BCCI (IPL) and has worked on several other brands such as Unilever (Dove, Ponds), Kodak, Perfetti, Star, Zigy, Apollo hospitals, Breakthrough Trust, Taj Holidays, World Gold Council and KFC amongst others. In his decade-long illustrious career, Ryan has not only made a name for himself as a creative hotshot but has also been the recipient of numerous awards. The Advertising Club of India named him Copywriter of the Year and Social Thinker of the year in 2009. His other laurels include being awarded at Cannes, The One Show, London International, Spikes Asia, WARC, Effies (India and Asia), AMEs and Young Guns to name a few.

  • Colors Infinity introduces a special programming slot for non-fiction format ‘Eat at 8’

    MUMBAI: Colors Infinity brings to its viewers a big fat culinary treat with a fresh new segment called Eat at 8, which is all set to get your mouth watering! With shows like Come dine with me – Couple Series 3, Junior Bake-Off and My Kitchen Rules, tempting viewers with delectable food presentations, Eat at 8 is sure to redefine dinnertime in India.

    Combining delightful food with compelling stories, Eat at 8 will take its viewers on an exciting gourmet journey starting Monday, May 29 at 8 PM only on Colors Infinity.

    Complementing this extensive line-up for internationally appreciated and acclaimed culinary-reality shows, to make this mouth-watering journey even more appetizing, Colors Infinity has launched a robust, 360-degree promotional plan for the Eat at 8 segment that connects with audiences across all platforms. Alongside a special On-air ‘Dinner Time Reminder’ campaign across various radio stations and all Viacom18 network channels, Colors Infinity has partnered with several renowned celebrity chefs to create local content and deliver unique experiences for a few lucky fans through exciting contests. The channel has also associated with popular pubs, restaurants and food delivery chains such as Raasta, Mocha, Junkyard, High Spirits and many more across multiple cities to satisfy food cravings with special offers at 8 PM. Adding a dollop of fun to the concept of Eat at 8, the channel will be conducting over 50 culinary workshops, exciting cookery competitions and social media engagement activities for students in around 100 college campuses with nearly 400 college ambassadors.

    Taking their efforts one step further, Colors Infinity has partnered with multiple partners across India to kick start a#SayNoToFoodWastage campaign, delivering the untouched leftover foods from the day to the homeless and needy through the Robin Hood Army network in every city. Kicking off the new Dinner Time, Colors Infinity has a few surprises in store for the Viacom18 family at their Mumbai offices.

    Excited with the new segment Eat@8, Hashim Dsouza said “Indians are born foodies and in recent times, global cuisine has been gaining a lot of prominence in India. Indian viewers are eager to be acquainted with exotic foods from around the world. With Eat@8, Colors Infinity is empowering the viewers to discover food with some never seen before international culinary shows. We aim to redefine 8 PM as the ideal time for families to dine together, and watch all our appetizing and exciting offerings.Colors Infinity will form a special food connect with the Indian audience and reiterate the concept of Eat@8 through all our associations and engagements.”

    In addition to Eat@8, Colors Infinity will continue to provide wholesome entertainment to its viewers with many more exciting shows to watch this June. Colors Infinity offers its audience an exhilarating start to the month with the release ofOrange Is The New Black Season 5, along with its international release. The channel will premiere the sensational America’s Next Top Model Season 23, along with the return of all new episodes of iZombie and The Night Shift. Humans, the sci-fi drama, that has not only received critical acclaim but also tremendous interest from viewers across the globe will be aired on the channel as well. In addition to the thrilling premieres, Colors Infinity has in store nail biting finales of Better Call Saul andFargo Season 3.

  • MTV gets 10 of the total haul of 18 PromaxBDA awards by Viacom18

    MUMBAI: Viacom 18 Media has bagged 18 awards across categories at the recently concluded PromaxBDA India 2017 Awards, all the awards going to those conceptualized and produced in-house.

    MTV turned out to be the contributor with a total of 10 awards being scooped up by its creative team alone. Viacom18’s brands COLORS, MTV, Vh1, Nickelodeon, Comedy Central, Rishtey Cineplex and COLORS MARATHI brought in a total of nine golds and nine silvers for excellence in various creative campaigns.

    PromaxBDA, which gives awards for marketing excellence in the media marketing space, represents more than 10,000 companies and individuals at every major media organization, marketing agency, research company, strategic and creative vendor and technology provider and is considered to be the leading global resource for education, community, creative inspiration and career development in the media and media marketing sectors. The awards ceremony was held in Mumbai on 18 May 2017.

    The award-winning Viacom 19 Pvt Ltd campaigns at the PromaxBDA India 2017 Awards were:

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  • Viacom18 elevates Raj Nayak as COO, restructures leadership team

    MUMBAI: As it steps into the 10th year of its existence, Viacom18, one of India’s fastest growing media and entertainment companies, has announced an organisational rejig that aims to dial up synergies across the multiplatform network that houses iconic brands.

    Led by the elevation of Raj Nayak to Chief Operating Officer, Viacom18, the restructuring exercise is aimed at making the organisation future-ready as it enters its next growth phase. With this move Viacom18 has consolidated its national brands aimed at youth and adult audiences viz. Hindi, Youth, Music and English Entertainment offerings under the leadership of Raj.

    The role of Ferzad Palia, Head – Youth, Music & English Entertainment has been further expanded, to include two new businesses as the network dials up its content & music offerings. ‘Brand Studio’ will create branded content and white label solutions for partners, along with original commissioned content. ‘MTV Music Project’, will nurture an ecosystem of new and established artistes and create original music content. This is in addition to Ferzad’s existing portfolio that includes MTV, MTV Beats, COLORS Infinity, Comedy Central & Vh1.

    With a clear focus on strengthening its rural presence, Viacom18 has also elevated Anuj Poddar from his current role at COLORS Marathi and COLORS Gujarati to lead the rural expansion as Head – Rural Business, including Rishtey Cineplex.

    Saugato Bhowmik, Head – Viacom18 Consumer Products & Integrated Network Solutions, will continue to drive the efforts towards building homegrown experiential IPs and a robust consumer products business.

    Ferzad, Anuj and Saugato will report to Raj Nayak.

    Underlining its belief in the growth potential of regional broadcast entertainment, Viacom18 has entrusted the responsibility of its existing regional channels (COLORS Kannada, COLORS Super, COLORS Marathi, COLORS Bangla, COLORS Odia, COLORS Gujarati) and the soon to be launched COLORS Tamil with Ravish Kumar, Head – Regional Entertainment, Viacom18, thereby combining all its regional offerings under one roof to ensure greater focus.

    Viacom18 is the leader in the kids entertainment category with the No.1 Kids entertainment channel Nickelodeon and a strong portfolio comprising Sonic, Nick Jr and Nick HD+. Under the leadership of Nina Elavia Jaipuria, Head – Kids Cluster, Viacom18, the network will be growing its presence in the ‘kids ecosystem’ as it plans to enhance its repertoire of homegrown content and drive up its consumer connect with live events, experiential touchpoints and learning initiatives.

    Viacom18 Digital Ventures, with Gaurav Gandhi at its helm as COO, will be leading the network’s digital foray with its flagship VoD service, VOOT. In its second year of operations, VOOT will look to grow its portfolio, bolster its content catalogue, collaborate with like-minded partners and launch segmented offerings.

    The network’s film studio, Viacom18 Motion Pictures, led by its COO, Ajit Andhare, will continue to create content-driven cinema, while ramping up its regional play, in line with the network’s enhanced focus on regional entertainment.

    Raj, Ravish, Nina, Gaurav and Ajit will continue to report to Sudhanshu Vats, Group CEO, Viacom18.

    “Viacom18’s DNA has enabled it to pre-empt market shifts and adopt unconventional approaches to address conventional business challenges. Since inception, our topline has grown 40x and channel count has grown over 12x while being PAT profitable. Today, Viacom18 has 5 diverse lines of business – in addition to a core broadcast offering it now has a strong presence in digital, filmed and live entertainment along with a fast-growing licensing and merchandising operation. None of this would have been possible without our most valuable asset – our team. Our endevaour has always been to build a future ready organisation with distinct capabilities and a distinctive culture with an emphasis on developing internal talent. This new structure will power us as we enter our next growth phase,” said Sudhanshu Vats, Group CEO, Viacom18.

    While congratulating Raj Nayak on his new role, he said, “Raj is one of those rare leaders in our industry who possess a sharp business acumen coupled with a nuanced understanding of what makes brands iconic. I am confident that he will be able to take this portfolio of brands to even greater heights as he leverages deeper synergies in his new role.”

    Viacom18 has announced that the new leadership structure will be operational with immediate effect.

  • Viacom18 widens regional reach, to launch Colors Tamil in Q4

    MUMBAI: Viacom18, one of India’s fastest growing media and entertainment networks, today announced the upcoming launch of its 7th Regional General Entertainment brand – Colors Tamil. Viacom18 successfully operates GECs in the Kannada, Marathi, Gujarati, Odia and Bangla markets.

    The network has been bullish on the future prospect of regional entertainment and had launched a second GEC – Colors Super – in the Kannada market, in July, 2016.

    Commenting on the impending launch of Colors Tamil, Sudhanshu Vats, Group CEO, Viacom18, said, “Driving Regional aggressively is one of our foremost strategic thrusts. Given that almost 60% of our country speaks in regional languages and this market is under-indexed on television, it is imperative that this segment will continue to grow rapidly in the years ahead. While Colors Super was aimed at deepening our presence in the Kannada genre where Colors Kannada is an undisputed leader, the launch of Colors Tamil is a step towards widening our reach in regional markets by entering the largest regional market in the country.”

    “The Tamil content market is highly competitive and well-primed for disruption, making this the opportune time for our entry. We look forward to delighting the Tamil content aficionado with the latest offering from the house of Viacom18,” Vats added.

    Viacom18 owns some of the country’s biggest reality and fiction shows. Original innovative content has been developed for each region under the brand Colors. The company is also renowned for creating marquee on-ground properties, that is televised on the respective channels, both at national and regional levels.

  • Khabar Pakki Hai? verifies viral content on News18 India

    MUMBAI: With the exponential growth of social media, innumerable photos, videos and stories are shared every second, but there is no way to check the authenticity of all this content. This results in a lot of misinformation impacting opinion and resultant actions by people believing these false & fabricated stories.

    As verification of such viral content becomes all the more vital, News18 India brings ‘Khabar Pakki Hai?’ – a show that will not only check facts and test the authenticity of viral content but also try to assess whether it is real or just propaganda.

    TV18 Broadcast Limited, is a part of Network18 Group. Through its subsidiary, TV18, the group operates news channels such as CNBC-TV18, CNBC Awaaz, CNBC-TV18 Prime HD, CNN-NEWS18, and News18 India. TV18 also operates a JV with Viacom called Viacom18, which houses a portfolio of popular entertainment channels such as Colors, Colors HD, Rishtey, MTV India, MTV Indies, Comedy Central, Vh1, Nick, Sonic, Nick Jr and Viacom18 Motion Pictures.

    News18 will also reach out to the relevant authorities and try to get the official statements on the unverified news. In the event of two conflicting versions of the same story that are hard to fact-check, the show will present the opposing narratives highlighting the contradiction in the story.

    Through this show, the channel will examine news doing the rounds on various social media platforms and attempt to debunk disinformation and try and tell fake from real news. Watch ‘KhabarPakki Hai?’ starting 22 April, every Saturday & Sunday at 7.30pm.

  • Viacom18, Star India & B4U win case against pirated streaming in US

    MUMBAI: A US court has ordered closure of unauthorised digital streaming and distribution by the providers of the Cres TV and Shava STBs in further success for US pay-TV operator Dish. The US District Court for the Eastern District of Virginia recently awarded more than US$25 million in damages in another blow to peddlers of illegal video piracy services soon after forcing the closure of an illegal IPTV operation.

    The court awarded the huge sum in damages to plaintiffs for unauthorised distribution of copyrighted works. Plaintiffs include Dish Network L.L.C., Al Jazeera Media Network, Asia TV USA Ltd., B4U U.S., Inc., GEO USA LLC, Impress Telefilm, Inc., MBC FZ LLC, MSM Asia Ltd., Soundview Broadcasting LLC, Soundview ATN LLC, Star India Private Ltd. and Viacom18 Media Private Limited.

    Back in India, Viacom18 has secured a John Doe interim order from Madras High Court restricting more than 1250 identified and all other unidentified websites from making the infringing copies of Viacom18’s latest release i.e ‘Force2’ available for public viewing over internet.

    In the said order, the Court has further directed 40 major Internet Service Providers (ISPs) and also other unidentified ISPs to block all such pirate websites which are illegally making the said film available over internet, Advanced Television reported.

    Back in India in Novermber 2016, Viacom18 had blocked Force 2 movie telecast across 1250 websites after getting an interim order from the Madras High Court  Viacom18 secured the John Doe interim order restricting identified and other unidentified websites from making the infringing copies of Viacom18’s release i.e ‘Force2’ available for public viewing over internet.

    In the said order, the Court has further directed 40 major Internet Service Providers (ISPs) and also other unidentified ISPs to block all such pirate websites which are illegally making the said film available over internet.

    Viacom18 group general counsel Sujeet Jain said, “I welcome this order. It is estimated that India loses $2.5 billion to online movie piracy every year. This order is a significant development for the film industry in its fight against online piracy. As immediate next steps, we’ve also launched an investigation into identifying the source of piracy at the threshold level and we will be soon taking strict action on that front.” Viacom18 had earlier successfully secured John Doe orders against infringement of its films Drishyam and ‘Manjhi – The Mountain Man’ as well.

    Also Read :

    Viacom18 blocks Force 2 across 1250 websites; gets interim order from Madras HC

    IPL 2017: The Piracy Conundrum

    FICCI FRAMES: Legitimate screens, stricter laws, best practices for IPR

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  • Viacom18 chief: Indian media sector can create 10 mn jobs over next decade

    NEW DELHI: Making a strong case for the Indian media and entertainment (M&E) sector as a major employment generator in the country and which can blunt job automation up to an extent, Viacom18 group CEO Sudhanshu Vats said that it, along with ancillary sectors, has the potential to “create at least 10 million” jobs over the next decade.

    “I say this because in other sectors also the skills needed in our sector will be the same ones needed to ensure that the workforce remains competitive. Therefore, in a future where jobs are going to get automated, our sector (M&E) is part of the (employment) solution,” Vats said while delivering a keynote address at the CII-organised Global Exhibition on Services 2017 at Greater Noida, on the outskirts of Delhi.

    Pointing out that in a future where jobs are going to get automated and India’s M&E sector can lend a helping hand, Vats exhorted on Tuesday policymakers present from India and abroad at the event that they must do everything in their power to “grow” the M&E sector over the next decade. “For my industry colleagues from different parts of the world, no matter which country or sub-sector of our industry you represent, I’m going to explain to you why the singular stereotype of ‘Indian content’ is a myth and why you need to help our industry shatter this myth as you take our message to the world,” he added.

    In an address, given in the presence of Indian and foreign dignitaries, including Minister of State for Information & Broadcasting Rajyavardhan Rathore, Vats went beyond clichés and said, “World over the economic narrative is moving from simply GDP growth and wealth-creation to ‘job creation’. And this is important, because as societies evolve, it is extremely important for the growth to be equitable and productive.”

    According to Vats, discussions in India have focused around the importance of India’s services sector in exports, job creation and GDP growth or the need for India to build the M&E sector as the next IT sector given the ‘creativity endowment’ or “slightly more nuanced” themes such as inter-linkages between manufacturing and services policy measures that can unleash the country’s true potential.

    “However, I am going to take a different two-pronged approach. An approach that is both critical and interesting. Most of you here will agree with me when I say that in the new world of media where OTT platforms have become mainstream and digital audiences are much sought after, it’s important to tailor-make messages that are relevant to the audience,” Vats said in an address that mixed practical economics with policy-making, adding he had two distinct messages for “two distinct sets of stakeholders” that have gathered at the GES 2017.

    “If you look at the pace at which jobs are changing, you’ll be surprised. If my 18-year-old daughter told me 10 years back that she wanted to be an ‘app designer’ I wouldn’t have understood what she meant. Ten years back the first I-phone was launched and Android came much later. India has a workforce that’s anywhere in the 460-480 million range and 10-15 million Indians are being added to the workforce each year. This is likely to continue for another 10 years at least,” Vats said highlighting the USP of India — growing workforce.

    And, then he went on to explain his theory why India’s M&E sector was an important clog in the country’s overall economic growth: “Automation won’t make all jobs across a sector or two redundant but certain ‘kinds of jobs’ (especially ‘routine ones’) across several sectors redundant. If you break down jobs performed by us in the M&E sector, a large bulk of them is actually non-routine. This is because of the importance of creativity in everything that we do and the need to create content that will appeal to human beings, making our sector a key creator of high-value-added jobs that will be relatively ‘automation-proof’ in the future.”

    Dwelling on the versatile content with universal appeal that India generates annually, which should be taken advantage of globally, Vats told the audience, “The versatility of our content is mind-boggling. We have created a mega-property out of a local sport; we have regional language content on a wide variety of themes (mythological, super natural, comedy, drama, action, mystery, animation, etc.); we have our own non-scripted formats; we have a wide variety of films in different languages – our spectrum of content is endless. All you need to do is to find the right partner and make the right effort in taking these stories to your part of the world.”

    Vats message to the audience and Indian policy-makers was simple, yet clear: over the next decade, India’s growth, coupled with the government’s measures, might be able to absorb some of the growing job-seekers, but closer to 2027, it is likely to find itself in a spot where even if the supply of jobs matched the demand, the skill sets needed might not match those available with job-seekers as a “robot can perform those jobs better”. Hence, M&E sector with its vast opportunities could be a savior.

  • Network18’s Vinit Jain calls it a day

    MUMBAI: After a stint of more than three years, Network18 media and investment group head commercial Vinit Jain has resigned from the company.

    A source close to the development informed www.indiantelevision.com that Jain has already served his notice period and last day at work.

    Jain joined Network18 in August 2013 as the group head – commercial where he was responsible for strategic financial planning, budgeting and management reporting, business and transaction restructuring and integration and new set-ups and business support.

    Prior to this, he worked as the chief financial officer at Indiacast Media and Distribution, a joint venture with Viacom 18 and  TV18 broadcast for more than two years.

    Jain also worked with Zee Learn as the chief financial officer for six months. Earlier, for more than 12 years, he worked as the director fo ESPN Software India Pvt Ltd.

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